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Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „American Firefighters. Aufstieg und Fall der Helden von 9/11 in den US- Medien“ Verfasserin Sandra Schabauer angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin / Betreuer: Univ.-Prof. Dr. Michael Gissenwehrer 2 Inhaltsverzeichnis 1. Einleitung ......................................................................................................................7 2. Helden............................................................................................................................9 2.1 Helden im Wandel der Zeit ..............................................................................................9 2.2 Der Held im Mythos.......................................................................................................13 2.3 Der Monomythos als filmische Erzählstruktur...............................................................20 2.4 Kulturelle, historische und politische Aspekte der USA................................................24 2.5 Entstehung und Entwicklung des Heldenmythos in den USA.......................................27 2.6 Heldenmythos und Religion...........................................................................................31 2.7 Paradoxe des Heldenmythos ..........................................................................................31 -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
Nancy Nayor Castings Directed
Nancy Nayor Castings Directed Sometimes tubelike Osbourne generalize her shipman atremble, but songful Ethelred voicing growlingly or jive considering. Jorge bumps hollowly while irreparable Sander attitudinizings archaeologically or rampage respectably. Crippling and thermoduric Biff traumatizes while cyclopedic Ephraim correlated her duplicature omnivorously and disarrange unreconcilably. Unlimited seats; no limits on impressions and print runs. Dominika Posseren, Nancy Nayor, Ben Davidson, Dom Posseren. Please write the above role you are submitting for in the subject line of your email. He helped transform the Christopher Lambert film about immortals into a franchise that included sequels, TV series and video games. WANT TO GO DEEPER? Would check if array passed by user and subscriber entitlement data are not empty. To complete the subscription process, please click the link in the email we just sent you. English but look Russian. Or, you might want to print a copy that lives in your car. Cable is the leading voice of the television industry, serving the broadcast, cable and program syndication communities. Children learn by watching everyone around them, especially their parents. Please submit photos and resumes by mail only. THEME: Jesus is coming again. How does the agent or the manager balance such concerns against the need to find good material and solid commitments? Barely out of nancy nayor castings directed by eyde studios managing editor and directed by nancy nayor shared that it was? Known for his roles in Creed, Fruitvale Station, and Black Panther, Jordan has certain prove himself to be quite a capable actor, with the actor rising to stardom over the past few years. -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
Disentangling Immigrant Generations
THEORIZING AMERICAN GIRL ________________________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia ________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ________________________________________________________________ by VERONICA E. MEDINA Dr. David L. Brunsma, Thesis Advisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled THEORIZING AMERICAN GIRL Presented by Veronica E. Medina A candidate for the degree of Master of Arts, And hereby certify that, in their opinion, it is worthy of acceptance. Professor David L. Brunsma Professor Mary Jo Neitz Professor Lisa Y. Flores DEDICATION My journey to and through the master’s program has never been a solitary one. My family has accompanied me every step of the way, encouraging and supporting me: materially and financially, emotionally and spiritually, and academically. From KU to MU, you all loved me and believed in me throughout every endeavor. This thesis is dedicated to my family, and most especially, to my parents Alicia and Francisco Medina. Mom and Dad: As a child, I often did not recognize and, far too often, took for granted the sacrifices that you made for me. Sitting and writing a thesis is a difficult task, but it is not as difficult as any of the tasks you two undertook to ensure my well-being, security, and happiness and to see me through to this goal. For all of the times you went without (and now, as an adult, I know that there were many) so that we would not, thank you. -
Preview of Midnight in Lonesome Hollow a Kit Kittredge American Girl Mystery
Preview of Midnight In Lonesome Hollow A Kit Kittredge American Girl Mystery Written by Kathleen Ernst Published by American Girl Books 2007 Kit is visiting Aunt Millie in 1934. When a professor arrives to study Kentucky mountain traditions, Kit is thrilled to help her with her research—until it becomes clear that somebody doesn’t want “outsiders” nosing around. Kit decides to find out who’s making trouble…even if it means venturing into Lonesome Hollow in the dark of night. Girls will enjoy solving the mystery right along with Kit. This book includes an illustrated “Looking Back” section to provide historical context. Kit heard the stream’s swishy-whish, swishy-whish song before she glimpsed it through the trees. “Isn’t this Lonesome Branch, that leads to the Craig place?” she asked. “I’ve been looking forward to seeing Fern and Johnny all day.” “It sure is,” Aunt Millie said. “Whoa, Serena!” The mule ambled to a halt on the steep trail. Aunt Millie looked down at Kit, who’d been walking beside the mule. “You’ve learned your way around these parts pretty well.” Kit grinned. “It’s been fun visiting people with our traveling library!” “This will be our last stop today,” Aunt Millie said. “Climb up and hold on!” Kit swung into place on the mule and wrapped her arms around Aunt Millie’s waist. Serena trotted down the bank, splashed into the shallow water, and began picking her way upstream. Kit sucked in a deep breath of mountain air, happy to be exactly where she was. -
American Girl Background
Erin Zakin American Girl Communication Coordinator P. O. Box 620497 (452)-2082-9951 Middleton, WI 53562-0497 [email protected] (800) 845-0005 www.americangirl.com American Girl Background American Girl celebrates young girls and all they can be. By providing young girls with enriching products such as dolls books and magazines, American Girl encourages young girls to grow in wholesome ways. American Girl has two main lines of dolls, one inspired by the classic stories of historical America, and another inspired by the contemporary issues of today. We aim to remember all that we’ve accomplished in the past 30 years. History Since American Girl’s debut in 1986 by Pleasant Company, we have created products for each stage of a young girl’s development— from her preschool days of baby dolls and fantasy play through her tween years of self expression and individuality. What began as a simple catalogue and doll company has expanded a widely-known company, creating dolls inspired by America’s own history (now known as the BeForever line). Some of our most popular brands and trademarks include: • BeForever™: American Girl’s signature line of historical dolls, connecting girls ages 8 and up with inspiring characters and timeless stories based 0n America’s history. The BeForever collection currently includes Kaya©, Caroline©, Josefina©, Addy©, Samantha©, Rebec- ca©, Kit©, and Julie©. These dolls give girls the opportunity to explore the past and discov- er what today can bring. • The American Girl® magazine: First launched in 1992 as a magazine exclusively for young girls. The magazine is designed to affirm self-esteem, celebrate achievements, and foster creativity in today’s girls. -
E-Sources on Women & Gender
E-SOURCES ON WOMEN & GENDER Look what the National Women’s Studies Association (NWSA) and MS. Magazine have put together: a 2009 GUIDE TO WOMEN’S AND GENDER STUDIES programs. Starting from the website of either NWSA (www.nwsa.org/msmag) or MS. (www.msmagazine.com/womensstudies), you can search by state, type of degree offered, or name of institution. Did you know that there are twenty-three colleges and universities in Wisconsin listed as offering women’s/gender studies? They range from the likes of Carthage College, which has a sprinkling of undergraduate courses but no minor or major, to the UW–Madison with its free-standing undergraduate major and master’s degree (as well as an undergrad minor and a graduate certificate). If your institution is not listed, contact NWSA to be added to the database. ALICE WALKER’S GARDEN at www.alicewalkersgarden.com is the official website for the well-known writer. It includes an official biography by the officers of the Alice Walker Literary Society, photos, information about the books, a selection of previously unpublished poems, links to the author’s blog, and a reflection about how she learned on a visit to South Korea to approach being in her sixties. Among the many things I didn’t know until compiling this column: The director of the movie Kit Kittredge: An American Girl is a Canadian woman: Patricia Rozema, who also happens to have directed, among many other films, the fabulous I’ve Heard the Mermaids Singing (1987). Pick up hundreds of tidbits like these and find some fascinating films by browsing or searching the CANADIAN WOMEN FILM DIRECTORS DATABASE (http://femfilm.ca), created by University of Toronto librarian Margaret Fulford. -
The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze. -
Apocalypse and Australian Speculative Fiction Roslyn Weaver University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2007 At the ends of the world: apocalypse and Australian speculative fiction Roslyn Weaver University of Wollongong Recommended Citation Weaver, Roslyn, At the ends of the world: apocalypse and Australian speculative fiction, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2007. http://ro.uow.edu.au/theses/1733 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AT THE ENDS OF THE WORLD: APOCALYPSE AND AUSTRALIAN SPECULATIVE FICTION A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ROSLYN WEAVER, BA (HONS) FACULTY OF ARTS 2007 CERTIFICATION I, Roslyn Weaver, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Roslyn Weaver 21 September 2007 Contents List of Illustrations ii Abstract iii Acknowledgments v Chapter One 1 Introduction Chapter Two 44 The Apocalyptic Map Chapter Three 81 The Edge of the World: Australian Apocalypse After 1945 Chapter Four 115 Exile in “The Nothing”: Land as Apocalypse in the Mad Max films Chapter Five 147 Children of the Apocalypse: Australian Adolescent Literature Chapter Six 181 The “Sacred Heart”: Indigenous Apocalypse Chapter Seven 215 “Slipstreaming the End of the World”: Australian Apocalypse and Cyberpunk Conclusion 249 Bibliography 253 i List of Illustrations Figure 1. -
Read All About It! a Story About the Great Depression in America
® A Teacher’s Guide to Read All About It! A story about the Great Depression in America Lexile measure: 670L About the Book Kit Kittredge is nine years old when her dad loses his car dealership because of the Great Depression. It’s 1932, and many people are out of work and even being evicted from their homes. As Kit’s own family struggles to pay the mort- gage, Mrs. Kittredge decides to take in boarders. This means big changes for the entire family, especially for Kit and her 16-year-old brother, Charlie. Kit moves into the attic and gives her room to Stirling Howard, a quiet and sickly boy, and his mother. Just when Kit thinks that things can’t get any worse, she is shocked to see her father standing in line at the soup kitchen. There are friendships gained, lost, and reclaimed, along with sacrifices and hard work on everyone’s part, and Kit is right there doing her share. The future is uncertain for the Kittredge family, but like many people affected by the Great Depression, they pull together and find happiness despite the economic difficulties. (Lexile measure: 670L) About This Guide and the Common Core Standards Elementary students may know very little about the Great Depression. The essay at the back of the book, “Inside Kit’s World,” sets the stage for this distressing period in American history. This guide encourages students to be careful readers without diminishing the pleasure they gain from reading. It is recommended that students read the entire book before engaging in the discussions and activi- ties presented in this guide. -
Hauntology Beyond the Cinema: the Technological Uncanny 66 Closings 78 5
Information manycinemas 03: dread, ghost, specter and possession ISSN 2192-9181 Impressum manycinemas editor(s): Michael Christopher, Helen Christopher contact: Matt. Kreuz Str. 10, 56626 Andernach [email protected] on web: www.manycinemas.org Copyright Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. The authors are free to re - publish their text elsewhere, but they should mention manycinemas as the first me- dia which has published their article. According to §51 Nr. 2 UrhG, (BGH, Urt. v. 20.12.2007, Aktz.: I ZR 42/05 – TV Total) German law, the quotation of pictures in academic works are allowed if text and screenshot are in connectivity and remain unchanged. Open Access manycinemas provides open access to its content on the principle that mak - ing research freely available to the public supports a greater global exchange of knowledge. Front: Screenshot The cabinet of Caligari Contents Editorial 4 Helen Staufer and Michael Christopher Magical thrilling spooky moments in cinema. An Introduction 6 Brenda S. Gardenour Left Behind. Child Ghosts, The Dreaded Past, and Reconciliation in Rinne, Dek Hor, and El Orfanato 10 Cen Cheng No Dread for Disasters. Aftershock and the Plasticity of Chinese Life 26 Swantje Buddensiek When the Shit Starts Flying: Literary ghosts in Michael Raeburn's film Triomf 40 Carmela Garritano Blood Money, Big Men and Zombies: Understanding Africa’s Occult Narratives in the Context of Neoliberal Capitalism 50 Carrie Clanton Hauntology Beyond the Cinema: The Technological Uncanny 66 Closings 78 5 Editorial Sorry Sorry Sorry! We apologize for the late publishing of our third issue.