165/Diciembre/2017 Ejemplar Gratuito
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
British TV Streaming Guide
NETFLIX Website: http://netflix.com Description: One of the biggest and oldest streaming services, Netflix offers a wide variety of content from all over the world - along with quite a bit of their own original content. Available On: Roku, Fire TV, Apple TV, Apple iPhone & iPad, Chromecast, Fire tablets, select Smart TVs, Android phones and tablets, and computer (via web browser). Cost: $8.99/month (1 screen), $12.99 HD (2 screens same time), $15.99 UHD (4 screens same time) Now Streaming Mysteries & Crime Dramas The A List - 2018 - This series blends The Five – 2016 - Years after a young boy romance, drama, suspense, and mystery disappears, his DNA turns up at a crime when a group of young women go to a scene. Based on the novel by Harlen remote camp with a supernatural Coben. presence. The Frankenstein Chronicles – 2015 to Broadchurch – 2013 to 2017 - When an 11- 2017 - In 1827 London, a detective hunts a year-old boy is murdered in a quiet coastal killer with an appetite for dismemberment. community, town secrets are exposed. Giri/Haji - 2019 - Japanese detective Kenzo David Tennant (Deadwater Fell) and Olivia Mori travels to London to figure out Colman (Rev) star. whether his brother Yuto, presumed dead, Collateral – 2018 - When a pizza delivery is actually dead. Yuto is believed to have man is gunned down in London, DI Kip killed the nephew of a Yakuza member, Glaspie refuses to accept that it's just a and the search draws Kenzo into the dark random act of violence. Her investigation and dangerous criminal underworld of drags her into a dark underworld she never London. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
Media Nations 2020 UK Report
Media Nations 2020 UK report Published 5 August 2020 Contents Section Overview 3 1. Covid-19 media trends: consumer behaviour 6 2. Covid-19 media trends: industry impact and response 44 3. Production trends 78 4. Advertising trends 90 2 Media Nations 2020 Overview This is Ofcom’s third annual Media Nations, a research report for industry, policy makers, academics and consumers. It reviews key trends in the TV and online video sectors, as well as radio and other audio sectors. Accompanying this report is an interactive report that includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. This year’s publication comes during a particularly eventful and challenging period for the UK media industry. The Covid-19 pandemic and the ensuing lockdown period has changed consumer behaviour significantly and caused disruption across broadcasting, production, advertising and other related sectors. Our report focuses in large part on these recent developments and their implications for the future. It sets them against the backdrop of longer-term trends, as laid out in our five-year review of public service broadcasting (PSB) published in February, part of our Small Screen: Big Debate review of public service media. Media Nations provides further evidence to inform this, as well as assessing the broader industry landscape. We have therefore dedicated two chapters of this report to analysis of Covid-19 media trends, and two chapters to wider market dynamics in key areas that are shaping the industry: • The consumer behaviour chapter examines the impact of the Covid-19 pandemic on media consumption trends across television and online video, and radio and online audio. -
European High-End Fiction Series. State of Play and Trends
European high-end fiction series: State of play and trends This report was prepared with the support of the Creative Europe programme of the European Union. If you wish to reproduce tables or graphs contained in this publication, please contact the European Audiovisual Observatory for prior approval. The analysis presented in this publication cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members or the Council of Europe. The European Commission support for the production of this publication does not constitute an endorsement of the contents, which reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. European high-end fiction series: State of play and trends Gilles Fontaine Marta Jiménez Pumares Table of contents Executive summary .................................................................................................. 1 Scope and methodology .......................................................................................... 5 1. Setting the scene in figures ............................................................................. 8 1.1. The production of high-end fiction series in the European Union .................................................................... 8 1.1.1. The UK is the primary producer of high-end series in Europe ................................................... 10 1.1.2. International co-productions: small but growing .......................................................................... -
Too Close for Comfort: Direct Address and the Affective Pull of the Confessional Comic Woman in Chewing Gum and Fleabag
Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag Article Accepted Version Woods, F. (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi: https://doi.org/10.1093/ccc/tcz014 Available at http://centaur.reading.ac.uk/81363/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1093/ccc/tcz014 Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Too Close for Comfort: Direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Abstract The 2010s saw a boom in television comedies, created by, written, and starring women, that exploring the bawdy and chaotic lives of protagonists who were experiencing some form of arrested development. These comedies sought to build intimate connections with their imagined audiences by crossing boundaries — social, bodily and physical — to produce comedies of discomfort. Drawing in part on Rebecca Wanzo’s consideration of ‘precarious-girl comedy’ (2016) I examine how two British television comedies intensified these intimate connections through the use of direct address, binding the audience tightly to the sexual and social misadventures of their twenty-something female protagonists. -
(IN)VISIBLE ENTREPRENEURS: CREATIVE ENTERPRISE in the URBAN MUSIC ECONOMY Joy White
(IN)VISIBLE ENTREPRENEURS: CREATIVE ENTERPRISE IN THE URBAN MUSIC ECONOMY Joy White A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the Degree of Doctor of Philosophy June 2014 DECLARATION “I certify that this work has not been accepted in substance for any degree, and is not concurrently being submitted for any degree other than that of Doctor of Philosophy being studied at the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise identified by references and that I have not plagiarised another’s work”. Signed: Signed: Dated: June 2014 ! "" ACKNOWLEDGEMENTS I would like to acknowledge the unwavering support of my supervisors, Dr Gauti Sigthorsson and Dr Stephen Kennedy. In particular, for letting me know that this research project had value and that it was a worthwhile object of study. Also, Dawn, Maxine, Dean and Alvin who proofread the final drafts - without complaining and resisted the temptation to ask whether I’d finished it yet. Lindsey and Gamze, for their encouragement and support throughout all of the economic and social ups and downs during the life of this project. My mum, Ivaline White whose three-week journey in 1954 from Jamaica to London provided the foundation, and gave me the courage, to start and to finish this. My daughter Karis, who once she had embraced her position as a ‘PhD orphan’, grew up with the project, accompanied me while I presented at an academic conference in Turkey, matured and evolved into an able research assistant, drawing my attention to significant events, music and debates. -
Estatism, Escapism, and Inhabiting the Inhibitive
Estatism, Escapism, and Inhabiting the Inhibitive. Examining the limits of confinement in an institution, an estate and an idyll. Rowan Prady MA Architecture Royal College of Art 9’982 words. With thanks to Naomi, for her unfailing patience and support throughout the process. And Adam, for his. The Story of a Wall in Aylesbury 6-10 Preface 6-10 Language: Names, Definitions, Constructs 11-16 A Name for [a] Names’ sake 11-13 Deconstructing Constructs 14-16 Liminality: Edges, Borders, Territories 17-22 Privatising Privacy 17-19 Rites of Passage 20-22 Part One The Institution: HMYOI Aylesbury, Buckinghamshire 23-42 Liminal Justice Suspended Sentence 23-28 Indeterminate Confines 29-37 Hanging in the Balance 38-42 Part Two The Estate: The Aylesbury Estate, Elephant and Castle 43-61 Arrested Development Promised Utopia 43-49 Home Truths 50-53 Real Estate(s) 54-61 Part Three The Idyll: Aylesbury, County Town of Buckinghamshire 62-78 Density Inside Out Suburbs of Suburbia 62-69 London’s City Limits 70-72 NeGated Development 73-78 Constrictive Constructs 79-94 Epilogue 79-84 Bibliography 85-91 Image References 92-94 6 Fig. 2 The Old Prison Wall HMYOI Aylesbury The Story of a Wall in Aylesbury Preface ‘We shape our dwellings, and afterwards our dwellings shape us’ 1 Growing up, I had the naively childish sense that the sphere of my existence positioned itself at the very centre of all things, with all wider occurrences and social developments responding to the minutiae of my everyday progress through life. Geographically, a childhood spent in a not-quite-village unperceivably sited under the mapped and pointed edge-lines of Nottinghamshire, Derbyshire and Leicestershire – three counties of the British midlands - meant I grew up in the very middle of the midlands and, as I saw it, in the middle of nowhere in particular. -
Billy Rivista Di Cinema E Altre Perversioni Il Contagio
E ALTRE PERVERSIONI E ALTRE DICINEMA RIVISTA BILLY FREE PRESS CRONACHE DICONTAMINAZIONIARTISTICHE IL CONTAGIO marzo/1.20 MARCO BACCHI, LEANDRA BORSCI, Ramiro Castro Xiques, NOEMI GIUGLIANO, Francesca Leoni, MATTEO LOLLETTI, Davide Mastrangelo, PIERO MEROLA, MARCO MULANA, PAOLO UTILI. INDICE Il contagio 3 CITAZIONE Germano Celant 4 LO STATO DELL’ARTE «Oggi l’arte si fa con tutto Leandra Borsci Cronache di contaminazioni artistiche di contaminazioni Cronache 6 LE CITTÀ INVIVIBILI e ovunque, senza confini Ramiro Castro Xiques 8 IL “BISOGNO” DEL CONTAGIO: linguistici e territoriali. BREVE EXCURSUS NEL CINEMA DEL 2000 Paolo Utili Gli artisti entrano e agiscono 10 PETER GREENAWAY, L’ARTISTA CONTAMINATO Noemi Giugliano nel campo dell’immagine 12 IL DOCUMENTARIO COME FINZIONE DEL REALE con un’attitudine leggera Marco Bacchi 14 NOI SIAMO PAROLA e plurale, Matteo Lolletti 17 LA LINGUA BATTE DOVE VUOLE muovendosi senza istanze Leandra Borsci 20 SUA ALTEZZA REAL(TÀ) Marco Mulana univoche nella panoramica 22 NUOVE CONTAMINAZIONI MUSICALI: LA “BLACK DIASPORA” È IL FUTURO di tutti i media». DELLA SCENA BRITANNICA Piero Merola Germano Celant 24 VIDEOARTE > ARTI INTERMEDIALI Francesca Leoni e Davide Mastrangelo 26 CRUCIVIRUS Mulangella 3 LO STATO DELL’ARTE Il contagio Abbiamo scritto, riscritto, riformulato, disfatto e Ma abbiamo portato avanti le nostre istanze, i nostri reinterpretato questo editoriale rincorrendo l’attua- pensieri, le nostre battute sulla tastiera con maggio- artistiche di contaminazioni Cronache lità più recente, troppo sfuggente e troppo poco pre- re enfasi quando la cultura è venuta in soccorso come dicibile. Quando ragionavamo su questo primo numero di anticorpo per riempire il silenzio dell’isolamento da BILLY di quello che si sarebbe da lì a poco rivelato un COVID-19. -
View Full Issue As
VOLUME EIGHT, NO. 7--March 30, 1995--April 12 , 1995—Issue 176 FREE Give the People Light and they will find their own way. V" The Wisconsin Light Equitable Ryan White Vice President and Mrs. Gore to Serve as CARE Act Advances to the Senate Honorary Co-Chairs of AIDS Walk Wisconsin Washington, D.C.— In late breaking news that is an update to earlier stories in Light, in its first test of U.S. Senate support, the new Walk to be Held Ryan White CARE Act with hard-fought equi- table formulas, was endorsed unanimously by September 17 on the Senate Subcommittee on Labor and Human Resources. Milwaukee 's Senator Nancy Kassebaum (R-KS), Chair of the Committee, crafted the new formulas which have been vigorously promoted over the Lakefront past year by the Wisconsin-led Campaign For Fairness in Ryan White CARE Act Funding. In Committee action on Wednesday, March Milwaukee— "Tonight, it is a real joy for 29, the new CARE Act was unanimously me to announce a wonderful surprise," said voted out of Committee without amendment Doug Nelson, Executive Director of the AIDS and may be scheduled for a full Senate vote Resource Center of Wisconsin (ARCW), the prior to the Easter recess of Congress. parent agency of the Milwaukee AIDS Project AIDS Resource Center of Wisconsin Execu- (MAP). Nelson was speaking before over 900 tive Director, Doug Nelson, who has led the people who attended the ninth annual Make A national fight for equity, praised the Commit- Promise Dinner and Auction that was held, tee vote. -
Europe Now Giant M
ohs-' were -J^overemphasizfid, ■ioblieations and entpr thi» hiisiness world nr to the Twin Falls High School five years ago think Most believed the emphasis was correct. > have gained several years of work experlen^," . holding jQba. Questionnaires also a^ed^for. ____ fiflfficijiatiDn. the -school-shguld offer more career and - The replied suggested that. student govern Staudaher said. ' ■ current job or school status, income, liiarital Another 17 per cent or 34 studenls worked full education counseling. ment,-music and" drama activities '‘needed" All the membefs of the class who could.be Status-and-location of jobs and homes. tiine .while 15 or 7 per cent entered the armed Tlie graduates of th'e class of 1967, responding more emphasis." located received a questionnaire. Of 423 services. Others enrolled in various types of to g school survey, also: Supt,. - G w rg e Staudaher this week an- graduates 350 were located by school officials. the 198 answering the questions, S«2 Strolled training programs or married and did not work. —Gave h i^ marks to,teaching quality; nounced results of a questionnaire survey ■ Of these, 198 of 56.6 per cent com pleted the ___ in a tour-year college ^ first y,ear .oyii ot-P A ^- " —Praisei^e:qnantyT)TacadeinIcyogfa£iri completed recently with the cooperation of the ' survey forms, Staudaher said the response was school and another 44 enrolled in junior-.colleger a- B.A', or B.S. degree while 16 obtained —Gave ^ only fair marks to vocational 1967 graduating class. highly satisfactory for the type of survey. enroll^ in junior college vQca^nal asspciqt.e artsor science degrees; 10 completed '^ucation progrmns.' "We selected mem&rs of'the 1967 class Questions generally asked what the students programs and two in technical trade schoo\ f(i|:^ vocaUonal training and three' obtained Survey replies^ showed a large minority .of becau^ they haVt had time to either complete felt they gained most from their high school' per cent in a four year college and 22 per cent -vocational certificates of two to three years. -
Te Awamutu Courier
ROSETOWN For sincere and professional service when it FUNERALS matters most 870 2137 all hours TUESDAY,TUESDAY, NOVEMBER JULY 29, 25, 2014 2014 Steve & Shereehhereeerree H HopgHopgoodopo g 262 Ohaupo Road | Te Awamutu 9802553AA3AAAAAA www.rosetownfunerals.com Russia honours veteran Last chance for entries BY COLIN THORSEN All entries in the 2015 New Mayor Jim Mylchreest presented war veteran Zealand Dairy Industry Ronald Thomas Powell with his medal for service Awards – including the Dairy on the Arctic convoys at a luncheon at Te Trainee, New Zealand Awamutu RSA Clubrooms on Armistice Day. Sharemilker/Equity Farmer of The 87-year-old received the Medal of Ushakov the Year and New Zealand on behalf of the president of the Russian Federa- Farm Manager of the Year tion in recognition of his World War Two contribution. competitions – close at Mr Mylchreest told those at the well attended midnight on Sunday, function, including Mr Powell’s wife Jean, son Ray November 30. of Wellington and daughter Bronwyn Thorsen of Entries are being accepted Te Awamutu, that the Ushakov medal was for Mr online at: Powell’s bravery and courage serving on the HMS dairyindustryawards.co.nz Indefatigable aircraft carrier. His comments were echoed in a letter to Mr Net needed Powell from Valery Tereshchenko, Russia’s New Mahuika House Zealand Ambassador in Wellington: “The Russian community garden has been people remember and deeply appreciate the role attacked by cats and birds. and contribution of all states of the Anti-Hitler If anyone has any spare coalition as a whole and your personal courage and netting that could be used to endeavour in fighting against the Nazi aggression. -
Production Notes
PRODUCTION NOTES Based on true events, WHITE BOY RICK is set in 1980s Detroit at the height of the crack epidemic and the war on drugs, in a city rife with corruption on every level. WHITE BOY RICK tells the moving story of a blue-collar father, Richard Wershe Sr. and his namesake teenage son, Rick Jr. In a mind-boggling series of events, Rick Jr. enters into a Faustian bargain, becoming an undercover informant and later a drug dealer, manipulated by the very system meant to protect him only to be abandoned by his police handlers and sentenced to life in prison. This incredible story of the youngest FBI informant in history is inextricably bound to a turbulent, complicated father-son relationship. Richard Sr., equal parts hustler, schemer and dreamer, is doing the best he can to stop the cycle of generational poverty and despair, driven by a sincere love of his kids. His son Rick Jr., caught up in his father’s aspirations, willingly becomes the means by which to achieve his father’s ambitions. But all the while, Richard Sr. also attempts to hold their tenuous and fractured family together – both father and son are ultimately motivated by the love of each other and their family. Their city and government betray them - the institutional injustice and corruption that defined Detroit, the home they loved, would be their undoing. WHITE BOY RICK is a tarnished American Dream, an improbable tale of fathers and sons, friends and family, a shifting landscape of loyalty and betrayal, where everything has a cost, including love and the ultimate price may be survival.