Burden of Dreams Discussion Guide
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Doc Nyc Announces Final Titles Including
DOC NYC ANNOUNCES FINAL TITLES INCLUDING WORLD PREMIERE OF BRUCE SPRINGSTREEN & THE E STREET BAND’S “DARKNESS ON THE EDGE OF TOWN” CONCERT FILM AT ZIEGFELD THEATER ON NOVEMBER 4TH AND “MOMENTS OF TRUTH” FEATURING ALEC BALDWIN AND OTHER FAMOUS FIGURES DISCUSSING THEIR FAVORITE DOC MOMENTS New York, NY, October 19th 2010 - DOC NYC, New York’s Documentary Festival, announced its final slate of titles including the world premiere of “Darkness on the Edge of Town,” a new concert film with Bruce Springsteen & the E Street Band performing their classic album. The film will screen at the Ziegfeld Theatre on November 4. Directed by the Grammy and Emmy award winner Thom Zimny, the film was shot last year at the Paramount Theatre in Asbury Park, NJ in an unconventional manner without any audience in attendance. Springsteen’s manager Jon Landau has said this presentation “best captures the starkness of the original album.” The film will be released on DVD as part of the box set “The Promise: The Darkness on the Edge of Town Story” later in November. “We wanted to give fans a one night only opportunity to see this spectacular performance on the Ziegfeld’s big screen,” said DOC NYC Artistic Director Thom Powers. A portion of the proceeds from this screening will be donated to the Danny Fund/Melanoma Research Alliance – a non-profit foundation devoted to advancing melanoma research and awareness set up after the 2008 passing of Danny Federici, longtime Springsteen friend and E-Street Band member. DOC NYC will help launch a new promo campaign of shorts called “Moments of Truth,” in which noteworthy figures (actors, politicians, musicians, etc) describe particular documentary moments that moved them. -
Blues in the 21St Century
Blues in the 21 st Century Myth, Self-Expression and Trans-Culturalism Edited by Douglas Mark Ponton University of Catania, Italy and Uwe Zagratzki University of Szczecin, Poland Series in Music Copyright © 2020 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019951782 ISBN: 978-1-62273-634-8 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Jean-Charles Khalifa. Cover font (main title): Free font by Tup Wanders. Table of contents List of Figures vii List of Tables ix Preface xi Acknowledgements xix Part One: Blues impressions: responding to the music 1 1. -
Werner Herzog Retrospective
Home Category / Arts and Culture / Werner Herzog Retrospective Werner Herzog Retrospective Slave trade abolition in Cobra Verde Share it! 28 SHARES Published May 15, 2017, 12:05 AM By Rica Arevalo Film director Werner Herzog is a leading gure of the New German Cinema. Born on Sept. 5, 1942, his lms are unconventional and important with the art house audience. The Goethe-Institut Philippinen in partnership with the Film Development Council of the Philippines is showing Herzog’s acclaimed lms until June 4. On May 20, 6 p.m., Cobra Verde (1987) starring Klaus Kinski based on the novel, The Viceroy of Ouidah by Bruce Chatwin, is going to be screened at the FDCP Cinematheque Manila. Kinski plays Francisco Manoel da Silva, nicknamed Cobra Verde, a bandit who walks barefoot and does not own a horse for travelling. People are afraid and run away from him. He tells a bar owner that he never had a friend in all his life. At that time, slave trade was ourishing in Brazil. Black men were sold in exchange for ammunition, liquor, and silk. Cobra Verde meets Don Octavio, a sugar plantation owner who asks him to manage his elds. He accepted the job oer but impregnated Don Octavio’s daughters. To banish him, he was sent to Africa to buy slaves knowing that he will not survive. Cobra Verde took hold of a garrison, Fort Elmina, improved the place and lived there managing the slaves with Taparica (King Ampaw). The slave trade across the Atlantic and Brazil was their route. Werner Herzog and Klaus Kinski But “btlack people believe the devil is white” so the King’s men captured the two. -
This Film Is a Poem 1,380 Words
This Film is A Poem 1,380 words - by Cynthia Close - published in 2016 in Documentary magazine- Review of the newly remastered Criterion released A Poem is a Naked Person, by Les Blank commissioned by Leon Russell, shot from 1972-74. Blu-Ray edition contains: *90 minute restored feature A Poem is a Naked Person *New conversation between musician Leon Russell and Harrod Blank, Les Blank’s son *Excerpts from a 2013 Q&A with Les Blank *The new documentary, A Film’s Forty-year Journey: The Making of “A Poem is a Naked Person”, 2016 *Out in the Woods, a short documentary by Maureen Gosling *An Essay by critic Kent Jones Why has A Poem is a Naked Person, a film Les Blank considered the greatest he ever made, remained virtually unknown and unseen, until now, over forty years after it was completed? An answer to this question can be found in the newly restored, Criterion released Blu-Ray DVD. It is clear that such a project would never have happened if it were not for the persistence and memory of “being there”, of Harrod Blank, Les Blank’s son. As a young boy, tagging along with his filmmaker dad in the backwaters of 1970’s Oklahoma he drew admiring portraits in magic marker of Leon Russell, the intended subject of his father’s film. It was the year following the release of Mad Dogs and Englishmen, a classic concert film starring Joe Cocker and Russell who at that time was at the peak of his fame. Russell was an accomplished pianist, session musician, and star performer who was in the process of building a top notch studio and music compound ninety minutes outside of Tulsa when he and his then-partner Denny Cordell commissioned Les Blank to make what they may have envisioned as a biopic with Leon Russell at the center. -
An Anguished Self-Subjection: Man and Animal in Werner Herzog's Grizzly
An Anguished Self-Subjection: Man and Animal in Werner Herzog’s Grizzly Man Stefan Mattessich Santa Monica College Do we not see around and among us men and peoples who no longer have any essence or identity—who are delivered over, so to speak, to their inessentiality and their inactivity—and who grope everywhere, and at the cost of gross falsifications, for an inheritance and a task, an inheritance as task? Giorgio Agamben The Open erner herzog’s interest in animals goes hand in hand with his Winterest in a Western civilizational project that entails crossing and dis- placing borders on every level, from the most geographic to the most corporeal and psychological. Some animals are merely present in a scene; early in Fitzcarraldo, for instance, its eponymous hero—a European in early-twentieth-century Peru—plays on a gramophone a recording of his beloved Enrico Caruso for an audience that includes a pig. Others insist in his films as metaphors: the monkeys on the raft as the frenetic materializa- tion of the conquistador Aguirre’s final insanity. Still others merge with characters: subtly in the German immigrant Stroszek, who kills himself on a Wisconsin ski lift because he cannot bear to be treated like an animal anymore or, literally in the case of the vampire Nosferatu, a kindred spirit ESC 39.1 (March 2013): 51–70 to bats and wolves. But, in every film, Herzog is centrally concerned with what Agamben calls the “anthropological machine” running at the heart of that civilizational project, which functions to decide on the difference between man and animal. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Les Blank Und Das Cinéma Vitalité. Mit Filmographie Und Bibliographie 2017
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie 2017 https://doi.org/10.25969/mediarep/12808 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie. Westerkappeln: DerWulff.de 2017 (Medienwissenschaft: Berichte und Papiere 173). DOI: https://doi.org/10.25969/mediarep/12808. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0173_17.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 173, 2017: Les Blank. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff, Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0173_17.pdf. Letzte Änderung: 10.05.2017. Inhalt: Hans J. Wulff: Les Blank und das cinéma vitalité [1] Hans J. Wulff u. Ludger Kaczmarek: Les Blank: Filmografie [4]. Über (und mit) Les Blank [31]. Literatur [32] Les Blank und das cinéma vitalité Les Blank (* 27.11.1935 in Tampa, Florida; † 7.4.2013 in Berkeley, Kalifornien) studierte an der Tulane University in New Orleans Englische Sprache. Unter dem Eindruck des Ingmar-Bergman-Films Det sjunde inseglet (Das siebente Siegel, 1957) begann er eine Ausbildung zum Schauspieler und Dreh- buchautor, bevor er die Filmschule an der University of Southern California besuchte. -
Circumference Magazine
SAMPLE circumference fall 2020 us $12 can $14 CIRCUMFERENCE MAGAZINE SAMPLE Contents poetry poetry (continued) 4 Четыре Стихотворения из 5 Four Poems from 50 51 Housework russian chinese 家務 Воронежских Тетрадей The Voronezh Notebooks chung kwok keung may huang osip mandelstam john high & matvei yankelevich 58 The Ruin 59 The Ruin old english anonymous gnaomi siemens 16 (No Sapņu grāmatas) 17 (from a dream diary) latvian baiba bičole bitite vinklers 62 [Enterre-moi vite] 63 [Bury me quick] 64 [Tout gouvernail sera 65 [Each rudder will be french [Infrared Camera mon sabre d’aurore] my saber of dawn 18 ِمادون قرمز 19 23 22 Sealed Doors khal torabully nancy naomi carlson ابهام قفل ها persian garous abdolmalekian ahmad nadalizadeh & idra novey 66 POÉSIE ÉLÉMENTAIRE 67 ELEMENTARY POETRY 68 DROIT DE REGARD 69 IDEA INSPECTION 26 የሀገሬ ባሎች 27 Husbands of My Dear Country SUR LES IDÉES amharic mihret kebede eric ellingsen, jorga mesfin 84 GUILLOTINÉES EN 85 GUILLOTINED french & uljana wolf TÊTE À TÊTE HEAD TO HEAD ghérasim luca austin carder 28 አቃጅ 29 The Planner amharic mihret kebede uljana wolf 86 Ποίηση μες στην ποίηση 87 Poetry Within Poetry greek antonis fostieris george fragopoulos 30 Два вірші зі збірки 31 Two Poems from ukrainian Новий правопис 96 36 Sekund 97 36 Seconds A New Orthography slovenian serhiy zhadan john hennessy aleš šteger brian henry & ostap kin 102 epílogo 103 epilogue 38 Mi abuelo Klaus Kinski 39 My Grandfather Klaus Kinski 108 uma carta 109 a letter 40 Tres lombrices en la pileta 41 Three Worms in the (Rio, 24 de dezembro de 1981) (Rio, December 24, 1981) hacen en el fondo un Bottom of the Pool Make 110 uma carta (sem data) 111 a letter (undated) cuadro abstracto an Abstract Painting 112 Vacilo da vocação 113 Vacillation of Vocation portuguese ana cristina cesar (ana c.) elisa wouk almino 42 Notas para un fado 43 Notes for a Fado spanish silvina lópez medin jasmine v. -
PETER ZEITLINGER Director of Photography
PETER ZEITLINGER Director of Photography Narrative Features: SALT AND FIRE - Benaroya Pictures - Werner Herzog, director QUEEN OF THE DESERT - IFC Films/Benaroya - Werner Herzog, director ANGELIQUE - EuropaCorp - Ariel Zeitoun, director HATED - Independent - Lee Madsen, director MY SON, MY SON WHAT HAVE YE DONE - First Look Pictures - Werner Herzog, director Starring Willem Dafoe and Michael Shannon THE BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS - Millennium Films - Werner Herzog, director Nomination, Best Cinematography, Independent Spirit Awards Starring Nicolas Cage and Eva Mendes HOUSE OF CARDS - The Independents - Silvia Zeitlinger, director RESCUE DAWN - MGM - Werner Herzog, director Starring Christian Bale and Steve Zahn INVINCIBLE - Werner Herzog Filmproduktion - Werner Herzog, director Documentary Features: LO & BEHOLD, REVERIES OF THE CONNECTED WORLD - Magnolia Pictures - Werner Herzog, director INTO THE INFERNO - Netflix - Werner Herzog, director FROM ONE SECOND TO THE NEXT - AT&T - Werner Herzog, director CAVES OF FORGOTTEN DREAMS - Werner Herzog Filmproduktion - Werner Herzog, director TONTINE MASSACRE - Scrimshaw Productions - Ezna Sands, director ENCOUNTERS AT THE END OF THE WORLD - Discovery Films - Werner Herzog, director Nomination, Academy Award, Best Documentary GRIZZLY MAN - Lionsgate - Werner Herzog, director Winner, Alfred P. Sloan Prize, Sundance Film Festival Nine Best Documentary Awards WHEEL OF TIME - Werner Herzog Filmproduktion - Werner Herzog, director LITTLE DIETER NEEDS TO FLY - Werner Herzog Filmproduktion -
28Th GALWAY FILM FLEADH 5-10 JULY 2016
#filmfleadh 28th GALWAY FILM FLEADH 5-10 JULY 2016 TOWN HALL THEATRE, COURTHOUSE SQUARE, GALWAY www.galwayfilmfleadh.com · booking 091 569777 The Arts Council proudly supports film festivals to put audiences in the frame. 28th Galway Film Fleadh 5 – 10 July 2016 We would like to thank the following organisations for their support: Principal Funder Major Sponsors In Association with Supported by booking 091 569777 1 5 – 10 July 2016 Galway Film Fleadh From Sundance to the Galway Film Fleadh… Celebrating Irish Film all over the world A Date for Mad Mary Mom and Me Lost in France Crash and Burn The Young Offenders Bobby Sands: 66 Days Tiger Raid The Land of the Enlightened Moon Dogs www.irishfilmboard.ie 2 www.galwayfilmfleadh.com 28th Galway Film Fleadh 5 – 10 July 2016 Introduction Contents It’s that time of year again, and we are excited to once more showcase Galway as the beating heart of cinema in Ireland. or one week in the summer the entire Irish film industry descends on our Sponsors 1 “Cannes on the Corrib”, alongside filmmakers, talent, financiers and more Introduction 3 Ffrom every corner of the world. They share ideas, collaborate and watch Booking & Merchandise Info 5 films in the uniquely welcoming, intimate and informal atmosphere that only Galway Film Fleadh Map 5 a Galway festival experience could provide. More important, however, are our Day by Day Schedule 6 audiences which come from Galway, all over Ireland, and from almost every Panel Discussions 9 point of the globe, to see the best in new Irish and world cinema. -
Org Ayuntamiento
Desde hace ya cinco años, Madrid cuenta con un Festival Internacional de Documentales que atrae a un gran número de espectadores y es, a la vez, foro y lugar de encuentro para los profesionales del género. Un género, el cine de no ficción, que abarca una enorme variedad de propuestas, desde las puramente estéticas e innovadoras, hasta las que promueven enfoques de mayor calado, que evidencian las más variadas realidades sociales, culturales, artísticas o medioambientales. 6 En su edición de 2008, y como ya es habitual, Documenta tiene su principal foco de interés en su Sección Oficial. En ella, junto a las proyecciones de películas en sus dos formatos, corto y largometraje, en los que prima la originalidad, habrá un concurso de reportajes, que valorará especialmente el tratamiento y la presencia de la actualidad. Pero, además, el festival se nutrirá de sus siempre enriquecedoras secciones informativas. En ellas, destaca el homenaje a la figura de Michelangelo Antonioni, el enigmático cineasta, escritor y pintor italiano, célebre autor de la trilogía La aventura, La noche y El eclipse, que tanto dio que hablar a los cinéfilos españoles a comienzos de los sesenta, y sorprendente creador, más tarde, de Blow-up. Antonioni fue un gran innovador del cine y cultivó el género documental, a pesar de que su obra en este campo es prácticamente desconocida. Para tratar de rescatar del olvido esta valiosa faceta, se proyectarán algunos de sus trabajos. Muy vinculado a la mejor etapa de Antonioni, se ha programado también otro ciclo retrospectivo, Recuerdos del 68, con películas que evocarán los movimientos sociales y políticos del período, así como los sucesos de Mayo del 68 en París, coincidiendo con su 40 aniversario. -
Herbert Alan Golder
CURRICULUM VITAE Herbert Alan Golder CURRENT POSITION: Professor of Classical Studies, Boston University. Editor in Chief and Director, Arion, A Journal of Humanities and the Classics. EDUCATION: Boston University, B.A., summa cum laude (1975). Yale University, M.A. (1977). Yale University, M. Phil. (1979). Oxford University, Postgraduate (1982). Yale University, Ph.D. (1984). DISSERTATION: Euripides’ Andromache: A Study in Theatrical Idea and Visual Meaning (C. John Herington, Director). ACADEMIC POSITIONS: Professor of Classical Studies, Boston University (2004– ). Adjunct Professor of Film Studies, College of Communication, Boston University (2008). Associate Professor of Classical Studies, Boston University (1993–2004). Assistant Professor of Classical Studies, Boston University (1988–93). Assistant Professor of Classics, Emory University (1985–87). Director of Undergraduate Studies for Classics and Classical Studies (1985–87); Adjunct Professor of Comparative Literature (1985–87). Visiting Assistant Professor of Classics, Emory University (1984–85). Assistant Professor of Classics, Syracuse University (1982–85). Teaching Fellow/Instructor in Classics, Yale University (1977–80). CURRENT PROJECTS AND ACTIVITIES: Ballad of a Righteous Merchant, Notes on Herzog Directing My Son, My Son, What Have Ye Done, A Film by Herbert Golder (Director/Writer/Producer, documentary film, in post-production). Arion, A Journal of Humanities and the Classics, Editor in Chief and Director; triannual publication, Third Series (Winter 1990– ), volume XXI.1 published Summer 2013, volume XXI. 2 forthcoming, Fall 2013. “Further Unmodern Observations,” (series of essays, forthcoming 2014). The Lotus that Went to the Sea (Producer, documentary film, to premiere 2014). Shooting on the Lam, Ten Films with Werner Herzog (critical study and memoir, in progress) The Red Report (Writer/Producer, feature film, in development).