Faith Evans, Respectively
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Reporters .Am:.,#,::T-MM ..
98 R &R September 24, 1999 Reporters .aM:.,#,::t-MM .._... .. , ef.e Stations and their adds listed alphabetically by market Uit an PA KATZ/St. Louis, MO KBCE /Alexandria, LA WWWZ/Charleston, SC KKDA/Dallas, TX' WTMG/Gainesville, FL WKGN/Knoxville, TN WKPO/Madison, WI WDAI/Myrtle Beach, SC WAMO/Pittsburgh, PO: Ron PO: Chuck Atkins PD: Kenny Smoov PO: TerryBase PO/MD:SkipCheatham OM/PD/MD:Don Cody PD: Thomas Henderson PD: Chris Lee PDANO: Chris Clay /dins "Everyone" MD: DJ Boogie MO: DejaVu MD: R.J. Polk EIGHrBALL & MJG "Hands" 3 PUFF DADDY "Like" APO: Quincy 1 MOTIVATION "Moment' MD: LaTone Had TANTO METRO... GOODIE MOB "Chain" CASE 'Think' 8 SNOOPDOGG "B- Please" 6 IMX'Stay" NO QUESTION "Care" JIM CROW "Bandits" GOODIE MOB "Chain" 5 GAP BAND "Good" PROJECT PAT "Balers" FREDDIEJACKSON'Wanni' 3 DESTINY'S CHILD 'Bug" TEE KEE "Freak" OL DIRTY BASTARD "Money" FORBIDDEN"Rain" JIM CROW "Dupe" TEAR DA CLUB UP "Cash" 1 BRANDY "Know" GOODIE MOB "Chain" DESTINY'S CHILD "Bug" DMX "Cat" PUFF DADDY "Lke" TEE KEE "Freak" 1 K-CI & JOJO "Fee" BIG PUNISHER 'Thug" RUDY "Lkx" FAITH EVANS "Rght" GOODIE MOB "Chain" STSIDECONNECTION "Reign" PUFF DADDY "Lke" GOODIE MOB "Chain" RUDY "Lke" MOBS DEEP 'Quiet" DMX "Ca FORBIDDEN "Rain" WYCLEF JEAN F/BONO "New' WROU/Dayton, OH' TEE KEE"Freak" BIG PUNISHER "Thug" ANGEL SESSIONS "Get" JONATHAN BUTLER "Do" WTMP/Tampa, FL' JIM CROW "Banda" PO: Marco Simmons SANTANA"Manz" CHRIS MOUTAS "Lies" FORBIDDEN "Rain" WYCLEF JEAN F/BONO "New" TEAR DA CLUB UP _ "Cash' MOBB DEEP "Quiet" WOOK/Nashville, TN' PD: Steele NoAs SHALOM "Doubt -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
The Guardian, November 19, 1997
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 11-19-1997 The Guardian, November 19, 1997 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1997). The Guardian, November 19, 1997. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. SPORTS SPOTLIGHT Big Lens /M Raiders Film undeafeated Festival pF p. 13 4 coming to Page Women's basketball team drops openur to West Virginia, p. 13 Manor, p. 9.^ " Public Safety director resigns Bruce Lewis takes job at University of Illinois after two years at WSU By SEAN T. THATCHER Jan. I. conversations on what will happen when he justice. He was named officer of the year Staff Writer The new position will be a definite career leaves," said Dan Abrahamowicz, vice presi- during his time as an investigator with a advancement because of the larger campus dent of student affairs, who wi!! decide on municipal police department. Director of Public Safety Bruce Lewis size and the greater number of officers at UI, Lewis' replacement. Abrahamowicz and Lewis was also chief of police at Nicholls has resigned from Wright State University. according 1 o Lewis. Lewis will evaluate WSU's existing staff for University where he was credited with hav- Lewis will move to Chicago to lead the "Dealing with the same urban-type is- a possible replacement and will possibly ing the seventh safest campus in the country, University of Illinois' police force. -
How Does Music Affect Typing Speed?
CALIFORNIA STATE SCIENCE FAIR 2008 PROJECT SUMMARY Name(s) Project Number Joseph E. Colona J0304 Project Title How Does Music Affect Typing Speed? Abstract Objectives/Goals The purpose of this project was to determine the genre of music and the tempo of music that produces the fastest typing speeds in words per minute. Methods/Materials First subjects were taken, one at a time, to a computer to type. The subjects typed predetermined lines while listening to different predetermined songs, which fit into different musical genre/tempo categories. The genre/tempo categories used were fast rock, slow rock, fast blues, slow blues, fast rap, slow rap and no music. The number of words per minute for each subject was recorded. The recorded information was then averaged, graphed and compared. Three trials were run. Materials: 1 101 standard keyboard; 1 PC computer; 1 Mavis Beacon Teaches, Typing Version 15, program for PC; 1 pair of Califone 2924AV-PS headphones; 6 songs; "Tell Me How Do You Feel" by Ray Charles (Fast Blues); "A Dream" by Jay-Z featuring Faith Evans and Notorious Big (Fast Rap); "The Pretender" by Foo Fighters (Fast Rock); "That Evil Child" by B.B. King (Slow Blues); "I Made It" by Jay-Z (Slow Rap); "Californication" by Red Hot Chili Peppers (Slow Rock); 1 Permission slip per test subject; 100 subjects ages 8-14. Results The results of this of this experiment showed that fast rap produced the fastest typing speeds at 13.54 words per minute. Slow rock produced the second fastest typing speed at 12.21 words per minute. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L. -
“Ready to Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS
“Ready To Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS 1 F.Sargentone march 2017 ed: /2 2 READY TO BE The Anti-Cinematographic eye Writing an introduction to this publication has probably been one of the most difficult things I have ever done in the recent years. I thought it could have been easy to talk about one of the most influential records of the whole music history. It turned out that this loose, A5 –sized, home printed book- let is the only existing monographic work on Notorius B.I.G.’s Ready To Die. By stating this at the beginning of the sup- posed dissertation, I want to make sure that the reader could read these lines as the raw output of a deep, although instinc- tive, research on one of the milestones of hip-hop cultural history. The research pro- cess, of which this booklet testifies the ma- terial result, has been spontaneous, in the sense that did not started as a canonical research question, but instead it happened a posteriori, being the record a very famil- iar matter for me since ages. As you will see, the lyrics of the songs contained within Ready To Die are formal- ly printed –without any additional editing– from RapGenius, a world famous website collecting lyrics and anecdotes of hip-hop songs from users. The oral history com- ponent of this platform is an essential el- ement shared with early hip-hop culture, in which realities existed and formalised themselves only via word of mouth or so- cio-cultural affinity with the hip-hop phe- nomenon. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Poem for a Friend
the whole wide world (1980-2013) copyright © 2013 by big poppa e book design by big poppa e www.bigpoppae.com all rights reserved. except as permitted under the u.s. copyright act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of big poppa e or his official representatives. any work contained within this publication may be freely performed in front of live audiences without first obtaining permission from big poppa e. furthermore, video and audio recordings of these works by anyone other than big poppa e can be freely posted and distributed on the world wide web or by any other means as long as no profit is generated. video and audio recordings of big poppa e performing his own works, however, may not be reproduced or distributed without the prior written permission of big poppa e. in plain english, it’s totally okay for you to read anything in this book out loud any time you want without permission, and if you record yourself doing the work, no worries, share it with anyone you like. but you are not allowed to record big poppa e reading his work out loud, and you are not allowed to share or sell videos or mp3s of big poppa e doing his work. it’s not that big poppa e doesn’t… okay, you know what, this is me, big poppa e, and i am talking directly to you. -
World Renowned Music Superstars Faith Evans, Naughty by Nature and India to Perform at Newark Celebration 350 Founders Weekend Festival May 13-15, 2016 in Newark
WORLD RENOWNED MUSIC SUPERSTARS FAITH EVANS, NAUGHTY BY NATURE AND INDIA TO PERFORM AT NEWARK CELEBRATION 350 FOUNDERS WEEKEND FESTIVAL MAY 13-15, 2016 IN NEWARK NEWARK’S LOCAL HOMETOWN HEROES AND INTERNATIONAL RECORDING ARTISTS WILL HEADLINE FREE OUTDOOR FESTIVAL CELEBRATING 350 YEARS OF THE ARTS, CULTURE AND COMMUNITY OF ONE OF AMERICA’S GREAT HISTORICAL CITIES HIGHLIGHTS INCLUDE PERFORMANCES BY JAZZ ARTIST STEFON HARRIS WITH THE UNITED STATES AIR FORCE ENSEMBLE, THE AIRMEN OF NOTE, GOSPEL GROUP JUBILATION WITH CISSY HOUSTON, JAZZ HOUSE KIDS, BRICK CITY JAZZ ORCHESTRA, WELLS FARGO JAZZ FOR TEENS, NEWARK’S TOP DJS FELIX HERNANDEZ AND BOBBY TRENDS, PUBLIC ART EXHIBITIONS PLUS, THE NC 350 NORTH WARD FOOD TRUCK FESTIVAL, A COMMUNITY ORGANIZATIONS EXPO, KIDZ KORNER FOR FAMILY FUN ACTIVITIES AND MUCH MORE Newark, NJ-(March 30, 2016)-Newark Celebration 350 (NC 350) today announced that Grammy Award-winning music mega stars and the pride of Newark, Faith Evans and Naughty by Nature with ―the Princess of Salsa,‖ India, and some of Newark’s top local performing artists will headline, Founders Weekend Festival, a two and a half day event of arts and entertainment, culture and community that celebrates the 350th anniversary founding of one of America’s greatest cities. From May 13-15, this free and open to the public Festival will take over Newark’s Military Park and its surrounding areas with two stages of daytime and nightly music concerts, which, in addition to international recording stars, will feature an unprecedented lineup of Newark’s top -
Adult Contemporary
ADULT CONTEMPORARY Click to open ‘bookmarks’ on left side for easier search Song Title Artist Song Title Artist TURN THE BEAT AROUND GLORIA ESTEFAN POMP & CIRCUMSTANCE BOSTON POPS FADE INTO YOU MAZZY STAR NOBODY DOES IT BETTER CARLY SIMON DREAM ON AEROSMITH POWER OF LOVE CELINE DION ALL OUT OF LOVE AIR SUPPLY BEHIND CLOSED DOORS CHARLIE RICH HEAD OVER FEET ALANIS MORISSETTE THE MOST BEAUTIFUL GIRL CHARLIE RICH IRONIC ALANIZ MORISSETTE WICKED GAME CHRIS ISAAK EVERY HEARTBEAT AMY GRANT I WILL TAKE YOU FOREVER CHRISTOPHER CROSS LOVE STORY ANDY WILLIAMS SAILING CHRISTOPHER CROSS MAY EACH DAY ANDY WILLIAMS LONGER DAN FOGELBERG MOON RIVER ANDY WILLIAMS SOMETIMES WHEN WE TOUCH DAN HILL MORE ANDY WILLIAMS GOOD TIMES DAN SEALS THEME FROM THE GODFATHER ANDY WILLIAMS WHERE ARE YOU GOING DAVE MATTHEWS WISHIN & HOPIN ANI DEFRANCO WAIT A LITTLE WHILE DAVEKOZ I ONLY HAVE EYES FOR YOU ART GARFUNKEL LADY IS A TRAMP DAVID HUNTSINGER EVERGREEN BARBARA STREISAND THAT'S WHAT FRIENDS ARE FOR DIONNE WARWICK MEMORY BARBARA STREISAND NEVER ON A SUNDAY DON COSTA BARBRA STREISAND / HEARTACHE TONIGHT EAGLES I FINALLY FOUND SOMEONE BRYAN ADAMS SHINING STAR EARTH WIND & FIRE BARBRA STREISAND / NEIL LA VIE EN ROSE EDITH PIAF YOU DON'T BRING ME FLOWERS DIAMOND I'LL BE EDWIN MCCAIN COPACABANA 1993 BARRY MANILOW BLESSED ELTON JOHN I WRITE THE SONGS BARRY MANILOW CIRCLE OF LIFE ELTON JOHN MANDY BARRY MANILOW ROCKET MAN ELTON JOHN BOOGIE WOOGIE BUGLE BOY BETTE MIDLER TINY DANCER ELTON JOHN FROM A DISTANCE BETTE MIDLER ENGELBERT THE ROSE BETTE MIDLER AFTER THE LOVIN' HUMPERDINCK