In Solidarity: Spotlighting Black Film Artists
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Download Book « the Blackwater Shaft
SK1R1MAAUBDG » Book » The Blackwater Shaft Get eBook THE BLACKWATER SHAFT Createspace Independent Publishing Platform, United States, 2015. Paperback. Book Condition: New. 216 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****.Historically, Appalachian coal miners have struggled to make ends meet, but in the ctional town of Cascade, West Virginia, ve generations of the inuential Dawson coal mining family have prospered while treating their miners with respect and consideration. Over the years they have faced many challenges, but none came close to the dangers the Dawson... Read PDF The Blackwater Shaft Authored by R Blair Savage Released at 2015 Filesize: 2.27 MB Reviews If you need to adding benet, a must buy book. It can be loaded with wisdom and knowledge I discovered this ebook from my dad and i encouraged this pdf to discover. -- Darrin Kutch The ideal book i actually read. It is one of the most awesome pdf i have study. I am just happy to tell you that this is basically the best book i have study in my own life and might be he finest ebook for actually. -- Nettie Leuschke TERMS | DMCA AIYENX3MYGSL » eBook » The Blackwater Shaft Related Books Runners World Guide to Running and Pregnancy How to Stay Fit Keep Safe and Have a Healthy Baby by Chris Lundgren 2003 Paperback Revised Dont Line Their Pockets With Gold Line Your Own A Small How To Book on Living Large Monkeys Learn to Move: Puppet Theater Books Presents Funny Illustrated Bedtime Picture Values Book for Ages 3-8 The Well-Trained Mind: A Guide to Classical Education at Home (Hardback) The Mystery at Big Ben. -
Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
'Once Upon a Time... in Hollywood'
20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run. -
Sombrero's Franchise Brochure R5
Site Guidelines • Space: 1,000 to 2,500 SF High Visibility End Cap, or Free Standing locations with Drive-Thru preferred, footprint flexible. Fas Facts: • Location: In-line and non-traditional locations such as food FOUNDED: Originally founded in courts and co-tenancy locations will be considered. the 1960s then expansion growth Designated patio area preferred. Location with prominence in in 1984 given trade area. INVESTMENT RANGE: • Visibility: 25 foot minimum frontage. Site and signage highly $173,800 to $1,197,300 visible from trac, 500’ from two directions. FRANCHISE FEE: $30,000 • Access: Easy access, Signaled entry, 2-3 curb cuts to parking R from street in both directions, left turn unobstructed. TERRITORY: Exclusive areas • Signage: Prominent building signage at main entry, additional available for Multi Unit freestanding signage. Development • Trac Generators: High density oce buildings, hospitals, FOOTPRINT: 1,000-2,500sq/ft; Universities, high frequency specialty retail, theaters, inline, end cap, DT “Lifestyle” centers, Tourist destinations. CURRENT LOCATIONS: PREFERRED DEMOGRAPHICS 3 MILE RADIUS 18 locations throughout San Diego, • Residential population: Minimum 80,000 Southern California and one in • Day time population: 20,000 Arizona • H/H Income Average: $50,000+ • Trac: Minimum 25,000 cars per day immediate drive Franchise Information Utility Guidelines • Liquid Net Worth: $100,000 • HVAC – One ton per 300 square feet of floor space and 35 BTU of heating per square foot • Net Worth Per Restaurant: $250,000 of floor space. • Experience: Business or restaurant experience preferred • Electrical - 200 amp (minimum) 120/208V • Multi unit ADA: yes to qualified operators 4 phase 3 wire power panel. -
DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children. -
Gordon Parks
Gordon Parks Born Fort Scott, Kansas, November 30, 1912 Died New York, New York, March 7, 2006 SELECTED EXHIBITIONS Industrial Photographs from The Standard Oil Company (N.J.) Collection by Gordon Parks. New York Public Library, May 28–June 30, 1945 The Art Institute of Chicago, 1953 Limelight Gallery, New York, 1960 The Works of Gordon Parks. Time-Life Gallery, New York, January 15–February 27, 1966 This Thing Called Jazz. Corcoran Gallery of Art, Washington, D.C., February 8–28, 1970 Eye Music: New Images by Gordon Parks—An Exhibition of Color Photographs. Alex Rosenberg Gallery, New York, September 26–November 3, 1979 Gordon Parks: Expansions—The Aesthetic Blend of Painting and Photography. Alex Rosenberg Gallery, New York, September 17–October 17, 1981 Half Past Autumn: A Retrospective. Corcoran Gallery of Art, Washington, D.C., opened September 1997; traveled nationwide afterward Gordon Parks: At 100. Weinstein Gallery, Minneapolis, Minnesota, June 07 – July 28, 2012. Contact: Gordon Parks, Ralph Ellison, and “Invisible Man.” Howard Greenberg Gallery, New York, New York, September 14 – October 27, 2012. The Hard Kind of Courage: Gordon Parks and the Photographers of the Civil Rights Era. Ulrich Museum of Art, Wichita, Kansas, September 16 – December 16, 2012. Gordon Parks: A Harlem Family 1967. The Harlem Studio Museum, New York, New York, November 11, 2012 – June 30, 2013. Gordon Parks: The Segregation Portfolio. Jackson Fine Art, Atlanta, Georgia, November 30, 2012 – February 16, 2013. Gordon Parks: The Segregation Portfolio. Arnika Dawkins Gallery, Atlanta, Georgia, November 30, 2012 – March 29, 2013. Gordon Parks: Centennial. Jenkins Johnson Gallery, San Francisco, California, February 21 – April 27, 2013. -
Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of Wildlife Costume Desi
Media Contact: Nick Harkin / Matthew Bryant Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen Moore and Chicago graphic artist Art Paul th CHICAGO – The 54 Chicago International Film Festival, presented by Cinema/Chicago, today announced Tributes to actress Carey Mulligan in conjunction with this year’s Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual Black Perspectives Program. The Festival will also celebrate posthumously two artists special to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s Festival selection, Wildlife. -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
Parks, Gordon A. (1912- ), Collection, 1968-2004
Pittsburg State University Pittsburg State University Digital Commons Finding Aids Special Collections & University Archives 7-2004 Parks, Gordon A. (1912- ), Collection, 1968-2004 Special Collections, Leonard H. Axe Library Follow this and additional works at: https://digitalcommons.pittstate.edu/fa Recommended Citation Special Collections, Leonard H. Axe Library, "Parks, Gordon A. (1912- ), Collection, 1968-2004" (2004). Finding Aids. 43. https://digitalcommons.pittstate.edu/fa/43 This Finding Aid is brought to you for free and open access by the Special Collections & University Archives at Pittsburg State University Digital Commons. It has been accepted for inclusion in Finding Aids by an authorized administrator of Pittsburg State University Digital Commons. For more information, please contact [email protected]. 25 Parks, Gordon A. (1912- ), Collection, 1968-2004 .5 linear feet and oversize INTRODUCTION A collection of photographs, biographical materials, posters, and other items pertaining to the career of Gordon Parks. The materials in this collection mostly concern two movies directed by Parks; The Learning Tree and Leadbelly. A checklist of Parks’ published works held by Pittsburg State University is appended to this page. DONOR INFORMATION Materials pertaining to The Learning Tree were donated by Gordon Parks and by Paramount Studios in 1969. Other materials in the collection were obtained by purchase and by gift from various donors at Pittsburg State University. BIOGRAPHICAL SKETCH Born November 30, 1912, in Fort Scott, Kansas, Gordon Parks overcame the difficulties of poverty, racism, and being poorly educated to achieve success as a photographer, writer, film director, and composer. His first professional endeavors were as a free-lance, self-taught, fashion photographer. -
Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (
Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (http://www.gseis.ucla.edu/faculty/kellner/) In our book Camera Politica: Politics and Ideology in Contemporary Hollywood Film (1988), Michael Ryan and I argue that Hollywood film from the 1960s to the present was closely connected with the political movements and struggles of the epoch. Our narrative maps the rise and decline of 60s radicalism; the failure of liberalism and rise of the New Right in the 1970s; and the triumph and hegemony of the Right in the 1980s. In our interpretation, many 1960s films transcoded the discourses of the anti-war, New Left student movements, as well as the feminist, black power, sexual liberationist, and countercultural movements, producing a new type of socially critical Hollywood film. Films, on this reading, transcode, that is to say, translate, representations, discourses, and myths of everyday life into specifically cinematic terms, as when Easy Rider translates and organizes the images, practices, and discourses of the 1960s counterculture into a cinematic text. Popular films intervene in the political struggles of the day, as when 1960s films advanced the agenda of the New Left and the counterculture. Films of the "New Hollywood," however, such as Bonnie and Clyde, Medium Cool, Easy Rider, etc., were contested by a resurgence of rightwing films during the same era (e.g. Dirty Harry, The French Connection, and any number of John Wayne films), leading us to conclude that Hollywood film, like U.S. society, should be seen as a contested terrain and that films can be interpreted as a struggle of representation over how to construct a social world and everyday life. -
Vincente Minnelli. Eine Bibliographie 2003
Repositorium für die Medienwissenschaft Gottfried Schlemmer Vincente Minnelli. Eine Bibliographie 2003 https://doi.org/10.25969/mediarep/12838 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Schlemmer, Gottfried: Vincente Minnelli. Eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 35). DOI: https://doi.org/10.25969/mediarep/12838. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0035_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 35, 2003: Vincente Minnelli. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Gottfried Schlemmer. Letzte Änderung: 20. Dezember 2000. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0035_03.pdf. Vincente Minnelli. Eine Bibliographie Zusammengestellt von Gottfried Schlemmer Zeichenerklärung: Die mit einem ° ausgezeichneten Aureli, Enrico (1985) In una giornata luminosa puoi Eintrage konnten nicht durch Introspektion verifi- verdere il cinema. In: Filmcritica 36,351 (Jan. ziert werden und waren auch nicht in den National- 1985), S. 41-45. bibliographien nachweisbar. Die meisten dieser Auf- nahmen enstammen Katalogen und den Bibliogra- Babington, Bruce / Evans, Peter Williams (1985°) phien aus Büchern über Minnelli. Eine erste Fassung ON A CLEAR DAY YOU CAN SEE FOREVER (1970): Min- der Bibliographie wurde als bibliographische Beila- nelli and the introspective musical. -
Fall 2020 Newsletter
NEW REALEASES FALL 2020 FALL ASTEROIDTouching THE If spacecraft OSIRIS-REx can grab a piece of an asteroid and bring it back to Earth, scientists could gain great insight into our planet’s origins—and even how to defend against rogue asteroids. But NASA only gets three shots at collecting a sample. Can they pull it off? NOVA takes you inside the mission. 1x60 HD Screen programs online at pbsinternational.org THE QUEEN & THE COUP On the fi rst anniversary of Queen Elizabeth II’s reign, she had no idea she was about to be deployed in a secret plot to topple Iran’s democratic leader in favor of an all-powerful Shah. Planned by MI6 and executed by the CIA, the coup would destroy relations between Iran and the West to Driving While Black: Race, Space and Mobility in America explores how the this very day. The truth was hidden even from the Queen herself. Using advent of the automobile brought new mobility and freedom for African newly declassifi ed secret documents, The Queen and the Coup unravels Americans but also exposed them to discrimination and deadly violence, this incredible story for the fi rst time.1x47 HD and how that history resonates today. 1x60, 1x120 HD CURRENT AFFAIRS U.S. ELECTION 2020 The Choice 2020: Trump vs. Biden COURTESY OF STEPHEN LAM/REUTER In the midst of a historic pandemic, economic hardship, and a reckoning with racism, this November Americans will decide who will lead the nation for the next four years: President Donald Trump or former Vice President Joe Biden.