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Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
Download Book « the Blackwater Shaft
SK1R1MAAUBDG » Book » The Blackwater Shaft Get eBook THE BLACKWATER SHAFT Createspace Independent Publishing Platform, United States, 2015. Paperback. Book Condition: New. 216 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****.Historically, Appalachian coal miners have struggled to make ends meet, but in the ctional town of Cascade, West Virginia, ve generations of the inuential Dawson coal mining family have prospered while treating their miners with respect and consideration. Over the years they have faced many challenges, but none came close to the dangers the Dawson... Read PDF The Blackwater Shaft Authored by R Blair Savage Released at 2015 Filesize: 2.27 MB Reviews If you need to adding benet, a must buy book. It can be loaded with wisdom and knowledge I discovered this ebook from my dad and i encouraged this pdf to discover. -- Darrin Kutch The ideal book i actually read. It is one of the most awesome pdf i have study. I am just happy to tell you that this is basically the best book i have study in my own life and might be he finest ebook for actually. -- Nettie Leuschke TERMS | DMCA AIYENX3MYGSL » eBook » The Blackwater Shaft Related Books Runners World Guide to Running and Pregnancy How to Stay Fit Keep Safe and Have a Healthy Baby by Chris Lundgren 2003 Paperback Revised Dont Line Their Pockets With Gold Line Your Own A Small How To Book on Living Large Monkeys Learn to Move: Puppet Theater Books Presents Funny Illustrated Bedtime Picture Values Book for Ages 3-8 The Well-Trained Mind: A Guide to Classical Education at Home (Hardback) The Mystery at Big Ben. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
WAR for the PLANET of the APES Written by Mark Bomback & Matt Reeves
WAR FOR THE PLANET OF THE APES Written by Mark Bomback & Matt Reeves Based on Characters Created by Rick Jaffa & Amanda Silver TWENTIETH CENTURY FOX FINAL SHOOTING SCRIPT 10201 W. Pico Blvd. NOVEMBER 30, 2015 Los Angeles, CA 90064 ALL RIGHTS RESERVED. COPYRIGHT ©2015 TWENTIETH CENTURY FOX FILM CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD OR DISTRIBUTED BY ANY MEANS, OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT THE PRIOR WRITTEN CONSENT OF TWENTIETH CENTURY FOX FILM CORPORATION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. 1. BLACK SCREEN PRIMITIVE WAR DRUMS POUND OMINOUSLY... as a LEGEND BEGINS: Fifteen years ago, a scientific experiment gone wrong gave RISE to a species of intelligent apes… and destroyed most of humanity with a virus that became known as the Simian Flu. The word “RISE” lingers, moving toward us as it FADES... With the DAWN of a new ape civilization led by Caesar, the surviving humans struggled to coexist... but fighting finally broke out when a rebel ape, Koba, led a vengeful attack against the humans. The word “DAWN” lingers, moving toward us as it FADES... The humans sent a distress call to a military base in the North where all that remained of the U.S. Army was gathered. A ruthless Special Forces Colonel and his hardened battalion were dispatched to exterminate the apes. Evading capture for the last two years, Caesar is now rumored to be marshaling the fight from a hidden command base in the woods.. -
When She Was Bad Script
When She Was Bad July 8, 1997 (Pink) Written by: Joss Whedon Teaser ANGLE: A HEADSTONE It's night. We hold on the stone a moment, then the camera tracks to the side, passing other stones in the EXT. GRAVEYARD/STREET - NIGHT CAMERA comes to a stone wall at the edge of the cemetery, passes over that to see the street. Two figures in the near distance. XANDER and WILLOW are walking home, eating ice cream cones. WILLOW Okay, hold on... XANDER It's your turn. WILLOW Okay, Um... "In the few hours that we had together, we loved a lifetimes worth." XANDER Terminator. WILLOW Good. Right. XANDER Okay. Let's see... (Charlton Heston) 'It's a madhouse! A m-- WILLOW Planet of the Apes. XANDER Can I finish, please? WILLOW Sorry. Go ahead. XANDER 'Madhouse!' She waits a beat to make sure he's done, then WILLOW Planet of the Apes. Good. Me now. Um... Buffy Angel Show XANDER Well? WILLOW I'm thinking. Okay. 'Use the force, Luke.' He looks at her. XANDER Do I really have to dignify that with a guess? WILLOW I didn't think of anything. It's a dumb game anyway. XANDER You got something better to do? We played rock-paper-scissors long enough, okay? My hand cramped up. WILLOW Well, sure, if you're ALWAYS scissors, of course your tendons are gonna stretch -- XANDER (interrupting) You know, I gotta say, this has really been the most boring summer ever. WILLOW Yeah, but on the plus side, no monsters or stuff. She sits on the stone wall. -
{FREE} Showrunners : How to Run a Hit TV Show Ebook, Epub
SHOWRUNNERS : HOW TO RUN A HIT TV SHOW PDF, EPUB, EBOOK Tara Bennett | 240 pages | 02 Sep 2014 | Titan Books Ltd | 9781783293575 | English | London, United Kingdom Showrunners : How to Run a Hit TV Show PDF Book Good insight, but essentially just a transcript of the documentary of the same name. Open Preview See a Problem? The doorbell dings. TV ratings are a real measure of a showrunner's success. The film intends to show audiences the huge amount of work that goes into making sure their favorite TV series airs on time as well as the many challenges that showrunners have to overcome to make sure a new series makes it onto the schedules at all! In the past few years, the recognition of the showrunner has grown exponentially. Other Septembers, Many Americas. Find books coming soon in But taking the culmination of a half-dozen answers of a few lines each to a question, still gives Showrunners by Tara Bennett is a companion books to the documentary "Showrunners: The Art of Running a TV Show. If you are at all interested in becoming a writer for TV or for film, this book is for you. It's a great read and adaptation of of the documentary. Blood Brothers. Plus you can tell they both really CARE. Very interesting insight of showrunning and the tv show industry. I Told You So. Find lots more television-related content on the next page. I'm excited to watch the doc that goes along with it. These people are responsible for creating, writing and overseeing every element of production on one of the United State's biggest exports - television drama and comedy series. -
44. Jerry Goldsmith Planet of the Apes: the Hunt (Opening) (For Unit 6: Further Musical Understanding)
44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding) Background information and performance circumstances Biography • Jerry Goldsmith was born in 1929. • Goldsmith was a prolific American composer of scores for films and television series. • Three of his most successful collaborations were with the director Franklin J. Schaffner with whom he worked on Planet of the Apes (1968). • Goldsmith was particularly noted for his experiments with instrumental sound. In his score for Alien he used a shofar (a ram’s horn used in Jewish services), as well as a steel drum and serpent (a large curved type of bass Cornett). • He also enthusiastically embraced the use of new electronic instruments, though he liked to use a full symphony orchestra where possible, often in conjunction with ethnic and electronic instruments. This can be seen in his score for Planet of the Apes though… • …electronics in music were not yet at a very advanced stage. • Goldsmith died in 2004. Goldsmith’s use of devices In the hunt scene of the film, armed apes on horseback are chasing a group of stranded humans. Goldsmith uses a variety of devices to emphasise a sense of terror, including: • Unconventional instruments and techniques; prominent use of percussion instruments (see performing instruments). • Dissonance (see harmony notes). • Avoidance of traditional tonality; suggestions of serialist chromatic music (see tonality) • Harsh driving, often syncopated rhythms (see rhythm and metre). All these features are frequently found in 20th Century music as a whole. Performing Instruments and their handling • Large symphony orchestra with a number of additions. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
Sombrero's Franchise Brochure R5
Site Guidelines • Space: 1,000 to 2,500 SF High Visibility End Cap, or Free Standing locations with Drive-Thru preferred, footprint flexible. Fas Facts: • Location: In-line and non-traditional locations such as food FOUNDED: Originally founded in courts and co-tenancy locations will be considered. the 1960s then expansion growth Designated patio area preferred. Location with prominence in in 1984 given trade area. INVESTMENT RANGE: • Visibility: 25 foot minimum frontage. Site and signage highly $173,800 to $1,197,300 visible from trac, 500’ from two directions. FRANCHISE FEE: $30,000 • Access: Easy access, Signaled entry, 2-3 curb cuts to parking R from street in both directions, left turn unobstructed. TERRITORY: Exclusive areas • Signage: Prominent building signage at main entry, additional available for Multi Unit freestanding signage. Development • Trac Generators: High density oce buildings, hospitals, FOOTPRINT: 1,000-2,500sq/ft; Universities, high frequency specialty retail, theaters, inline, end cap, DT “Lifestyle” centers, Tourist destinations. CURRENT LOCATIONS: PREFERRED DEMOGRAPHICS 3 MILE RADIUS 18 locations throughout San Diego, • Residential population: Minimum 80,000 Southern California and one in • Day time population: 20,000 Arizona • H/H Income Average: $50,000+ • Trac: Minimum 25,000 cars per day immediate drive Franchise Information Utility Guidelines • Liquid Net Worth: $100,000 • HVAC – One ton per 300 square feet of floor space and 35 BTU of heating per square foot • Net Worth Per Restaurant: $250,000 of floor space. • Experience: Business or restaurant experience preferred • Electrical - 200 amp (minimum) 120/208V • Multi unit ADA: yes to qualified operators 4 phase 3 wire power panel. -
Gordon Parks
Gordon Parks Born Fort Scott, Kansas, November 30, 1912 Died New York, New York, March 7, 2006 SELECTED EXHIBITIONS Industrial Photographs from The Standard Oil Company (N.J.) Collection by Gordon Parks. New York Public Library, May 28–June 30, 1945 The Art Institute of Chicago, 1953 Limelight Gallery, New York, 1960 The Works of Gordon Parks. Time-Life Gallery, New York, January 15–February 27, 1966 This Thing Called Jazz. Corcoran Gallery of Art, Washington, D.C., February 8–28, 1970 Eye Music: New Images by Gordon Parks—An Exhibition of Color Photographs. Alex Rosenberg Gallery, New York, September 26–November 3, 1979 Gordon Parks: Expansions—The Aesthetic Blend of Painting and Photography. Alex Rosenberg Gallery, New York, September 17–October 17, 1981 Half Past Autumn: A Retrospective. Corcoran Gallery of Art, Washington, D.C., opened September 1997; traveled nationwide afterward Gordon Parks: At 100. Weinstein Gallery, Minneapolis, Minnesota, June 07 – July 28, 2012. Contact: Gordon Parks, Ralph Ellison, and “Invisible Man.” Howard Greenberg Gallery, New York, New York, September 14 – October 27, 2012. The Hard Kind of Courage: Gordon Parks and the Photographers of the Civil Rights Era. Ulrich Museum of Art, Wichita, Kansas, September 16 – December 16, 2012. Gordon Parks: A Harlem Family 1967. The Harlem Studio Museum, New York, New York, November 11, 2012 – June 30, 2013. Gordon Parks: The Segregation Portfolio. Jackson Fine Art, Atlanta, Georgia, November 30, 2012 – February 16, 2013. Gordon Parks: The Segregation Portfolio. Arnika Dawkins Gallery, Atlanta, Georgia, November 30, 2012 – March 29, 2013. Gordon Parks: Centennial. Jenkins Johnson Gallery, San Francisco, California, February 21 – April 27, 2013. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe.