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An Essay in Honour of Mary-Anne Elizabeth Plaatjies-Van Huffel
Article Recognition Discourse and Systemic Gender Injustice: An Essay in Honour of Mary-Anne Elizabeth Plaatjies-Van Huffel Robert Vosloo https://orcid.org/0000-0002-7144-9644 Stellenbosch University [email protected] Abstract Against the backdrop of the South African Reformed ecclesiologist Mary-Anne Elizabeth Plaatjies-Van Huffel’s reflections on gender insensitivity in church and society, this article engages with the notion of recognition, a concept that has found strong currency in many contemporary discourses. The first part of the article mentions the promise of recognition as a moral, political, and also theological category. In addition, it also interrogates the term in conversation with theorists who raise some critical concerns regarding accounts of recognition that are not adequately justice-sensitive. The second part of the article enters more directly into conversation with some of the writings of Plaatjies-Van Huffel, highlighting in the process her emphasis that the recognition of women should not be dislocated from a plea for a change in the dynamics of patriarchal power and structural gender injustice. The article concludes with a call to move beyond what is termed “cheap recognition.” Keywords: Mary-Anne Elizabeth Plaatjies-Van Huffel; recognition; justice; gender insensitivity; patriarchal power Studia Historiae Ecclesiasticae https://doi.org/10.25159/2412-4265/8250 https://upjournals.co.za/index.php/SHE/index ISSN 2412-4265(Online)ISSN 1017-0499(Print) Volume 47 | Number 2 | 2021 | #8250 | 13 pages © The Author(s) -
Kelly Oliver 1 Reading Nietzsche With
Reading Nietzsche with Irigaray Not your garden-variety philosophy By Kelly Oliver To be sure, I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses…. ― Friedrich Nietzsche, Thus Spoke Zarathustra (Z.II.32.32 The Dance- Song) I first encountered Luce Irigaray’s work in the mid-1980’s when I was writing my dissertation on Nietzsche at Northwestern. Up to the mid-1970’s, feminism was dominated by second wave notions of equality. And, philosophy still only reluctantly considered Simone de Beauvoir among its ranks (in spite of her own protestations to the contrary). Feminist philosophy was primarily aimed at criticizing masculinist ideas throughout the history of philosophy. While Irigaray’s early work engaged the history of philosophy, in addition to criticizing male- dominated philosophy on its own terms, she “talked back,” employing “double mimesis” or a reverse mimesis through which she would take up the position of the feminine allotted to women in the texts of Plato, Nietzsche, Freud, Lacan, Merleau-Ponty, Levinas, Heidegger, and others, by repeating their words back to them in the context of her own parodic and lyrical discourse. By so doing, she challenged the limited position assigned to woman as mere reflection of man, and opened up a space for another voice (see “And the One Does Not Stir Without the Other” 1981a). At the time, over thirty years ago, I’d never seen anything like it: so irreverent, clever, and passionate…and at times, wickedly funny. -
Copyright by Berna Gueneli 2011
Copyright by Berna Gueneli 2011 The Dissertation Committee for Berna Gueneli Certifies that this is the approved version of the following dissertation: CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE Committee: Sabine Hake, Supervisor Katherine Arens Philip Broadbent Hans-Bernhard Moeller Pascale Bos Jennifer Fuller CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE by Berna Gueneli, B.A., M.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my parents Mustafa and Günay Güneli and my siblings Ali and Nur. Acknowledgements Scholarly work in general and the writing of a dissertation in particular can be an extremely solitary endeavor, yet, this dissertation could not have been written without the endless support of the many wonderful people I was fortunate to have in my surroundings. First and foremost, I would like to thank my dissertation advisor Sabine Hake. This project could not have been realized without the wisdom, patience, support, and encouragement I received from her, or without the intellectual exchanges we have had throughout my graduate student life in general and during the dissertation writing process in particular. Furthermore, I would like to thank Philip Broadbent for discussing ideas for this project with me. I am grateful to him and to all my committee members for their thorough comments and helpful feedback. I would also like to extend my thanks to my many academic mentors here at the University of Texas who have continuously guided me throughout my intellectual journey in graduate school through inspiring scholarly questions, discussing ideas, and encouraging my intellectual quest within the field of Germanic and Media Studies. -
Powers of Horror; an Essay on Abjection
POWERS OF HORROR An Essay on Abjection EUROPEAN PERSPECTIVES: A Series of the Columbia University Press POWERS OF HORROR An Essay on Abjection JULIA KRISTEVA Translated by LEON S. ROUDIEZ COLUMBIA UNIVERSITY PRESS New York 1982 Library of Congress Cataloging in Publication Data Kristeva, Julia, 1941- Powers of horror. (European perspectives) Translation of: Pouvoirs de l'horreur. 1. Celine, Louis-Ferdinand, 1894-1961 — Criticism and interpretation. 2. Horror in literature. 3. Abjection in literature. I. Title. II. Series. PQ2607.E834Z73413 843'.912 82-4481 ISBN 0-231-05346-0 AACR2 Columbia University Press New York Guildford, Surrey Copyright © 1982 Columbia University Press Pouvoirs de l'horreur © 1980 Editions du Seuil AD rights reserved Printed in the United States of America Clothbound editions of Columbia University Press books are Smyth- sewn and printed on permanent and durable acid-free paper. Contents Translator's Note vii I. Approaching Abjection i 2. Something To Be Scared Of 32 3- From Filth to Defilement 56 4- Semiotics of Biblical Abomination 90 5- . Qui Tollis Peccata Mundi 113 6. Celine: Neither Actor nor Martyr • 133 7- Suffering and Horror 140 8. Those Females Who Can Wreck the Infinite 157 9- "Ours To Jew or Die" 174 12 In the Beginning and Without End . 188 11 Powers of Horror 207 Notes 211 Translator's Note When the original version of this book was published in France in 1980, critics sensed that it marked a turning point in Julia Kristeva's writing. Her concerns seemed less arcane, her presentation more appealingly worked out; as Guy Scarpetta put it in he Nouvel Observateur (May 19, 1980), she now intro- duced into "theoretical rigor an effective measure of seduction." Actually, no sudden change has taken place: the features that are noticeable in Powers of Horror were already in evidence in several earlier essays, some of which have been translated in Desire in Language (Columbia University Press, 1980). -
Sexual Difference, Animal Difference: Derrida and Difference
H Y P A 1032 Dispatch: 18.2.09 Journal: HYPA CE: Nikhil Journal Name Manuscript No. B Author Received: No. of pages: 23 Op: Sumesh 1 Sexual Difference, Animal Difference: 2 3 Derrida and Difference ‘‘Worthy of its 4 5 Name’’ 6 7 8 KELLY OLIVER 9 10 11 12 13 14 15 I challenge the age-old binary opposition between human and animal, not as philos- 16 ophers sometimes do by claiming that humans are also animals, or that animals are 17 capable of suffering or intelligence, but rather by questioning the very category of ‘‘the 18 animal’’ itself. This category groups a nearly infinite variety of living beings into one 19 concept measured in terms of humans—animals are those creatures that are not 20 human. In addition, I argue that the binary opposition between human and animal is 21 intimately linked to the binary opposition between man and woman. Furthermore, I 22 suggest that thinking through animal differences or differences among various living 23 creatures opens up the possibility of thinking beyond the dualist notion of sexual 24 difference and enables thinking toward a multiplicity of sexual differences. 25 26 27 28 Reading the history of philosophy, feminists have pointed out that ‘‘female,’’ 29 ‘‘woman,’’ and ‘‘femininity’’ often fall on the side of the animal in the human– 30 animal divide, as the frequent generic use of the word ‘‘man’’ suggests. From 31 Plato through Hegel, Freud and beyond, women have been associated with 32 Nature and instincts to procreate, which place them in the vicinity of the an- 33 imal realm. -
The Seminar of Jacques Lacan Book X Anxiety 1962
THE SEMINAR OF JACQUES LACAN BOOK X ANXIETY 1962 - 1963 Translated by Cormac Gallagher from unedited French typescripts FOR PRIVATE USE ONLY 14.11.62 I 2 Seminar 1: Wednesday 14 November 1962 I am going to speak to you this year about anxiety. Someone who is not at all distant from me in our circle, nevertheless let me see the other day his surprise at the fact that I chose this subject which did not seem to him to be something that had all that much to offer. I must say that I will have no trouble in proving the contrary to him. In the mass of questions that are proposed to us on this subject, I will have to make very severe choices. That is why I will try from today to throw you into the work. But already this question seemed to me to preserve the trace of some naivety or other which has never been checked because it seemed to indicate a belief that it is by choice that each year I pick on a subject, like that, which appears interesting to me to continue on some sort of idle chatter. No. As you will see, I think, anxiety is very precisely the meeting point where you will find waiting everything that was involved in my previous discourse and where, together, there await a certain number of terms which may appear not to have been sufficiently connected up for you up to the present. You will see on this terrain of anxiety how, by being more closely knotted together, each one will take its place still better. -
FROM FEMININE SEXUALITY to JOUISSANCE AS SUCH Silvia Tendlarz
EXPRESS DECEMBER 2017 VOLUME 3 - ISSUE 12 THE MIRACLE OF LOVE: FROM FEMININE SEXUALITY TO JOUISSANCE AS SUCH SILVIA TENDLARZ The LC EXPRESS delivers the Lacanian Compass in a new format. Its aim is to deliver relevant texts in a dynamic timeframe for use in the clinic and in advance of study days and conference meetings. The LC EXPRESS publishes works of theory and clinical practice and emphasizes both longstanding concepts of the Lacanian tradition as well as new cutting edge formulations. lacaniancompass.com PRÉCIS On Wednesday, July 22, 2015 New York Freud lover is the one who doesn’t have and doesn’t know Lacan Analytic Group (now Lacanian Compass) what is missing, and the loved one has, but doesn’t presented a lecture by Silvia Tendlarz. Held at the know what he or she has.” Continuing to Seminar X, CUNY Graduate Center’s Department of Psycholo- Tendlarz highlighted love as a mediation between gy, the presentation culminated a month-long sum- jouissance and desire. This mediation exposed the mer program dedicated to readings from Jacques- antimony between an autoerotic jouissance and Alain Miller’s course, The Experience of the Real in desire which reaches towards the Other. Psychoanalysis. The second part of the talk, titled “The Tempta- Opening with the biblical creation of Eve from tion of Desire,” examined the different dialectics the rib of Adam, Tendlarz began her inquiry into of desire operating in the masculine and feminine feminine jouissance, masculine jouissance, and subjective positions. In the feminine position, “de- jouissance of the body beyond the Oedipal frame. -
Real Fit: Identity, Society, and Viewer Investment in Fitness Reality TV
Real Fit: Identity, Society, and Viewer Investment in Fitness Reality TV By Juliana Lewis Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Philosophy May 2015 Nashville, Tennessee Approved: Kelly Oliver, Ph.D. José Medina, Ph.D. Lisa Guenther, Ph.D. Ellen Armour, Ph.D. Dedicated to my parents for their encouragement and support. ii ACKNOWLEDGMENTS I am grateful to my dissertation chair Kelly Oliver for expanding my philosophical world to explorations of visual media and psychoanalytic theory, and for her guidance; this work would not have been possible without her mentorship and support. Thanks also to my committee members, José Medina, Lisa Guenther, and Ellen Armour for their time and feedback. I am grateful to my friends and colleagues Rebecca Tuvel, Alison Suen, and Elizabeth Edenberg for keeping me connected to the Philosophy Department while working at a great distance. Finally, I am thankful for the Vanderbilt Philosophy Department’s support. iii LIST OF FIGURES Figure Page 1—Protester outside the White House protesting Ebola Response (Messing 2014)....................................................22 2—Dolvett talks to his team (DeGroot 2014b, 16:10) .................................................................................................35 3—Jessie and Laurie's Conversation (DeGroot 2014a, 28:40).....................................................................................37 4—Jennifer and -
The Subject of Jouissance: the Late Lacan and Gender and Queer Theories
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 The Subject of Jouissance: The Late Lacan and Gender and Queer Theories Frederic C. Baitinger The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3243 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SUBJECT OF JOUISSANCE: THE LATE LACAN AND GENDER AND QUEER THEORIES by FRÉDÉRIC BAITINGER A dissertation submitted to the Graduate Faculty in the French Program in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2019 © 2019 FRÉDÉRIC BAITINGER !ii All Rights Reserved The Subject of Jouissance: The Late Lacan and Gender and Queer Theories by Frédéric Baitinger This manuscript has been read and accepted for the Graduate Faculty in the French Program in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. 03 / 21 / 2019 Royal S. Brown ————————— ———————————————— Date Chair of Examining Committee 03 / 21 / 2019 Maxime Blanchard ————————— ———————————————— Date Executive Officer Supervisory Committee: Royal S. Brown Francesca Canadé Sautman Raphaël Liogier !iii THE CITY UNIVERSITY OF NEW YORK ABSTRACT The Subject of Jouissance: The Late Lacan and Gender and Queer Theories by Frédéric Baitinger Adviser: Royal S. Brown The Subject of Jouissance argues that Lacan’s approach to psychoanalysis, far from being heteronormative, offers a notion of identity that deconstructs gender as a social norm, and opens onto a non-normative theory of the subject (of jouissance) that still remains to be fully explored by feminist, gender, and queer scholars. -
THE SEMINAR of JACQUES LACAN BOOK VI Desire
THE SEMINAR OF JACQUES LACAN BOOK VI Desire and its Interpretation 1958 - 1959 Translated by Cormac Gallagher from unedited French typescripts FOR PRIVATE USE ONLY 12.11.58 2 Seminar It 12 November 1958 We are going to speak this year about desire and its interpretation. An analysis is, it is said, a therapy; let us say a treatment, a psychical treatment which relates at different levels of the psyche, at first this was the primary scientific object of its experience, to what we call marginal or residual phenomena, dreams, parapraxes, witticisms, I stressed that last year, to symptoms. On the other hand, if we get into this curative aspect of the treatment with regard to symptoms in the broadest sense, in so far as they manifest themselves in the subject by inhibitions, are constituted in symptoms and sustained by these symptoms, on the other hand this treatment which modifies structures, these structures which are called neuroses or neuro-psychoses which Freud in reality first structured and qualified as neuropsychoses (2) of defence. The psychoanalyst intervenes in order to deal at different levels with these diverse phenomenal realities in so far as they bring desire into play. It is specifically under this rubric of desire, as signifying desire that the .phenomena..which_I called above residual, marginal, were first of all apprehended in Freud, in the symptoms which we see described from one end to the other of Freud's thought, it is the intervention of anxiety, if we make of it the key point of the determination of symptoms, but in so far as such and such an activity which is going to enter into the operation of symptoms is eroticised, or to put it better: is namely caught up in the mechanism of desire. -
The Censored Paintings of Paul Cadmus, 1934-1940
THE CENSORED PAINTINGS OF PAUL CADMUS, 1934-1940: THE BODY AS THE BOUNDARY BETWEEN THE DECENT AND OBSCENE by ANTHONY J. MORRIS Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Anthony J. Morris, candidate for the PhD degree*. ________________ Henry Adams ________________ (chair of the committee) ________________ Ellen G. Landau ______________ ________________ T. Kenny Fountain ____________ ________________ Renée Sentilles _______________ Date: March 15, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents: Table of Contents: ii. List of Figures v. Acknowledgements xi. Abstract xiii. Chapter I Introduction: Censorship and the American Scene 1. Censorship of Sex: The Comstock Laws 3. Censorship of Hate Speech: Griffith’s “The Birth of a Nation” 10. Censorship of Political Ideology: Diego Rivera 13. Censorship and the New Deal Mural Program 16. Paul Cadmus and Other Painters of the American Scene 21. The Depiction of the Working Class 23. The Depiction of Women and Sexuality 27. The Depiction of Alcohol Following the Prohibition Era 31. Chapter II Historiography of Paul Cadmus: The Gay Satirist 34. 1930s: Repulsive Subjects and Garish Color 35. 1941-1968: Near Silence 41. 1968-1992: Re-emergence and Re-considered 44. 1992-present: Queering Paul Cadmus 51. ii Chapter III The Navy, The New Deal, and The Fleet’s In! Reconsidered 59. The National Exhibition of Art by the Public Works of Art Project 60. -
Bearing Witness: Hope for the Unseen [Post-Print]
Trinity College Trinity College Digital Repository Faculty Scholarship 3-2016 Bearing Witness: Hope for the Unseen [post-print] Tamsin Jones Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/facpub Part of the Religion Commons Bearing Witness: Hope for the Unseen Accepted Manuscript for Political Theology 17.2 (2016): 137-150 Tamsin Jones For ere this the tribes of men lived on earth remote and free from ills and hard toil and heavy sickness which bring the Fates upon men; for in misery men grow old quickly. But the woman took off the great lid of the jar with her hands and scattered all these and her thought caused sorrow and mischief to men. Only Hope remained there in an unbreakable home within under the rim of the great jar, and did not fly out at the door… (Hesiod, Works and Days II: 90-100).1 To try to make sense of one’s life is to gather one’s own and the community’s memories in an attempt to produce some kind of fit, some kind of mutual accommodation. But this project is continually undone by the world, by deep, open attention to the world.2 In Hesiod’s myth of Pandora, after she unwittingly unleashes a world of evil and suffering upon man (whom she was sent to companion3), one gift remains captive within the jar—ἐλπίς, or hope. At first glance, this would seem to be humanity’s saving grace. However, within the commentary on Hesiod, there is some disagreement regarding just how we are to interpret this remaining gift.