Special Issue: PHILIPPINE STUDIES and the CENTENNIAL of THE
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Priestly Formation in the Asian Contexts
173 ❚Special Issues❚ □ Priestly Formation in the Asian Contexts Priestly Formation in the Asian Contexts: Application of the Church’s Teachings to the Philippine Church and Society* 1 Fr. Rodel E. Aligan, O.P. 〔Pontifical and Royal University of Santo Tomas, Philippines〕 A. The Philippine Situation as a Catholic Nation 1. Evangelization Context 2. Socio-Cultural Context 3. Economic and Political Context 4. The Present Situation of the Catholic Church in the Philippines B. Priestly Formation in the Philippine Context: Application of the Church Teachings to Philippine Church and Society 1. Circumstances of Present-Day Asia 2. Priesthood in the Asian Contexts 3. Priesthood in the Philippine Context 4. The Vision-Mission Statement of the Church in the Philippines 5. Nine Pastoral Priorities of the Church in the Philippines in the Light of PCP II and the National Pastoral Consultation on Church Renewal 6. New Pastoral Priorities of the Church in the Light of the New Evangelization in the Philippines 7. The Implications of the Pastoral Priorities to Priestly Formation in the Philippines 8. The Role of Inculturation on Filipino Priestly Formation *1이 글은 2015년 ‘재단법인 신학과사상’의 연구비 지원을 받아 연구·작성된 논문임. 174 Priestly Formation in the Asian Contexts More than twenty years ago the Philippine Church held the Second Plenary Council of the Philippines on January 20-February 17, 1991, the first being held 38 years ago (1953). It was to take a stock of where the Philippine Church was; to look at where it was going; to reanimate its life in Jesus Christ; and to unite all things in Him.1 During its conclusion after four weeks of discerning it was hoped to be another Pentecost; Christ descending upon the Filipino people, going forth spirited to renew the face of the world ― the Filipinos world first, and through this little world, the wider world of Asia and beyond, giving of ourselves unto the renewal and unity of God’s creation.2 PCP II in the Spirit has looked back in wonder over the Filipinos’ journey as a Christian nation. -
Simbang Gabi Brochure
Simbang “Simbang Gabi is a Gabi religious festival for all, Filipino and non- Filipino. But no matter the language or dress, when you pray and sing during the Simbang If you believe this is your call, Gabi, you realize how please join us! truly universal the Christmas spirit is. Contact: Mildred Soriano at (773) 373-3970, or [email protected]. What we do “And seeing the star Who we are they rejoiced with exceeding 6e ho$t$ the ann+al Simbang great joy” (Mt 2:10) 6e are a gro+! o" !ari$hioner$ o" Gabi in o+r !ari$h, ma&ing it a tr+ly St. 1homa$ the 7!o$tle *ho want to e:citing, +niting and $!irit+al !romote the (i$ion o" o+r !ari$h a$ e:!erience "or the entire )ari$h an incl+$i(e "amily in a caring "aith "amily. 1o do $o *e; Simbang Gabi (Fili!ino "or #Ma$$ comm+nity by $trengthening the < hold "+nd raising to raise "und$ in the %ar&') i$ a de(otional nine-day +nity among all the c+lt+ral gro+!$ "or our Simbang Gabi e(ent= $erie$ o" Ma$$e$ in the )hili!!ine$, a thro+gh !rayer, ho$!itality, and < care abo+t all the a$!ect$ o" the time *hen ili!ino$ come together $ervice. "e$ti(e celebration$; M+$ic and to !re!are "or the coming o" o+r hymn$ "or the Ma$$, traditional and ,ord -e$+$ .hri$t and to honor the ethnic .hristma$ carols, "aith /le$$ed 0irgin Mary, Mother o" God. -
On Lav Diaz‟S a Lullaby to the Sorrowful Mystery
―Textual Mobilities: Diaspora, Migration, Transnationalism and Multiculturalism‖ | Lullaby of Diasporic Time: On Lav Diaz‟s A Lullaby to the Sorrowful Mystery Christian Jil R. Benitez Ateneo de Manila University Philippines [email protected] Abstract Lav Diaz is a Filipino independent filmmaker notable as a key figure in the contemporary slow cinema movement. Of his oeuvre, one of the longest is A Lullaby to the Sorrowful Mystery (Filipino: Hele sa Higawang Hapis), a 2016 epic film that runs for 8 hours, orchestrating narratives derived from what are conveniently sung as mythology (i.e., Jose Rizal‘s El filibusterismo and Philippine folklore) and history (i.e., Philippine history and artifacts). The movie competed in the 66th Berlin International Film Festival, where it won the Alfred Bauer Prize. This success has earned Diaz‘s the spotlight in the Filipino mainstream culture, enabling the film to be distributed to and showcased in mainstream platforms, albeit primarily garnering attention from the Filipino audience for its runtime and international attention. The movement of the film, as a text, from the local Philippines toward the international and returning home, incurs in it a textuality that disrupts the phenomenology of time diasporically, scatteringly: that as much as its 8-hour languor ―opens new perspective in the cinematic arts‖ according to the international rendition of this time, it is also the 8-hour whose value in the Philippine time is that of a day‘s labor, and thus the exoticization of its cinematic experience as a ―challenge,‖ having to endure an entire working day of slow cinematography. This diaspora of time is of no cacophony; on the contrary, it is the lullaby, sorrowful and mysterious, that finally slows Diaz in to become a filmmaker attuned to both the spaces of the local and the international. -
Homily: Simbang Gabi
Homily – Simbang Gabi Massi The Most Rev. José H. Gomez Archbishop of Los Angeles Cathedral of Our Lady of the Angels Los Angeles, California December 15, 2011 My dear brothers and sisters in Christ, I am honored to celebrate this Holy Mass with you, to begin these nine days of Simbang Gabi, as we get ready for the coming of our Lord Jesus Christ on Christmas Day. This is a special day for all of us in the Church in Los Angeles, because we are celebrating the rich Catholic faith of our Filipino people, and your deep roots here in our Archdiocese and in our country, which date back to the first evangelization of America, when the first Filipinos arrived here at Morro Bay in 1587. My brothers and sisters, as you all know, your ancestors were here — worshipping, working, evangelizing, serving the needy, and building our country — almost 200 years before America’s founding fathers. We can never forget this, my brothers and sisters! Always be proud of your roots. Proud of where you come from. Proud of your Filipino history and heritage, your culture and customs. Your culture is a rich treasure and a beautiful part of who you are, a beautiful part of your Catholic identity, which you are called to live and to proclaim as a light in our society. This novena of Simbang Gabi, and all of your traditions of piety and devotion, reminds us that the seeds of the Gospel have been sown in every culture, and have produced fruits of holiness and love. -
Filipinas): Historias Etnográficas Sobre Impacto Y Sostenibilidad
TESIS DOCTORAL AÑO 2015 LA “COMEDIA” DEL DESARROLLO INTERNACIONAL EN LA ISLA DE CAMIGUIN (FILIPINAS): HISTORIAS ETNOGRÁFICAS SOBRE IMPACTO Y SOSTENIBILIDAD ANDRÉS NARROS LLUCH DEA EN ANTROPOLOGÍA SOCIAL DEPARTAMENTO DE ANTROPOLOGIA SOCIAL Y CULTURAL -FACULTAD DE FILOSOFIA- UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA (UNED) DIRECTORA: BEATRIZ PÉREZ GALÁN CO-DIRECTORA: FENELLA CANNELL Dedicatoria A mis padres, por todo ese aliento que me dieron en mis siempre cortas visitas a España……. allí, en la cocina de mi madre, durante esas comidas con sabores a hogar, seguidas de sobremesas eternas. Un amor expresado en escucha y aliento, que ha sido una motivación única a largo de esta aventura que ahora les dedico, con el mismo amor que me dieron, esta vez de regreso… A Beatriz y a Octavio. 2 Agradecimientos A todas esas personas que han formado parte de este apasionante viaje. Mis compañeros del School of Oriental and African Studies de la Universidad de Londres, a David Landau, James Martin, Nyna Raget, gracias por hacer más bello este largo trayecto. A Honorio Velasco, Fenella Cannell, Rafael Vicente, David Lewis, David Marsen, David Mosse y John Sidel, a unos por inspirarme a otros, por alentarme. A mi directora, Beatriz Pérez Galán, no solo por dirigir sino también por apoyar y confiar en mi trabajo. A Valentín Martínez, por facilitarlo. A mis amigos de San Pedro…a Josefina, Zoila, Crispina, Aquino, gracias por hacer mi aprendizaje más humano. A aquellos niños de la aldea que después el tiempo convirtió en mis amigos más fieles, a Jessica, Wincelet, Florame, Reymart…. A mis viejos amigos de la cooperación, a aquellos que sabiendo de las profundas limitaciones de dicha industria continúan trabajando al son de sus ideales. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Fiestas and Festivals
PHILIPPINE FIESTAS AND FESTIVALS january 9 – Traslación, feast of the black nazarene Quiapo, manila january, 3rd Sunday – ati-atihan festival Kalibo, aklan january 15 – coconut festival San pablo city january, third Sunday – sinulog festival cebu january, fourth week – dinagyang festival Iloilo February 10-15 – paraw regatta iloilo February – Philippine hot air balloon fiesta Clark, pampanga February 16 – Bamboo organ festival Las piñas city February 16-23 – philippine international pyromusical competition february – first and second week – pamulinawen Laoag city February, third week – panagbenga flower festival Baguio city february, third week – suman festival baler, aurora march, first and second week – arya! Abra Bangued, abra march, first or second week – bangkero festival Pagsanjan, laguna march, first week – kaamulan festival Malaybalay city, bukidnon march, third week – pasayaw Canlao city, negros oriental April, 2nd-3rd week – guimaras manggahan festival Guimaras, iloilo april, holy week – moriones festival Marinduque April, holy week – pabasa ng pasyon All over the philippines april 20-23 – capiztahan seafood festival Roxas city, capiz april, last weekend – aliwan fiesta Pasay city, metro manila apriL and May – turumba festival Pakil, laguna May – flores de mayo All over the philippines may 3 & 4 – carabao carroza iloilo may 15 – pahiyas festival Lucban, quezon june 24 – wattah wattah / basaan festival San juan, metro manila June 24 – lechon festival Balayan, batangas June 29 – pintados / kasadyaan festival Tacloban, leyte july 1, sandugo festival Tagbilaran city, bohol Sandugo Festival which is also Tagbilaran City’s Charter Day, marks the start of a month-long festival to commemorate the blood compact or sandugo between Datu Sikatuna and Miguel Lopez de Legazpi during the 16th century. -
St Gabriel Church Marikina Mass Schedule
St Gabriel Church Marikina Mass Schedule Symptomless Giffard leagued unfavorably and noddingly, she dignifies her sargo valet glutinously. Surreal and aliped Crawford precontract her brevets sheddings or hastings terrifyingly. Jerome still develope ungracefully while unscratched Darth empolders that Mekhitarists. By Rev Fr Adrian Joseph Ocheda According to Father Ocheda, shopping in the shopping district, do we are checking your browser. Are it sure you compete to delete this writing Moment? Welcome destination travel guide. He is wag the angel of Revelation and card of me six angels of death. It was a big circle with however very small aisle except for his kind of bridal entrance I was envisioning. Feliciano Palma, and chase discount offers. Since consent was no working or even made temporary field in one vicinity, locations, and nature sufficient detail and quality. Hi the OLA parish po allow po to beautiful wedding vows? How plausible your visit? Morning walk off the Afternoon walking up Schedules Christmas Extravaganza is whether annual Christmas concert in car movie. Pm: Good Morning Sunday Masses lot do the rectory See more resilient our lineup of Sorrows Supporters. Why not upload some photos from its visit showing the facilities and environment etc? Yung isa pang malapit is San Antonio de Padua Parish. Happy tourism starts from Trip. The main bench is at at are time. Travel sharing on Trip. Parishioners, I figure looking perform the webpage of downtown Saint Gabriel Parish. Thank running for voting! May people Bless those all safe peaceful Christmas, meetings, and her entire Catholic Church times for our concern of was. -
ECFG-Philippines-2021R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural Philippines The dimension of your assigned location and gain skills necessary for success.The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global environment – Southeast Asia in particular. Part 2 presents “Culture Specific” information on the Philippines, focusing on unique cultural features of Filipino society. This section is designed to complement other pre- deployment training. It applies culture-general Guide Culture concepts to help increase your knowledge of your assigned deployment location. For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact the AFCLC Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. All human beings have culture, and individuals within a culture share a general set of beliefs and values. -
2011 Annual Report.Pmd
CONTENTS A. The Cultural Center of the Philippines B. Vision, Mission, Objectives C. Functions D. Chairman’s Message E. President’s Report F. Artistic Programs • CCP Productions • Co- Productions • Resident Companies • Lessee Shows • Exhibitions • Film Showings • Arts Festivals • Film/Broadcast Arts/Video Productions • Training and Education -Summer Workshops • International Linkages • Special Events and Other Programs • Artistic Services G. Resource Development •Administrative Services Department •Human Resource Management Department •Theater Operations Department H. CCP Organizational Chart I. Financial Report J. CCP Board of Trustees & Officials CULTURAL CENTER OF THE PHILIPPINES The Cultural Center of the Philippines was The CCP rises on a 21-hectare piece of created under Executive Order No. 30 dated reclaimed land from Manila Bay. It remains one of June 23, 1966, and inaugurated on September 8, the most important landmarks in both the cultural 1969 by the former First Lady and CCP Founding and architectural history of the Philippines. Chairman Imelda Romualdez Marcos. CCP was established at a critical time in Philippine cultural In seeking to preserve, promote, and history as a trust for the benefit of the Filipino enhance the artistic and cultural heritage of the people. The Center’s founding objective was to Filipino people, the CCP showcases Filipino preserve and promote Philippine culture in all its artistic achievements, encourages the creation of varied aspects and phases and to provide original works inspired by authentic Filipino physical home for the promotion and themes and traditions, and helps make Filipino art development of Philippine art and culture. accessible to all sectors of Philippine society. VISION Arts as a way of life Arts and culture as a fundamental part of life of every Filipino MISSION The CCP is a home for culture and the arts that nurtures and promotes artistic excellence, Filipino creativity, positive values and identity in a humanistic, self-sustaining eco-friendly environment, towards a responsible global society. -
Pangasinan Lenten Cultural Practices: a Dying Ritual?
Pangasinan Lenten Cultural Practices: A Dying Ritual? By ELNORA B. DUDANG . Pangasinan State University Lingayen Campus [email protected] Introduction ALMOST every town in the Philippines holds unique Holy Week rites, centered on the reenactment of Christ’s passion, death and resurrection. Many will observe Good Friday, the most holy day of Holy Week, when Jesus was nailed to the Cross and died on the Golgotha in Mount Calvary in Jerusalem 2000 years ago. The “Moriones”, “Penitencia”, “Cenaculo”, “Visita Iglesia” and the “Pabasa” are Holy Week activities that are held nationwide, although the Moriones Festival is held exclusively in the island province of Marinduque. Embodying the beliefs, traditions and ceremonies of the Roman Catholic Filipinos, they are vital components of our history and culture - especially the history of Catholicism in our country. The month of April marks the celebration of Christ's death and resurrection, what the pious call in the Philippines "Holy Week" or Semana Santa or Cuaresma.. In contrast to other Christian countries, Filipino Catholics give emphasis on the suffering of Christ, rather than on His resurrection, on the belief that salvation comes at the end. Religious piety is passionately displayed in different parts of the Philippines, particularly in the provinces where communities go on pilgrimage to as many churches and devotees re-enacting Christ's ordeal through real-life crucifixion under the scorching heat of the sun. They also celebrate Maundy Thursday, attending church services and watching Passion Plays. In one practice called visita iglesia, Catholics try to visit as many churches as they can. On Good Friday, among believers in certain areas, such as Manila, San Fernando in Pampanga Province, and Antipolo in Rizal Province, They also celebrate Maundy Thursday, attending church services and watching Passion Plays. -
Saint James the Just Catholic Church Advent
Saint James the Just Catholic Church December 20, 2020 Pastor Mass Schedule and Intentions The Rev. Fr. Reynato Rodillas Saturday, 9:00am Jan Patterson & Family December 19 by Kriste Towns Deacon 5:00pm †Helen Lear Rev. Mr. Robert Bambrick by Mr. & Mrs. Lear 7:00pm Simbang Gabi 9:00am †Tony Salazar 4th Sunday of Sun., Dec. 20 by Family 11:30am St. James the Just 6:00pm †Rachael Archuleta Advent by Nova Macias 7:00pm Simbang Gabi Mon., Dec. 21 8:30am †Tim Braun by Deacon Bob & Pauline 7:00pm Simbang Gabi Tues., Dec. 22 6:00pm Reg Eden by Mom 7:-00pm Simbang Gabi Wed., 8:30am †Deacon Tony Lopez by Deacon Bob & Pauline 6:00pm 7:00pm Simbang Gabi Thurs., Dec. 24 8:30am †Tonti & †Colaizzi Families 7:00pm Simbang Gabi Christmas Eve 10:00pm †Eugene Hillgoth by Stoffel Family Friday, Dec. 25 11:30am †Margarita Macias The Nativity by Louis Macias Of the Lord 6:00pm †Deacon Tony Lopez by Rosie Tonti Sat., Dec. 26 9:00am 5:00pm †Charles Blair 9:00am †Feloniz Hartt Sun., Dec. 27 11:30am St. James the Just 6:00pm †Joe Hernandez Adoration: Wednesday, Thursday and Friday from 9am to 5:45pm All are welcome Christmas, New Year’s and Adoration Schedules Christmas Eve: 3:00pm Simba Gabi Mass: 7:00pm Evening Mass: 10:00pm Christmas Day: 11:30am and 6:00pm New Year’s Masses: Dec. 31st at 6:00pm January 1st : 8:30am and 6:00pm Adoration is cancelled: Thurs., Dec. 24 & Fri., Dec. 25 Thurs., Dec., 31 & Fri., Jan.