Music Appreciation

Total Page:16

File Type:pdf, Size:1020Kb

Music Appreciation Music Appreciation Hip Hop/Rap Hip Hop/Rap Beginnings: • New York’s Bronx: People began rapping in streets/parties to DJ’s beats and sampling • Sampling: Taking a portion (sample) of a sound recording and reusing it in another sound recording. • Rapping: Spoken or chanted rhyming lyrics performed to beat – Poor socio-economic area – High black and Hispanic population – Civil rights issues • Influences: – Funk/Soul Music: James Brown (“Funky Drummer” & “Superbad”) » Rap like singing » Heavy on the Drums/Bass/funky guitar – Jamaican: » DUB: DJ’s take out vocal/melody of pre-existing songs and emphasize bass and drums. Add sound effects such as echo, reverb, & delay. » Vocal rhythmic style • First Commercial Success: – Sugar Hill Gang: “Rapper’s Delight” 1979 – http://www.youtube.com/watch?v=b6gD_CwF5YM • Members: – Henry “Big Bank Hank” Jackson – Michael “Wonder Mike” Wright – Guy “Master Gee” O’Brien. • From Bronx, New York • Starts with Latin-flavored Beat • Samples, Chic’s disco hit “Good Times” – http://www.youtube.com/watch?v=8g6bUe5MDRo • Brought Rap to mainstream • Gangsta Rap: – N.W.A. 1986-1991 • Members: – Eazy E, Dr. Dre, Ice Cube, DJ Yella, MC Ren, Arabian Prince • From Comptown, CA • Debut album, “Straight Outta Comptown” 1989 – Songs to know: » “Straight Outta Comptown” http://www.youtube.com/watch?v=lAxP5oy2Ox4 » “Boyz In The Hood” – N.W.A. (Cont.) • Lyric Topics: – Inner City Life – Police Brutality – Sex & Drugs – “Gang” Life • Dr. Dre went on to become a solo artist and producer, helping launch the careers of Snoop Lion (Doggy Dogg) and Eminem. • Ice Cube went on to become a solo artist and actor. • The Beastie Boys: – Hip Hop band from New York –Members: • Mike D (Mike Diamond) • MCA (Adam Yauch) • Ad Rock (Adam Horovitz) – Started as a Punk Band but had released rap album “Licensed to ill” in 1986 • Best Selling Rap Album of the 1980’s • First Rap Album to go #1 on Billboard Chart • The Beastie Boys (Cont.) – Introduced more rock sounds to rap – Songs to know: • “Fight For Your Right To Party” – http://www.youtube.com/watch?v=eBShN8qT4lk • “She’s Crafty” uses Led Zeppelin sample – www.youtube.com/watch?v=CFFS3ndWSJ4 •“Paul Revere” • Notorious B.I.G. – New York City Rapper (1972-1997) – 2 Studio Albums: • “Ready To Die” • “Life After Death” – Killed in drive by shooting in Los Angeles in 1997 – Lyrical Style: • Laid back • Easy flow rhymes • Storytelling – Song to know: • “Hypnotize” http://www.youtube.com/watch?v=ypP8sMHo74Y •“Big Poppa” • “Juicy”.
Recommended publications
  • Death Row Records
    The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved
    [Show full text]
  • “Rapper's Delight”
    1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap.
    [Show full text]
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • Capturing Hip Hop Histories
    capturing hip hop histories SOUTH-WEST HEADZ Master Blast Roadshow poster by Raz (Kilo), 1986. Photograph: Kilo. First published 2021 2021 Adam de Paor-Evans Cover graff by Remser Remser started writing in 1997 after seeing dubs and pieces by Sceo, Fixer, Teach, and G-Sane at the M5 pillar spot in Exeter. His school bus used to loop around Sannerville Way and the pieces could be seen from the road as well as the train. A couple of years prior to this, Remser’s mum randomly bought him a copy of Spraycan Art, and he knew straight away that it was something he wanted to be part of. In early 2000 he moved to London and hooked up with the DNK/CWR boys, they were way better than him and super-active but this experience pushed him to develop his style and learn about all aspects of graffiti writing. Respect and love to all of the South-West writers and hip hop headz, too many to mention but you know who you are! DNK CWR Waxnerds forever... Approved for free Cultural Works Creative Commons Licence Attribution 4.0 International Published by Squagle House, United Kingdom Printed in Great Britain Although every precaution has been taken in the preparation of this publication, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. RHYTHM•obscura: revealing hidden histories through ethnomusicology and cultural theory is a long-term research venture that explores the relationships of the non-obvious and regional-rural phenomena within music cultures.
    [Show full text]
  • Faith Evans, Respectively
    THE NOTORIOUS B.I.G. TOUCHED MILLIONS OF LNES WITH HIS THOUGHT-PROVOKING Biggie left two kids RHYMES AND HIS "BIG POPPA" PERSONAL STORY OF ASHY-TO-CLASSY GRACE. FANS SHARED IN THE BROOKLYN MC'S UPS AND DOWNS AND RELIVED HIS LIFE EVENTS through his witty wordplay. When Big died in 1997, he left behind a catalog of two behind with his albums'worth of released music (1994's Ready to Die and 1997's double-disc Life After Death ) and enough left over for two more posthumous projects (1999's Born Again and zoos's Duets: The Final Chapter) and then some. untimely passing. Their As important as the music Big left behind is, his real legacy is in his two children, T'yanna Wallace, 18, and Christopher "C.J."Wallace, 15. And the mamas. Jan Jackson protectors of that lineage are their mothers, Jan Jackson and Faith Evans, respectively. Jan, Big's girlfriend of four years during his days before the music, and R&B songstress Faith, Big's estranged wife, have spent the past 15 years and Faith Evans. raising T'yanna and C.J. as a close brother-and-sister pair while the two women became friends themselves. Today, Jan, 41, spends a chunk of her time working with The Christopher Wallace Foundation and lives in the Poconos next door have spent the past to Vol etta Wallace, Big's mom. Faith, 38, is currently unsigned, living in Los Angeles and raising C.J. and her three other children, Chyna, 19; Joshua, 13; 15 years keeping and Ryder, 4· XXL caught up with the two ladies of Big's life responsible for raising his seeds his memory alive to discuss the past 15 years without him.
    [Show full text]
  • “Straight Outta Compton”—NWA (1988)
    “Straight Outta Compton”—N.W.A (1988) Added to the National Registry: 2016 Essay by Ben Westhoff (guest post)* “Straight Outta Compton” LP N..W.A Gangsta rap existed before “Straight Outta Compton,” but N.W.A’s landmark 1988 album popularized the genre and serves as its standard bearer even today. The mythology of the artists behind its creation also continues to loom large: Eazy-E, the Compton crack dealer who used his profits to finance a hip-hop career; Dr. Dre, his neighbor who’d most recently been DJ-ing in flamboyant, sequined outfits for a song-and-dance group; Ice Cube, the ostentatious high school rapper from South Central Los Angeles whose writing gifts matched his aggressive delivery. But it was the characters they imagined--both militarized street kids sick of being humiliated by the cops and brash punks on the hunt for sex and cheap booze--that shaped the album, marching in time to Dr. Dre’s assault of chopped samples, wailing sirens, guitar riffs, and rapid drum machine beats, all of it more tuneful than it sounds on paper. Rounded out by the group’s other firebrand rapper, MC Ren, Dr. Dre’s production partner, MC Yella, and electro-rap holdover Arabian Prince--not to mention hugely influential ghostwriter D.O.C.--N.W.A reshaped hip-hop music in their own image. They called it “reality rap,” but in the beginning it was far from clear that N.W.A would rap unvarnished lyrics threatening the status quo. Dr. Dre and Ice Cube’s earlier music disparaged the gang lifestyle, and just about everyone in the group admired Prince.
    [Show full text]
  • Rapper's Delight
    The Sugarhill Gang: Rapper's Delight (1979) - lyrics I said-a hip, hop, the hippie, the hippie To the hip hip hop-a you don't stop the rock It to the bang-bang boogie, say up jump the boogie To the rhythm of the boogie, the beat Now what you hear is not a test, I'm rappin' to the beat And me, the groove and my friends are gonna try to move your feet See I am Wonder Mike and I'd like to say hello To the black, to the white, the red and the brown, the purple and yellow But first I gotta bang bang the boogie to the boogie Say up jump the boogie to the bang bang boogie Let's rock, you don't stop Rock the riddle that will make your body rock Well, so far youve heard my voice, but I brought two friends along And next on the mic is my man Hank: come on, Hank, sing that song Check it out: I'm the C-a-s-an-the-o-v-a, and the rest is f-l-y Y'see I go by the code of the doctor of the mix and these reasons, I'll tell ya why: Y'see I'm six-foot-one and I'm tons of fun, and I dress to a T Y'see I got more clothes than Muhammad Ali and I dress so viciously I got bodyguards, I got two big cars that definitely ain't the wack I got a Lincoln Continental and a sunroof Cadillac So after school, I take a dip in the pool which is really on the wall I got a color TV, so I can see the Knicks play basketball Hear me talkin' 'bout checkbooks, credit cards, more money than a sucker could ever spend But I wouldn't give a sucker or a bum from the rucker, not a dime till I made it again Y'go hotel, motel, whatcha gonna do today? (Say what?) Y'say I'm gonna get a fly
    [Show full text]
  • Hiphop Aus Österreich
    Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet
    [Show full text]
  • “Ready to Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS
    “Ready To Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS 1 F.Sargentone march 2017 ed: /2 2 READY TO BE The Anti-Cinematographic eye Writing an introduction to this publication has probably been one of the most difficult things I have ever done in the recent years. I thought it could have been easy to talk about one of the most influential records of the whole music history. It turned out that this loose, A5 –sized, home printed book- let is the only existing monographic work on Notorius B.I.G.’s Ready To Die. By stating this at the beginning of the sup- posed dissertation, I want to make sure that the reader could read these lines as the raw output of a deep, although instinc- tive, research on one of the milestones of hip-hop cultural history. The research pro- cess, of which this booklet testifies the ma- terial result, has been spontaneous, in the sense that did not started as a canonical research question, but instead it happened a posteriori, being the record a very famil- iar matter for me since ages. As you will see, the lyrics of the songs contained within Ready To Die are formal- ly printed –without any additional editing– from RapGenius, a world famous website collecting lyrics and anecdotes of hip-hop songs from users. The oral history com- ponent of this platform is an essential el- ement shared with early hip-hop culture, in which realities existed and formalised themselves only via word of mouth or so- cio-cultural affinity with the hip-hop phe- nomenon.
    [Show full text]
  • “Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (Guest Post)*
    “Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (guest post)* Sugarhill Gang Original disc Sylvia Robinson Introduction To those who were alive in the late 1970s, the song “Rapper’s Delight” was, upon its release, a sensational, soul-gripping, well-celebrated and well-applauded song. “Rapper's Delight” by the Sugarhill Gang, like every other great song, has enjoyed its fair share of appreciation, recognition and criticisms and indured a few scandals and lawsuits and other disputes typical of many hit songs of that era. The 1970s was an age of continual development in rap music which had begun no less than seven years before. Rap artists struggled to find voice, or even producers, to support their talents or provide a covering for their gifts. That era sank more rap ships than any in history and few nascent rappers had the guts to keep on living through the genre which was slowly coming to be known as hip-hop. The song “Rapper's Delight” itself was termed the pioneer upon which the wide-scale influx of hip-hop to the larger market was built. Not that it was the first rap song released, but it was one of a kind, considering the overall reception to hip-hop music back in the day. Upon its release in 1979, the Sugarhill Gang’s song, produced by Sylvia Robinson, brought the never-heard before freshness of rap with the oddity of blending different rap styles and content into one big blend: hip-hop. Components of “Rapper’s Delight” included dance, sexuality, charisma, buoyance and other themes which went as far as including the spirit and obsessive nature of such singers as James Brown.
    [Show full text]
  • Downtown Reading!
    Destination: Downtown Reading! I S S U E 6 5 MAY 7, 2018 The Reading Downtown Go Go Gadjet Kicking Off Improvement District office is located at 645 Penn Street, First Floor, Suite 105. Downtown Alive Free Concerts Office hours: Monday through Friday, 8 a.m. to 4:30 p.m. Office number: 610-376-6424 DID Ambassadors number: 484-955-0315 (Please call this number directly for escort assistance to vehicles, trash and leaf removal, graffiti removal, and public nuisance issues) DID You Know? As one of the sponsors of the Downtown Alive free outdoor concert series, the Reading Parking Authority will provide free parking at its Fourth and Cherry garage starting at 4 p.m. on each concert day. Parking Authority rules and regulations will apply at Go Go Gadjet, an immensely popular regional band that describes itself as “a burst of other locations it oversees electric funk carried on the back of a thundering juggernaut of searing rock,” will open in downtown Reading. the fourth annual Downtown Alive free outdoor concert series on Wednesday, June 20. The series will include four other concerts featuring performers who will appeal to Here is some additional a variety of tastes. information about the The shows will be staged again on Penn Street by the Reading Downtown concert series: Improvement District in partnership with Illusion Sound & Lighting, which is booking the acts, and Greater Reading Chamber Alliance. The concerts will take Opening for Go Go Gadjet will be Glassbeard, a duo comprised of DJ Aaron Miller place rain or shine. and drummer Evan Kirkley, who describe themselves as “carving out their own place Only severe thunder- in the Dance Music World.” storms would delay or “We’re excited to have Go Go Gadjet kick off this year’s concert series,” said Charles force cancellation of R.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]