DOCSLIB.ORG

Summer Mustang, July 6, 1995

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer Mustang, July 6, 1995 CALIFORNIA POLYTECHNIC STATE UNIVERSITY SAN LUIS OBISPO Su m m e r M ustang JULY 6,1995 VOLUME UX, No. 137 THURSDAY Vice President Koob picked Collectin' Spinnin' Tops to head-up his alma mater; to bid farewell next month By Mldiosl Koufmos torate, also in chemistry, from Sum m a Staff Writer the University of Kansas. Kouu was chair of the Cal Poly will lose one of its chemistry department at NDSU senior administrators to the for six years and chair of the ^ r V I University of Northern Iowa physics department there before next month. he was promoted to vice presi­ Senior Vice President and dent^______ Vice President for Academic Af­ fairs Robert D. Koob will return Koob was selected for the to his alma mater on August 15, after being selected as UNI’s position for his excellence in ¿ ^ ^ «Í' next president. ^ V I ' Koob was selected for the leadership and communication position by the Iowa State Board of Regents for his excellence in abilities. leadership and his communica­ V 1 tion abilities, according to In a written statement. Presi­ m ^ / S . I Regents President Marvin dent Baker commented on Koob’s Pomerantz. service record at Cal Poly. Before coming to Cal Poly in “Bob’s great energy, intel­ 1990, Koob, 53, was vice presi­ ligence and skill have been of dent of academic affairs at North enormous benefit to Cal Poly," V ** *♦ ■ Dakota State University (NDSU) the statement said. "He has in Fargo, N.D. from 1985-90. He provided strong academic leader­ served as the university’s inter­ ship and helped the university im president for a year of that move forword under the most dif­ period. ± ficult circumstances.” According to a UNI press According to Daniel Howard- Environmental horticulture and science department professor Dan Lassansice discusses the history of the top as he release, Koob was selected as one Greene, executive assistamt to displays one from his collection / Photo by Lawrence Rodenborn of four flnalists in a pool of 92 the president, an interim vice nominees and applicants. He will president will be named in the be replacing Constantine W. near future. Howard-Greene Curtis,- who became president of could not specify further. Clemson University in South Selection of a permanent re­ A PROFESSOR’S TOYS Carolina on June 1. placement for Koob will be sub­ Koob graduated from UNI ject to a formal search process Tops as props professor shares his interest for toys with his studentswith a bachelor’s degree in but no date has been set for this chemistry. He earned his doc- either. By Midioel Kaufman Malaysia and Jakarta. senior , "Somedays he will bring Summet Stoff Writer Lassanske, an avid gardener in toys to use in his lecture. through both instruction and Somehow he ties everything Students without new photo IDs Cal Poly professors make im> together and makes his class pressive achievements outside more interesting.” of the classroom. Some teach "It's the people yoi meet along Lassanske said his reasons find trouble at the Rec Center English in far away nations, for collecting are many, but ex­ By Oistla Brotiy According to Marcy Maloney, some go on sabbatical and then the way that makes this type of plained that sharing his hobby Sum m « Staff Writer assistant director of Rec Sports, there’s Dan Lassanske. activity specioL" is the most important. Student Life and Activities ex­ Lassanske, environmental The veteran professor takes After saying smile nearly tended its hours for the first few horticulture and science depart­ an annual summer trip to the Don Lassanske 14,000 times, employees of Stu­ weeks of the quarter, and they ment professor, said he has East Coast to meet with other dent Life and Activities may are allowing students who were been collecting rare children’s Col Poly professor collectors. ^ enrolled during any quarter last toys for 25 years, making him have thought they were almost Al out his travels he said, done with the new campus iden­ year to get their ID photos taken one of the largest collectors on practice at home, sees toy col­ *It’s the people you meet along tification card process; but the during summer quarter. the West Coast. lecting as an escape. the way that makes this type of new cards created some unex­ "We called all the students His hobby began as a child “It’s just a diversion. My wife activity special.” pected problems. back who had the problem, but and flourished into a 9,000 and I use collecting as a source He also takes great joy in Since the campus began according to Student Life and Ac­ piece collection, which he enjoys of therapy,” he said. recognizing only the new IDs tivities only a few have gone to sharing with the public. One of Lassanske’s former sharing his collectibles with June 9, some students without get their new IDs,” she said. Most of the pieces were made students said the professor’s children in hospitals during the them have had a problem trying Another campus facility in the 19th century with some lectures are enhanced by his holidays, he said. to use the Rec Center. These stu­ developed a different solution to dating as far back as the 1700s. use of toys as learning tools. Growing up in Ibxas, his dents needed new IDs to get past handle the transition between The collection includes items “He is quite unique.” Said favorite toy as a young boy was the turnstiles at the entrance, old and new cards. from exotic lands such as Brian Milligan, a horticulture See TOYS page 8 but because they are not enrolled According to Sharon in summer school they could not Andresen, circulation supervisor get new cards. at Kennedy Library, the library’s SLO County judge arrested and charged forA joint DUI effort between Rec assistant dean made the decision Sports staff and Student Life and to honor the old IDs through Activities staff quickly brought June 30, since many students By Ryilsr M. Beery ing, Henn said. and slight weaving, pulled the Summer Staff Writer The prosecutor relayed this driver (Dufly)-over for suspected about a solution. See IDs page 8 information to a CHP officer who drunk driving. A San Luis Obispo Coimty Su­ had pulled over another driver The arresting officer said he INSIDE TODAY'S SUMMER MUSTANG perior Court Judge who is usual­ for speeding, Henn said. administered several fleld ly responsible for presiding over "Citizens will call on a cellular sobriety testa, including standing drunk driving cases, was ar­ phone or stop by a phone or call on one foot and counting back­ CRL POLV rested and charged with driving box to report suspicious drivers,” wards, and determined Duffy E l A Cai Poly professor snags under the influence of alcohol on Henn said. "People call all the may have been operating a E l ^ award all the way June 24. time.” vehicle while under the influence Judge Michael L. Dufly was Henn said an officer will at­ of alcohol. from Great Britain arrested and charged with DUI, tempt to locate the reported Dufly was administered two according to Ron Henn, a San vehicle, observe the driver’s ac­ breath testa at county jail which (IIIIS Luis Obispo County CHP public tions until he sees probable registered 0.08 percent and 0.07 111 "Apollo 13" is a July hit that affairs officer. cause to pull the driver over, percent. The minimum blood-al­ r-. According to the CHP, a wit­ such as weaving, speeding or cohol level in California for an MlLfTWY EOtfATiCW E J will leave you walking proud ness spotted Duffy on Highway driving below the speed limit, adult to be considered legally 101 and reported him for driving and then perform fleld sobriety drunk is 0.08. sporadically. tests. "No breath tests given in the Readi Us Spbiioii CRAf>HIC ARTS, 22Ó CAL PCXY In this case the arresting of­ fleld can be used as evidence,” The witness, a Santa Barbara p S Randy Halstead says itsSa n Luis O b is p o , C A 9 3 ^ 7 Henn said. "The risk of con­ County prosecutor, was driving ficer located the white car, ob­ ■ 1 time to end gender Advertising: 7S6-1143 north on Highway 101 when he served the driver’s actions and tamination is too high.” Editorloi: 756-1796 observed a white convertible the car’s reactions for a short Henn said the CHP is re- segregation swerving on the road and speed­ while, and due to excessive speed See JUDGE page 8 Fox: 756-6784 SUMMER MUSTAKir. WORLD STATE Israel to leave West Bank Politics sway interest rates? Budget late; state still paying ly Dianno C d u i By Martin Outtingor By Doug W illi A^ociated Pies Associated Press Aaociated Press JERUSALEM (AP) — Israel confirmed new details Wednesday of an emerging breakthrough on expanding WASHING'TON (AP) — Federal Reserve policy­ SACRAMENTO (AP) — State operations continued Palestinian self-rule, but it also added a warning: attacks makers, who staunchly guard their independence, aren’t despite the lack of spending authority as Gov. Pete Wil­ on Israelis by militants opposed to the peace process likely to talk openly about politics during their delibera­ son and legislative leaders reported progress Wednesday must stop. tions this week. But with ChairmEm Alan Greenspan’s in their efforts to break a budget impasse. Foreign Minister Shimon Peres delivered the warning term up next year, the question of whether to cut interest After a 1 V2-hour private meeting with the Democratic with the announcement that Israel’s,withdrawal from the rates won’t be the only matter on their minds.
Load more

Recommended publications
  • A Delphi Study: Exploring Saudi Faculty and Student Perceptions of the Factors Promoting Nursing Student Retention and Success
    A DELPHI STUDY: EXPLORING SAUDI FACULTY AND STUDENT PERCEPTIONS OF THE FACTORS PROMOTING NURSING STUDENT RETENTION AND SUCCESS A dissertation submitted to the Kent State University College of Nursing in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Homood A. Alharbi August 2015 Dissertation written by Homood A Alharbi Diploma in Nursing, Burraidah Health Institute, Saudi Arabia, 1999 B.S.N., The University of Jordan, Jordan, 2004 M.S.N., Griffith University, Australia, 2006 Ph.D., Kent State University, USA, 2015 Approved by ________________________, Chair, Doctoral Dissertation Committee Barbara L. Drew ________________________, Member, Doctoral Dissertation Committee Carol A. Sedlak ________________________, Member, Doctoral Dissertation Committee Carolyn J. Murrock ________________________, Member, Doctoral Dissertation Committee Martha C. Merrill ________________________, Member, Doctoral Dissertation Committee Alicia Crowe Accepted by ________________________, Director, Joint Ph.D. in Nursing Program Mary K. Anthony _______________________, Dean, College of Nursing Barbara Broome ii © Copyright, 2015 by Homood A Alharbi All Rights Reserved iii DEDICATION I dedicate this work to all those who supported my educational efforts over the years including: my caring parents, my loving wife, my wonderful children, my brothers and sisters, and my deceased brothers. iv ACKNOWLEDGEMENTS I would like to thank the many people behind this work. I would like to send my sincerest appreciation to my dissertation advisor, Dr. Barbara L. Drew who was a tireless supporter of this research from the beginning, reading draft after draft. Special thanks and acknowledgements to my dissertation committee: Dr. Carol A. Sedlak, Dr. Carolyn J. Murrock, and Dr. Martha C. Merrill; and my graduate faculty representative, Dr.
    [Show full text]
  • Model Music Curriculum: Key Stages 1 to 3 Non-Statutory Guidance for the National Curriculum in England
    Model Music Curriculum: Key Stages 1 to 3 Non-statutory guidance for the national curriculum in England March 2021 Foreword If it hadn’t been for the classical music played before assemblies at my primary school or the years spent in school and church choirs, I doubt that the joy I experience listening to a wide variety of music would have gone much beyond my favourite songs in the UK Top 40. I would have heard the wonderful melodies of Carole King, Elton John and Lennon & McCartney, but would have missed out on the beauty of Handel, Beethoven and Bach, the dexterity of Scott Joplin, the haunting melody of Clara Schumann’s Piano Trio in G, evocations of America by Dvořák and Gershwin and the tingling mysticism of Allegri’s Miserere. The Model Music Curriculum is designed to introduce the next generation to a broad repertoire of music from the Western Classical tradition, and to the best popular music and music from around the world. This curriculum is built from the experience of schools that already teach a demanding and rich music curriculum, produced by an expert writing team led by ABRSM and informed by a panel of experts – great teachers and musicians alike – and chaired by Veronica Wadley. I would like to thank all involved in producing and contributing to this important resource. It is designed to assist rather than to prescribe, providing a benchmark to help teachers, school leaders and curriculum designers make sure every music lesson is of the highest quality. In setting out a clearly sequenced and ambitious approach to music teaching, this curriculum provides a roadmap to introduce pupils to the delights and disciplines of music, helping them to appreciate and understand the works of the musical giants of the past, while also equipping them with the technical skills and creativity to compose and perform.
    [Show full text]
  • Exploration of Urban Extension County Offices: Identifying Patterns of Success Using a Modified Delphi and Case Study
    Copyright by Warren Jack Kerrigan, Jr. 2005 ABSTRACT The Cooperative Extension Service was established in 1914 when the United States of America was a predominantly agrarian society. America’s population according to the 2000 U.S. Census data is 79 percent urban. Extension’s urban county offices provided educational programs to address the needs and issues of contemporary urban life. The practices of urban county offices are becoming increasingly important to the future of the Cooperative Extension Service system. The purpose of this study was to identify current practices and project the patterns of success in urban Extension for the next two to five years (2007 – 2010) A case study and a Modified Delphi technique, descriptive research designs, were used for this exploratory study. The case study site was purposefully selected based on its reputation as an exemplary urban office. The staff of this office was interviewed about office operations and programming, programs were observed, and marketing materials and educational documents were analyzed to provide input into the statements used in the Modified Delphi survey instrument. The case study provided a baseline of current practice. A purposeful sample of Extension professionals and experts across the United States was selected to serve as the panel of experts in three rounds of the Modified Delphi. The study was conducted utilizing a web-based survey instrument, ii which allowed prompt responses to statements and rapid analysis of the data. The case study participants were interviewed in a focus group for reactions to the statements used in the Modified Delphi, providing the practitioners’ perspective in reaction to the Delphi panel’s recommendations.
    [Show full text]
  • Media Culture: Cultural Studies, Identity and Politics Between The
    Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us.
    [Show full text]
  • Andy Warhol 'Jean-Michel Basquiat'
    Basquiat Boom for Real 2 Introduction 4 New York /New Wave 9 SAMO© 12 Canal Zone 15 The Scene 20 Downtown 81 22 Beat Bop 25 Warhol 33 Self-Portrait 36 Bebop (Wall) 40 Bebop (Vitrine) 42 Art History (Wall) 45 Art History (Vitrine) 46 Encyclopaedia (Walls) 52 Encyclopaedia (Column) 55 Encyclopaedia (Vitrine) 57 Notebooks 59 The Screen 64 Interview Jean-Michel Basquiat was one of the most significant artists of the 20th century. Born in Brooklyn in 1960, to a Haitian father and a Puerto Rican mother, he grew up amid the post-punk scene in lower Manhattan. After leaving school at seventeen, he invented the character ‘SAMO©’, writing poetic graffiti that captured the attention of the city. He exhibited his first body of work in the influential group exhibition ‘New York/New Wave’ at P.S.1, Institute for Art and Urban Resources, Inc., in 1981. When starting out, Basquiat worked collaboratively and fluidly across media, making poetry, performance, music and Xerox art as well as paintings, drawings and objects. Upstairs, the exhibition celebrates this diversity, tracing his meteoric rise, from the postcard he plucked up the courage to sell to his hero Andy Warhol in SoHo in 1978 to one of the first collaborative paintings that they made together in 1984. By then, he was internationally acclaimed – an extraordinary feat for a young artist with no formal training, working against the racial prejudice of the time. In the studio, Basquiat surrounded himself with source material. He would sample from books spread open on the floor and the sounds of the television or boom box – anything worthy of his trademark catchphrase ‘boom for real’.
    [Show full text]
  • 2020 Annual Report
    2020 Annual Report 1 Contents 4-5 Letters from KConnect Leadership 6 Accountability Partners Council KConnect Structure 7 Frequently Asked Questions What Does KConnect do? 8 - 9 The KConnect Workplan Our Success Measures 10 - 11 Report Card 2020 Data 12 - 15 Equity in COVID-19 A Discussion with a Panel of Experts 16 - 19 Housing The Housing Stability Alliance 20 - 21 Doulas Day One Doula Collective 22 - 27 Network Member Listing 2 3 Letter From The President BOARD OF work that has been established. My TRUSTEES purpose or ‘my why’ behind this work is closely tied to my upbringing. I am the Andrew Brower son of Mexican immigrants and grew up W.K. Kellogg Foundation in low-income housing and a struggling school system in California. My parents Lynne Ferrell moved to Grand Rapids when I was in Frey Foundation my first year of high school. We were Krista Flynn fortunate enough to purchase a home TCF Bank near Northview High School, where Cle Jackson I learned quickly that not all school districts are created equal. My change in Blue Cross Blue Shield Michigan education, neighborhood, and community Dr. Juan Olivarez networks helped me learn first-hand how Andrew Brower, Teresa Weatherall Neal, Dorothy A. Johnson Center important it is to invest in ALL students KConnect Board of Trustees Co-Chair KConnect Board of Trustees Co-Chair Salvador Lopez, President for Philanthropy and work collectively to create a system Photo by Isabel Garcia Kevin Polston that provides students with a high quality Letter From the Co-Chairs Godfrey-Lee Public Schools Hello! For those of you who have not met education and experience, no matter their race, gender, or socio-economic status.
    [Show full text]
  • Press Release
    Press release The Guggenheim Museum Bilbao presents on July 3, 2015 Jean-Michel Basquiat: Now’s the Time Sponsored by Iberdrola is pleased and proud to support the Guggenheim Museum Bilbao's production of Jean-Michel Basquiat: Now's the Time, one of the most important exhibitions ever devoted to this American artist and the first thematic examination of his output. Though Basquiat was only active for a brief period in the 1980s, he produced one of the most remarkable bodies of work of the 20th century, with a formal and conceptual appeal that continues to fascinate audiences today. He combined images and texts in a unique style—mixing hieroglyphics and comics, high and low culture—to present a revealing vision of the world tinged with pain. Basquiat’s creations are manifestos that denounce inequality, racism, prejudice, and discrimination and defend the values of freedom, dignity, and respect. His art is steeped in music and poetry, harmoniously combining elements of everyday life with classic works of art, literature and music, anatomical drawings, and references to the world of sports, history (especially Afro-American history), life and death. Throughout his brief, precocious career, Basquiat never stopped creating. Once, when asked about his prolific output, the artist replied that he simply did not know what else to do with himself. In other words, for him art was a necessity. We hope and trust that visitors who come to the Guggenheim Museum Bilbao will enjoy this exhibition, a tribute to Basquiat’s brilliant and meteoric career. I congratulate the Museum and everyone who made it possible for this show to travel from Ontario, Canada, to our city, giving us a chance to enjoy the extraordinary work of this artist and takes its social message to heart.
    [Show full text]
  • Kynan Robinson Thesis
    The Making and Placing of The Escalators Kynan Robinson (BA, BMus, Grad. Dip. Ed.) QUT Creative Industries Master of Arts (Research) 2009 Key Words The Escalators, Kynan Robinson, sampling, stasis, minimalism, David Lynch, structured improvisation, memory, rule based composition, Australian music, improvising music, linear composition. ii Abstract The band The Escalators together with the music uniquely composed for it and a subsequent CD and DVDs was the work that emerged from my period of research. The areas of interest that were investigated were sampling, minimalism, stasis, the work of David Lynch, as well as a desire to produce new and innovative music. The above concepts defined the bands composition and makeup. While each may be regarded as a discreet concept with its own boundaries in my work they seamlessly intermingle resulting in that which is unique to The Escalators sound. The research methodology used for this work was practice led research. iii Contents List Of Illustrations 2 List Of Supplementary Works 3 Statement Of Originality 4 List Of Acknowledgement 5 1. Introduction 6 2. My Work Now, The Making and Placing of The Escalators 7 2.1 Sampling and Memory 8 2.2 Minimalism, Clock Time, Stasis and Repetition 13 2.3 Rule Based Composition/Structured Improvising 17 2.4 Creation of the Atmosphere/Ideas Generated From Investigating David Lynch’s Film and TV Work 20 3. The Process 25 4. Historical Context of My Work 28 5. Conclusions and Moving Forward 33 6. Appendixes 1 Explanation and Evaluation of the Individual Pieces 37 2 Performance Evaluation 40 3 Personal Composition Diary 43 4 Mixing and Recording Notes 46 5A Log Lady 48 5B Uncle Bob 50 5C Blue Fire 51 5D James Boy On A Motorcycle 53 5E The Great Northern 56 7.
    [Show full text]
  • Cmp Red Rock.Pdf
    Corridor Management Plan – Table of Contents 4.0 Evaluation of Intrinsic Qualities................. 23 4.1 Definitions and Standards................................. 23 4.2 Archaeological................................................. 24 4.3 Cultural........................................................... 25 4.4 Historic........................................................... 29 4.5 Natural............................................................ 30 4.5.1 Hydrology.............................................................. 30 4.5.2 Climate.................................................................. 30 4.5.3 Soils and Vegetation.............................................. 31 4.5.4 Wildlife.................................................................. 34 4.5.5 Special Status Species............................................ 35 4.5.6 Paleontological Resources...................................... 35 4.6 Recreational.................................................... 35 4.6.1 Trails..................................................................... 36 4.6.2 Other Recreational Opportunities........................... 39 4.7 Scenic............................................................. 39 4.7.1 Corridor Overview: Red Rock Country................... 40 4.7.2 Maps of Existing Scenic Resources......................... 44 ii 4.7.3 Visual Assessment from 1986 Scenic Road Application Report................................................. 48 4.7.4 U.S. Forest Service Visual Quality Objectives.......... 49 4.7.5
    [Show full text]
  • Providing Educational Opportunities to Sex Workers
    ABSTRACT In most industries today, workers and their employers take for granted that they will continue to learn more about their career fields. They expect to hone their skills, practice new approaches, and learn about the latest technologies and research advances. However, it is not readily apparent that sex workers have an awareness of continuing education being available for their types of work. This dissertation researches the existing educational opportunities for sex workers and provides an overview of who offers what. Various organizations, private websites, workshops, videos, health clinics, therapists, conferences and other sources, offer education of various kinds, and for various reasons. This dissertation then surveys 150 sex workers’ attitudes toward career-related education, their levels of interest, and exactly what they’re interested in learning. Results are tabulated by job description, level of industry experience, and age of the respondents. The overall response was highly favorable toward education. The most popular course topics (out of 28 choices) were, in order, Legal Issues, Career Enhancement, Financial Advice, Super Sex Technologies, Self Defense, and the History of Sex Work. The classes least of interest were, in order, Advanced Safer Sex Techniques, Building Self Esteem, and How to Be A Better Lover. Next a focus group of sex workers and sex worker educators was assembled. The survey results were shared with this panel of experts who analyzed and discussed them. The group first noticed that the most popular classes were similar to those that would also be of most interest to self-employed individuals in other industries: career-specific skills, and classes in marketing, legal and financial issues.
    [Show full text]
  • REMY SHAND: CANADIAN SOULMAN Introduction
    REMY SHAND: CANADIAN SOULMAN Introduction Remy Shand is a 24-year-old musician from away after their first commercial success. Winnipeg who has struck it big—a big-time The intense competition and often ruthless record deal. His debut album, recorded in the marketing cannot be underestimated. More basement of his parents’ home, was passed than ever before, major label companies are around to friends and acquaintances for struggling with declining sales as the public feedback. Before he knew it he had a record turns away from “megastars” who have deal with Universal Music Canada and had traditionally generated the bulk of profits for signed a contract with Motown in the United the companies. States. He is the first Canadian ever signed Given the difficulty of winning recording by Motown, and it appears his album, The contracts with the major labels, more and Way I Feel, is going to do very well. The more artists are releasing their albums inde- album debuted at No. 1 in Canada, unseating pendently, something fraught with a great Alanis Morrisette. In the U.S., a market few deal of financial risk. Canadians have been able to successfully Remy Shand, like many Canadian artists, crack, the album debuted at No. 39, with is exceptionally talented, but the fact that he 30000 units sold on little more than word of has been signed in the U.S. is the key to his mouth. One month later, in April 2002, over big break. Although the Canadian music 270 000 units had been sold and the album industry is thriving, once again we have an was in the Top 40.
    [Show full text]
  • Jean-Michel Basquiat: Now’S the Time
    Press release The Guggenheim Museum Bilbao presents on July 3, 2015 Jean-Michel Basquiat: Now’s the Time Sponsored by Iberdrola is pleased and proud to support the Guggenheim Museum Bilbao's production of Jean-Michel Basquiat: Now's the Time, one of the most important exhibitions ever devoted to this American artist and the first thematic examination of his output. Though Basquiat was only active for a brief period in the 1980s, he produced one of the most remarkable bodies of work of the 20th century, with a formal and conceptual appeal that continues to fascinate audiences today. He combined images and texts in a unique style—mixing hieroglyphics and comics, high and low culture—to present a revealing vision of the world tinged with pain. Basquiat’s creations are manifestos that denounce inequality, racism, prejudice, and discrimination and defend the values of freedom, dignity, and respect. His art is steeped in music and poetry, harmoniously combining elements of everyday life with classic works of art, literature and music, anatomical drawings, and references to the world of sports, history (especially Afro-American history), life and death. Throughout his brief, precocious career, Basquiat never stopped creating. Once, when asked about his prolific output, the artist replied that he simply did not know what else to do with himself. In other words, for him art was a necessity. We hope and trust that visitors who come to the Guggenheim Museum Bilbao will enjoy this exhibition, a tribute to Basquiat’s brilliant and meteoric career. I congratulate the Museum and everyone who made it possible for this show to travel from Ontario, Canada, to our city, giving us a chance to enjoy the extraordinary work of this artist and takes its social message to heart.
    [Show full text]