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Season 2014-2015
27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Learning to Play Like the Great Pianists
Learning to Play Like the Great Pianists Asmir Tobudic Gerhard Widmer Austrian Research Institute for Department of Computational Perception, Artificial Intelligence, Vienna Johannes Kepler University, Linz [email protected] Austrian Research Institute for Artificial Intelligence, Vienna [email protected] Abstract CD recordings and the printed score of the music. Exper- iments show that the system indeed captures some aspect of An application of relational instance-based learn- the pianists' playing style: the machine's performances of un- ing to the complex task of expressive music per- seen pieces are substantially closer to the real performances formance is presented. We investigate to what ex- of the `training' pianist than those of all other pianists in our tent a machine can automatically build `expres- data set. An interesting by-product of the pianists' `expres- sive profiles’ of famous pianists using only min- sive models' is demonstrated: the automatic identification of imal performance information extracted from au- pianists based on their style of playing. And finally, the ques- dio CD recordings by pianists and the printed tion of automatic style replication is briefly discussed. score of the played music. It turns out that the The rest of the paper is laid out as follows. After a short machine-generated expressive performances on un- introduction to the notion of expressive music performance seen pieces are substantially closer to the real per- (Section 2), Section 3 describes the data and its representa- formances of the `trainer' pianist than those of all tion in FOL. We also discuss how the complex task of learn- others. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
The English Concert – Biography
The English Concert – Biography The English Concert is one of Europe’s leading chamber orchestras specialising in historically informed performance. Created by Trevor Pinnock in 1973, the orchestra appointed Harry Bicket as its Artistic Director in 2007. Bicket is renowned for his work with singers and vocal collaborators, including in recent seasons Lucy Crowe, Elizabeth Watts, Sarah Connolly, Joyce DiDonato, Alice Coote and Iestyn Davies. The English Concert has a wide touring brief and the 2014-15 season will see them appear both across the UK and abroad. Recent highlights include European and US tours with Alice Coote, Joyce DiDonato, David Daniels and Andreas Scholl as well as the orchestra’s first tour to mainland China. Harry Bicket directed The English Concert and Choir in Bach’s Mass in B Minor at the 2012 Leipzig Bachfest and later that year at the BBC proms, a performance that was televised for BBC4. Following the success of Handel’s Radamisto in New York 2013, Carnegie Hall has commissioned one Handel opera each season from The English Concert. Theodora followed in early 2014, which toured West Coast of the USA as well as the Théâtre des Champs Elysées Paris and the Barbican London followed by a critically acclaimed tour of Alcina in October 2014. Future seasons will see performances of Handel’s Hercules and Orlando. The English Concert’s discography includes more than 100 recordings with Trevor Pinnock for Deutsche Grammophon Archiv, and a series of critically acclaimed CDs for Harmonia Mundi with violinist Andrew Manze. Recordings with Harry Bicket have been widely praised, including Lucy Crowe’s debut solo recital, Il caro Sassone. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Music Collection News 015047800049 Selected New Cds
M USIC COLLECTION NEWS Winter, 2013 Greetings musicians! The library’s new resource, OneSearch, offers the opportunity to search for recordings in the CD collection simultaneously with Naxos Music Library as well as for scores. MC staff are ready to help you learn the ropes. The Music Collection continues to strive to meet the very diverse needs of faculty, staff, and students. I think the new materials featured in this issue reflect that diversity. —Amy Edmonds Music Librarian OneSearch: A New, Powerful Tool! In this issue: OneSearch is a research tool for looking up one topic in many sources simultaneously: New CDs 2 CardCat, WorldCat, and Ball State subscription databases, including Naxos Music Library. New DVDs 2 You can limit the results to books, scholarly journals, or compact disc, music record- ing (Naxos), or score. New on Naxos 2 The sample to the right Music Online shows the break-down of formats for a search of “Eroica Symphony.” Note New Books 3 that book reviews and newspaper articles are automatically excluded. You can also limit by New Scores 3 language, date, subject, and articles or books online. New Popular CDs 3 Bracken Library phone numbers: Music Collection: Educational Resources: 765-285-8188 765-285-5333 Featured Books, 4 Music Librarian: Reference: CDs and Scores 765-285-5065 765-285-1101 Page 2 Music Collection News 015047800049 Selected New CDs: Albéniz. Spanish Music for Mozart / Uchida (cond. & piano). Segovia: The Great Master Classical Guitar Piano Concertos Nos. 20 & 27 Compact Disc 21181 Compact Disc 21330 Compact Disc 21337 Shostakovich / Gergiev. Carter, E. -
RUSSIAN MUSIC DISCOGRAPHY Disk 1
RUSSIAN MUSIC DISCOGRAPHY Disk 1 1. “Cave Spirits,” 0:56. Tuva, Among the Spirits. CD. Center for Folklife Programs & Cultural Studies, Smithsonian Institution. Smithsonian Folkways Recordings, Washington DC, 1999. 2. “Otche Nash” (“Our Father”), 3:11. Russian Church Music. Slavyanka Men’s Chorus, Paul Andrews. CD. Harmonia Mundi, Los Angeles, CA, 1992. 3. “A Birch Tree In the Field,” 3:34. Kalinka Popular Russian Songs. The Alexandrov Song and Dance Ensemble of the Soviet Army. CD. Melodiya, Russia, 1993. 4. Russian Folk Dance Song. “Kamarinskaya,” 2:22. Kamarinskaya Russian Balalaika. CD. Melodiya, Russia, 1998. 5. “Moscow Nights,” 2:31. Russian Melodies. CD. Voyager, USA, 2002. 6. Mikhail Glinka. “Overture to Ruslan & Ludmila,” 4:57. Famous Overtures. CD. The Decca Record Company, Limited, London, England, 1999. 7. Alexander Borodin. “Polovtsian Dance No 17,” 2:10. Weekend Classics: Borodin. CD. The Decca Record Company Limited. London Records, New York, NY 1990. 8. Peter Ilyich Tchaikovsky. “4th Symphony: Finale,” 9:08. Tchaikovsky: Symphonien Nr. 4, 5 & 6. Leningrad Philharmonic / Sandelring / Mravinsky. CD. Deutsche Grammophon Gesellschaft. Hamburg, Germany, Deutsche Grammophon GmbH, 1995. 9. ___“Nutcracker: In the Christmas Tree,” 3:31. Tchaikovsky – The Nutcracker – Dorati. London Symphony Orchestra. CD. Philips Classics Production. Manufactured and Marketed by PolyGram Classics & Jazz, New York, NY, 1994. 10. ___“The Seasons: Juin: Barcarolle,” 5:24. Tchaikovsky: The Seasons – Vladimir Ashkenazy. CD. The Decca Record Company, Limited, London, England, 1999. 11. ___“Romeo and Juliet: Fantasy Overture,” 16:30. Tchaikovsky: Symphony No 2 etc. London Symphony Orchestra, Geoffrey Simon. CD. Chandos Classics. Chandos Records LTD, Essex, England, 2003. 12. -
CSOA LEAGUE LIBRARY CD COLLECTION Member List Music
CSOA LEAGUE LIBRARY CD COLLECTION Member List Call No. Publication No. Composer/Conductor CD Title Publication Year Description CD COM BAR C3 CSO-CD-06-2 Barenboim, Daniel A tribute to Daniel Barenboim Chicago Symphony 2006 2 sound discs. Orchestra CD COM BBC C3 WMEF-0051-2 BBC Radio 4. This sceptred isle BBC Radio Music 2000 2 sound discs music inspired by the events of the 20th century. CD COM CSO C3 830IP Chicago Symphony Celebration Fantastique Teldec 1997 1 sound disc. Orchestra CD COM CSO C3 CSO CD00-10 Chicago Symphony Chicago Symphony Orchestra in the twentieth Chicago Symphony 2000 10 audio discs. Orchestra century: collector's choice Orchestra CD COM CSO C3 Chicago Symphony Chicago Symphony Orchestra trombone and Educational Brass 1971 1 sound disc. Orchestra tuba sections plays concert works and Rec. orchestral excerpts CD COM CSO C3 CSO90/12 Chicago Symphony Chicago Symphony Orchestra, the first 100 Chicago Symphony 1990 12 sound discs. Orchestra years Orchestra CD COM CSO C3 CSO CD95-2 Chicago Symphony Great soloists Chicago Symphony 1995 2 sound discs. Orchestra Orchestra CD COM CSO C3 B0000025-02 Chicago Symphony The Chicago Principal Deutche Grammopon 2003 2 sound discs. Orchestra CD COM DEN C3 Dennis, Allan Midwest young artists Midwest Young Artist 2003 1 sound disc Midwest young artitst : tenth anniversary CD COM FOG C3 Fogel, Henry Henry's choice : a compilation of Henry Fogel's CSO 2003 3 sound discs favorite recordings. CD COM FOS C3 2292-45860-2 Foster, Lawrence Famous romances and adagios Erato Disques 1985 1 sound disc. -
Tenor Richard Leech
Tenor Richard Leech Discography Solo from the heart Telarc International CD-80432 (1 CD) Italian Arias and Neapolitan Songs Works by Cilea, Donizetti, Puccini, Verdi, De Curtis, Di Capua, Leoncavallo, Tosti London Symphony Orchestra John Fiore, cond. Berlioz La Damnation de Faust London/Decca 444 812-2 (2 CDs) with Françoise Pollet, Gilles Cachemaille Orchestre Symphonique de Montréal Charles Dutoit, cond. Hymne des Marseillaises Telarc International 80164 (1 CD) with Silvia McNair Baltimore Symphony Orchestra David Zinman, cond. Donizetti Dom Sébastien Legato Classics LCD 190-2 (2 CDs) with Klara Takacs, Lajos Miller, Sergej Koptchak Opera Orchestra of New York Eve Queler, cond. 2 Gounod Faust EMI Classics CDCC 54228 (3 CDs) CDCC 54358 (1 CD Highlights) with Cheryl Studer, Thomas Hampson, José van Dam Orchestre du Capitole de Toulouse Michel Plasson, cond. Mahler Symphony No. 8 in E-flat (Symphony of a Thousand) SONY Classical S2K 45754 (2 CDs) with Sharon Sweet, Pamela Coburn, Florence Quivar, Brigitte Fassbänder, Siegmund Nimsgern, Simon Estes, Vienna Philharmonic Orchestra Lorin Maazel, cond. Meyerbeer Les Huguenots Erato 2292-45027-2 (4 CDs) with Françoise Pollet, Ghylaine Raphanel, Danielle Borst, Gilles Cachemaille, Boris Martinovic, Nicola Ghiuselev Orchestre Philharmonique de Montpellier Cyril Diedrich, cond. Puccini La Bohème Erato 0630-10699-2 (2 CDs) with Kiri Te Kanawa, Nancy Gustafson, Alan Titus, Gino Quilico, Roberto Scandiuzzi London Symphony Orchestra Kent Nagano, cond. 3 J. Strauss Die Fledermaus (Alfred) Philips 432 157-2 (2 CDs) 438 503-2 (1 CD - Highlights) with Te Kanawa, Gruberova, Fassbänder, Brendel, Bär, Krause Vienna Philharmonic Orchestra André Previn, cond. R.Strauss Der Rosenkavalier (Italian Tenor) EMI Classics CDCC 54259 (3 CDs) with Kiri Te Kanawa, Barbara Hendricks, Anne Sofie von Otter, Kurt Rydl Staatskapelle Dresden Bernard Haitink, cond. -
Carleton College Music Department Style Sheet Documenting Sources
Carleton College Music Department Style Sheet Documenting Sources in Music Papers To avoid unnecessary footnotes, the Music Department uses the “author-date” system for documenting sources used in papers. Within the text, references should by cited by surname of the author, followed by the year of publication in parentheses; for example, “Jones (1970) has shown that . .” When identifying a direct quotation or paraphrase, the page number is appended to the author-date citation which follows the quotation: “The first forty-five bars of the Eroica Symphony comprise one of the most raked-over pieces of musical property in the Western hemisphere” (Burnham 1995, p. 4). When there are two authors, cite both names, as (Smith & Jones 1973). When there are more than two authors, cite all authors the first time the reference occurs. In subsequent citations give the surname of the first author followed by et al. and the year of publication, as (Smith, Jones, & Cooper 1975) and (Smith et al. 1975). A bibliography then follows at the end of the paper. The following examples show the bibliography format for various source types:1 For a book: Burnham, Scott. 1995. Beethoven Hero. Princeton: Princeton University Press. For an article in a journal: Handel, Stephen. 1973. Temporal Segmentation of Repeating Auditory Patterns. Journal of Experimental Psychology, 101, pp. 46-54. For an essay or chapter in an anthology of collected essays: Estes, W. K. 1972. An Associative Basis for Coding and Organizing in Memory. In A.W. Melton & E. Martin (Eds.), Coding processes in human memory. Washington, DC: Winston, pp. 107-132.