DOCSLIB.ORG

Cross-Cultural Encounter and the Novel: Nation, Identity, and Genre in Nineteenth- Century British Literature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cross-Cultural Encounter and the Novel: Nation, Identity, and Genre in Nineteenth- Century British Literature CROSS-CULTURAL ENCOUNTER AND THE NOVEL: NATION, IDENTITY, AND GENRE IN NINETEENTH- CENTURY BRITISH LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Chimi Woo, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Clare Simmons, Adviser Professor David Riede ____________________________ Adviser Professor Amanpal Garcha Graduate Program in English ABSTRACT My dissertation considers cross-cultural encounter represented in the nineteenth- century novel by focusing on the relationships between England’s imperial nationalism and the novel. Whereas many postcolonial critics have situated the nineteenth-century novelistic process in the national context of English colonialism and have argued that the novel mainly sustained the hegemonic mode of conceptualization of England’s cultural others, I argue that the story of cross-cultural encounters conceives an alternative vision that counters such a hegemonic conceptualization of English subjectivity and its subordinate otherness. The notion of cross-cultural encounter in my project is differentiated from that of the space of colonial encounter through which the colonizer from the metropolis seeks to assert his superiority and secure his innocence while he is involved with colonial practices. On the contrary, English characters in the texts that I consider experience the sense of guilt, ennui, or uncertainty that is frequently attributed to colonized subjects. Through actual encounter with their cultural others, English characters distance themselves from the dominant cultural order and the imperialist assumptions as to their superiority and engage with other cultures and people. I show how novels suggest the disruption of the claimed cultural hierarchy by addressing the positive alterity of other ii cultures and hybridity that the dynamics of cross-cultural encounter invoke. The individual chapters of my dissertation show that while the English nation confronted various other cultures in the nineteenth century, at the same time the novel was also engaged with such issues as the Irish Question, the Jewish Question, and the Indian Question to conceive a different world order in which the meaning and values of the metropolitan center and its peripheries are reconsidered. In five case studies of different subgenres of the novel such as the Irish national tale, the realist novel, the sensation novel, the Gothic novel, and the early modernist novel, I demonstrate that the nineteenth-century novel engages itself with the shared question of English national identity in its relation to cultural others consistently throughout the various subgenres. iii Dedicated to My Husband Yuhchae Yoon iv ACKNOWLEDGMENTS I express my sincere gratitude to my adviser, Clare Simmons, for her consistent interest in and support for my work. From my first year at Ohio State, Clare encouraged and advised me throughout coursework, the M.A. exam, the candidacy exam and this dissertation with expert guidance and care. She spent many hours reading each chapter of this dissertation and other pieces of writing I produced while in the program, and I am very grateful for her extensive help and time. Her courses on Romantic and Victorian literature and reading with her in individual studies provided an important foundation for this dissertation. I am grateful to David Riede for his encouragement and feedback on each chapter of this dissertation. I also thank Aman Garcha for his time and comment as committee member on this dissertation. I thank other faculty members in the department, especially Phoebe Spinrad, Marlene Longenecker, Roxann Wheeler, Debora Moddelmog and Pranav Jani. I thank Kathleen Griffin for her friendship and her help with paperwork. The writing of this dissertation was supported by fellowships from the department. The Mary Lundie Stewart Vorman Fellowship and departmental dissertation fellowships allowed me time off from teaching to devote myself to writing this dissertation. I want to thank my graduate student peers for their friendship, particularly Danielle Dadras, Ivonne Garcia, Kyoung-min Han, Kristen Hartman, Kyounghye Kwon, Yongwha Lee, Kate Oestreich, and Nancy Yan. I extend many thanks to Pastor Jae K. Chun, Bob Trube of the v Christian Graduate Student Alliance at Ohio State, and the staff of the Korean Student Abroad for their emotional support and prayer. I am thankful to my parents Yong-Kiel Woo and Soun-Nam Lee without whose sacrificing love and faith in my ability I would never haven been here. I thank my parents-in-law Mihn-Siek Yoon and Young-Soun Park for their loving encouragement. I want to thank other members of my family, particularly Ma-Mie Woo and Joy Yoon for their prayer. I thank Hyun-Sung Yoon who has brought a great joy in my life. Above all, I am grateful to my husband and dearest friend, Yuhchae Yoon, whose loving patience, support and faith have been incomparable as always. vi VITA February 27, 1971 ................................................Born – Kimcheon, Korea 1994......................................................................B.A. English Language and Literature, Yonsei University, Seoul, Korea 1997......................................................................M.A. English Language and Literature, Yonsei University, Seoul, Korea 2003 …………………………………………….M.A. English, The Ohio State University 2001 - 2006 .........................................................Graduate Teaching Associate The Ohio State University FIELDS OF STUDY Major Field: English vii TABLE OF CONTENTS pages Abstract............................................................................................................................... ii Dedication.......................................................................................................................... iv Acknowledgment ................................................................................................................ v Vita … ............................................................................................................................... vii List of Figures.................................................................................................................... ix Chapters: 1. Introduction .................................................................................................................. 1 2. The Irish National Tale and the Irish Question in Sydney Owenson’s The Wild Irish Girl and Maria Edgeworth’s The Absentee................................................................ 21 3. “The Balance of Separation and Communication”: Knowing Other Cultures in George Eliot’s Daniel Deronda ............................................................................... 60 4. “I Had Discovered Myself as the Thief”: Imperialism and Sensational National Character in Wilkie Collins’s The Moonstone......................................................... 100 5. “This Vampire Which is amongst Us”: The Nation, Race, and the Gothic in Bram Stoker’s Dracula ..................................................................................................... 134 6. “I Want to See the Real India”: Modernism, Point of View, and Cross-Cultural Friendship in E. M. Forster’s A Passage to India ................................................... 166 viii LIST OF FIGURES Figures pages Figure 1.1 "The Irish Frankenstein," Punch, May 20, 1882........................................... 146 Figure 1.2 "The Irish Vampire," Punch, October 24, 1885 ............................................ 147 ix CHAPTER 1 INTRODUCTION 1.1 The Story of Cross-Cultural Encounter The title character in George Eliot’s last novel Daniel Deronda (1876) challenges “the spoiled child” Gwendolen Harleth, as Book One of the novel puts it, by saying that “I think what we call the dullness of things is a disease in ourselves. Else how could anyone find an intense interest in life? And many do” (395). Eliot’s novel identifies the Jewish people that Daniel meets as those who find “an intense interest in life.” Daniel actually chides Gwendolen for her boredom after he himself has recovered from ennui by being wakened through a new interest in Judaism: Deronda, like his neighbours, had regarded Judaism as a sort of eccentric fossilized form which an accomplished man might dispense with studying, and leave to specialists. But Mirah, with her terrified flight from one parent, and her yearning after the other, had flashed on him the hitherto neglected reality that Judaism was something still throbbing in human lives, still making for them the only conceivable vesture of the world; and in the idling excursion on which he immediately afterwards set out with Sir Hugo he began to look for the outsides of synagogues, and the titles of books about the Jews. This wakening of a new interest—this passing from supposition that we hold the right opinions on a subject we are careless about, to a sudden care for it, and a sense that our opinions were ignorance—is an effectual remedy for ennui, which unhappily cannot be secured on a physician’s prescription; but Deronda had carried it with him, and 1 endured his weeks of lounging all the better. It was on this journey that he first entered a Jewish synagogue. (Emphasis added; 347) This example of an English character that recovers his interest in life and overcomes his boredom after his encounter with an other culture illustrates
Load more

Recommended publications
  • The Little Book of Restorative Justice
    The authors THE LITTLE BOOK OF oward Zehr directed the first victim offender conferencing program in the U.S. and is one H of the developers of restorative justice as a concept. His book Changing Lenses: A New Focus for Crime and Justice is considered a classic in the field. His other publications include Doing Life: Reflections of Men and Women Serving Life Sentences, Transcending: Reflections of Crime Victims and The Little Book of Restorative Justice. Forthcoming in fall, 2003, is The Little Book of Family Group Conferences, New Zealand Style (with Allan MacRae). Dr. Zehr is Co-Director of the graduate Conflict Transformation Program at Eastern Mennonite University. From this base he also teaches and practices in the field of restorative justice. Zehr received his M.A. from the University of Chicago and his Ph.D. from Rutgers University. li Gohar worked as Additional Commissioner Social Welfare Cell for Afghan Refugees for A thirteen years. Presently working as Chief Executive, Just Peace International inc. for Afghanistan and Pakistan. Ali Gohar received his MSc in International Relations from Quaid-i-Azam university Islamabad . He completed his second Master in Conflict Transformation as a Fulbright Scholar from Eastern Mennonite University VA, USA. The Pushto, Urdu and Persian (Dari) version of the hand book by the same authors are under publications. [email protected] Ph: ++92 - 91 - 5700724 The authors THE LITTLE BOOK OF oward Zehr directed the first victim offender conferencing program in the U.S. and is one H of the developers of restorative justice as a concept. His book Changing Lenses: A New Focus for Crime and Justice is considered a classic in the field.
    [Show full text]
  • Evolution in Cultural Anthropology
    UC Berkeley Anthropology Faculty Publications Title Evolution in Cultural Anthropology Permalink https://escholarship.org/uc/item/5pk146vg Journal American Anthropologist, 48(2) Author Lowie, Robert H. Publication Date 1946-06-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California EVOLUTION IN CULTURAL ANTHROPOLOGY: A REPLY TO LESLIE WHITE By ROBERT H. LOWIE LESLIE White's last three articles in the A merican A nthropologist1 require a reply since in my opinion they obscure vital issues. Grave matters, he clamors, are at stake. Obscurantists are plotting to defame Lewis H. Morgan and to undermine the theory of evolution. Professor White should relax. There are no underground machinations. Evolution as a scientific doctrine-not as a farrago of immature metaphysical notions-is secure. Morgan's place in the history of anthropology will turn out to be what he deserves, for, as Dr. Johnson said, no man is ever written down except by himself. These articles by White raise important questions. As a victim of his polemical shafts I should like to clarify the issues involved. I premise that I am peculiarly fitted to enter sympathetically into my critic's frame of mind, for at one time I was as devoted to Ernst Haeckel as White is to Morgan. Haeckel had solved the riddles of the universe for me. ESTIMATES OF MORGAN Considering the fate of many scientific men at the hands of their critics, it does not appear that Morgan has fared so badly. Americans bestowed on him the highest honors during his lifetime, eminent European scholars held him in esteem.
    [Show full text]
  • Sandokan the Tigers of Mompracem
    Sandokan The Tigers of Mompracem Sandokan The Tigers of Mompracem Emilio Salgari Translated by Nico Lorenzutti iUniverse, Inc. New York Lincoln Shanghai Sandokan The Tigers of Mompracem All Rights Reserved © 2003 by Nico Lorenzutti No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permis- sion of the publisher. iUniverse, Inc. For information address: iUniverse, Inc. 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com SANDOKAN: The Tigers of Mompracem By Emilio Salgari Translated from the Italian by Nico Lorenzutti Edited by Dan Tidsbury Special thanks to Felice Pozzo and Claudio Gallo for their invaluable assistance in the production of this novel. Original Title: Le Tigri di Mompracem First published in serial form in “La Nuova Arena” (1883/1884) ISBN: 0-595-29133-3 Printed in the United States of America “To read is to travel without all the hassles of luggage.” Emilio Salgari (1863-1911) Contents Chapter 1: Sandokan and Yanez ......................................1 Chapter 2: Ferocity and Generosity...................................8 Chapter 3: The Cruiser...................................................16 Chapter 4: Lions and Tigers............................................20 Chapter 5: Escape and Delirium.....................................32 Chapter 6: The Pearl of Labuan ......................................38 Chapter 7: Recovery
    [Show full text]
  • Degeneration Theory in Naturalist Novels of Benito Pérez Galdós
    Degeneration Theory in Naturalist Novels of Benito Pérez Galdós A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Michael Wenley Stannard IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Ofelia Ferrán, Advisor April 2011 © Michael Wenley Stannard 2011 i Acknowledgements I should like to record my sincere thanks to Ana Paula Fereira, the Department of Spanish and Portuguese and the University of Minnesota (Twin Cities) for having given me the opportunity to realize a dream of many years. My graduate career in Minnesota has been a life-changing experience, and I would not have missed it for anything. Financial support from the department to study at the Biblioteca Nacional in Madrid, to study Portuguese at the Universidade de Lisboa in Lisbon and to contribute to a conference at Universidad Complutense in Madrid helped significantly in rounding out my graduate student experience, as well as enabling me to collect essential material for this dissertation. I should like to thank my adviser, Ofelia Ferrán, for her help and guidance and to record my additional debt to Toni Dorca and Jaime Hanneken, who listened generously and counseled. To Toni Dorca I owe my introduction to Galdós‘s Naturalist novels which has formed the background of this dissertation. I have seen myself fundamentally as a galdosista at heart ever since. I should like to thank J.B. Shank for allowing me to prevail upon him to direct me in a course of reading that proved invaluable preparation for the study of biological and medical thought in eighteenth and nineteenth century France.
    [Show full text]
  • Sandokan: the Pirates of Malaysia
    SANDOKAN The Pirates of Malaysia SANDOKAN The Pirates of Malaysia Emilio Salgari Translated by Nico Lorenzutti Sandokan: The Pirates of Malaysia By Emilio Salgari Original Title: I pirati della Malesia First published in Italian in 1896 Translated from the Italian by Nico Lorenzutti ROH Press First paperback edition Copyright © 2007 by Nico Lorenzutti All Rights Reserved No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher. For information address: [email protected] Visit our website at www.rohpress.com Cover design: Nico Lorenzutti Special thanks to Felice Pozzo and Hanna Ahtonen for their invaluable advice. ISBN: 978-0-9782707-3-5 Printed in the United States of America Contents Part I: The Tiger of Malaysia Chapter 1: The Young India....................................................................1 Chapter 2: The Pirates of Malaysia .........................................................8 Chapter 3: The Tiger of Malaysia ..........................................................14 Chapter 4: Kammamuri’s Tale..............................................................21 Chapter 5: In pursuit of the Helgoland .................................................29 Chapter 6: From Mompracem to Sarawak ............................................36 Chapter 7: The Helgoland.....................................................................45
    [Show full text]
  • Machen, Lovecraft, and Evolutionary Theory
    i DEADLY LIGHT: MACHEN, LOVECRAFT, AND EVOLUTIONARY THEORY Jessica George A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University March 2014 ii Abstract This thesis explores the relationship between evolutionary theory and the weird tale in the late nineteenth and early twentieth centuries. Through readings of works by two of the writers most closely associated with the form, Arthur Machen (1863-1947) and H. P. Lovecraft (1890-1937), it argues that the weird tale engages consciously, even obsessively, with evolutionary theory and with its implications for the nature and status of the “human”. The introduction first explores the designation “weird tale”, arguing that it is perhaps less useful as a genre classification than as a moment in the reception of an idea, one in which the possible necessity of recalibrating our concept of the real is raised. In the aftermath of evolutionary theory, such a moment gave rise to anxieties around the nature and future of the “human” that took their life from its distant past. It goes on to discuss some of the studies which have considered these anxieties in relation to the Victorian novel and the late-nineteenth-century Gothic, and to argue that a similar full-length study of the weird work of Machen and Lovecraft is overdue. The first chapter considers the figure of the pre-human survival in Machen’s tales of lost races and pre-Christian religions, arguing that the figure of the fairy as pre-Celtic survival served as a focal point both for the anxieties surrounding humanity’s animal origins and for an unacknowledged attraction to the primitive Other.
    [Show full text]
  • Seeking Intersections of Pain, Grief and Disability by Christina Crosby, Phd
    JHR NARRATIVE REFLECTION “We are looking for positives here”: Seeking Intersections of Pain, Grief and Disability By Christina Crosby, PhD Three weeks after my fiftieth birthday, I broke my neuropathic pain and deep grief for all I’d lost. fifth and sixth cervical vertebrae in a cycling accident. Weekly meetings of the team, which included Janet A branch got caught in my spokes and instantly threw and me, assured me that each knew what the others me to the side, so fast I had no time to throw out my were doing, and all were concentrated on treating me. hands. My chin took the full impact, smashing my I now enjoy a manifestly abundant life. I work half face and hyper- extending my neck. Anyone who time at a job I love, and I enjoy the friendship of works in rehabilitative medicine knows something of many. My lover then still loves me now, and between the far-reaching effects of spinal cord injury. Every us we have enough money to pay directly for all the person so paralyzed will live with deficits and help I need, while so many have no such advantage. capabilities specific to which neural networks are Yet physical pain, though moderated by drugs, destroyed or compromised, so each case will pose shadows every day, and fourteen years after the different challenges for rehabilitative treatment. Each accident, I am not done with grieving. person must use whatever resources are at hand to understand a bodymind radically undone. I have worked for more than thirty years at Wesleyan University as a Professor of feminist, gender, and “We are looking for positives here,” Dr.
    [Show full text]
  • 2014-2015 FGSS Newsletter
    FEMINIST GENDER WESLEYAN UNIVERSITY FEMINIST, GENDER AND SEXUALITYSEXUALITY STUDIES STUDIES Inside: Letter from 2the Chair Senior 3Theses Diane Social Death Weiss ’80 4Series Faculty & Memorial 6Alumni News Ecofeminism Lecture Grant On the evening of April 9, 2015, Elizabeth data, and extract gain for feminist theory. At order to 7 Wilson presented her most recent work as the the Diane Weiss lecture, Wilson focused on render them FGSS featured speaker for the 27th Annual Diane re-conceptualizing depression and anger. She deserving Weiss ’80 Memorial Lecture. Her presentation, contrasted her account with both Freud’s theory of sympathy Symposia “Bitter Melancholy: Feminism and the Politics of on melancholy, and feminist treatments of and justice. 8 Biology and Aggression,” explored depression depression. In Freudian and feminist theories “If we are and aggression through a feminist framework. of depression, anger is turned inwards. Wilson unable to keep our conceptual focus on these The talk aimed to reclaim the hostility that may argues that recognizing the outward expression intensely hostile forces, then our politics become underlie depression as a positive resource, and of anger, or aggression, in melancholia renders redemptive, sadism is tamed, culture is salvaged, also to rethink feminist responses to melancholy the melancholic a more active subject. and politics marches on to the good,” Wilson and depression. said. Wilson argued that feminist thought has elided The lecture series is named after Diane Weiss or ignored aggression enacted by victimized During the question and answer portion of the (’80). Professor Victoria Pitts-Taylor introduced subjects. She used as a case study the murder evening, Wilson also contested neuropsychiatric the lecture by sharing some background on of Lawrence (Leticia) King, a gender atypical accounts of depression that reduce it to brain Weiss, who tragically died soon after receiving student from Oxnard, California who was shot processes.
    [Show full text]
  • Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone" Flora Christina Buckalew College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Buckalew, Flora Christina, "Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625596. https://dx.doi.org/doi:10.21220/s2-bjv4-6j20 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. SITUATIONAL ETHICS IN WILKIE COLLINS' WOMAN IN WHITE AND MOONSTONE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Flora C. Buckalew 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of The requirements for the degree of Master of Arts Cl — '_________________ Flora C. Buckalew Approved, December 1990 Deborah D. Morse W . O&y&SuL. John W. Conlee Z. Terry/L7 Meyers/ ii DEDICATION The author would like to thank her parents, Dr. Robert Jo Buckalew and Mrs. Flora K. Buckalew, and her sister, Miss Faye R. Buckalew, for their love and support. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ............... v ABSTRACT ........................
    [Show full text]
  • The Moonstone
    The Moonstone Wilkie Collins Retold by David Wharry Series Editors: Andy Hopkins and Jocelyn potter Contents Page Introduction 4 Taken From an Old Family Letter 5 Part 1 The Loss of the Diamond 7 Chapter 1 A Record of the Facts 7 Chapter 2 Three Indian Men 8 Chapter 3 The Will 9 Chapter 4 A Shadow 13 Chapter 5 Rivals 14 Chapter 6 The Moonstone 17 Chapter 7 The Indians Return 18 Chapter 8 The Theft 21 Chapter 9 Sergeant Cuff Arrives 26 Chapter 10 The Search Begins 29 Chapter 11 Rosanna 30 Chapter 12 Rachel's Decision 34 Chapter 13 A Letter 36 Chapter 14 The Shivering Sands 39 Chapter 15 To London 44 Part 2 The Discovery of the Truth 46 First Narrative 46 Chapter 1 A Strange Mistake 46 Chapter 2 Rumours and Reputations 49 Chapter 3 Placing the Books 54 Chapter 4 A Silent Listener 56 Chapter 5 Brighton 59 Second Narrative 65 Chapter 1 Money-Lending 65 Chapter 2 Next June 67 2 Third Narrative 69 Chapter 1 Franklin's Return 69 Chapter 2 Instructions 71 Chapter 3 Rosanna's Letter 73 Chapter 4 Return to London 76 Chapter 5 Witness 78 Chapter 6 Investigating 82 Chapter 7 Lost Memory 85 Chapter 8 Opium 87 Fourth Narrative 90 Fifth Narrative 94 Sixth Narrative 100 3 Introduction 'Look, Gabriel!' cried Miss Rachel, flashing the jewel in the sunlight. It was as large as a bird's egg, the colour of the harvest moon, a deep yellow that sucked your eyes into it so you saw nothing else.
    [Show full text]
  • The Moonstone
    THE MOONSTONE by R.N. SANDBERG Adapted from the novel by WILKIE COLLINS ~f Dramatic Publishing Woodstoc~ Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, illinois 60098 COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR"S AGENT THE EXCLUSWE RIGHTTO MAKE COPIES. This law provides authors with a fair retmn for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work. Conscientious observance of copyright law is not ooly ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele­ tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, video­ tape, film., or any infonnation storage and retrieval ~ without permission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
    [Show full text]
  • Azu Etd Mr 2012 0090 Sip1 M.Pdf
    Truth and Justice in The Moonstone and Bleak House Item Type text; Electronic Thesis Authors Keffeler, Kristina Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 15:41:49 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/244411 Abstract Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served. Keffeler 1 Truth and Justice in The Moonstone and Bleak House Introduction Victorians placed a high value on honesty. The cultural norm of the period was that people were expected to tell the truth (Kucich 6). There are many references by people such as Ralph Waldo Emerson and W. E. H. Lecky about how Victorians took pride in being candid and sincere. This emphasis on honesty led to moral values that placed great importance on the truth (Kucich 8).
    [Show full text]