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Eifman Ballet of St. Petersburg
Cal Performances Presents Program Friday, May 1, 2009, 8pm Eifman Ballet of St. Petersburg Saturday, May 2, 2009, 8pm Artistic Director Sunday, May 3, 2009, 3pm Boris Eifman, Zellerbach Hall Soloists Maria Abashova, Elena Kuzmina, Natalia Povorozniuk, Eifman Ballet of St. Petersburg Anastassia Sitnikova, Nina Zmievets Boris Eifman, Artistic Director Yuri Ananyan, Dmitry Fisher, Oleg Gabyshev, Andrey Kasyanenko, Ivan Kozlov, Oleg Markov, Yuri Smekalov Company Marina Burtseva, Valentina Vasilieva, Polina Gorbunova, Svetlana Golovkina, Alina Gornaya, Diana Danchenko, Ekaterina Zhigalova, Evgenia Zodbaeva, Sofia Elistratova, Elena Kotik, Yulia Kobzar, Alexandra Kuzmich, Marianna Krivenko, Marianna Marina, Alina Petrova, Natalia Pozdniakova, Victoria Silantyeva, Natalia Smirnova, Agata Smorodina, Alina Solonskaya, Oksana Tverdokhlebova, Lina Choe Sergey Barabanov, Sergey Biserov, Maxim Gerasimov, Pavel Gorbachev, Anatoly Grudzinsky, Vasil Dautov, Kirill Efremov, Sergey Zimin, Mikhail Ivankov, Alexander Ivanov, Andrey Ivanov, Aleksandr Ivlev, Stanislav Kultin, Anton Labunskas, Dmitry Lunev, Alexander Melkaev, Batyr Niyazov, Ilya Osipov, Artur Petrov, Igor Polyakov, Roman Solovyov Ardani Artists Management, Inc., is the exclusive North American management for Eifman Ballet of St. Petersburg. Valentin Baranovsky Valentin Onegin (West Coast Premiere) Choreography by Boris Eifman Ballet in Two Acts Inspired by Alexander Pushkin’s novel, Eugene Onegin Music by Pyotr Il’yich Tchaikovsky and Alexander Sitkovetsky Cal Performances’ 2008–2009 season is sponsored by Wells Fargo Bank. 6 CAL PERFORMANCES CAL PERFORMANCES 7 Program Cast Friday, May 1, 2009, 8pm Onegin Saturday, May 2, 2009, 8pm Sunday, May 3, 2009, 3pm Zellerbach Hall Onegin music Pyotr Il’yich Tchaikovsky (1840–1893) Variations on a Rococo Theme in A major, Op. 33 (1876) Suite No. 3 in G major, Op. -
Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
Soviet-American Dance Medicine. Proceedings of the Glasnost Dance Medicine Conference and Workshops (Boston, Massachusetts, May 18-19, 1990)
DOCUMENT RESUME ED 337 430 SP 033 300 AUTHOR Micheli, Lyle, Ed.; And Others TITLE Soviet-American Dance Medicine. Proceedings of the Glasnost Dance Medicine Conference and Workshops (Boston, Massachusetts, May 18-19, 1990). INSTITUTION American Alliance for Health, Physical Education, Recreation and Dance, Reston, VA. National Dance Association. REPORT NO ISBN-0-88314-512-X PUB DATE 91 NOTE 118p. AVAILABLE FROMAAHPERD, Publications Sales, 1900 Association Drive, Reston, VA 22091. PUB TYPE Collected Works - Conference Proceedings (021) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Adults; Chi.dren; *Dance; *Dance Education; Health Promotion; *Injuries; *Medical Services; Physical Therapy; Physicians; *Sports Medicine IDENTIFIERS Dance Companies; United States; USSR ABSTRACT The information shared in this document representsa dialogue between the United States and the Soviet Unionon the discipline of dance medicine, which involves thecare of injured dancers as well as prevention of injuries. Anintroduction including a preface, opening remarks, and an overview of dancemedicine comprises section 1. The second section containspresentations: "Anatomic, Physiologic, and Developmental Concerns:Dance Injury"; "Orthopaedic Aspents of Uance Medir,ine"; "StressFractures in the Dancer"; "Dance Medicine in the Scviet Union"; "The Roleof Physical Therapy in Dance Medicine"; "Worksiop: Physical Therapyand Dance"; "Treatment and Rehabilitation of Common Dam'sInjuries"; "Strapping for Prevention of Lower Extremity Injuries"; "ThePsychological -
The Mignon Furman Performance Awards 1000S of Dancers!
21st AAB Year! American Academy of Ballet MIGNON FURMAN, FOUNDING DIRECTOR TEACHERS’ SEMINAR & THE MIGNON FUR MAN PERFORMANCE AWARDS CERTIFICATION August 1 – 8, 2019 Teachers attend from the USA, Brazil, Argentina, Canada Japan, South Africa, Mexico, Portugal, Israel, and Spain. at ADELPHI UNIVERSITY, GARDEN CITY, NEW YORK REASONS TO ATTEND THE SEMINAR Mignon Furman 10 AND THE PERFORMANCE AWARDS Founder of the AAB, Teacher, Choreographer, Educationist. CERTIFICATION EVERYTHING MOVES FORWARD. “ THEREFORE, I RECOMMEND: ith her talents, courage, and determination KEEP IN TOUCH WITH YOUR ART. to give definition to her vision for ballet PERFORMANCE AWARDS — AGRIPPINA VAGANOVA, ” Weducation, Mignon Furman founded the American and “Steps” programs. Most wonderful programs for “BASIC PRINCIPLES OF CLASSICAL BALLET” (1934) Academy of Ballet: It soon became the premier teachers and their dancers. (View the brochures on Summer School in the United States. our website.) he composed the Performance Awards S which are taught all over the USA, and are an CERTIFICATION : international phenomenon, praised by teachers Become a certified Performance Awards teacher. in the USA and in many other countries. The Hang your diploma in your studio. success of the Performance Awards is due to Mignon’s choreography: She was a superb choreographer. Her many compositions are FOUR DANCES : free of cliché. They have logic, harmony, style, To teach in your school. (See page 5.) and intrinsic beauty. OBSERVE : Our distinguished argot Fonteyn, a friend of Mignon, gave faculty teaching our Summer School dancers. her invaluable advice, during several You have the option of taking the classes. Mdiscussions about the technical, and artistic aspects of classical ballet. -
A SEASON of Dance Has Always Been About Togetherness
THE SEASON TICKET HOLDER ADVANTAGE — SPECIAL PERKS, JUST FOR YOU JULIE KENT, ARTISTIC DIRECTOR 2020/21 A SEASON OF Dance has always been about togetherness. Now more than ever, we cannot“ wait to share our art with you. – Julie Kent A SEASON OF BEAUTY DELIGHT WONDER NEXTsteps A NIGHT OF RATMANSKY New works by Silas Farley, Dana Genshaft, Fresh, forward works by Alexei Ratmansky and Stanton Welch MARCH 3 – 7, 2021 SEPTEMBER 30 – OCTOBER 4, 2020 The Kennedy Center, Eisenhower Theater The Harman Center for the Arts, Shakespeare Theatre The Washington Ballet is thrilled to present an evening of works The Washington Ballet continues to champion the by Alexei Ratmansky, American Ballet Theatre’s prolific artist-in- advancement and evolution of dance in the 21st century. residence. Known for his musicality, energy, and classicism, the NEXTsteps, The Washington Ballet’s 2020/21 season opener, renowned choreographer is defining what classical ballet looks brings fresh, new ballets created on TWB dancers to the like in the 21st century. In addition to the 17 ballets he’s created nation’s capital. With works by emerging and acclaimed for ABT, Ratmansky has choreographed genre-defining ballets choreographers Silas Farley, dancer and choreographer for the Mariinsky Ballet, the Royal Danish Ballet, the Royal with the New York City Ballet; Dana Genshaft, former San Swedish Ballet, Dutch National Ballet, New York City Ballet, Francisco Ballet soloist and returning TWB choreographer; San Francisco Ballet, The Australian Ballet and more, as well as and Stanton Welch, Artistic Director of the Houston Ballet, for ballet greats Nina Ananiashvili, Diana Vishneva, and Mikhail energy and inspiration will abound from the studio, to the Baryshnikov. -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
Dance Studio Generica
A NEW HOME FOR DANCE AT CHAPMAN UNIVERSITY September 23, 2019 Grand Opening of the Marybelle and Sebastian P. Musco Center for the Arts on Saturday, March 19, 2016. WHEN THE MAGNIFICENT THIS STUNNING FACILITY COULD NEVER HAVE BEEN BUILT WITHOUT THE VISIONARY SUPPORT MUSCO CENTER FOR THE ARTS AND LEADERSHIP OF MARYBELLE AND PAUL MUSCO. OPENED ON MARCH 19, 2016, Musco Center was an extraordinary gift to the entire Orange County community. With a schedule filled with renowned artists and dazzling performances, the community embraced Musco Center from its spectacular opening IT USHERED IN A NEW ERA week of events and it continues to do so to the present day. FOR THE PERFORMING ARTS Paul and Marybelle’s gift was most important to the exceptional students in the University’s College of Performing Arts AT CHAPMAN UNIVERSITY. and the Hall-Musco Conservatory of Music because it provided them with a world-class environment in which to master their performing abilities. With the Musco’s help, Musco Center stands as a testament to Chapman University’s uncompromising standards, relentless pursuit of excellence and passionate commitment to attracting world-class talent to our campus and our community. A NEW HOME FOR DANCE AT CHAPMAN UNIVERSITY | 2 CP elebrating Dance Artist rendering of Chapman University’s new dance facility It is time to turn our attention to building a new, urgently needed home for Chapman University’s highly regarded To touch, to move, Department of Dance – one of the top dance programs in the United States and one of the Chapman’s great success stories. -
Gainesville Ballet Contact
Gainesville Ballet Contact: Elysabeth Muscat 7528 Old Linton Hall Road [email protected] Gainesville, VA 20155 703-753-5005 www.gainesvilleballetcompany.org FOR IMMEDIATE RELEASE October 1, 2015 ABT BALLET STARS BOYLSTON AND WHITESIDE IN GAINESVILLE BALLET NUTCRACKER GAINESVILLE, Va. – Gainesville Ballet is excited to announce two performances of The Nutcracker on Friday, November 27, 2015 at 2 PM and 7 PM. The full-length ballet features ballet superstars, international guest dancers, the professional dancers of Gainesville Ballet Company, and the students of Gainesville Ballet School. What better way to continue the celebration of the Thanksgiving holiday weekend, than to see a beautiful, professional performance of The Nutcracker at the elegant opera house of the 1,123-seat Merchant Hall at the Hylton Performing Arts Center! Audiences who reside in Northern Virginia and beyond will have the rare opportunity to see two of American Ballet Theatre’s most exciting Principal Dancers, Isabella Boylston and James Whiteside. James Whiteside and Isabella Boylston in Giselle. Isabella Boylston was promoted to Principal Dancer at American Ballet Photo by MIRA. Theatre in 2014. She originally joined ABT as part of the Studio Company in 2005, joined the main company as an apprentice in 2006, and became a member of the corps de ballet in 2007. She was promoted to Soloist in 2011, before recently becoming Principal. Boylston began dancing at the age of three at The Boulder Ballet. At age 12, she joined the Academy of Colorado Ballet in Denver, Colorado, where she commuted two hours on a public bus to study there each day. -
The State Ballet of Georgia, Tbilisi Opera
The State Ballet of Georgia, Tbilisi Opera Directed by Nina Ananiashvili presenta Black & White: An Evening with Jiří Kylián Il programma presentato dallo State Ballet of Georgia include quattro dei sei lavori che compongono la cosiddetta serie “Black & White” creata da Kylián nel periodo 1986-1991. Grande è la varietà di registri stilistici e ispirazioni musicali. Mentre otto danzatrici effettuano uno studio sulla disciplina e la libertà sui potenti ritmi del tamburo e della musica trascinante di Steve Reich in Falling Angels, sei danzatori presentano una danza potente e ad alta energia su una fuga di Bach in Sarabande. E dove Sechs Tänze è una farsa ispirata a Mozart con parrucche incipriate, crinoline e umorismo slapstick, in Petite Mort, gioiello coreografico del maestro praghese, creato per il bicentenario della morte di Mozart, i corpi dei danzatori, sei ballerini e sei ballerine, in costumi barocchi perfettamente modellati, diventano sculture viventi da cui traspare l’attitudine drammatica. I “Black & White ballets” sono stati descritti come ‘schizzi in bianco e nero’ per la capacità unica di Kylián di adattare i corpi dei ballerini alla musica, dando alla coreografia una forte connotazione visiva e consacrando per sempre queste opere come capolavori assoluti del più grande coreografo vivente. Programma: PETITE MORT Coreografia: Jiří Kylián Musica: Wolfgang Amadeus Mozart I Piano Concerto A major KV 488, Adagio II Piano Concerto C major, KV 467, Andante Scenografia: Jiří Kylián Costumi: Joke Visser Disegno luci: Jiří Kylián (concezione), Joop Caboort (realizzazione) Première: Salzburger Festspiele 23-8-1991, Nederlands Dans Theater Durata: 18 minuti Pausa (5 minuti) SIX DANCES Coreografia: Jiří Kylián Musica: Wolfgang Amadeus Mozart (Sechs Deutsche Tänze) Scenografia e costumi: Jiří Kylián Disegno luci: Jiří Kylián (concezione), Joop Caboort (realizzazione) Première: Amsterdam Het Muziektheater 14-10-1986, Nederlands Dans Theater Durata: 15 minuti Intervallo (15 minuti) SARABANDE Coreografia: Jiří Kylián Musica: J.S. -
Goh Ballet Bayview Your Dance Journey Starts with Us
Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation. -
A Strange Land Tschaikovsky Pas De Deux Vertigo
Friday, September 14, 2018 at 8:00pm | Saturday, September 15, 2018 at 8:00pm Cobb Energy Performing Arts Centre Atlanta, GA Return to a Strange Land Music by Leoš Janáček Choreography, Scenic and Costume Design by Jiří Kylián Assistant to the Choreographer, Jeanne Solan Lighting Design by Kees Tjebbes Technical Realization (Lights/Set) by Hans Boven Return to a Strange Land costumes provided courtesy of Ballet West Adam Sklute, Artistic Director Brown Trio Airi Igarashi, Jordan Leeper, Anderson Souza Blue Duet Sujin Han, Moisés Martín Brown Duet Airi Igarashi, Jordan Leeper Blue Trio Sujin Han, Moisés Martín, Keith Reeves Tschaikovsky Pas de Deux Music by Peter Ilyich Tchaikovsky Choreography by George Balanchine© The George Balanchine Trust* Staging by Robert Barnett Lighting Design by Joseph R. Walls Jessica He and Ivan Tarakanov Vertigo Music by Dmitri Shostakovich Choreography and Costume Design by Mauro Bigonzetti Lighting, Scenic and Video Design by Carlo Cerri Performed by Guest Artists of the Czech National Ballet Filip Barankiewicz, Artistic Director Miho Ogimoto and Michal Štípa *The performance of Tschaikovsky Pas de Deux, a Balanchine© Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style© and Balanchine Technique© Service Standards established and provided by the Trust. Don Quixote Act III – Pas de Deux Music by Ludwig Minkus Choreography by Marius Petipa Lighting Design by Joseph R. Walls Jessica Assef and Nikolas Gaifullin The Premiere Class. Rehearsal. Performance. World Premiere Music by Camille Saint-Saëns Choreography by Ricardo Amarante Costume and Scenic Design by Renê Salazar Lighting Design by Joseph R. -
Ballet West Student In-Theater Presentations
Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected].