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Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Faith Evans, Respectively
THE NOTORIOUS B.I.G. TOUCHED MILLIONS OF LNES WITH HIS THOUGHT-PROVOKING Biggie left two kids RHYMES AND HIS "BIG POPPA" PERSONAL STORY OF ASHY-TO-CLASSY GRACE. FANS SHARED IN THE BROOKLYN MC'S UPS AND DOWNS AND RELIVED HIS LIFE EVENTS through his witty wordplay. When Big died in 1997, he left behind a catalog of two behind with his albums'worth of released music (1994's Ready to Die and 1997's double-disc Life After Death ) and enough left over for two more posthumous projects (1999's Born Again and zoos's Duets: The Final Chapter) and then some. untimely passing. Their As important as the music Big left behind is, his real legacy is in his two children, T'yanna Wallace, 18, and Christopher "C.J."Wallace, 15. And the mamas. Jan Jackson protectors of that lineage are their mothers, Jan Jackson and Faith Evans, respectively. Jan, Big's girlfriend of four years during his days before the music, and R&B songstress Faith, Big's estranged wife, have spent the past 15 years and Faith Evans. raising T'yanna and C.J. as a close brother-and-sister pair while the two women became friends themselves. Today, Jan, 41, spends a chunk of her time working with The Christopher Wallace Foundation and lives in the Poconos next door have spent the past to Vol etta Wallace, Big's mom. Faith, 38, is currently unsigned, living in Los Angeles and raising C.J. and her three other children, Chyna, 19; Joshua, 13; 15 years keeping and Ryder, 4· XXL caught up with the two ladies of Big's life responsible for raising his seeds his memory alive to discuss the past 15 years without him. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Political Aesthetic of Irony in the Post-Racial United States Permalink https://escholarship.org/uc/item/8fd7t1ph Author Jarvis, Michael Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Political Aesthetic of Irony in the Post-Racial United States A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Michael R. Jarvis March 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Sherryl Vint Dr. Keith Harris Copyright by Michael R. Jarvis 2018 The Dissertation of Michael R. Jarvis is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been possible without the support of my committee, Professors Jennifer Doyle, Sherryl Vint, and Keith Harris. Thank you for reading this pile of words, for your feedback, encouragement, and activism. I am not alone in feeling lucky to have had each of you in my life as a resource, mentor, critic, and advocate. Thank you for being models of how to be an academic without sacrificing your humanity, and for always having my back. A thousand times, thank you. Sincere thanks to the English Department administration, UCR’s Graduate Division, and especially former Dean Joe Childers, for making fellowship support available at a crucial moment in the writing process. I was only able to finish because of that intervention. Thank you to the friends near and far who have stuck with me through this chapter of my life. -
Examining the Role Hip-Hop Texts Play in Viewing the World
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D. -
STARS Rapitalism
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Rapitalism Martin Smith University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Smith, Martin, "Rapitalism" (2006). Electronic Theses and Dissertations, 2004-2019. 747. https://stars.library.ucf.edu/etd/747 RAPITALISM by MARTIN D. SMITH B.S. University of Washington, 2003 A thesis proposal submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2006 © 2006 Martin D. Smith ii ABSTRACT My paper questions the degree to which the hip hop subculture is oppositional to mainstream American society and its ideals. Toward that end, I examine the structure of the hip hop industry and its subculture. While the hip hop subculture in America consistently has projected images of rebellion and resistance to many of the mores, constraints and values of dominant society, the actual structure and organization of the hip hop subculture have mirrored, supported and promoted the values of the dominant culture in the United States. I begin by examining the structure of the main elements of the hip hop subculture: deejaying, breakdancing, emceeing and graffiti art, and the practices within each to demonstrate that the hip hop subculture has a structure which supports capitalistic practices. -
Hold Ya Head Notorious Big Free Mp3 Download Notorious B.I.G
hold ya head notorious big free mp3 download Notorious B.I.G. Christopher George Latore Wallace (May 21, 1972 ? March 9, 1997), also known as Biggie Smalls (after a stylish gangster in 1975's Let's Do it Again) and Frank White (from the film King of New York), but best known as The Notorious B.I.G. (Business Instead of Game and, since his death, Books Instead of Guns), was a popular Brooklyn-born rapper of the mid-1990s. His career was overshadowed by the Bad Boy/Death Row Records feud during his life, but following his untimely death in 1997, The Notorious B. His career was overshadowed by the Bad Boy/Death Row Records feud during his life, but following his untimely death in 1997, The Notorious B.I.G. has been celebrated as a hip-hop legend. He is remembered for his storytelling ability, talented freestyling ability, and his easy to understand yet complex flow. The Notorious B.I.G. is considered by many to be one of the greatest rappers of all time. Christopher Wallace was born in the Bedford-Stuyvesant section of Brooklyn, New York. His father, George Latore, left the family shortly after his birth, and his mother, Voletta, was a schoolteacher. While he is known to have dropped out of school and become a drug dealer, his mother has claimed that the family was not poor and that Wallace exaggerated his childhood situation in his lyrics. His best childhood friend and inspiration was a chubby kid who went by the name of Lil Punisha. -
Asher Roth, Bow Wow, Brandy, Diddy, DJ Kid Capri, Drake
Asher Roth, Bow Wow, Brandy, Diddy, DJ Kid Capri, Drake, Fabolous, Geto Boys, Jonah Hill, Keri Hilson, Khujo Goodie, Lauren London, Romeo, Ray J, Silkk the Shocker and T.I. Join the 7th Annual '2010 VH1 Hip Hop Honors: The Dirty South' Celebration Premier 2010 Honorees Include Jermaine Dupri, J Prince of Rap-A-Lot Records, Luther "Luke" Campbell, The 2 Live Crew, Master P and Organized Noize Actor/Comedian Craig Robinson ("The Office"/"Last Comic Standing") Will Host NEW YORK, June 2, 2010 /PRNewswire via COMTEX/ --Back for its 7th year, the "2010 VH1 Hip Hop Honors" will celebrate the achievements of hip hop with a little southern twist. This year, the showwill celebrate the music, the influence and the artists from The South. Honorees Jermaine Dupri, J Prince of Rap-A-Lot Records, Luther "Luke" Campbell, The 2 Live Crew, Master P, and Organized Noize will be honored through performances in collaboration with some of today's hottest talent. Hosted by Craig Robinson, "2010 VH1 Hip Hop Honors: The Dirty South" will tape from NYC's Hammerstein Ballroom and air on VH1 on Monday, June 7 at 9:00 PM ET/PT. 100 Grand Band, A.K., Asher Roth, Black Don, Bow Wow, Cool Breeze, Diddy, DJ 5000 Watts, DJ Domination, DJ Freestyle Steve, DJ Jelly, DJ Mixx, DJ Kid Capri, DJ Mike Love, D.O.E., Drake, Fabolous, Geto Boys, Keri Hilson, Khujo Goodie, Lil D, Nasty Delicious, Romeo, Sebastian, Silkk the Shocker and Valentino will join previously announced performers Bone Crusher, Bun B, Chamillionaire, Dem Franchize Boyz, DJ Drama, DJ Khaled, Flo Rida, Gucci Mane, Juvenile, Lil Jon, Missy Elliott, Murphy Lee, Mystikal, Nelly, Paul Wall, Pitbull, Rick Ross, Slim Thug, T- Pain, Trick Daddy, Trina and Ying Yang Twins with performances that are sure to make the South proud. -
Tia Rivera EPK
Choreographer Creative Director TIA RIVERA Entertainer and New York City native, Tia Rivera began dancing professionally at 17 and since then, Tia has performed globally with some of the world's biggest superstars. Her performance credits include working alongside Jennifer Lopez, Rihanna, Beyonce, Usher, Mariah Carey, Gwen Stefani, Kanye West, Ne-yo and many more. With the knowledge and experience she gained as a performer, Tia began working as a choreographer and movement coach to the stars. Some of Tia’s notable choreography credits include creating for Major Lazer, John Legend, Fergie, Gwen Stefani, and Halsey to name a few. Tia’s Choreography has been featured on the hit TV show Dance Moms season 7 as her mini’s took 1st place competing under Tia’s choreography and direction. Tia has also served as a choreographer for VH1 2016 Hip Hop Honors: All Hail The Queens, which took place at the Lincoln Center. Some of Tia’s notable spots include Toyota, Swarovski, GAP, and Crown Royal. As well as pursuing her career in entertainment, Tia also has a strong drive to provide motivation and education for aspiring entertainers. She teaches performance workshops and seminars, offering vital information and effective tools to succeed in todays industry. Through her love for public speaking and mentorship, Tia is helping shape the lives of many in pursuit of their own dreams. Puerto Rican, New York City native, the journey for happiness and success. Tia leads a vibrant and passionate life. From her established career as a dancer to her groundbreaking choreography, Tia was simply born to make an imprint on the world. -
Wordsmith: Examining the Role Hip-Hop Texts Play in Viewing the World Crystal Lavoulle
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Jan. Technology Dissertations 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D. -
AUDIO + VIDEO 2/15/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 04 FEBRUARY 15 + FEBRUARY 22, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 2/15/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- INTERNACIONAL LAT 526888 CARRO SHOW 20 Grandes Exitos (Vol. 2) $9.98 2/15/11 1/26/11 CD- PRESUNTOS LAT 527118 IMPLICADOS 20 Grandes Exitos (2CD) $9.98 2/15/11 1/26/11 CD- LAT 527117 UBAGO, ALEX 20 Grandes Exitos (2CD) $9.98 2/15/11 1/26/11 The Best of Soul Train (Box TL DV-25446 VARIOUS ARTISTS Set)(9DV) $119.99 2/15/11 1/19/11 2/15/11 Late Additions Street Date Order Due Date MS- The Show Goes On (12" Vinyl ATL 527137 FIASCO, LUPE Single) $5.98 2/15/11 1/26/11 ARTIST: Lupe Fiasco TITLE: The Show Goes On/Words I Never Said (12" Vinyl Single) Label: ATL/Atlantic Config & Selection #: MS 527137 Street Date: 02/22/11 Order Due Date: 02/02/11 UPC: 075678827242 Box Count: 30 Unit Per Set: 1 TOURS MORE SRP: $5.98 Alphabetize Under: F 01/21/11 Ericsson Stadium For the latest up to date info on Auckland Australia this release visit WEA.com.