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The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
The Property Known As the Randolph Scott House Is Located at 1301 Dilworth Road in Charlotte, North Carolina
RANDOLPH SCOTT HOUSE This report was written on March 7, 1988 1. Name and location of the property: The property known as the Randolph Scott House is located at 1301 Dilworth Road in Charlotte, North Carolina. 2. Name, address, and telephone number of the present owner of the property: The owner of the property is: Mr. and Mrs. James A. Haynes 1301 Dilworth Road Charlotte, NC, 28203 Telephone: (704) 375-3313 3. Representative photographs of the property: This report contains representative photographs of the property. 4. A map depicting the location of the property: This report contains a map which depicts the location of the property. 5. Current Deed Book Reference to the property: The most recent reference to this property is recorded in Mecklenburg Deed Book 5203, page 437. The Tax Parcel Number of the property is: 123-102-01. 6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman, Ph.D. 7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Dr. Dan L. Morrill, Ph.D. 8. Documentation of why and in what ways the property meets the criteria for designation set forth in NCG.S. 160A-399.4: a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as the Randolph Scott House does possess special significance in terms of Charlotte-Mecklenburg. The Commission bases its judgment on the following considerations: 1) the Randolph Scott House, erected in 1926-1927, was briefly the home of Randolph Scott (1903- 1987), noted cinema actor; 2) George Grant Scott (1867-1936), the initial owner, was an influential resident of Charlotte, including representing Fourth Ward on the Board of Aldermen; 3) the Randolph Scott House was designed by Louis H. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
WIN F Crash Near Parkade
< . > Average Daily Ne^ P t m ^ ^ (T u S a Y, NOVEMSSai 11, I960 Tho Waathar »AOlB BidHTBBN For the Week niOea Fewcaat at D. >. W m Gm $ «r a lb Nev. 6. leee fU ir Mril 4 i^CitHn. la pefine older and milder Low ik sea I Uoyd Bemis o f Boston wUl speak the rear bf a car being driven by 1 3 ,2 7 0 Watkins Delegate Robert A. Miil^ 19, of 84 MIU 8t„ dlabetle^ tncantly developed oral a t l a n t i o mgk iB bbr on "A Dynamic "New England,” AlUdycees com pw m ia appear ‘to have been Mtnfeer «t the Anatt About Town discussing what New England has which in turn waa pushed Into a| FURNACE OIL Banan of dradatiOB. At UConli Rites ^ e d u v e in reducing blood' augur Mancheater~-~4 City of VUlago Charm • 1 to offer new Industry and business, car being driven by Leon G. kah> Automatic DeHvery at a meeting of the kiwanls Club ' A pamd discuaslon on "Enjoying lot, 59, of 86 Park St. To Distribute The Manchester Junior Chamber L T . W OOD C O . Dm H bl* at Home” wUl be held of Manchester next Tuesday noon For Jorgensen (Claarifled AfivortUiag on Pago S) pRicB invt cB im Davis was a passenger in o f Commerce is distributing the Phone MI 8>I12» (TEN PAGES—TV SECTION) MANCHESTER CONN., SATURDAY, NOVEMBER 12, 1960 tjjfinorrow at 8 p.m. at SuaM n^ at the Manchester Country Club. kits aa Its part in National Di VOL. -
And a Happy 1964 to All of Guantanamo Bay
*%d WEEKLY ET - - NalBa, A WEEKLY PUBLICATION U. S. Naval Base, Guantanamo Bay, Cuba December 28, 1963 .AND A HAPPY 1964 TO ALL OF GUANTANAMO BAY 49~606 / N"S 6* 00 -7N-.6 Page Two THE GITMO REVIEW December 28, 1963 Page Two THE GITMO REVIEW December 28, 1963 JUST WONDERIN' SHIP OF THE WEEK. CHAPLAIN'S CORNER ABOUT CHRISTMAS FUN THE LITTLE THINGS IN LIFE BY CHAPLAIN G. H. SARGENT THE "SPIRIT OF 62" AND Everything is important. The little commonplace things we so easily take for "OPERATION CHRISTMAS DINNER" granted are really significant, because the larger things of life are made up of BY D. KOZE, JOC the little things of life. Frequently WHEWjI Santa made it and without the small is what makes the great possi- snow, Now the pooped and tired parents ble. "The creation of a thousand forests can sit back, just watch the kiddies is in one acorn," said Emerson. play with their new toys while visions Little things have a far- reaching of the budget dance through their heads. significance. A tea kettle singing on And so it goes.,,year in and year out, the stove was the beginning of the steam But wouldn't it be terrible if we didn't engine. A shirt waving on the clothes have a Christmas.in more ways thanone. line was the beginning of the balloon-- I happened to be at the VictoryHill the forerunner of the lighter-than-air School a couple days before the Christ- craft. A spider web strung across a mas vacation started and what a contrast garden path suggested the suspension of human emotions. -
Randolph Scott Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Randolph Scott 电影 串行 (大全) When the Daltons Rode https://zh.listvote.com/lists/film/movies/when-the-daltons-rode-3824790/actors The Bounty Hunter https://zh.listvote.com/lists/film/movies/the-bounty-hunter-3649340/actors Fort Worth https://zh.listvote.com/lists/film/movies/fort-worth-3819815/actors 20,000 Men a Year https://zh.listvote.com/lists/film/movies/20%2C000-men-a-year-21527422/actors Coroner Creek https://zh.listvote.com/lists/film/movies/coroner-creek-5172277/actors Heritage of the Desert https://zh.listvote.com/lists/film/movies/heritage-of-the-desert-3134021/actors Buchanan Rides Alone https://zh.listvote.com/lists/film/movies/buchanan-rides-alone-3202739/actors Man in the Saddle https://zh.listvote.com/lists/film/movies/man-in-the-saddle-3220902/actors Rebecca of Sunnybrook https://zh.listvote.com/lists/film/movies/rebecca-of-sunnybrook-farm-2205352/actors Farm Seven Men from Now https://zh.listvote.com/lists/film/movies/seven-men-from-now-677782/actors Ride Lonesome https://zh.listvote.com/lists/film/movies/ride-lonesome-759459/actors Coast Guard https://zh.listvote.com/lists/film/movies/coast-guard-15068453/actors And Sudden Death https://zh.listvote.com/lists/film/movies/and-sudden-death-19427390/actors The Texans https://zh.listvote.com/lists/film/movies/the-texans-3212557/actors Canadian Pacific https://zh.listvote.com/lists/film/movies/canadian-pacific-5030412/actors Decision at Sundown https://zh.listvote.com/lists/film/movies/decision-at-sundown-1392420/actors A Lawless Street https://zh.listvote.com/lists/film/movies/a-lawless-street-935254/actors -
Film Essay for "Ride the High Country"
Ride the High Country By Stephen Prince “Ride the High Country” is the eye of the hurricane, the stillness at the center of the storm of transgression that Sam Peckinpah brought to American film in the late 1960s. That it hails from the on- set of that decade and of Peckinpah’s career as a feature film director ac- counts for its singular grace and affabil- ity. The serenity of its outlook and the surety of its convictions about the nature of right and wrong place it far outside the tortured worlds inscribed by his sub- sequent films. At the same time, it shows clearly the thematic obsessions and stylistic hallmarks that he would make his own when American society began to come apart in ways that ena- bled him to become the great poet of Joel McCrea and Randolph Scott as aging hired guns. Courtesy Library late sixties apocalypse. of Congress Collection. Its purity of heart is clean and strong and makes it a on to break with. film that is easy to love, in a way that “The Wild Bunch” and “Straw Dogs” made defiantly difficult for The script’s original title was “Guns in the Afternoon,” viewers. Indeed, its unabashed celebration of and the film carried this title in overseas release. It straight-forward heroism strikes notes that Peckinpah aptly conveys the elegiac tone that Peckinpah never again sounded in his work. This makes it at brought out so strongly using McCrea and Scott as once an outlier among his films and a touchstone of aging Westerners who had become anachronisms in virtues that his subsequent protagonists strive to find a country now largely settled and on the cusp of mo- and to hold and never quite succeed in doing. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Budd Boetticher:Programme Notes.Qxd
Decision at Sundown USA | 1957 | 78 minutes Credits In Brief Director Budd Boetticher Bart Allison arrives in Sundown planning to kill Tate Kimbrough. Three years earlier he Screenplay Charles Lang (story by believed Kimbrough was responsible for the death of his wife. He finds Kimbrough and Vernon L. Fluharty) warns him he is going to kill him but gets pinned down in the livery stable with his friend Sam by Kimbrough’s stooge Sheriff and his men. When Sam is shot in the back Photography Burnett Guffey after being told he could leave safely, some of the townsmen change sides and disarm Music Heinz Roemheld the Sheriff’s men forcing him to face Allison alone. Taking care of the Sheriff, Allison injures his gun hand and must now face Kimbrough left-handed. Cast Bart Allison Randolph Scott Tate Kimbrough John Carroll Lucy Summerton Karen Steele Ruby James Valerie French Decision At Sundown is a highly unusual Randolph Scott/Budd Boetticher Western in which Scott's ordinarily driven but heroic persona is tainted, twisted, by an irrational, all-consuming hatred. Boetticher keeps the tension high in this mostly static, action-free chamber Western, in which the emotional and philosophical undercurrents of the story are developed slowly and patiently. Scott plays Bart Allison, a man overwhelmed by a desire for revenge. He arrives in the town of Sundown, along with his pal Sam (Noah Beery), after three years of searching for a man named Tate Kimbrough (John Carroll). It's not clear at first why exactly Bart wants revenge, though it's hinted, with increasing pointedness, that it might have something to do with Bart's wife, Mary — which makes it ironic that when Bart and Sam arrive in town, Kimbrough is getting married later that day to local girl Lucy (Karen Steele). -
West Central Texas Council of Governments Regional Hazard Mitigation Plan Update
WEST CENTRAL TEXAS COUNCIL OF GOVERNMENTS REGIONAL HAZARD MITIGATION PLAN UPDATE Planning Participants for Planning Area 1: Taylor County, City of Abilene, Town of Buffalo Gap, Town of Lawn, Town of Merkel, Town of Trent, City of Tuscola, City of Tye, and WCTCOG Maintaining a Safe, Secure and Sustainable Community DRAFT: J ULY 2018 For more information, visit our website at: www.wctcog.org Written comments should be forwarded to: H2O Partners, Inc. P. O. Box 160130 Austin, Texas 78716 [email protected] www.h2opartnersusa.com TABLE OF CONTENTS SECTION 1 – INTRODUCTION Background ........................................................................................................................................................ 1‐1 Scope .................................................................................................................................................................. 1‐3 Purpose .............................................................................................................................................................. 1‐4 Authority ............................................................................................................................................................ 1‐4 Summary of Sections ......................................................................................................................................... 1‐5 SECTION 2 – PLANNING PROCESS Plan Preparation and Development .................................................................................................................