Lecture Notes from 'Get Plugged In' a 3 Day
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ASPSU President Approves SFC 2012–13 Budget Proposal
INDEX Nationals or bust NEWS............................2 FREE ARTS...............................6 The Vanguard is published every Senior Sean MacKelvie moves OPINION.........................11 Tuesday and Thursday SPORTS..........................14 on to nationals in javelin SPORTS pagE 14 PSUVANGUARD.COM PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 THURSDAY, MAY 31, 2012 • VOL. 66 NO. 59 Strategies for a ASPSU president approves global university SFC 2012–13 budget proposal PSU releases internationalization of the local re- new vision for gion, leveraging global engagements and mobilizing international alumni. internationalization The strategy was created by the In- ternational Council, a group of more KATRINA PETrovICH VANGUARD STAFF than 20 faculty, staff and student rep- resentatives from all of PSU’s differ- Portland State has a new vision for ent academic colleges and institutes. global education. The university recent- According to the council’s chair, ly released the Strategy for Comprehen- Professor Vivek Shandas, this inter- sive Internationalization, a report that nationalization strategy was two and establishes an eight-year framework for a half years in the making. how PSU plans to become a more glob- “This strategy tries to help coor- ally focused institution. dinate, integrate and then ultimately “The creation of this strategy follows disseminate all the internationaliza- from a recognition that we live in a global tion efforts happening on campus,” society now. All of the things that a uni- Shandas said. versity does need to fit into that context,” He claimed that, unlike a lot of uni- explained Provost and Vice President for versities, PSU has a multitude of in- Academic Affairs Roy Koch. -
The Night and Cultural Benefit: the Case for a Holistic Approach to Licensing
Roberts, M, et al. 2020. The Night and Cultural Benefit: The Case for A Holistic Approach to Licensing. Entertainment and Sports Law Journal, 18: 9, pp. 1–10. DOI: https://doi.org/10.16997/eslj.245 ARTICLE The Night and Cultural Benefit: The Case for A Holistic Approach to Licensing Marion Roberts, Adam Eldridge, Guy Osborn and Simon Flacks University of Westminster, GB Corresponding author: Marion Roberts ([email protected]) This research article critically engages with the Licensing Act (2003), arguing for a more holistic approach to licensing. Drawing on primary research conducted in London for the Greater London Authority (GLA), the article considers the benefits of licensed venues and the possibility of extending current licensing objectives to recognise the role of these venues in sustaining urban vitality. The current licensing objec- tives are geared towards minimising negative outcomes, the assumption being that licensing is primarily a tool of control, with the role of minimising harm. The argument developed here is based on two alterna- tive conceptions of the role of licensing. Firstly, licensing has a key role to play in developing sites for sociability and community cohesion. Though focused around alcohol, licensing is central to enabling or constraining more traditional as well as emerging spaces which combine entertainment, dining and other experimental forms of leisure. Second, the article argues that by addressing urban vitality and cultural benefit, the Act could be more attuned to the positive influence of licensed premises on a broader scale. The need for planning and licensing to work more cooperatively is considered in light of how licensing decisions reach beyond individual venues and impact on entire neighbourhoods or areas. -
Showcase PEI 2010: Delegate & Artist Guide
Showcase PEI 2010: Delegate & Artist Guide International Delegates: The United Kingdom Graham Anderson Newcastle-upon-Tyne www.jumpinhot.com Graham Anderson is the Co-Director and Head Programmer of Northern Roots (Jumpin’ Hot Club). Northern Roots, a company with charitable status, is one of the UK's premier promoters of all kinds of roots music. Based in Newcastle Upon Tyne, it specializes in country, singer songwriter, soul, folk, blues, rock and roll, and reggae. The organization was formed in 1985 as an acoustic music club & is celebrating its 25th anniversary in early December. As well as promoting over 70 concerts a year, the club also programs “The SummerTyne Fest Outdoor Stage”, which is part of the Americana Weekender, The Evolution Festival Ballast Hill stage, and the Boss Sounds Reggae Festival. The club operates out of a number of venues in and around Newcastle and Gateshead, including The Cluny, Cluny2 Theatre, Gateshead Town Hall, Live Theatre, and The Studio in Live T. Graham Anderson is also a musician. Ro Cemm Line of Best Fit End of the Road Festival: www.endoftheroadfestival.com Oh! Canada: www.thelineofbestfit.com/tag/oh-canada Canadian Blast: www.canadianblast.com Ro Cemm is one of the team members behind the award winning End of The Road Festival in the UK. The festival has been supportive of new Canadian talent over the last 5 years and this year has 12 Canadian acts performing. End of the Road also have a record label (End of the Road Records), and have released records by Woodpigeon, Charlie Parr, The Low Anthem and The Young Republic. -
London Gay Village Guide South London
London Gay Village Guide South London XXL @ PULSE ATHENA @ EAGLE LONDON BARS This long-running, legendary added a disco-packed jukebox Lightbox venue offers sexy late night cabaret and club venue has played and a DJ booth, which keeps the clubbing, brilliant DJs as well as a 1. The Bridge host to scores of talented acts and punters moving until late at the hot and mostly topless muscle crowd. 8 Voltaire Road, Clapham big names over the years – and weekends! Quickly becoming a SW4 6DH still does. Not only that, but there’s favourite of those dwelling South 10. Pulse The Bridge is the newest swanky a good dose of camp clubbage of the river. ߐ 1 Invicta Plaza SE1 9UF bar to swoop into Clapham that and great value bar goodness Superclub in the heart of the offers a beautiful ambience in with scores of fun and friendly CLUBS Southbank, featuring the most up- which to share a drink with a date, local lovelies. Be wowed by drag to-date sound system, lights and or sexy beats by big name DJs! deliciousness and then dance ‘til the 7. Eagle London clubbing experience. Pulse is the early hours in the club at the back. 349 Kennington Lane future of clubbing and the current 2. George & Dragon SE11 5QY home of infamous bear night XXL. Blackheath Hill, Greenwich 5. Bloc South This truly unique, eclectic and SE10 8DE 65 Goding Street, Vauxhall attitude-free venue is one of the 11. RVT Outrageous cabaret pub and SE11 5AW gay scene’s most established 372 Kennington Lane community-favoured drinking hole The newest venture from Wayne providers of clubbage, booze and SE11 5HY nestled near historic Greenwich. -
Modern Romance
O-226-19 TRADE MARKS ACT 1994 IN THE MATTER OF UK REGISTRATION NO. 3241327 IN THE NAME OF GEOFFREY DEANE AND PAUL GENDLER FOR THE TRADE MARK Modern Romance IN CLASS 41 AND THE APPLICATION FOR A DECLARATION OF INVALIDITY THERETO UNDER NO. 502011 BY ANDROS KYRIAKOU BACKGROUND AND PLEADINGS 1. This case is a dispute between two members of a band over the use of the band’s name. The two members are Geoffrey Deane and Andros Kyriakou; the band is called MODERN ROMANCE. 2. On 4 July 2017, Geoffrey Deane1 (“the holder”) applied for the word mark Modern Romance, for the following services: Class 41: Live performances by a musical band; musical group entertainment services. 3. The application achieved registration on 29 September 2017. On 12 March 2018, Andros Kyriakou (“the cancellation applicant”) applied for a declaration that the mark is invalid. The single ground of invalidation is that the registration offends under Section 5(4)(a) of the Trade Marks Act 1994 (“the Act”) due to the goodwill Mr Kyriakou had acquired in the earlier non-registered mark MODERN ROMANCE since 13 May 1999 in respect of live performances by a musical band and musical group entertainment services. It is claimed that Mr Kyriakou has been performing in a band called MODERN ROMANCE throughout the UK since 1999 and has promoted the band via a website since 2000. Use of the contested mark would amount to a misrepresentation to the relevant public and result in damage to Mr Kyriakou’s reputation and goodwill. 4. Mr Deane filed a counterstatement in which he denies the claims made. -
Librarian in the Underground What Academic Libraries Can Learn from DIY Culture
Solomon Blaylock and Declan Ryan Librarian in the underground What academic libraries can learn from DIY culture See yourself as the pilot of an elabo- crisscrossing North America every day. We’ve rate spacecraft in unfamiliar territory. walked in both pairs of shoes, and we’re con- If you freeze, tense up, refuse to look vinced. We can sum it up in three letters: DIY. at what is in front of you, you will crack up the ship. On the other hand, So what is DIY? DO IT YOURSELF! credulity and uncritical receptivity are Unless you’ve got a rich uncle or write the almost as dangerous. kind of music that’s going to end up play- —William S. Burroughs, Ah Pook Is Here ing in a Gap changing room you’re going to need to bust your hump as a musician. You cademic library professionals are now don’t play a few club gigs, get discovered Ain uncharted territory. We’re hurtling and signed, and ease into a life of destroying through unfamiliar, rapidly shifting land- expensive hotel rooms. You’re going to haul scapes. Information storage and retrieval, your own amps, replace your own strings, scholarly publishing, information literacy: drive your own vehicle into the ground, eat everything’s changing on a daily basis. Get $1 meals, sweat it out under broken lights hung up on any one thing, and you’re already at clubs with all of three people in the au- working in the past. Allow yourself to be dience, play on the same grimy basement overwhelmed and you’re paralyzed. -
The Rise and Fall of Lost Weekend: a Case Study
Running head: THE RISE AND FALL OF LOST WEEKEND: A CASE STUDY The Rise and Fall of Lost Weekend: A case study Master’s thesis Inghild Stien Thorvaldsen Student number 895632 University of Stavanger 2012 Advisor: Reidar Mykletun Norwegian School of Hotel Management The Rise and Fall of Lost Weekend: A case study 2 FACULTY OF SOCIAL SCIENCES, NORWEGIAN SCHOOL OF HOTEL MANAGEMENT MASTER’S THESIS STUDY PROGRAM: THESIS IS WRITTEN IN THE FOLLOWING SPECIALIZATION/SUBJECT: INTERNATIONAL HOTEL AND TOURISM LEADERSHIP FESTIVAL FAILURE IS THE ASSIGNMENT CONFIDENTIAL? NO TITLE: THE RISE AND FALL OF LOST WEEKEND: A CASE STUDY AUTHOR ADVISOR: INGHILD STIEN THORVALSDEN REIDAR MYKLETUN Student number: Name: NORWEGIAN SCHOOL OF HOTEL MANAGEMENT 895632 ………………… ……………………………………. ACKNOWLEDGE RECEIPT OF 2 BOUND COPIES OF THESIS Stavanger, ……/…… 2011 Signature administration:…………………………… The Rise and Fall of Lost Weekend: A case study 3 EXAMINATION FORM FOR MASTER’S THESIS Norwegian School of Hotel Management Study program: _________________________________________________________ Specialization: _____________________________________________________ Year: ______ Is the assignment confidential? __ NO __ YES until: ______month _____ year (Max 2 yr) To be completed by the department Thesis submitted in 2 copies:___________________________________________(date) Signature of receiving department_______________________________________ Author (s): Student number: Name: Title ___________________________________________________________________________ ___________________________________________________________________________ -
“Quiet Please, It's a Bloody Opera”!
UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun. -
October 21, 2015 CROSS RECORD to RELEASE WABI-SABI
October 13, 2015 For Immediate Release CROSS RECORD TO RELEASE WABI-SABI JANUARY 29TH ON BA DA BING RECORDS LISTEN TO DEBUT SINGLE, “STEADY WAVES” https://soundcloud.com/badabingrecords/cross-record-steady-waves-1 (above image by Madeline Harvey) Two years ago, Emily Cross decamped from Chicago to the remote, idyllic town of Dripping Springs, TX with her husband, DAn Duszynski, who together form Cross Record. They rented a ranch that covers 18 acres, has a chicken coop and is located next to a bird sanctuary. Between 60-hour workweeks at restaurants, supermarkets, and nannying, she composed an album that absorbs any workaday commonalities and shaped them into her smoky, atmospheric and gripping second album, Wabi-Sabi. Recorded throughout 2014 and into 2015 at the couple’s own Moon Phase Ranch, Wabi-Sabi is a crystallization of Cross’ past music and her passion for art (she studied at the Burren College of Art in Ireland). For example, the scorpions on the cover of Wabi-Sabi (see album cover image below) were found in her bathtub (something she definitely had not experienced before living in Texas) and photographed by her, and she regularly draws and paints in a nook above the studio. The way we interact and adapt to different and strange environments is a theme that permeates throughout Wabi-Sabi. Most recording was done in the early and late hours of the day, with loons cawing in the distance thanks to that bird sanctuary. The ambiance of twilight evenings and orange dawns formed the heart and soul of Wabi-Sabi. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
Why Have Independent Boutique Arts and Music Festivals in England Become So Popular?
WHY HAVE INDEPENDENT BOUTIQUE ARTS AND MUSIC FESTIVALS IN ENGLAND BECOME SO POPULAR? Ella Naylor B.A. (Hons) Events Management April 2016 Cardiff Metropolitan University (CMU) School of Management WHY HAVE INDEPENDENT BOUTIQUE ARTS AND MUSIC FESTIVALS IN ENGLAND BECOME SO POPULAR? A critical exploration of the rise and success of the independent boutique arts and music festival sector in England, with focus on audience motivations, the event experience and creative festival design. Ella Naylor B.A. (Hons) Events Management April 2016 ii Declaration “I declare that this dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Signed Name Ella Naylor April 2016 iii List of Tables Table 1 – Common Views of Qualitative and Quantitative Research 26 iv List of Figures Figure 1 – The Festival Trajectory Continuum 10 Figure 2 – The Four Realms of an Experience 15 Figure 3 – An Experience Continuum 17 Figure 4 – A Conceptual Model of the Event Experience 18 Figure 5 – The Prism of Event Experience 19 Figure 6 – Conceptual Framework 22 Figure 7 – An Interview Continuum 28 Figure 8 – A New Model of the Contemporary Festival Experience 49 v List of Appendices Appendix A – Approved Ethical Application 65 Appendix B – Example of Participant Information Sheet 83 Appendix C – Signed Participant Consent Forms 84 Appendix D – Turnitin Summary 91 vi Abstract This study critically explored the rise and success of the independent boutique arts and music festival sector in England, with focus on audience motivations, the event experience and creative festival design, in order to accurately determine and model their role in successful contemporary festivals in England. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,