Graphic Novels

Total Page:16

File Type:pdf, Size:1020Kb

Graphic Novels Saints Tomboy: A Graphic Memoir By Gene Luen Yang By Liz Prince (YA GRAPHIC PRINCE, LIZ) (YA GRAPHIC YANG, GENE) She wasn’t a girly girl, nor one of the guys, but Four-Girl is unwanted by her family, and she finds somewhere in the middle. solace amongst the Christians who are invading her country. Uglies: Shay’s Story By Scott Westerfeld Seconds (YA GRAPHIC WESTERFELD, SCOTT) By Bryan Lee O’Malley Rejecting life in Prettytown, Shay finds her way to (YA GRAPHIC OMALLEY, BRYAN) the rebellion. Kate is not satisfied with her life and discovers a way to make some changes to the past using magic mush- Ultimate Comics Spider-man rooms. By Brian Bendis (YA GRAPHIC SPIDER-MAN) Witness the birth of a new Spider-man Miles Mo- The Shadow Hero rales. By Gene Luen Yang (YA GRAPHIC YANG, GENE) The Unwritten: Tommy Taylor and the Ship that Hank Chu helps his family’s grocery store when his Sank Twice mother makes him a superhero suit, and offers to By Make Carey (GRAPHIC CAREY, MIKE) give him rides to fight crime. Tommy Taylor was orphaned as a babe when his The Silence of Our Friends wizard parents went down in a shipwreck. Years later By Mark Long (GRAPHIC LONG, MARK) he is learning there is more to the story. In 1966 two families have the courage to become friends against a backdrop of riots and racism. A Wrinkle in Time: The Graphic Novel By Madeleine L’Engle Sisters (YA GRAPHIC LENGLE, MADELEINE) By Raina Telgemeier A dark and stormy night is just the beginning in this Graphic (YA GRAPHIC TELGEMEIER, RAINA) classic tale of a fight against evil. The true story of how fun and frustrating relation- ships between sisters can be. Superior Spider-Man DOWNLOADABLE E-BOOKS By Dan Slott (YA GRAPHIC SPIDER-MAN) Will Doctor Octopus make a better Spider-Man than Peter Parker? Hundreds of teen titles are available to download in audio or e- book format to your computer, audio device, or e-reader. Get This One Summer By Mariko Tamaki ( started at http://www.wccls.org/online_resources/E-books Novels YA GRAPHIC TAMAKI, MARIKO) using your library card. Summer friends get tangled up in teen love and a family crisis. Through the Woods By Emily Carroll Forest Grove City Library (YA GRAPHIC CARROLL, EMILY) Five tales of sinister things that live in the woods. The Adventures of Superhero Girl Cardboard Marceline and the Scream Queens By Faith Erin Hicks By Doug TenNapel By Meredith Gran (YA GRAPHIC HICKS, FAITH) (YA GRAPHIC TENNAPEL, DOUG) (+ GRAPHIC ADVENTURE TIME) The life of a superhero is not all monsters and flying Cardboard + Imagination = Awesome. Only Princess Bubblegum can keep the band together – especially when you have no archnemesis and a while Marceline has an identity crisis on tour. more popular superhero brother. Cow Boy By Nate Cosby (+ GRAPHIC COSBY, NATE) Monster on the Hill Afterlife with Archie: Escape from Riverdale Young Boyd is determined to bring the dastardly By Rob Harrell (YA GRAPHIC HARRELL, ROB) By Roberto Aguirre-Sacasa Linney family to justice. Rayburn the monster tries to change his reputation (YA GRAPHIC AGUIRRE-SACASA, ROBERTO) and make a name for himself. A zombie outbreak in Riverdale forces Archie and Delilah Dirk and the Turkish Lieutenant his fellow survivors to take refuge in Veronica’s By Tony Cliff (YA GRAPHIC CLIFF, TONY) Ms. Marvel: V.1. No Normal mansion. Her life is one crazy adventure after another. Do you By G. Willow Wilson think you can keep up with Delilah? (YA GRAPHIC MS. MARVEL) All New X-Men V.1: Yesterday’s X-Men Kamala Khan is a geeky teenager navigating her By Brian Bendis (YA GRAPHIC X-MEN) Drama Muslim identity and parents’ expectations when she Past and present X-Men collide. By Raina Telgemeier gains bizarre and inexplicable powers. (YA GRAPHIC TELGEMEIER, RAINA) Avatar the Last Airbender; The Promise The drama on the stage is no match for the drama Nathan Hale’s Hazardous Tales: Treaties, By Gene Yang (+ GRAPHIC AVATAR) behind the curtain. Trenches, Mud, and Blood The adventure continues as Aang and the gang must By Nathan Hale find a way to bring peace to a post-war world. Flash V.1: Move Forward (YA GRAPHIC HAZARDOUS TALES) By Francis Manapul (YA GRAPHIC FLASH) Anthropomorphic retelling of the events of World Batgirl: The Darkest Reflection A friend from Barry Allen’s past returns just as a War I. By Gail Simone (YA GRAPHIC BATGIRL) new villain disables the city. Batgirl is back, fighting new villains and her own Nothing can Possibly Go Wrong The Graveyard Book personal demons. By Prudence Shen By Neil Gaiman (YA GRAPHIC GRAVEYARD) (YA GRAPHIC SHEN, PRUDENCE) The Story of Nobody, a boy raised in a graveyard, Batman ’66 The Cheerleaders and the Robotics Club team up to and the danger that threatens his life. By Jeff Parker (YA GRAPHIC BATMAN) get money for their school activities. When crime strikes in Gotham City, police commis- The Great American Dust Bowl Poseidon: Earth Shaker sioner Gordon calls upon the dynamic duo of Batman By Don Brown (YA 978.032 BRO) By George O’Connor and Robin. A speck of dust is a tiny thing, but in the 1920s (YA GRAPHIC OCONNOR, GEORGE) America dust cause widespread devastation. Poseidon makes a case for his standing among the Battling Boy By Paul Pope (YA GRAPHIC POPE, PAUL) Hades: Lord of the Dead: Olympians gods. Can monster-plagued Arcopolis be saved by a twelve By George O’Connor -year-old demigod? (YA GRAPHIC OLYMPIANS) Romeo and Juliet: a play by William Shakespeare Who’s Hade’s queen of the underworld? By Gareth Hinds Boxers (YA GRAPHIC SHAKESPEARE, WILLIAM) By Gene Luen Yang In Real Life Classic story of star-crossed lovers with a multicul- (YA GRAPHIC YANG, GENE) By Cory Doctorow tural cast. Little Bao’s peaceful village is disrupted when a (YA GRAPHIC DOCTOROW, CORY) priest and a group of soldiers begin terrorizing the Anda’s online persona discovers a bigger world than locals. she can imagine. .
Recommended publications
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, My, My! to Have So Many of Our Friends Together in the Same Place!
    Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, my, my! To have so many of our friends together in the same place! I know that it is under quite distressing circumstances, but still, it's wonderful to have such a congregation!” Steve, Tasha, Thor, Bruce, Carol, Reed, Susan, Johnny, Ben and Herbie were all in one of the hangars on board the Valiant. The Rogue One had been moved from the Senatorium to the Valiant earlier that day, and Tasha had finished installing her new upgrade to the ship. Hundreds of other Nova pilots and officers were moving around the hangar, preparing for the battle ahead. Herbie bounced up and down as he looked around at the group. “To see the Fantastic Four ready to go into battle alongside such brave and noble heroes like yourselves! It is truly remarkable, is it not, Doctor Richards?” “It sure is,” said Reed. “You've got quite a team.” “Put it together at the last minute,” said Tasha. “Since somebody decided that they wanted an interstellar vacation at the worst possible time.” “Hey!” said Johnny. “Wasn't my fault! Blame these guys! I just went along for the ride!” Ben gave Johnny a light smack on the back of the head. “Nobody asked you, junior.” Johnny grumbled as he tried to fix his hair. Reed laughed before looking back Steve. “Don't suppose you'd like to tell me how I'm standing across from Captain America?” “I guess that a man of science like yourself would be interested in that sort of thing,” said Steve.
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]
  • Graphic Novels
    Maus: A Survivor’s Tale: My Father Bleeds Manga History by Art Spiegelman Library The author-illustrator traces his father’s Fullmetal Alchemist e Public by Hiromu Pewauke imprisonment in a Nazi concentration camp Arakawa through a series of cartoons. Edward and his brother Alphonse, who is trapped in a suit of armor, begin a quest The Arrival by Shaun Tan to recover the one thing that can restore Great Graphic Novels A man leaves his homeland and sets off for a their bodies: The Philosopher’s Stone. new country where he must build a life for xxxHolic by CLAMP himself and his family. Watanuki meets a mysterious witch who Do you love graphic claims that she can help him with his novels, comics, and Ghostopolis by Doug TenNapel problems, and then tricks him into manga? When Garth Hale is accidentally zapped into the working in her shop. ghost world by Frank Gallows, a washed-up ghost wrangler, he discovers that he has special Blue Exorcist by Kazue Kato powers. Soon he finds himself on the run from When Rin learns that his father is the the evil ruler of Ghostopolis, who wants to use Demon Lord Satan, he swears to defeat him and enters True Cross Academy to Garth's newfound abilities to tighten his grip on become an exorcist. the spirit world. Bakuman by Tsugumi Oba Trickster: Native American Tales Is becoming a successful manga artist an These 21 folktales, created by pairing Native achievable dream, or one big gamble? storytellers with a variety of artists, feature Black Butler by Yana Toboso creatures explaining how things came to be, like Chronicles the adventures of the 12-year- islands or stars, or animals playing tricks on one old Earl of Phantomhive and his loyal All of the following another.
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier).
    [Show full text]
  • Superman: the Shadow Masters Free Download
    SUPERMAN: THE SHADOW MASTERS FREE DOWNLOAD Paul Kupperberg,Rick Burchett | 48 pages | 01 Feb 2014 | Capstone Press | 9781434227683 | English | Mankato, United States DC Comics: Superman William Kowalk rated it really liked it Apr 14, Issue ST. As he searches for clues, electrical transformers beneath the street suddenly explode! Aisha rated it liked it Nov 30, This website uses cookies so you can place orders and we can provide the most secure and effective website Superman: The Shadow Masters. Cosmic Bounty Hunter by Blake A. Nothing but Net by Jake Maddox. Add links. It's Acrata, a super heroine who can teleport through shadows. Books Capstone 4D Our Imprints. Preview — Superman by Paul Kupperberg. Availability: Backorder. View Print Catalog. Views Read Edit View history. Superman isn't convinced. Mimi marked it as to-read May 14, Superman and Acrata must stop him from casting an evil shadow over Earth. Ps too short but good. Artist Rick Burchett. Jinuka rated it really liked it Sep 29, This item is currently not available, but we will special Superman: The Shadow Masters a copy from our supplier if you choose to backorder it from us today. Clark quickly changes into his alter ego, Superman, Superman: The Shadow Masters locates the problem. If the Man of Steel isn't careful, it'll be Superman: The Shadow Masters out for him as well. Meteor of Doom by Paul Kupperberg. History Leadership Imprints. Olivia Hutchings added it Jul 08, Soon, he discovers an unexpected passenger aboard the spacecraft. The Deadly Dream Machine by J. Publisher Capstone Press.
    [Show full text]
  • GENIUS BRANDS INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): July 15, 2020 GENIUS BRANDS INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 001-37950 20-4118216 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 190 N. Canon Drive, 4th Fl. Beverly Hills, CA 90210 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (310) 273-4222 ________________________________________________________ (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2 below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, par value $0.001 per share GNUS The Nasdaq Capital Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter).
    [Show full text]
  • Hawkman in the Bronze Age!
    HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C.
    [Show full text]
  • Mike's Harder Lemonade & Deadpool Movie Advertising in Hot Water For
    Posted February 15, 2016 Mike’s Harder Lemonade & Deadpool Movie Advertising in Hot Water for Targeting Kids Deadpool’s record breaking President’s Day weekend opening may have the folks at Marvel Comics marveling but, it has the people at Industry Watchdog Group – Alcohol Justice group fuming. Mike’s Harder has partnered with 20th Century Fox and Disney-owned Marvel Studios to produce a limited edition collectible series of its alcopop in 16 oz., eight percent ABV cans plastered with the comic book mutant anti-hero Deadpool. Using a Marvel Comic superhero to sell alcohol is a bad idea according to Alcohol Justice. Mike’s Harder Punch Featuring X-Men’s Deadpool As the story goes, the X-Men spinoff character has superhuman healing powers and is highly resistant to drugs and most toxins, making it extremely hard for him to become intoxicated. “Comic book characters should never be used to sell alcoholic products,” stated Bruce Lee Livingston, Executive Director / CEO, Alcohol Justice. “Kids are inherently targeted, PR damage to the brands is substantial, and shareholders should scream for heads to roll.” The promotion, seen in the TV ad below, on products, and in point-of-sale materials, pushes Mike’s Harder Lemonade, a super sweet, 8% alcoholic product that comes in flashy colorful “collectible” cans featuring the Deadpool character. Livingston says, “A superhero’s mission is to champion good over evil and stand-up for those who can’t defend themselves. Superheroes appeal to many young boys and girls who dream of being one. It’s often reflected in how kids act and dress.
    [Show full text]
  • What the Shadows Know 99
    What the Shadows Know 99 What the Shadows Know: The Crime- Fighting Hero the Shadow and His Haunting of Late-1950s Literature Erik Mortenson During the Depression era of the 1930s and the war years of the 1940s, mil- lions of Americans sought escape from the tumultuous times in pulp magazines, comic books, and radio programs. In the face of mob violence, joblessness, war, and social upheaval, masked crusaders provided a much needed source of secu- rity where good triumphed over evil and wrongs were made right. Heroes such as Doc Savage, the Flash, Wonder Woman, Green Lantern, Captain America, and Superman were always there to save the day, making the world seem fair and in order. This imaginative world not only was an escape from less cheery realities but also ended up providing nostalgic memories of childhood for many writers of the early Cold War years. But not all crime fighters presented such an optimistic outlook. The Shad- ow, who began life in a 1931 pulp magazine but eventually crossed over into radio, was an ambiguous sort of crime fighter. Called “the Shadow” because he moved undetected in these dark spaces, his name provided a hint to his divided character. Although he clearly defended the interests of the average citizen, the Shadow also satisfied the demand for a vigilante justice. His diabolical laughter is perhaps the best sign of his ambiguity. One assumes that it is directed at his adversaries, but its vengeful and spiteful nature strikes fear into victims, as well as victimizers. He was a tour guide to the underworld, providing his fans with a taste of the shady, clandestine lives of the criminals he pursued.
    [Show full text]