Annual Report 2019-20 Dear New World Symphony Family
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For Release: Tk, 2013
FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014. -
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FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Ko-Ichiro Yamamato Guest Trombone Recital
Music Department Calendar of Events May 7, 6:00 pm Tuba-Euphonium Studio Recital* May 10, 6:00 pm Garrett Poteat, piano recital* Central Washington University May 10, 8:00 pm Angel Martinez, voice recital* Department of Music May 11, 10:00 am Carl Hennings, double bass recital* presents: May 11, 12:00 pm Josephine Wells, clarinet recital* May 11, 1:00 pm Victoria Busby, graduate voice recital+ May 11, 2:00 pm Turner Englehart, composition recital* May 11, 3:00 pm Allison Pheasant, graduate voice recital+ May 11, 4:00 pm Lauren Cook, graduate voice recital* May 11, 5:00 pm Avery Garrett, voice recital+ May 11, 6:00 pm Abby Smith, voice recital* May 12, 12:00 pm Tomas Estigarribia, cello recital* May 12, 2:00 pm Nelson Green, voice recital* May 12, 6:00 pm Megan Schwark, graduate voice recital* May 13, 6:00 pm David McLemore, faculty tuba-euphonium recital* Ko-Ichiro Yamamato May 14, 6:00 pm String Studio Recital* May 15, 7:00 pm Trombone Studio Recital+ Guest Trombone Recital May 15, 8:00 pm Saxophone Studio Recital* May 18, 12:00 pm Sophie Mortensen, horn recital* May 18, 2:00 pm Matthew Cancio, violin recital* with May 18, 6:00 pm Bobby Odle, percussion recital* May 18, 8:00All pm dates and times subject to change.Sam For McClung, the most clarinetrecent recital* calendar of events, visit www.cwu.edu/music Chiao-Wen Cheng, piano May 19, 12:00 pm Kelly Grounds, trombone reictal* * Recital Hall + Dr. Wayne S. Hertz Concert Hall $ Ticketed May 19, 1:00 pm Selena Addison, voice recital+ MayParking 19, 2:00 is free pm every weekday after 4:30 p.m. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 Pm
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 pm ALLEN-BRADLEY HALL MILWAUKEE SYMPHONY POPS Stas Venglevski, bayan Frank Almond, violin Roza Borisova, cello Jeannie Yu, piano Verano Porteño .................................................................Astor Piazzolla Tanguera .............................................................................Mariano Mores Mumuki ................................................................................Astor Piazzolla Quejas de Bandoneón .................................... Juan de Dios Filiberto La Violetera ...............................................................................José Padilla El Choclo................................................................................Ángel Villoldo Jalousie “Tango Tzigane” ................................................. Jacob Gade La Cumparsita ............................................Gerardo Matos Rodríguez Fuga y Misterio ................................................................Astor Piazzolla Allegro Tangabile .............................................................Astor Piazzolla Gitanerias ...................................................................... Ernesto Lecuona Por Una Cabeza .................................................................Carlos Gardel The MSO Steinway piano was made possible through a generous gift from Michael and Jeanne Schmitz. The Milwaukee Symphony Orchestra’s Reimagined Season is sponsored by the United Performing Arts Fund. 1 MILWAUKEE SYMPHONY ORCHESTRA -
San Francisco Symphony 2019–2020 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / UPDATED OCTOBER 29, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Single tickets for the San Francisco Symphony’s 2019–20 season concerts go on sale MONDAY, July 22 at 8 am at the box office and are available online & by phone at 10am. Single tickets and subscription packages for the San Francisco Symphony’s 2019–20 season will be available at https://www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA IN HONOR OF MICHAEL TILSON THOMAS and JOSHUA ROBISON Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor Susanna Phillips soprano Jennifer Johnson Cano mezzo-soprano Jonathan Tetelman tenor Ryan McKinny bass-baritone San Francisco Symphony Chorus, Ragnar Bohlin director San Francisco Symphony Luke Kritzeck lightning design GLINKA Overture to Ruslan and Ludmila COPLAND “The Dodger” from Old American Songs Gordon GETTY Shenandoah COPLAND “Golden Willow Tree” from Old American Songs BRITTEN Variations and Fugue on a Theme by Purcell, Opus 34 BEETHOVEN IV. Finale: Ode, “To Joy” from Symphony No. 9 in D minor, Opus 125 San Francisco Symphony 2019-20 Season Calendar – Page 2 of 38 ALL SAN FRANCISCO CONCERT, CONDUCTED BY MICHAEL TILSON THOMAS Thursday, -
Americas Top Artplaces
America’s Top ArtPlaces 2013 America’s Top 12 ArtPlaces Art is inspiring and motivating. But it is also a powerful catalyst for The selection of these neighborhoods was based on a set of six indicators. change within communities, invigorating neighborhoods, supporting Four indicators measure the ingredients of vibrancy: the number of local businesses, and creating vibrant places where people want to be. retail and service businesses, the percentage of independent businesses, ArtPlace, a collaboration of leading national and regional foundations, the neighborhood’s Walk Score and the percentage of workers in banks and federal agencies, was founded to accelerate “creative creative occupations living in the neighborhood. Then two arts-related placemaking” – that is, putting art at the heart of a portfolio of strategies indicators were added: the number of arts-related non-profits and to revitalize communities in ways nothing else quite can. the number of arts-related businesses. Inside are profiles of the first-ever list of America’s Top ArtPlaces. Finally, neighborhood scores were normalized for family income, so that neighborhoods with the highest concentration of income did Twelve neighborhoods across the country were identified by ArtPlace not skew the results. as most successfully combining art, artists and other creatives, independent businesses, retail shops and restaurants, and walkability The results are 12 exciting, and sometimes surprising, neighborhoods – to make vibrant places. all unique, all deeply local, all relatively recent comeback stories with art at their heart. America’s Top ArtPlaces demonstrate how art and artists are creating the kinds of places people want to be. America’s Top 12 ArtPlaces (in alphabetical order, not ranked) Inside, you’ll get a look at what Brooklyn, NY Oakland, CA makes these communities The intersection of Downtown, Downtown, including Chinatown, America’s Top 12 ArtPlaces. -
Metamorphoses Curated by Claire Chase Soundbox
METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Descargar Revista Completa
ramona 97-diciembre-ok 11/30/09 12:21 PM Page 6 ramona revista de artes visuales nº 97. diciembre 2009 10 pesos Una iniciativa de la Fundación Start Editor fundador Gustavo Bruzzone Concepto Jacoby Grupo editor Roberto Amigo, José Fernández Vega, Graciela Hasper, Roberto Jacoby, Fernanda Laguna, Ana Longoni, Guadalupe Maradei, Judi Werthein Colaboradores permanentes Xil Buffone, Diana Aisenberg, Diego Melero, Mario Gradowczyk, Nicolás Guagnini, Lux Lindner, Alberto Passolini, Alfredo Prior, Daniel Link, Mariano Oropeza, ramona web M777, Melina Berkenwald www.ramona.org.ar [email protected] Coordinación y edición Santiago Basso Concepto [email protected] Jacoby Corrección Producción Dolores Curia Florencia Hipolitti Rumbo de diseño Desarrollo web Ros Leonardo Solaas Diseño gráfico Fundación START Silvia Canosa Tucumán 3758 (C1189AAB) Ciudad Autónoma de Bs As Suscripciones y ventas [email protected] Dolores Curia Coordinación general Publicidad Paula Bugni Florencia Hipolitti Patricia Pedraza Archivo y donaciones Prensa Dolores Curia Candelaria Muro Los colaboradores figuran en el índice Administración Muchas gracias a todos Julia Ramírez Aufgang ISSN 1666-1826 RNPI El material es responsabilidad de los autores y no puede ser reproducido sin su autorización 6 ramona 97-diciembre-ok 11/30/09 12:21 PM Page 7 índice LA INTERNACIONAL ARGENTINA 9 Introducción 10 Cuestionario sugerido 11 Cecilia Biagini 12 Diego Bruno Bibi Calderaro 13 Marula Di Como 14 León Ferrari 16 Mariano Gaich 17 Carlos Ginzburg 19 Julio Grinblatt 21 Nicolás Guagnini 22 Ruth Gurvich 23 Enrique Ježik 25 Leandro Katz 27 David Lamelas 27 Leopoldo Maler 28 Fabián Marcaccio 30 Gustavo Marrone 31 Marie Orensanz 32 Liliana Porter 34 Pablo Reinoso 39 Osvaldo Romberg 40 Miguel Rothschild 41 Áxel Straschnoy 42 Juan Tessi 44 Sergio Vega 46 Warhol y Duchamp. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
Vienna Philharmonic Orchestra Probably No Individual Composer Has Ever En- Gether, “I Was Leader of the Second Violins
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, February 25, 2011, 8pm Franz Schubert (1797–1828) anything else, he learned it all from God him- Zellerbach Hall Symphony No. 2 in B-flat major, D. 125 self”) and the famed Antonio Salieri (“You can do everything, you are a genius”), but also by his Composed in 1815. fellow students. Josef von Spaun, who became a lifelong friend, wrote of their school days to- Vienna Philharmonic Orchestra Probably no individual composer has ever en- gether, “I was leader of the second violins. Little gendered such an avalanche of new music as Schubert stood behind me and fiddled. [Many Semyon Bychkov, conductor flowed from Franz Schubert’s pen in 1815. There orchestras, except for the cellists, performed are almost 200 separate works from that one standing until the mid-19th century.] Very soon, year: the Second and Third Symphonies, a string I noticed that the little musician far surpassed quartet, two piano sonatas and four other large me in rhythmic surety. This aroused my interest PROGRAM piano works, two Masses, four choral composi- and made me realize with what animation the tions, five operas and 146 songs, eight coming in lad, who seemed otherwise quiet and indifferent, a single day in May. Schubert capped the year’s gave himself up to the impression of the beauti- Franz Schubert (1797–1828) Symphony No. 2 in B-flat major, D. 125 (1815) activities by producing Der Erlkönig on New ful symphonies which we played.” The school or- Year’s Eve. He was 18. chestra tackled works by Haydn, Mozart (“You Largo — Allegro vivace A year earlier, in the autumn of 1814, could hear the angels sing,” Schubert wrote of Andante Schubert had been exempted from compul- the G minor Symphony) and early Beethoven, Menuetto: Allegro vivace sory 13-year (!) military service because of his as well as such lesser masters as Krommer, Presto vivace short stature (barely five feet) and terrible eye- Kozeluch, Méhul and Weigl.