Kynan Robinson Thesis
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A Delphi Study: Exploring Saudi Faculty and Student Perceptions of the Factors Promoting Nursing Student Retention and Success
A DELPHI STUDY: EXPLORING SAUDI FACULTY AND STUDENT PERCEPTIONS OF THE FACTORS PROMOTING NURSING STUDENT RETENTION AND SUCCESS A dissertation submitted to the Kent State University College of Nursing in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Homood A. Alharbi August 2015 Dissertation written by Homood A Alharbi Diploma in Nursing, Burraidah Health Institute, Saudi Arabia, 1999 B.S.N., The University of Jordan, Jordan, 2004 M.S.N., Griffith University, Australia, 2006 Ph.D., Kent State University, USA, 2015 Approved by ________________________, Chair, Doctoral Dissertation Committee Barbara L. Drew ________________________, Member, Doctoral Dissertation Committee Carol A. Sedlak ________________________, Member, Doctoral Dissertation Committee Carolyn J. Murrock ________________________, Member, Doctoral Dissertation Committee Martha C. Merrill ________________________, Member, Doctoral Dissertation Committee Alicia Crowe Accepted by ________________________, Director, Joint Ph.D. in Nursing Program Mary K. Anthony _______________________, Dean, College of Nursing Barbara Broome ii © Copyright, 2015 by Homood A Alharbi All Rights Reserved iii DEDICATION I dedicate this work to all those who supported my educational efforts over the years including: my caring parents, my loving wife, my wonderful children, my brothers and sisters, and my deceased brothers. iv ACKNOWLEDGEMENTS I would like to thank the many people behind this work. I would like to send my sincerest appreciation to my dissertation advisor, Dr. Barbara L. Drew who was a tireless supporter of this research from the beginning, reading draft after draft. Special thanks and acknowledgements to my dissertation committee: Dr. Carol A. Sedlak, Dr. Carolyn J. Murrock, and Dr. Martha C. Merrill; and my graduate faculty representative, Dr. -
Summer Mustang, July 6, 1995
CALIFORNIA POLYTECHNIC STATE UNIVERSITY SAN LUIS OBISPO Su m m e r M ustang JULY 6,1995 VOLUME UX, No. 137 THURSDAY Vice President Koob picked Collectin' Spinnin' Tops to head-up his alma mater; to bid farewell next month By Mldiosl Koufmos torate, also in chemistry, from Sum m a Staff Writer the University of Kansas. Kouu was chair of the Cal Poly will lose one of its chemistry department at NDSU senior administrators to the for six years and chair of the ^ r V I University of Northern Iowa physics department there before next month. he was promoted to vice presi Senior Vice President and dent^______ Vice President for Academic Af fairs Robert D. Koob will return Koob was selected for the to his alma mater on August 15, after being selected as UNI’s position for his excellence in ¿ ^ ^ «Í' next president. ^ V I ' Koob was selected for the leadership and communication position by the Iowa State Board of Regents for his excellence in abilities. leadership and his communica V 1 tion abilities, according to In a written statement. Presi m ^ / S . I Regents President Marvin dent Baker commented on Koob’s Pomerantz. service record at Cal Poly. Before coming to Cal Poly in “Bob’s great energy, intel 1990, Koob, 53, was vice presi ligence and skill have been of dent of academic affairs at North enormous benefit to Cal Poly," V ** *♦ ■ Dakota State University (NDSU) the statement said. "He has in Fargo, N.D. from 1985-90. He provided strong academic leader served as the university’s inter ship and helped the university im president for a year of that move forword under the most dif period. -
Model Music Curriculum: Key Stages 1 to 3 Non-Statutory Guidance for the National Curriculum in England
Model Music Curriculum: Key Stages 1 to 3 Non-statutory guidance for the national curriculum in England March 2021 Foreword If it hadn’t been for the classical music played before assemblies at my primary school or the years spent in school and church choirs, I doubt that the joy I experience listening to a wide variety of music would have gone much beyond my favourite songs in the UK Top 40. I would have heard the wonderful melodies of Carole King, Elton John and Lennon & McCartney, but would have missed out on the beauty of Handel, Beethoven and Bach, the dexterity of Scott Joplin, the haunting melody of Clara Schumann’s Piano Trio in G, evocations of America by Dvořák and Gershwin and the tingling mysticism of Allegri’s Miserere. The Model Music Curriculum is designed to introduce the next generation to a broad repertoire of music from the Western Classical tradition, and to the best popular music and music from around the world. This curriculum is built from the experience of schools that already teach a demanding and rich music curriculum, produced by an expert writing team led by ABRSM and informed by a panel of experts – great teachers and musicians alike – and chaired by Veronica Wadley. I would like to thank all involved in producing and contributing to this important resource. It is designed to assist rather than to prescribe, providing a benchmark to help teachers, school leaders and curriculum designers make sure every music lesson is of the highest quality. In setting out a clearly sequenced and ambitious approach to music teaching, this curriculum provides a roadmap to introduce pupils to the delights and disciplines of music, helping them to appreciate and understand the works of the musical giants of the past, while also equipping them with the technical skills and creativity to compose and perform. -
Exploration of Urban Extension County Offices: Identifying Patterns of Success Using a Modified Delphi and Case Study
Copyright by Warren Jack Kerrigan, Jr. 2005 ABSTRACT The Cooperative Extension Service was established in 1914 when the United States of America was a predominantly agrarian society. America’s population according to the 2000 U.S. Census data is 79 percent urban. Extension’s urban county offices provided educational programs to address the needs and issues of contemporary urban life. The practices of urban county offices are becoming increasingly important to the future of the Cooperative Extension Service system. The purpose of this study was to identify current practices and project the patterns of success in urban Extension for the next two to five years (2007 – 2010) A case study and a Modified Delphi technique, descriptive research designs, were used for this exploratory study. The case study site was purposefully selected based on its reputation as an exemplary urban office. The staff of this office was interviewed about office operations and programming, programs were observed, and marketing materials and educational documents were analyzed to provide input into the statements used in the Modified Delphi survey instrument. The case study provided a baseline of current practice. A purposeful sample of Extension professionals and experts across the United States was selected to serve as the panel of experts in three rounds of the Modified Delphi. The study was conducted utilizing a web-based survey instrument, ii which allowed prompt responses to statements and rapid analysis of the data. The case study participants were interviewed in a focus group for reactions to the statements used in the Modified Delphi, providing the practitioners’ perspective in reaction to the Delphi panel’s recommendations. -
Media Culture: Cultural Studies, Identity and Politics Between The
Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us. -
Andy Warhol 'Jean-Michel Basquiat'
Basquiat Boom for Real 2 Introduction 4 New York /New Wave 9 SAMO© 12 Canal Zone 15 The Scene 20 Downtown 81 22 Beat Bop 25 Warhol 33 Self-Portrait 36 Bebop (Wall) 40 Bebop (Vitrine) 42 Art History (Wall) 45 Art History (Vitrine) 46 Encyclopaedia (Walls) 52 Encyclopaedia (Column) 55 Encyclopaedia (Vitrine) 57 Notebooks 59 The Screen 64 Interview Jean-Michel Basquiat was one of the most significant artists of the 20th century. Born in Brooklyn in 1960, to a Haitian father and a Puerto Rican mother, he grew up amid the post-punk scene in lower Manhattan. After leaving school at seventeen, he invented the character ‘SAMO©’, writing poetic graffiti that captured the attention of the city. He exhibited his first body of work in the influential group exhibition ‘New York/New Wave’ at P.S.1, Institute for Art and Urban Resources, Inc., in 1981. When starting out, Basquiat worked collaboratively and fluidly across media, making poetry, performance, music and Xerox art as well as paintings, drawings and objects. Upstairs, the exhibition celebrates this diversity, tracing his meteoric rise, from the postcard he plucked up the courage to sell to his hero Andy Warhol in SoHo in 1978 to one of the first collaborative paintings that they made together in 1984. By then, he was internationally acclaimed – an extraordinary feat for a young artist with no formal training, working against the racial prejudice of the time. In the studio, Basquiat surrounded himself with source material. He would sample from books spread open on the floor and the sounds of the television or boom box – anything worthy of his trademark catchphrase ‘boom for real’. -
2020 Annual Report
2020 Annual Report 1 Contents 4-5 Letters from KConnect Leadership 6 Accountability Partners Council KConnect Structure 7 Frequently Asked Questions What Does KConnect do? 8 - 9 The KConnect Workplan Our Success Measures 10 - 11 Report Card 2020 Data 12 - 15 Equity in COVID-19 A Discussion with a Panel of Experts 16 - 19 Housing The Housing Stability Alliance 20 - 21 Doulas Day One Doula Collective 22 - 27 Network Member Listing 2 3 Letter From The President BOARD OF work that has been established. My TRUSTEES purpose or ‘my why’ behind this work is closely tied to my upbringing. I am the Andrew Brower son of Mexican immigrants and grew up W.K. Kellogg Foundation in low-income housing and a struggling school system in California. My parents Lynne Ferrell moved to Grand Rapids when I was in Frey Foundation my first year of high school. We were Krista Flynn fortunate enough to purchase a home TCF Bank near Northview High School, where Cle Jackson I learned quickly that not all school districts are created equal. My change in Blue Cross Blue Shield Michigan education, neighborhood, and community Dr. Juan Olivarez networks helped me learn first-hand how Andrew Brower, Teresa Weatherall Neal, Dorothy A. Johnson Center important it is to invest in ALL students KConnect Board of Trustees Co-Chair KConnect Board of Trustees Co-Chair Salvador Lopez, President for Philanthropy and work collectively to create a system Photo by Isabel Garcia Kevin Polston that provides students with a high quality Letter From the Co-Chairs Godfrey-Lee Public Schools Hello! For those of you who have not met education and experience, no matter their race, gender, or socio-economic status. -
Press Release
Press release The Guggenheim Museum Bilbao presents on July 3, 2015 Jean-Michel Basquiat: Now’s the Time Sponsored by Iberdrola is pleased and proud to support the Guggenheim Museum Bilbao's production of Jean-Michel Basquiat: Now's the Time, one of the most important exhibitions ever devoted to this American artist and the first thematic examination of his output. Though Basquiat was only active for a brief period in the 1980s, he produced one of the most remarkable bodies of work of the 20th century, with a formal and conceptual appeal that continues to fascinate audiences today. He combined images and texts in a unique style—mixing hieroglyphics and comics, high and low culture—to present a revealing vision of the world tinged with pain. Basquiat’s creations are manifestos that denounce inequality, racism, prejudice, and discrimination and defend the values of freedom, dignity, and respect. His art is steeped in music and poetry, harmoniously combining elements of everyday life with classic works of art, literature and music, anatomical drawings, and references to the world of sports, history (especially Afro-American history), life and death. Throughout his brief, precocious career, Basquiat never stopped creating. Once, when asked about his prolific output, the artist replied that he simply did not know what else to do with himself. In other words, for him art was a necessity. We hope and trust that visitors who come to the Guggenheim Museum Bilbao will enjoy this exhibition, a tribute to Basquiat’s brilliant and meteoric career. I congratulate the Museum and everyone who made it possible for this show to travel from Ontario, Canada, to our city, giving us a chance to enjoy the extraordinary work of this artist and takes its social message to heart. -
Cmp Red Rock.Pdf
Corridor Management Plan – Table of Contents 4.0 Evaluation of Intrinsic Qualities................. 23 4.1 Definitions and Standards................................. 23 4.2 Archaeological................................................. 24 4.3 Cultural........................................................... 25 4.4 Historic........................................................... 29 4.5 Natural............................................................ 30 4.5.1 Hydrology.............................................................. 30 4.5.2 Climate.................................................................. 30 4.5.3 Soils and Vegetation.............................................. 31 4.5.4 Wildlife.................................................................. 34 4.5.5 Special Status Species............................................ 35 4.5.6 Paleontological Resources...................................... 35 4.6 Recreational.................................................... 35 4.6.1 Trails..................................................................... 36 4.6.2 Other Recreational Opportunities........................... 39 4.7 Scenic............................................................. 39 4.7.1 Corridor Overview: Red Rock Country................... 40 4.7.2 Maps of Existing Scenic Resources......................... 44 ii 4.7.3 Visual Assessment from 1986 Scenic Road Application Report................................................. 48 4.7.4 U.S. Forest Service Visual Quality Objectives.......... 49 4.7.5 -
Providing Educational Opportunities to Sex Workers
ABSTRACT In most industries today, workers and their employers take for granted that they will continue to learn more about their career fields. They expect to hone their skills, practice new approaches, and learn about the latest technologies and research advances. However, it is not readily apparent that sex workers have an awareness of continuing education being available for their types of work. This dissertation researches the existing educational opportunities for sex workers and provides an overview of who offers what. Various organizations, private websites, workshops, videos, health clinics, therapists, conferences and other sources, offer education of various kinds, and for various reasons. This dissertation then surveys 150 sex workers’ attitudes toward career-related education, their levels of interest, and exactly what they’re interested in learning. Results are tabulated by job description, level of industry experience, and age of the respondents. The overall response was highly favorable toward education. The most popular course topics (out of 28 choices) were, in order, Legal Issues, Career Enhancement, Financial Advice, Super Sex Technologies, Self Defense, and the History of Sex Work. The classes least of interest were, in order, Advanced Safer Sex Techniques, Building Self Esteem, and How to Be A Better Lover. Next a focus group of sex workers and sex worker educators was assembled. The survey results were shared with this panel of experts who analyzed and discussed them. The group first noticed that the most popular classes were similar to those that would also be of most interest to self-employed individuals in other industries: career-specific skills, and classes in marketing, legal and financial issues. -
REMY SHAND: CANADIAN SOULMAN Introduction
REMY SHAND: CANADIAN SOULMAN Introduction Remy Shand is a 24-year-old musician from away after their first commercial success. Winnipeg who has struck it big—a big-time The intense competition and often ruthless record deal. His debut album, recorded in the marketing cannot be underestimated. More basement of his parents’ home, was passed than ever before, major label companies are around to friends and acquaintances for struggling with declining sales as the public feedback. Before he knew it he had a record turns away from “megastars” who have deal with Universal Music Canada and had traditionally generated the bulk of profits for signed a contract with Motown in the United the companies. States. He is the first Canadian ever signed Given the difficulty of winning recording by Motown, and it appears his album, The contracts with the major labels, more and Way I Feel, is going to do very well. The more artists are releasing their albums inde- album debuted at No. 1 in Canada, unseating pendently, something fraught with a great Alanis Morrisette. In the U.S., a market few deal of financial risk. Canadians have been able to successfully Remy Shand, like many Canadian artists, crack, the album debuted at No. 39, with is exceptionally talented, but the fact that he 30000 units sold on little more than word of has been signed in the U.S. is the key to his mouth. One month later, in April 2002, over big break. Although the Canadian music 270 000 units had been sold and the album industry is thriving, once again we have an was in the Top 40. -
Jean-Michel Basquiat: Now’S the Time
Press release The Guggenheim Museum Bilbao presents on July 3, 2015 Jean-Michel Basquiat: Now’s the Time Sponsored by Iberdrola is pleased and proud to support the Guggenheim Museum Bilbao's production of Jean-Michel Basquiat: Now's the Time, one of the most important exhibitions ever devoted to this American artist and the first thematic examination of his output. Though Basquiat was only active for a brief period in the 1980s, he produced one of the most remarkable bodies of work of the 20th century, with a formal and conceptual appeal that continues to fascinate audiences today. He combined images and texts in a unique style—mixing hieroglyphics and comics, high and low culture—to present a revealing vision of the world tinged with pain. Basquiat’s creations are manifestos that denounce inequality, racism, prejudice, and discrimination and defend the values of freedom, dignity, and respect. His art is steeped in music and poetry, harmoniously combining elements of everyday life with classic works of art, literature and music, anatomical drawings, and references to the world of sports, history (especially Afro-American history), life and death. Throughout his brief, precocious career, Basquiat never stopped creating. Once, when asked about his prolific output, the artist replied that he simply did not know what else to do with himself. In other words, for him art was a necessity. We hope and trust that visitors who come to the Guggenheim Museum Bilbao will enjoy this exhibition, a tribute to Basquiat’s brilliant and meteoric career. I congratulate the Museum and everyone who made it possible for this show to travel from Ontario, Canada, to our city, giving us a chance to enjoy the extraordinary work of this artist and takes its social message to heart.