Greek Mythology and the Forms of Energy Developed By
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Stories of Ancient Rome Unit 4 Reader Skills Strand Grade 3
Grade 3 Core Knowledge Language Arts® • Skills Strand Ancient Rome Ancient Stories of of Stories Unit 4 Reader 4 Unit Stories of Ancient Rome Unit 4 Reader Skills Strand GraDE 3 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. -
Japanische Strauchpfingstrosen
Japanische Strauchpfingstrosen Shimanishiki Chojuraku Asahiminato Godaishu Hakugan Hakuojishi Hanaasobi Hanakisoi Hanadaijin Hatsugarasu Jitsugetsu-nishiki Jushi Kamatafuji Kamata-nishiki 15 Kao Kokamon Kokuryu-nishiki Luo Yang Hong Meikoho Naniwa-nishiki Renkaku Rimpo Seidai Shim-daijin Shimano-fuji Shinfuso Shin-jitsugetsu Shinshifukujin Shiunden Taiyo Tamafuyo 16 Tamasudare Teni Yachiyotsubaki Yaezakura Yagumo Yatsukajishi Yoshinogawa High Noon Kinkaku Kinko Hakugan Kao 17 Europäische Strauchpfingstrosen Blanche de His Duchesse de Morny Isabelle Riviere Reine Elisabeth Chateau de Courson Jeanne d‘Arc Jacqueline Farvacques Zenobia 18 Rockii-Hybriden Souvenir de Lothar Parlasca Jin Jao Lou Ambrose Congrève Dojean E Lou Si Ezra Pound Fen He Guang Mang Si She Hai Tian E Hei Feng Die Hong Lian Hui He Ice Storm Katrin 19 Lan He Lydia Foote Rockii Ebert Schiewe Shu Sheng Peng Mo Souvenir de Ingo Schiewe Xue Hai Bing Xin Ye Guang Bei Zie Di Jin Feng deutscher Rockii-Sämling Lutea-, Delavayi- und Potaninii-Hybriden Anna Marie Terpsichore 20 Age of Gold Alhambra Alice in Wonderland Amber Moon Angelet Antigone Aphrodite Apricot Arcadia Argonaut Argosy Ariadne Artemis Banquet Black Douglas Black Panther Black Pirate Boreas Brocade Canary 21 Center Stage Chinese Dragon Chromatella Corsair Daedalus Damask Dare Devil Demetra Eldorado Flambeau Gauguin Gold Sovereign Golden Bowl Golden Era Golden Experience Golden Finch Golden Hind Golden Isle Golden Mandarin Golden Vanity 22 Happy Days Harvest Hélène Martin Helios Hephestos Hesperus Icarus Infanta Iphigenia Kronos L‘Espérance L‘Aurore La Lorraine Leda Madame Louis Henry Marchioness Marie Laurencin Mine d‘Or Mystery Narcissus 23 Nike Orion P. delavayi rot P. delavayi orange P. ludlowii P. lutea P. -
Chapter 4. Hatred in Hesiod
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Kilgallon, Silvie Title: Hatred in Hesiod General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hatred in Hesiod Silvie Kilgallon A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts, January 2019. Word Count: 75,322. 2 Abstract: This thesis examines the conception and role of hatred in the Theogony and Works and Days of Hesiod. -
OMC | Data Export
Ayelet Peer, "Entry on: Heroes in Training (Series, Book 9): Crius and the Night of Fright by Joan Holub, Craig Phillips, Suzanne Williams ", peer-reviewed by Lisa Maurice and Daniel Nkemleke. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/399. Entry version as of September 24, 2021. Joan Holub , Craig Phillips , Suzanne Williams Heroes in Training (Series, Book 9): Crius and the Night of Fright United States (2015) TAGS: Apollo Ares Artemis Athena/ Athene Crius Cronus Demeter Hades Hera Hestia Poseidon Pythia Rhea Zeus We are still trying to obtain permission for posting the original cover. General information Title of the work Heroes in Training (Series, Book 9): Crius and the Night of Fright Country of the First Edition United States of America Country/countries of popularity Worldwide Original Language English First Edition Date 2015 Joan Holub and Suzanne Williams, Heroes in Training: Crius and First Edition Details the Night of Fright. Simon & Schuster Children’s Publishing Division. New York: Aladdin Press, 2015, 88 pp. ISBN 9781481435062 (paperback) Action and adventure fiction, Alternative histories (Fiction), Genre Bildungsromans (Coming-of-age fiction), Humor, Illustrated works, Mythological fiction, Novels Target Audience Children (Older children, 8-14 yrs) Author of the Entry Ayelet Peer, Bar Ilan University, [email protected] Lisa Maurice, Bar-Ilan University, [email protected] Peer-reviewer of the Entry Daniel Nkemleke, University of Yaoundé 1, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood.. -
The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
THE ZODIAC: COMPARISON OF THE ANCIENT GREEK MYTHOLOGY AND THE POPULAR ROMANIAN BELIEFS DOINA IONESCU *, FLORA ROVITHIS ** , ELENI ROVITHIS-LIVANIOU *** Abstract : This paper intends to draw a comparison between the ancient Greek Mythology and the Romanian folk beliefs for the Zodiac. So, after giving general information for the Zodiac, each one of the 12 zodiac signs is described. Besides, information is given for a few astronomical subjects of special interest, together with Romanian people believe and the description of Greek myths concerning them. Thus, after a thorough examination it is realized that: a) The Greek mythology offers an explanation for the consecration of each Zodiac sign, and even if this seems hyperbolic in almost most of the cases it was a solution for things not easily understood at that time; b) All these passed to the Romanians and influenced them a lot firstly by the ancient Greeks who had built colonies in the present Romania coasts as well as via commerce, and later via the Romans, and c) The Romanian beliefs for the Zodiac is also connected to their deep Orthodox religious character, with some references also to their history. Finally, a general discussion is made and some agricultural and navigator suggestions connected to Pleiades and Hyades are referred, too. Keywords : Zodiac, Greek, mythology, tradition, religion. PROLOGUE One of their first thoughts, or questions asked, by the primitive people had possibly to do with sky and stars because, when during the night it was very dark, all these lights above had certainly arose their interest. So, many ancient civilizations observed the stars as well as their movements in the sky. -
Metamorphoses
- METAMORPHOSES - By Ovid (c. 8 A.D.) (translation by Ian Johnston) [After the creation of the natural world...] What was still missing was an animal more spiritual than these, more capable of higher thinking, which would be able to dominate the others. Man was born— 110 either that creator of things, the source of a better world, made him from divine seed, or the Earth, newly formed and divided only recently from lofty aether still held seeds related to the heavens, which Prometheus, Iapetus’ son, mixed PROMETHEUS with river water and made an image of the gods who rule all things.1 Other creatures keep their heads bent and gaze upon the ground, but he gave man a face which could look up 120 and ordered him to gaze into the sky and, standing tall, raise his countenance towards the stars. Thus, what had been crude earth and formless, was transformed and then took on the shapes of human life, unknown till then. First the Golden Age was born. It fostered THE GOLDEN AGE faith and right all on its own, without laws and without revenge. Fear and punishment did not exist. There were no threatening words etched in brass and set up for men to read, 130 nor were a crowd of suppliants afraid 1Iapetus and his son Prometheus were Titans, members of the family of ruling gods before Jupiter overthrew his father, Saturn, and imprisoned him. Jupiter and the major gods around him are called Olympians, because they are associated with Mount Olympus in northern Greece. of the looks of men who judged them.2 They lived in safety, with no one there to punish. -
The Sword of Damocles Is Not Narrow Tailoring: the First Amendment's Victory in Reno V
CORE Metadata, citation and similar papers at core.ac.uk Provided by Case Western Reserve University School of Law Case Western Reserve Law Review Volume 48 | Issue 2 1998 The worS d of Damocles is Not Narrow Tailoring: The irsF t Amendment's Victory in Reno v. ACLU John J. McGuire Follow this and additional works at: https://scholarlycommons.law.case.edu/caselrev Part of the Law Commons Recommended Citation John J. McGuire, The Sword of Damocles is Not Narrow Tailoring: The First Amendment's Victory in Reno v. ACLU, 48 Case W. Res. L. Rev. 413 (1998) Available at: https://scholarlycommons.law.case.edu/caselrev/vol48/iss2/8 This Comments is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Law Review by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. COMMENTS TBE SWORD OF DAMOCLES 1 IS NOT NARROW TAILORING: THE FIRST AMENDMENT'S VIcTORY IN RENO V. ACLU [The best test of truth is the power of the thought to get itself accepted in the competition of the market. 2 INTRODUCTION Bill Jones, a fictional public school teacher in New York, had seen enough. Too many young girls were becoming pregnant dur- ing their puberty years. His frustration at his inability to spread the word of safe sexual practices led him to design a small informa- tional page on the World Wide Web. Through this medium, Jones hoped to educate more boys and girls in their early years about how to practice safe sex by using street language he knew they would understand. -
THE OLYMPIAN GODS Student Worksheets
CLIL COURSE MATERIALS CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS Student worksheets Pilar Torres Carmona December 2008 CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS STUDENT WORKDHEETS UNIT 1. MYTH AND MYTHOLOGY What is a myth? A myth is a story about gods and other supernatural beings and how they made or shaped the world and humanity. The events told in these stories happened in a very remote past. Myths are a part of religion, and they give an explanation of the world from a moral point of view; there is an ideology under every myth. Myths are also metaphorical; they do not try to explain the world in a logical or scientific way, but through imagination. However, we can still use myths to understand and explore culture: its viewpoints, activities and beliefs. Who made up Myths are very old stories. They are so old, that we do not know who myths? made them up: they are anonymous. People told these stories over the years and this is why we have many versions of them. Sometimes these stories –or parts of them—were written down and now we can enjoy them. Where does the The word ‗myth’ comes from the ancient Greek word μῦθος ―mythos‖. It word ‗myth‘ means ―word, story‖ and it reveals the oral origin of these stories. come from? ‗Mythology’, from the Greek words μῦθος ―mythos‖ story and λόγος What is ―logos‖ collection or study means both collection of stories/myths and study mythology? of the myths. Why classical Every civilization has its myths. We call classical mythology the body of mythology? myths of ancient Greece and Rome. -
Tammuz Pan and Christ Otes on a Typical Case of Myth-Transference
TA MMU! PA N A N D C H R IST O TE S O N A T! PIC AL C AS E O F M! TH - TR ANS FE R E NC E AND DE VE L O PME NT B! WILFR E D H SC HO FF . TO G E THE R WIT H A BR IE F IL L USTR ATE D A R TIC L E O N “ PA N T H E R U STIC ” B! PAU L C AR US “ " ' u n wr a p n on m s on u cou n r , s n p r n u n n , 191 2 CHIC AGO THE O PE N CO URT PUBLISHING CO MPAN! 19 12 THE FA N F PRAXIT L U O E ES. a n t Fr ticpiccc o The O pen C ourt. TH E O PE N C O U RT A MO N TH L! MA GA! IN E Devoted to th e Sci en ce of Religion. th e Relig ion of Science. and t he Exten si on of th e Religi on Periiu nen t Idea . M R 1 12 . V XX . P 6 6 O L. VI o S T B ( N . E E E , 9 NO 7 Cepyricht by The O pen Court Publishing Gumm y, TA MM ! A A D HRI T U , P N N C S . NO TES O N A T! PIC AL C ASE O F M! TH-TRANSFERENC E AND L DEVE O PMENT. W D H H FF. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
3D Geosense Hydrostatic Level Measurement IKAS Evolution
IKAS evolution Configuration options 3D GeoSense MiniLite with extra counter and NANO L 3D Hydrostatic IKAS evolution level 3D GeoSense, pipe routing data ORION 3 SD L 3D with PHOBOS 3D measurement Special software tools are used to support the processing of the data cap- 3D GeoSense flushing: 3D GeoSense without flushing: tured by the camera. IKAS evolution is capable of capturing the 3D sensor's measurement data Large-scale system: Large-scale system: (xyz coordinates) in a fully automated process. This is done simultaneous- Cameras1): ORION 3 SD (L) 3D, ORION 3 (L) 3D, NANO (L) 3D ORION 3 SD (L) 3D, ORION 3 (L) 3D, NANO (L) 3D ly with the TV inspection. POLARIS 3D POLARIS 3D, ORPHEUS 2 3D2), ORPHEUS 3 3D2) Satellite-based inspection system: LISY 3 or LISY HD ORPHEUS 2 HD 3D2), ARGUS 62) IKAS evolution also allows displaying the measured course of the piping with control camera LISYCam 3, LISYCam 200, 3D funnel Satellite-based inspection system: LISY 3 or LISY HD in real time while conducting a TV survey in a network diagram*. It is pos- with control camera LISYCam 3, LISYCam 200, 3D funnel sible to import maps (such as a house's floor plan) to the software and Flushing nozzle: PHOBOS 3D Camera guide unit DEIMOS 3D to scale it to the required size to display the course of the piping which is Operating system: BS7, BS5, BS 3.5 generated in the process directly on the map. The pipe run is stored with Cable winch: KW 305 / KW 505 with camera cable Operating system: BS7, BS5, BS 3.5 three-dimensional coordinates and precise geographical information (geo- Synchronous winch: LISY synchronous winch (with camera cable KW 305 / KW 505 with camera cable referencing) to allow tracing the exact physical location of the course of instead of push rod) Synchronous winch: LISY synchronous winch with camera cable the pipes from above the ground at any time. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too.