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Alexander Calder Selected Bibliography

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ALEXANDER CALDER SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 Alexander Calder: From the Stony River to the Sky (exhibition catalogue). Somerset, United Kingdom: Hauser & Wirth, 2018. American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 90–93, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 407, 445, 456, 517, 525, illustrated. The Life of Forms (exhibition catalogue). Texts by Emmanuel Di Donna and Jennifer Field. New York: Di Donna, 2018: 50–55, illustrated. The Joy of Color (exhibition catalogue). New York: Mnuchin Gallery, 2018: 22–23, illustrated. Louvre Abu Dhabi: The Complete Guide. Abu Dhabi and Paris: Department of Culture & Tourism; Éditions Skira, 2018: 327, illustrated. Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 31, illustrated. Moon Dancers: Yup’ik Masks and the Surrealists (exhibition catalogue). New York: Di Donna, 2018: 116, illustrated. Reds (exhibition catalogue). New York: Mnuchin Gallery, 2018: 22–23, illustrated. Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 2 Turner, Elizabeth Hutton and Anne Grace ed. Alexander Calder: Radical Inventor (exhibition catalogue). Montreal: Montreal Museum of Fine Arts, 2018. 2017 Alexander Calder: Forgeron de Géantes Libellules (exhibition catalogue). Texts by Christine Laloue, Brigitte Leal, Benoȋt Decron, et al. Rodez, France and Paris: Musée Soulages; Éditions Gallimard, 2017. Alexander Calder / David Smith (exhibition catalogue). Texts by Peter Stevens, Alexander S. C. Rower, Elizabeth Hutton Turner and Sarah Hamill. New York: Hauser & Wirth Publishers, 2017. Calder | Miró Constellations (exhibition catalogue). Texts by Alexander S. C. Rower, Milly Glimcher, et al. 3 volumes. New York: Acquavella Galleries; Pace Gallery, 2017. Calder and Picasso (exhibition catalogue). Interview with Alexander S. C. Rower and Bernard Ruiz-Picasso by Phone Bui. Texts by Susan Braeuer Dam, Jordana Mendelson and Robert Slifkin. New York: Almine Rech Gallery, 2017. Calder, Alexander. “What Abstract Art Means to Me.” In Farrell, Jennifer. The History and Legacy of Samuel M. Kootz and the Kootz Gallery. Charlottesville, Virginia: The Fralin Museum of Art at the University of Virginia, 2017. Perl, Jed. Calder: The Conquest of Time, The Early Years, 1898–1940. New York: Alfred A. Knopf, 2017. Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 51, illustrated. The Space of Dreams (exhibition catalogue). Cadaqués and Barcelona: Galeria Mayoral, 2017. Storr, Robert. From the Masterpieces to Rooms Full of Art – and Back? Edinburgh: National Galleries of Scotland, 2017: fig.8, illustrated. Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 3 Visionaries: Creating the Modern Guggenheim (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2017: 39, 185, 186, 207, 273, illustrated. 2016 Agee, William C. Modern Art in America. London and New York: Phaidon Press Limited, 2016: 181–2, illustrated. Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 54, illustrated. Art Revolutionaries: Homage to the Pavilion of the Spanish Republic, 1937 (exhibition catalogue). Barcelona: Galeria Mayoral, 2016: illustrated. Bonheur de Vivre (exhibition catalogue). Text by Mel Gooding. London: Bernard Jacobson Gallery, 2016 Calder & Fischli / Weiss (exhibition catalogue). Edited by Theodora Vischer. Riehen/Basel: Fondation Beyeler, 2016. The Calder Prize 2005–2015 (exhibition catalogue). London: Pace London, 2016. The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 25–31, illustrated. Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 88–91, illustrated. Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 10, 46, 47 et al. San Francisco Museum of Modern Art 360°: Views on the Collection. Edited by Judy Bloch and Suzanne Stein. San Francisco: San Francisco Museum of Modern Art, 2016: 212–3, illustrated. Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 4 Sculpture on the Move 1946–2016 (exhibition catalogue). Basel: Kunstmuseum Basel, 2016: 28–9, illustrated. 2015 Alexander Calder: Multum In Parvo (exhibition catalogue). Texts by Jed Perl and Paul Goldberger. New York: Dominique Lévy/Calder Foundation, 2015. Alexander Calder: Performing Sculpture (exhibition catalogue). Edited by Achim Borchardt-Hume. New Haven and London: Yale University Press, 2015. American Icons: Master Works from the SFMoMA and the Fisher Collection (exhibition catalogue). Text by Caitlin Haskell. Paris: Galeries nationales du Grand Palais, 2015: 30–39, illustrated. Between Sky and Earth by Calder and Dubuffet (exhibition catalogue). Text by Jordan Lahmi. Geneva: Opera Gallery, 2015. Calder: Discipline of the Dance (exhibition catalogue). Mexico City and Barcelona: Foundación Jumex Arte Contemporáneo; RM Verlag, S.L., 2015. Calder Lightness, Richard Tuttle Wire Pieces, Fred Sandback 64 Three-part Pieces (exhibition catalogue). Text by Cole Swensen. Saint Louis: Pulitzer Arts Foundation, 2015. Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection (exhibition catalogue). Washington D.C.: Smithsonian American Art Museum, 2015: 164–7. Fletcher, Valerie J. Marvelous Objects: Surrealist Sculpture from Paris to New York (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2015: 128–39. Heyler, Joanne, Ed Schad and Chelsea Beck, ed. The Broad Collection. Munich, London, New York: Prestel Verlag, 2015: 222–225, illustrated. Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 84–89, illustrated. Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 5 Naples Collects. Edited by Frank Verpoorten and Gisela Carbonell. Naples, Florida: Artis—Naples, The Baker Museum, 2015: 48–51, illustrated. Transparence: Calder / Picabia (exhibition catalogue). Texts by Alexander S.C. Rower, Arnauld Pierre, and George Baker. Zurich and Ostfildern: Hauser & Wirth; Hatje Cantz Verlag, 2015. 2014 Alexander Calder in Het Rijksmuseum (exhibition catalogue). Amsterdam: Rijksmuseum, 2014. Artist Textiles 1940–1976 (exhibition catalogue). London: Fashion and Textile Museum, 2014. Bronze in the XXth Century: Casting Modernity (exhibition catalogue). Texts by David Ekserdjian, Liana Corman and Peter Stevens. New York: Mnuchin Gallery, New York, 2014: 36–39, illustrated. Calder, Alexander. “What Abstract Art Means to Me.” In Perl, Jed. Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism. New York: The Library of America, 2014: 341– 343. George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 71, illustrated. Miró / Calder (exhibition catalogue). Texts by Joan Punyet Miró and Colm Toíbín. Barcelona: Mayoral Galeria d’Art, Barcelona, 2014. Mulas, Ugo. Cirque Calder. Texts by Barbara Nesticò and Valerio Dehò. Mantova, Italy: Maurizio Corraini s.r.l., 2014. When Modern Was Contemporary: The Roy R. Neuberger Collection. Purchase, New York: Neuberger Museum of Art of Purchase College, 2014: 74–7, illustrated. 2013 Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 6 Alexander Calder: Avant-Garde in Motion (exhibition catalogue). Texts by Susanne Meyer-Büser, Gryphon Rue Rower-Upjohn and Daniela Hahn. Düsseldorf: Kunst Sammlung Nordrhein Westfalen, 2013. Alexander Calder: Trees: Naming Abstraction (exhibition catalogue). Ostfildern, Germany and Riehen, Switzerland: Hatje Cantz; Fondation Beyeler, 2013. American Pop Art from the John and Kimiko Powers Collection (exhibition catalogue). Texts by Nobuyuki Konishi, Yukihiro Hirayoshi, Hana Takigami and Yusuke Minami. Tokyo: The National Center, 2013: end pages, illustrated. Barron, Stephanie, ed. Calder and Abstraction: From Avant-Garde to Iconic (exhibition catalogue). Texts by Ilene Susan Fort, Aleca Le Blanc, Jed Perl and Harriet Senie. New York and Munich: Prestel; DelMonico Books, 2013. Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 319, 320, 322, 323, illustrated. Booth-Clibborn, Edward, ed. The Sculptures of Jeddah: An Encounter with a Rare Collection of 20th-Century Public Art. New York: Abrams, 2013. Calder (exhibition catalogue). Texts by Tae Hyunsun and Jed Perl. Seoul: Leeum, Samsung Museum of Art, 2013. Calder at the Castle (exhibition catalogue). Winchcombe, Cheltenham and London: Sudeley Castle; Pace London, 2013. Calder After the War (exhibition catalogue). Texts by Norman Foster, Barbara Rose, and Alexander S.C. Rower. London: Pace London, 2013. Calder by Matter. Edited by Alexander S. C. Rower. Paris: Editions Cahiers d'Art SARL, 2013. Calder, Prouvé (exhibition catalogue). Paris: Gagosian Gallery and Galerie Patrick Seguin, 2013. Alexander Calder: Selected Bibliography – Books and Exhibition Catalogues 7 Dada and Surrealist Objects (exhibition
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  • Lack of Irony

    Lack of Irony

    1 L a c k o f i r o n y Note: you are reading an excerpt from: James Elkins, “Failure in Twentieth-Century Painting” (unpublished MS) Revised 9.2001 This page was originally posted on: www.jameselkins.com Send all comments to: [email protected] Part Two – 2 – 3: Lack of irony I cannot tell you who told me or in what footnote it sat hidden. This and other disjecta membra, the abused here drawn together with pain for their further dis- memberment, I offer to the presiding judge of our art, self-pleasured Ironia. — Geoffrey Hill1 There are only a few times I have laughed out loud in an art gallery. When I saw Hofbauer’s Poutnik (Pilgrim, 1905) in the Veletriní Palác, Prague, I took in the rounded grassy hillside topped by a prehistoric dolmen, and I noticed the little fire burning in its passageway. I saw the bowed figure in the purple cape walking slowly up toward the dolmen. He looked intent on his druidical mysteries. That would have been enough, but then I focused on what was behind just behind him: a black panther, following along like an overfed housecat. That is when I laughed—it was just too much. Hofbauer (1869-1944) was the same generation as Frantisek Kupka (1871- 1951), and the two of them shared a humorlessness that has vanished from more recent Czech painting: but that fact doesn’t help me see druids (or religion, or painting) as Hofbauer did. I also laughed (though not so loudly) at the Bulgarian painter Boris Georgiev (1888-1962), who painted Eternal Road (1925, National Museum of Art, Sofia), where a semi-nude hero rests, adopting Hippolyte Flandrin’s famous pose, on a clifftop in an exotic arctic panorama that looks like a Fredrick Church composition painted by Puvis de Chavannes.