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Inside 30 Th YEAR a Publication of the Corporate Counsel Section of the New York State Bar Association
NYSBA SPRING/SUMMER 2011 | Vol. 29 | No. 1 CORPORATE COUNSEL SECTION Inside 30 th YEAR A publication of the Corporate Counsel Section of the New York State Bar Association Message from the Chair I am very excited to be continued to lay the groundwork for new and exciting leading the Section this year. changes and we already have much to report. It is a privilege to be able to The Section has grown tremendously over the last contribute to this Section’s long 30 years and we are striving to fi nd new and innovative tradition of providing quality ways to continue to bring value to our membership. benefi ts to its unique member- For example, in April, we conducted a CLE/network- ship. This year, the Corporate ing event on Alternative Fee Arrangements at no cost Counsel Section celebrates its to Section members. In March, we offered a scholarship 30th Anniversary and, with that to the Young Lawyers Section Trial Academy (includ- in mind, the Executive Com- ing a travel stipend) to a NYSBA member nominated by mittee is working very hard to a member of our Section. We also plan to have several create an extraordinary year for social/networking events throughout the Spring and our members. During the fi rst Fall at various venues to give you the chance to meet few months of 2011, we have Inside Being an International In-House Corporate Counsel Has The Option of Investment Arbitration: An Important Part Become a High-Risk Business .................................................................3 of an Investor’s Legal Arsenal ...............................................................29 (Marvin G. -
FX's 'Legit', Jim Jefferies Embraced by Disabled Community
Follow Like 153k Subscribe Industry Tools Newsletters Daily PDF Register Log in Blocked Plug-in MAR -./$0123$2456782$95:;<5$8=5$&;>?7@6$.A$8=5 22 2 DAYS &73;B?5C$).<<D@78E 8:00 AM PDT 3/22/2013 by Aaron Couch SHARE (/pri 28 Comments (#comments) (3 (http://www.hollywoodreporter.com/node/430325#disqus_thread) )nt/4 0 Like 133303 (=5$:.<5CE23$:>5;8.>3$/.>>75C$783$C73;B?5C$:=;>;:85>3$<76=8 25) .AA5@C$F75/5>3G$BD8$A.D@C$8=.35$H.>8>;E;?3$=;F5$5;>@5C$8=5$3=./$3.<5$.A$783 A75>:538$A;@3I FX From left: Dan Bakkedahl, D.J. Qualls and Jim Jefferies in "Legit" Drugs, prostitution and masturbation are among the topics tackled by FX’s freshman comedy Legit. Despite those edgy plot points, it was the show’s multiple characters with disabilities that had co-creators Jim Jefferies and Peter O’Fallon worried they might offend viewers. From series regular Billy (DJ Qualls), a 30- !"#$%&'(!#$#%)!**%+&, something with muscular dystrophy, to Rodney (Nick Daley), a party hound with an intellectual disability, the world of Legit is full of characters trying to make it no matter their circumstances. 'Legit'(http://www.hollywoodreporter.com/live- Creators Spill Secrets of Theirfeed/legit-creators-spill-secrets-abrasive- Abrasive Yet Kind “We were kind of nervous,” Jefferies, the show’s star, Comedy tells The Hollywood Reporter (http://www.hollywoodreporter.com/live- (http://www.hollywoodreporter.com) . “We know we’re not feed/legit-creators-spill-secrets-abrasive- 417069) being nasty, but maybe people won’t see it the same way we see it.” STORY: 'Legit' Creators Spill Secrets of Their Abrasive Yet Kind Comedy Season(http://www.hollywoodreporter.com/live- Finale Scheduler: Your Guidefeed/2013-season-finale-schedule- to What Ends When (http://www.hollywoodreporter.com/live-feed/legit-creators-spill- 429839) (http://www.hollywoodreporter.com/live- secrets-abrasive-417069) feed/2013-season-finale-schedule-429839) But since premiering in January, it’s the characters with disabilities who have won the show some of its fiercest fans. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Equity Quarterly Winter 2013
EQUITY QUARTERLY WINTER 2013 EQUITY CO-HOSTS FIA 2012 CONGRESS OPERA ATELIER IN FRANCE EQ DISABLED PERFORMERS SPEAK OUT International performers unite! ARGENTINA AUSTRALIA AUSTRIA AZERBAIJAN BELARUS BELGIUM BRAZIL CAMEROON CANADA CHILE COLOMBIA CROATIA DENMARK ECUADOR ENGLAND FINLAND FRANCE GEORGIA GERMANY GHANA HUNGARY IRELAND ISRAEL JAPAN KAZAKHSTAN KYRGYZSTAN LATVIA MADAGASCAR THEY TRAVELLED FROM MORE THAN 50 COUNTRIES MOROCCO MOLDOVA NAMIBIA NEPAL NETHERLANDS NEW ZEALAND NIGERIA AROUND THE WORLD TO SHARE INFORMATION, DEVELOP BEST PRACTICES NORWAY PANAMA PERU POLAND PORTUGAL ROMANIA RUSSIA SERBIA AND WORK TOGETHER FOR IMPROVED ECONOMIC, ARTISTIC, SOCIAL AND LEGAL MONTENEGRO SLOVENIA SOUTH AFRICA SPAIN SWEDEN SWITZERLAND TURKEY UKRAINE UNITED STATES RIGHTS FOR PERFORMERS. CO‑HOSTED BY EQUITY, ACTRA AND UNION DES ARTISTES, URUGUAY ARGENTINA AUSTRALIA AUSTRIA THE 2012 INTERNATIONAL FEDERATION OF ACTORS (FIA) 2012 CONGRESS BROUGHT AZERBAIJAN BELARUS BELGIUM BRAZIL CAMEROON CANADA CHILE COLOMBIA CROATIA DENMARK PERFORMERS AND THEIR UNION REPRESENTATIVES TOGETHER FOR ONE SPECIAL ECUADOR ENGLAND FINLAND FRANCE GEORGIA GERMANY GHANA HUNGARY WEEK IN TORONTO TO DISCUSS NEW WAYS TO SUPPORT PERFORMERS, FIGHT IRELAND ISRAEL JAPAN KAZAKHSTAN KYRGYZSTAN LATVIA MADAGASCAR MOROCCO MOLDOVA NAMIBIA DISCRIMINATION AND ENSURE DECENT WORKING CONDITIONS ACROSS THE GLOBE. NEPAL NETHERLANDS NEW ZEALAND NIGERIA NORWAY PANAMA PERU POLAND PORTUGAL ROMANIA RUSSIA SERBIA MONTENEGRO SLOVENIA SOUTH AFRICA SPAIN SWEDEN SWITZERLAND TURKEY UKRAINE UNITED STATES URUGUAY EQUITY QUARTERLY WINTER 2013 EQ VOLUME 6 NUMBER 3 2 PRESIDENT’S MESSAGE Home at last for 6 3 NOTES FROM ARDEN R. RYSHPAN Armide 4 LETTERS TO THE EDITOR 5 EQ MOVES 8 FIA 2012 Congress 16 EQUITY TWINNING PROJECT makes its mark 17 EQ BACKSTAGE 18 FONDLY REMEMBERED 13 Tackling tough 20 EQ ANNOUNCEMENTS issues at FIA 21 EQ FLASHBACK Equity members can submit letters to the editor via email at [email protected]. -
8798 – 2016 Stratford Festival Gala Packages.Indd
CORPORATE / INDIVIDUAL CDN PHOTO BY DON DIXON BY PHOTO 2016 Stratford Festival Gala HONOURING GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 FOUR SEASONS HOTEL, TORONTO Antoni Cimolino, Artistic Director GALA CO-CHAIRS: BARRY AVRICH, ROBERT BADUN, WENDY PITBLADO Anita Gaff ney, Executive Director CORPORATE / INDIVIDUAL CDN presents a gala evening in honour of GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 GORDON PINSENT Born in Grand Falls, Newfoundland, Gordon Pinsent began his stage career in Winnipeg under the direction of John Hirsch. His fi rst appearances at the Stratford Festival were in 1962 when he performed in Macbeth (with Christopher Plummer and Kate Reid), The Taming of the Shrew and Cyrano de Bergerac (also with Christopher Plummer). He returned to the Festival in 1975 as the lead in Brecht’s Trumpets and Drums with Tom Kneebone and Jackie Burroughs. His television career began in the early 1960s and includes the series A Gift to Last (which he created), The Red Green Show, Quentin Durgens, M.P., Due South, Wind at My Back and Power Play. Gordon’s fi lm credits include Sarah Polley’s acclaimed Away from Her (Genie and ACTRA awards for Best Actor), The Rowdyman, Who Has Seen the Wind, John and the Missus, The Grand Seduction (Canadian Screen Award) and The Shipping News. In addition to writing the screenplays for both The Rowdyman and John and the Missus, Gordon has published a two-volume memoir, By the Way and Next. In 2007, he received a star on Canada’s Walk of Fame. Other awards include the Earle Grey Award for lifetime achievement in television and a Governor General’s Performing Arts Award. -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010. -
Showcase Announces Monster-Sized Slate of Guest Stars for Lost Girl’S Final Season
SHOWCASE ANNOUNCES MONSTER-SIZED SLATE OF GUEST STARS FOR LOST GIRL’S FINAL SEASON Lost Girl Season 5, Part 1 premieres December 7 at 9pm ET/PT For additional photography and press kit material visit: www.shawmedia.ca/media and follow us on Twitter at @shawmediaTV_PR FOR IMMEDIATE RELEASE TORONTO, November 28, 2014 – Ahead of Lost Girl’s epic return, Showcase announces fresh faces joining the Fae family and raising the stakes for the series’ dramatic final season. The previously unannounced guest stars joining the cast for a fond and ferocious #Faewell include Eric Roberts (The Dark Knight, The Expendables), Luke Bilyk (My Babysitter’s a Vampire, Degrassi: The Next Generation), Noam Jenkins (Covert Affairs, Rookie Blue, Longmire), Amanda Walsh (Two and a Half Men, NCIS, Grimm) and Shanice Banton (Degrassi: The Next Generation, A Day Late and a Dollar Short). The first eight episodes of Lost Girl’s fifth and final season begin Sunday, December 7 at 9pm ET/PT. Lost Girl follows supernatural seductress Bo (Anna Silk), the kickass, loveable succubus who feeds off sexual energy. Since realizing she is part of the Fae, creatures of legend and folklore who live among humans, Bo has forged her own path between the human and Fae worlds, while embarking on a mission to unlock the secrets of her origin. In season five, Bo’s determination to do the impossible for the people she loves triggers an explosive chain of events that will play out over the final episodes. Bo discovers that love is not always enough to keep a family together as she and her friends face an enemy unlike any they’ve faced before. -
Official 2022 Canadian Screen Awards Rules & Regulations for Television
CANADIAN SCREEN AWARDS – TELEVISION & DIGITAL MEDIA 2022 RULES & REGULATIONS TABLE OF CONTENTS SECTION I – OVERVIEW 2 SECTION II – DEADLINES 2 SECTION III – WEBSITE 2 SECTION IV – ACADEMY OFFICES 2 SECTION V – ENTRY FEES 3 Television 3 Digital Media 3 SECTION VI – ELIGIBILITY 4 What Can Enter 4 Qualifying Period 4 Note on Canadian Co-Productions 5 Note on Sports Productions 5 Note on News Categories 5 SECTION VII – HOW TO ENTER 6 - 7 SECTION VIII – CONDITIONS OF ENTRY 8 - 9 SECTION IX – TECHNICAL REQUIREMENTS 9 SECTION X – TELEVISION PROGRAM CATEGORIES 10 - 14 SECTION XI – TELEVISION CRAFT CATEGORIES 15 - 21 SECTION XII – TELEVISION PERFORMANCE CATEGORIES 22 - 23 SECTION XIII – DIGITAL MEDIA AWARDS 24 - 25 SECTION XIV – SPECIAL AWARDS 26 SECTION XV – DEFINITIONS 27 SECTION XVI – THE JUDGING PROCESS 28 - 29 SECTION XVII – STATUES AND CERTIFICATES 30 SECTION XVIII – SHIPPING AND HANDLING 30 SECTION XIX – RULES & REGULATIONS APPEALS & RECOMMENDATIONS PROCESS 31 SECTION XX – FREQUENTLY ASKED QUESTIONS 32 SECTION XXI – RULES & REGULATIONS COMMITTEES 33 SECTION XXII – LIST OF ELIGIBLE CREDITS: TELEVISION & DIGITAL 34 - 37 1 CANADIAN SCREEN AWARDS – TELEVISION & DIGITAL MEDIA 2022 RULES & REGULATIONS SECTION I – OVERVIEW The Canadian Screen Awards honour the best in Canadian visual storytelling, presenting awards for outstanding achievement in film, television, and digital media, and are administered by the Academy of Canadian Cinema & Television (“the Academy”). Canadian Screen Awards will be presented during the 2022 Canadian Screen Week between April 4 – 10, 2022. This booklet contains all of the Rules & Regulations and Entry procedures for the Television and Digital Media sections of the Canadian Screen Awards. We recommend that you read this booklet carefully and completely before filling out your application online. -
Celebrating 60 Years: the ACTRA STORY This Special Issue Of
SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve -
Pressive and Varied
INDIECAN ENTERTAINMENT presents MOON POINT A Film by Sean Cisterna (82 min, Canada, 2011) DISTRIBUTION Avi Federgreen [email protected] 416‐898‐3456 High res stills may be downloaded from: http://www.moonpointmovie.com/media.html ONE LINE An ambitionless 24‐year old travels hundreds of miles in an electric wheelchair to track down his grade‐school crush. SHORT SYNOPSIS MOON POINT is the story of Darryl Strozka (Nick McKinlay), a socially awkward and ambitionless 23‐year old who seems destined to live forever with his mother. As his cocky cousin Lars’ wedding approaches, Darryl decides that the best way to prove to his family that he is not quite as worthless as they think he is, is to track down his elementary school crush, now an obscure B‐movie actress shooting a horror film in Moon Point, and bring her to the wedding. Darryl enlists his best friend, known affectionately as Femur (Kyle Mac), and travels hundreds of miles in a wagon hooked onto the back of Femur’s electric wheelchair. On their journey, the boys meet Kristin (Paula Brancati), a sharp, sarcastic young woman who is running away from a relationship back home. Eager to join the boys on their adventure, she begins to realize that love can find you in unlikely places. But naturally, as tends to happen on such a quest, things don’t turn out quite as planned. Along the way, Darryl and his friends get shot at, track a banana to an AA meeting, and are the victims of theft by a karaoke competitor. -
National Arts Centre, Ottawa, April 27 Centre National Des Arts, Ottawa, 27 Avril 27 Ottawa, Arts, Des National Centre
NATIONAL ARTS CENTRE, OTTAWA, APRIL 27 CENTRE NATIONAL DES ARTS, OTTAWA, 27 AVRIL 27 OTTAWA, ARTS, DES NATIONAL CENTRE THE ARTS ENGAGE AND INSPIRE US PREMIUM SERVICE THAT STRIKES A CHORD At Air Canada, we strive to perform at the highest level in everything we do. That’s why we’ve put so much care into our premium products and services. Book Air Canada Signature Class to enjoy a range of enhanced amenities and exclusive onboard products. Settle into a fully lie-fl at seat, while savouring a delicious meal by chef David Hawksworth and premium wine selection by sommelier Véronique Rivest. Air Canada Signature Service is available on select fl ights aboard our Boeing 787, 777 and 767 aircraft and our Airbus A330 aircraft. Learn more at aircanada.ca/signatureservice Air Canada is proud to be the Presenting Sponsor of the 2019 Governor General’s Performing Arts Awards and to recognize the outstanding Canadian talent contributing to culture in Canada and abroad. PREMIUM SERVICE THAT STRIKES A CHORD At Air Canada, we strive to perform at the highest level in everything we do. That’s why we’ve put so much care into our premium products and services. Book Air Canada Signature Class to enjoy a range of enhanced amenities and exclusive onboard products. Settle into a fully lie-fl at seat, while savouring a delicious meal by chef David Hawksworth and premium wine selection by sommelier Véronique Rivest. Air Canada Signature Service is available on select fl ights aboard our Boeing 787, 777 and 767 aircraft and our Airbus A330 aircraft.