Priestly Formation in the Asian Contexts
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Music in the Heart of Manila: Quiapo from the Colonial Period to Contemporary Times: Tradition, Change, Continuity Ma
Music in The Heart of Manila: Quiapo from the Colonial Period to Contemporary Times: Tradition, Change, Continuity Ma. Patricia Brillantes-Silvestre A brief history of Quiapo Quiapo is a key district of Manila, having as its boundaries the winding Pasig River and the districts of Sta. Cruz, San Miguel and Sampaloc. Its name comes from a floating water lily specie called kiyapo (Pistia stratiotes), with thick, light-green leaves, similar to a tiny, open cabbage. Pre-1800 maps of Manila show Quiapo as originally a cluster of islands with swampy lands and shallow waters (Andrade 2006, 40 in Zialcita), the perfect breeding place for the plant that gave its name to the district. Quiapo’s recorded history began in 1578 with the arrival of the Franciscans who established their main missionary headquarters in nearby Sta. Ana (Andrade 42), taking Quiapo, then a poor fishing village, into its sheepfold. They founded Quiapo Church and declared its parish as that of St. John the Baptist. The Jesuits arrived in 1581, and the discalced Augustinians in 1622 founded a chapel in honor of San Sebastian, at the site where the present Gothic-style basilica now stands. At about this time there were around 30,000 Chinese living in Manila and its surrounding areas, but the number swiftly increased due to the galleon trade, which brought in Mexican currency in exchange for Chinese silk and other products (Wickberg 1965). The Chinese, noted for their business acumen, had begun to settle in the district when Manila’s business center shifted there in the early 1900s (originally from the Parian/Chinese ghetto beside Intramuros in the 1500s, to Binondo in the 1850s, to Sta.Cruz at the turn of the century). -
On Lav Diaz‟S a Lullaby to the Sorrowful Mystery
―Textual Mobilities: Diaspora, Migration, Transnationalism and Multiculturalism‖ | Lullaby of Diasporic Time: On Lav Diaz‟s A Lullaby to the Sorrowful Mystery Christian Jil R. Benitez Ateneo de Manila University Philippines [email protected] Abstract Lav Diaz is a Filipino independent filmmaker notable as a key figure in the contemporary slow cinema movement. Of his oeuvre, one of the longest is A Lullaby to the Sorrowful Mystery (Filipino: Hele sa Higawang Hapis), a 2016 epic film that runs for 8 hours, orchestrating narratives derived from what are conveniently sung as mythology (i.e., Jose Rizal‘s El filibusterismo and Philippine folklore) and history (i.e., Philippine history and artifacts). The movie competed in the 66th Berlin International Film Festival, where it won the Alfred Bauer Prize. This success has earned Diaz‘s the spotlight in the Filipino mainstream culture, enabling the film to be distributed to and showcased in mainstream platforms, albeit primarily garnering attention from the Filipino audience for its runtime and international attention. The movement of the film, as a text, from the local Philippines toward the international and returning home, incurs in it a textuality that disrupts the phenomenology of time diasporically, scatteringly: that as much as its 8-hour languor ―opens new perspective in the cinematic arts‖ according to the international rendition of this time, it is also the 8-hour whose value in the Philippine time is that of a day‘s labor, and thus the exoticization of its cinematic experience as a ―challenge,‖ having to endure an entire working day of slow cinematography. This diaspora of time is of no cacophony; on the contrary, it is the lullaby, sorrowful and mysterious, that finally slows Diaz in to become a filmmaker attuned to both the spaces of the local and the international. -
Filipinas): Historias Etnográficas Sobre Impacto Y Sostenibilidad
TESIS DOCTORAL AÑO 2015 LA “COMEDIA” DEL DESARROLLO INTERNACIONAL EN LA ISLA DE CAMIGUIN (FILIPINAS): HISTORIAS ETNOGRÁFICAS SOBRE IMPACTO Y SOSTENIBILIDAD ANDRÉS NARROS LLUCH DEA EN ANTROPOLOGÍA SOCIAL DEPARTAMENTO DE ANTROPOLOGIA SOCIAL Y CULTURAL -FACULTAD DE FILOSOFIA- UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA (UNED) DIRECTORA: BEATRIZ PÉREZ GALÁN CO-DIRECTORA: FENELLA CANNELL Dedicatoria A mis padres, por todo ese aliento que me dieron en mis siempre cortas visitas a España……. allí, en la cocina de mi madre, durante esas comidas con sabores a hogar, seguidas de sobremesas eternas. Un amor expresado en escucha y aliento, que ha sido una motivación única a largo de esta aventura que ahora les dedico, con el mismo amor que me dieron, esta vez de regreso… A Beatriz y a Octavio. 2 Agradecimientos A todas esas personas que han formado parte de este apasionante viaje. Mis compañeros del School of Oriental and African Studies de la Universidad de Londres, a David Landau, James Martin, Nyna Raget, gracias por hacer más bello este largo trayecto. A Honorio Velasco, Fenella Cannell, Rafael Vicente, David Lewis, David Marsen, David Mosse y John Sidel, a unos por inspirarme a otros, por alentarme. A mi directora, Beatriz Pérez Galán, no solo por dirigir sino también por apoyar y confiar en mi trabajo. A Valentín Martínez, por facilitarlo. A mis amigos de San Pedro…a Josefina, Zoila, Crispina, Aquino, gracias por hacer mi aprendizaje más humano. A aquellos niños de la aldea que después el tiempo convirtió en mis amigos más fieles, a Jessica, Wincelet, Florame, Reymart…. A mis viejos amigos de la cooperación, a aquellos que sabiendo de las profundas limitaciones de dicha industria continúan trabajando al son de sus ideales. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Downloaded File
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/348870739 Mga Elementong Katutubo at Pakahulugan sa mga Pananagisag sa Nagcarlan Underground Cemetery, Nagcarlan, Laguna Article · December 2020 CITATIONS READS 0 2,383 1 author: Axle Christien Tugano University of the Philippines Los Baños 35 PUBLICATIONS 16 CITATIONS SEE PROFILE All content following this page was uploaded by Axle Christien Tugano on 17 April 2021. The user has requested enhancement of the downloaded file. Mga Elementong Katutubo at Pakahulugan sa mga Pananagisag sa Nagcarlan Underground Cemetery, Nagcarlan, Laguna1 Axle Christien TUGANO Asian Center, University of the Philippines - Diliman [email protected] https://orcid.org/0000-0002-4849-4965 ABSTRAK Marami sa mga simbahan (iglesia) at libingan (cementerio) ang itinayo noong panahon ng mga Español sa dati nang sinasambahan at nililibingan ng mga katutubo, kung kaya bahagi pa rin ng pagtatawid sa sinaunang pananampalataya patungo sa tinatawag na Kristiyanismong Bayan (tinatawag ng iilan bilang Folk Catholicism o Folk Christianity). Dahil hindi pasibong tinanggap ng mga katutubo ang ipinakikilalang dogma, inangkop nila sa kanilang kinab7ihasnang kultura ang pagtanggap sa Kristiyanismo. Makikita ang ganitong pag-angkop sa sistema ng paniniwala; iba’t ibang tradisyon; at konsepto ng mga bagay-bagay. Ipinamalas din nila ang bersiyon ng pagsasama o sinkretismo sa sining ng arkitektura na makikita sa mga imprastraktura katulad ng cementerio. Isa ang Nagcarlan Underground Cemetery (NUC) ng Nagcarlan, Laguna sa mga tinitingnan bilang halimbawa ng isang magandang cementerio sa Pilipinas na tumutugon sa pamantayang binanggit sa itaas. Sa kabila ng imprastraktura at arkitekturang banyaga nito, mababakas pa rin ang patuloy na pagdaloy ng mga elementong pangkalinangan ng mga katutubo sa pamamagitan ng mga simbolong nakamarka at makikita sa kabuuan ng libingan. -
Fiestas and Festivals
PHILIPPINE FIESTAS AND FESTIVALS january 9 – Traslación, feast of the black nazarene Quiapo, manila january, 3rd Sunday – ati-atihan festival Kalibo, aklan january 15 – coconut festival San pablo city january, third Sunday – sinulog festival cebu january, fourth week – dinagyang festival Iloilo February 10-15 – paraw regatta iloilo February – Philippine hot air balloon fiesta Clark, pampanga February 16 – Bamboo organ festival Las piñas city February 16-23 – philippine international pyromusical competition february – first and second week – pamulinawen Laoag city February, third week – panagbenga flower festival Baguio city february, third week – suman festival baler, aurora march, first and second week – arya! Abra Bangued, abra march, first or second week – bangkero festival Pagsanjan, laguna march, first week – kaamulan festival Malaybalay city, bukidnon march, third week – pasayaw Canlao city, negros oriental April, 2nd-3rd week – guimaras manggahan festival Guimaras, iloilo april, holy week – moriones festival Marinduque April, holy week – pabasa ng pasyon All over the philippines april 20-23 – capiztahan seafood festival Roxas city, capiz april, last weekend – aliwan fiesta Pasay city, metro manila apriL and May – turumba festival Pakil, laguna May – flores de mayo All over the philippines may 3 & 4 – carabao carroza iloilo may 15 – pahiyas festival Lucban, quezon june 24 – wattah wattah / basaan festival San juan, metro manila June 24 – lechon festival Balayan, batangas June 29 – pintados / kasadyaan festival Tacloban, leyte july 1, sandugo festival Tagbilaran city, bohol Sandugo Festival which is also Tagbilaran City’s Charter Day, marks the start of a month-long festival to commemorate the blood compact or sandugo between Datu Sikatuna and Miguel Lopez de Legazpi during the 16th century. -
Schedule of Masses
629 S. Glendora Ave., West Covina, CA 91790 TEL: (626) 960-1805 FAX: (626) 851-0595 OFFICE HOURS: Mon - Thu: 8AM to 8PM; Fri & Sun: 8AM to 4PM Sat: 9AM to 2 PM EMAIL: [email protected] WEBSITE: stchriswestcovina.parishesonline.com SCHEDULE OF MASSES SATURDAY:8:30 AM, 5:30 PM VIGIL SUNDAY: 7:00 AM, 8:30AM,10:15AM,12 Noon, 4:00PM (Vietnamese), 6:30PM WEEKDAY: 6:30 AM, 8:30 AM FIRST WEDNESDAY: 6:30 AM, 8:30 AM, 7:00 PM FIRST FRIDAY: 6:30AM, 8:30 AM, 6:30 PM 8:00 PM (Vietnamese) HOLY DAY: 8:00 PM (Vietnamese/English) VIGIL 6:30AM, 8:30AM, 7:00 PM SACRAMENT OF RECONCILIATION SAT: 9:00AM, 4:00PM, 7:30PM Pastor Rev. Joseph Dass Associate Pastor Rev. Huy Nhat Nguyen Vietnamese Chaplain Rev. Dominic John Vu, CSsR Permanent Deacons Deacon Douglas Moloney Deacon Loc Nguyen Deacon Jesse Batacan Deacon Andrew Cho School Principal Olivia Carrillo Business Manager Pauline Dimaculangan Director of Religious Formation Elizabeth Hudson Adult Faith Formation Coordinator St. Christopher Church is a faith-community of Judi Peña diverse people who gather to joyfully celebrate life, Bookkeeper faith and love in Jesus Christ Tuyet Romero through serving others. Page 2 St. Christopher Church Palm Sunday TODAY’S READINGS of perfumed oil? It could have been sold Mount of Olives. for more than three hundred days’ Reading 1 IS 50:4-7 wages and the money given to the poor.” Then Jesus said to them, “All of you will The Lord GOD has given me a well-trained They were infuriated with her. -
Partie II. Littérature Des Philippines La `` Période Espagnole ''
Partie II. Littérature des Philippines La “ période espagnole ” Elisabeth Luquin To cite this version: Elisabeth Luquin. Partie II. Littérature des Philippines La “ période espagnole ”. Licence. France. 2021. hal-03324281 HAL Id: hal-03324281 https://hal.archives-ouvertes.fr/hal-03324281 Submitted on 23 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Partie II. La « période espagnole » (1565-18971) Cours du … La particularité de la littérature philippine par rapport à celle des autres pays sud-est asiatiques réside dans la très forte influence exercée par le christianisme diffusé voir imposé par les colons espagnols. Directement ou indirectement, les valeurs du christianisme ont introduit des thèmes nouveaux dans les poèmes et les chansons ou des motifs nouveaux dans les récits/ mythes (par exemple introduction de personnages mythiques comme Noé, Adam et Eve, des objets, etc.). Directement parce que les premiers livres imprimés sont les catéchismes ; les poèmes écrits sont des prières ; la Passion du Christ a été réécrite en langues vernaculaires ; quelques passages de l’Evangile ont servi de bases à différentes formes théâtrales. Indirectement parce que même la prose suggère des valeurs chrétiennes. Ces relations étroites entre religion chrétienne et littérature écrite ont produit une catégorie de genre littéraire appelée par les spécialistes « littérature de religion et de moralité ». -
Pangasinan Lenten Cultural Practices: a Dying Ritual?
Pangasinan Lenten Cultural Practices: A Dying Ritual? By ELNORA B. DUDANG . Pangasinan State University Lingayen Campus [email protected] Introduction ALMOST every town in the Philippines holds unique Holy Week rites, centered on the reenactment of Christ’s passion, death and resurrection. Many will observe Good Friday, the most holy day of Holy Week, when Jesus was nailed to the Cross and died on the Golgotha in Mount Calvary in Jerusalem 2000 years ago. The “Moriones”, “Penitencia”, “Cenaculo”, “Visita Iglesia” and the “Pabasa” are Holy Week activities that are held nationwide, although the Moriones Festival is held exclusively in the island province of Marinduque. Embodying the beliefs, traditions and ceremonies of the Roman Catholic Filipinos, they are vital components of our history and culture - especially the history of Catholicism in our country. The month of April marks the celebration of Christ's death and resurrection, what the pious call in the Philippines "Holy Week" or Semana Santa or Cuaresma.. In contrast to other Christian countries, Filipino Catholics give emphasis on the suffering of Christ, rather than on His resurrection, on the belief that salvation comes at the end. Religious piety is passionately displayed in different parts of the Philippines, particularly in the provinces where communities go on pilgrimage to as many churches and devotees re-enacting Christ's ordeal through real-life crucifixion under the scorching heat of the sun. They also celebrate Maundy Thursday, attending church services and watching Passion Plays. In one practice called visita iglesia, Catholics try to visit as many churches as they can. On Good Friday, among believers in certain areas, such as Manila, San Fernando in Pampanga Province, and Antipolo in Rizal Province, They also celebrate Maundy Thursday, attending church services and watching Passion Plays. -
Descargar Los Distintos Números: Todo Ello De Una Forma Ágil, Sencilla E Intuitiva
NUESTRA PORTADA: Imagen confeccionada sobre original del cartel correspondiente al Ciclo de Conferen- cias “La pérdida de Filipinas y la gesta de Baler”, celebradas en el IHCM del 03 al 06 de junio de 2019. INSTITUTO DE HISTORIA Y CULTURA MILITAR Año LXIII 2019 Núm. Extraordinario II Los artículos y documentos de esta Revista no pueden ser tra- ducidos ni reproducidos sin la autorización previa y escrita del Ins- tituto de Historia y Cultura Militar. La Revista declina en los autores la total responsabilidad de sus opiniones. CATÁLOGO GENERAL DE PUBLICACIONES OFICIALES https://cpage.mpr.gob.es Edita: https://publicaciones.defensa.gob.es/ © Autores y editor, 2019 NIPO: 083-15-011-0 (edición en papel) NIPO: 083-15-012-6 (edición en línea) ISSN: 0482-5748 (edición papel) ISSN: 2530-1950 (internet) Depósito Legal: M-7667-1958 Fecha de edición: noviembre 2019 Maqueta e imprime: Ministerio de Defensa Las opiniones emitidas en esta publicación son exclusiva responsabilidad de los autores de la misma. Los derechos de explotación de esta obra están amparados por la Ley de Propiedad Intelectual. Ninguna de las partes de la misma puede ser reproducida, almacenada ni transmitida en ninguna forma ni por medio alguno, electrónico, mecánico o de grabación, incluido fotocopias, o por cualquier otra forma, sin permiso previo, expreso y por escrito de los titulares del © Copyright. En esta edición se ha utilizado papel 100% libre de cloro procedente de bosques gestionados de forma sostenible. La Revista de Historia Militar es una publicación del Instituto de Historia y Cultura Militar, autorizada por Orden de 24 de junio de 1957 (D.O. -
April 6, 2019 Hawaii Filipino Chronicle 1
APRIL 6, 2019 HAWAII FILIPINO CHRONICLE 1 APRIL 6, 2019 HAWAII-FILIPINO NEWS CANDID PERSPECTIVES BCWW AND HFH TO TRUMP’S APRIL FOOLS’ PRESENT MOLOKAI PRESIDENCY COMMUNITY HEALTH FAIR FEATURE LAUREN CABRERA: MISS PHILIPPINES HAWAII 2019 2 HAWAII FILIPINO CHRONICLEAPRIL 6, 2019 EDITORIALS FROM THE PUBLISHER Publisher & Executive Editor t’s commonly said that happi- Charlie Y. Sonido, M.D. Publisher & Managing Editor ness is in the heart of the person Happy Easter to All Chona A. Montesines-Sonido who lives a balanced life – a Associate Editors ith a majority of Filipinos identifying them- life wherein the mind, the body, Edwin QuinaboDennis Galolo selves as Roman Catholics – 81 percent in the and the spirit are nurtured. It’s Contributing Editor common each Spring for Fili- Belinda Aquino, Ph.D. Philippines and 65 percent Filipino-Amer- I Layout pino Catholics to spend more time and effort icans – Catholicism is deeply interwoven as Junggoi Peralta than normally to nurture their spirits during the both a religious and cultural part of the Filipi- Photography Lenten Season, which began on March 6 and W no identity, Tim Llena lasts until mid-April. Administrative Assistant Catholic religiosity is even more pronounced in the Philip- For our cover story this issue, associate editor Edwin Quina- Lilia Capalad pines. According to Pew Research Center’s 2015 Global Attitude bo writes about the Catholic tradition of Lent, a 40-days peri- Shalimar Pagulayan survey, 87 percent of Filipinos consider religion to be very im- od when Christians commemorate and reflect on the suffering, Columnists portant in their lives. -
Filipino American Youth and Culture by Ed Tiong
Filipino American Youth and Culture by Ed Tiong General Information The Republic of the Philippines, located off the southeast coast of Asia, is one of the largest island groups in the world, numbering 7,107 islands. The 1995 population was approximately 60.5 million, with fifty-five percent of the people living on the largest island of Luzon. Approximately eighty-five percent of Filipinos are Catholic, with large numbers of Protestants and Muslims. Filipinos comprise approximately 111 cultural and linguistic groups, mainly of Malayo-Polynesian origin. The ethnic make-up of the population has been greatly influenced by Chinese, Spanish, and Caucasian American intermarriages. Among the eleven language groups of the country, Filipino is the official national language which is native to the peoples of Central Luzon. The Philippines is, nevertheless, the third largest English-speaking country in the world. During the sixteenth century, Spain conquered the islands which they named for King Phillip II as "Las Islas Filipinas" or the Philippine Islands. After 327 years of Spanish domination, the Filipinos revolted, and won their independence in 1898. However, after the Spanish-American War, the United States controlled the Philippines until 1942, when Japan seized control until they were liberated by the Americans. Finally, in 1946, the American Congress granted independence to the Filipinos, and the second Republic of the Philippines was born. Filipino Migration Historians identify four major waves of Filipino migration to the United States. The first wave between 1898 and 1941 was comprised mostly of "pensionados" or scholars sent by the American government to U.S. schools, and large numbers of laborers recruited to work on farms in Hawaii and California.