DOCSLIB.ORG

The Subject of Jouissance: the Late Lacan and Gender and Queer Theories

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Subject of Jouissance: the Late Lacan and Gender and Queer Theories City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 The Subject of Jouissance: The Late Lacan and Gender and Queer Theories Frederic C. Baitinger The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3243 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SUBJECT OF JOUISSANCE: THE LATE LACAN AND GENDER AND QUEER THEORIES by FRÉDÉRIC BAITINGER A dissertation submitted to the Graduate Faculty in the French Program in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2019 © 2019 FRÉDÉRIC BAITINGER !ii All Rights Reserved The Subject of Jouissance: The Late Lacan and Gender and Queer Theories by Frédéric Baitinger This manuscript has been read and accepted for the Graduate Faculty in the French Program in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. 03 / 21 / 2019 Royal S. Brown ————————— ———————————————— Date Chair of Examining Committee 03 / 21 / 2019 Maxime Blanchard ————————— ———————————————— Date Executive Officer Supervisory Committee: Royal S. Brown Francesca Canadé Sautman Raphaël Liogier !iii THE CITY UNIVERSITY OF NEW YORK ABSTRACT The Subject of Jouissance: The Late Lacan and Gender and Queer Theories by Frédéric Baitinger Adviser: Royal S. Brown The Subject of Jouissance argues that Lacan’s approach to psychoanalysis, far from being heteronormative, offers a notion of identity that deconstructs gender as a social norm, and opens onto a non-normative theory of the subject (of jouissance) that still remains to be fully explored by feminist, gender, and queer scholars. Drawing mostly on the later Lacan, The Subject of Jouissance shows that by locating the identity of the subject in the singularity of its bodily mode of enjoyment (that Lacan calls “jouissance”), and not in the Imaginary illusions of the ego, nor in the Symbolic social structures, Lacan fosters thinking about identity as an ethical act through which a subject learns how to make something socially valuable out of what would have !iv remained excessive, autistic or perverse in its own singular mode of jouissance. To contextualize this idea and emphasize its relevance, The Subject of Jouissance stages encounters between Lacan and the work of feminist and queer scholars such as Judith Butler, Hélène Cixous and Lee Edelman, as well as the works of French post-structuralists who influenced Lacan’s late teaching, such as Jacques Derrida and Georges Bataille. In doing so, this dissertation intervenes in current debates in American academia that oppose relational theorists, who support the optimism of identity politics, like the lgbt+ movement, and anti-relational theorists, who favor a “queer” dissolution of the very notion of identity. In The Subject of Jouissance I argue that it is possible to build an ethics of jouissance that preserves, on the one hand, the singularity of one’s own mode of jouissance and, on the other, keeps as a primary goal the creation of new forms of sociality that goes beyond the limits that impose onto our psychic life the discourse of economy and the discourse of (neuro)science. !v PREFACE My dissertation proposes re-opening a dialogue between psychoanalysis and gender and queer theories by taking as its compass the late and last teaching of the French psychoanalyst Jacques Lacan. Opposing the idea hold by most gender and queer scholars according to which psychoanalysis is a technique aiming at correcting or normalizing a potentially “deviant subject,” my dissertation underscores that Lacan’s late and last approach to psychoanalysis puts at the very center of its preoccupation the singularity of each subject’s unconscious desire. However, differing from most gender and queer scholars who also emphasize the importance of singularity, Lacan’s late teaching does not use singularity as a point of departure for minority politics, nor as a weapon against any form of symbolic power. On the contrary, he suggests that it is possible for each subject to build a knowledge of its own singularity that that could help it, on the one hand, to contain what is potentially negative, deadly or anti-social in its singularity and, on the other hand, that would give to this subject the occasion to turn its singularity into a new source of agency and social bonding. To situate my argument I use in my introduction The Ethics of Opting Out (2017), a book by Mari Ruti in which she suggests that when it comes to the question of the singular, there exists at least two opposite groups of feminist, gender and queer scholars. There is the group of gender and queer scholars that she calls “relational,” who believe like the lgbtiq++ movement !vi that the singularity of each subject needs to be recognized at a political level through the development of minority/identity politics. And there is the group of queer scholars that she calls “anti-relational,” who think that identity politics betrays the very notion of singularity that is at the core of the queer protest. Likewise, Ruti suggests that the opposition between the two groups is also visible when it comes to the way in which these thinkers approach, understand and use psychoanalysis in general, and Lacanian psychoanalysis in particular. For most relational theorists, psychoanalysis is generally considered a conservative theory or, at best, an interesting theory about subjection. It is, for example, how Judith Butler in The Psychic Life of Power (1997) uses the work of Freud and Lacan to understand how subjectivity is created through the interiorization of a certain dominant discourse and how certain subjective singularities (such as the one of gays, lesbians or queers subjects) are bound to feel melancholic, or depressive given certain historical contexts. However, as soon as the question moves from the one of subjection to the one of subversion, most relational thinkers prefer using an ethical framework such as the one of Emmanuel Levinas, or a psychological framework such as the one of Silvan Tomkins, or a post-structuralism framework such as the one put forth by Jacques Derrida. Differing from the relational theorists, most anti-relational theorists do not focus on the normative aspect of psychoanalysis, but on what makes the very notion of norm problematic from a psychoanalytic point of view. For Lee Edelman, for example, in No Future: Queer Theory and the Death Drive, the notion of jouissance—and all the more the notion of the sinthome that !vii Lacan developed in his very last teaching on James Joyce—is, par excellence, a notion that enables a radical critique of the conformism entailed by the relational position. This is how Edelman opposes, in a gesture very similar to the one of Georges Bataille in The Accursed Share, a restricted economy oriented towards the future and the preservation of life, which he associates with a relational position, and a general economy oriented towards jouissance and expenditure, which he associates with a radically queer affirmation of one’s singularity. Consequently, one could argue that an “anti-relational” theorist like Edelman, contrary to a “relational theorists” like Butler, do not consider psychoanalysis, and even less Lacanian psychoanalysis, as a conservative theory but as a potentially very subversive one. However, the problem with this “anti-social” reading of Lacanian psychoanalysis is that it greatly undermines what is traumatic for any given subject in its experience of jouissance. To put it simply, it confuses the notion of jouissance with the notion of desire by raising the moment of jouissance, as well as the fading of the subject that it triggers, to the level of an affirmation of one’s own singularity, while under-evaluating the deep alienation that such moment of sensible ecstasy implies on the side of the subject that undergoes it. In other words, even if anti-relational theorists have tried to find in Lacanian psychoanalysis a subversive dimension, they did so by deeply undermining what is potentially deadly and abusive in one’s singular mode of jouissance. Instead of understanding how jouissance, unlike desire, partakes in the contemporary capitalist super-ego (which forces us to “enjoy”), or with all kinds of abuses or addictions, they celebrated it as what is the most singular in one’s identity, as well as what enables a deviant subject to transgress any given norms. !viii Taking as its standpoint this opposition between relational and anti-relational thinkers, my dissertation asks three fundamental questions. First, it questions if the group of relational thinkers is justified to say that psychoanalysis as the late and last Lacan defines it is a conservative theory, or if it could offer a non-normative theory of gender? Second, it asks if Lacanian psychoanalysis is really a neo-libertine theory that systematically values jouissance over castration, or if Lacanian psychoanalysis offers a way to take jouissance into account while not giving to it free rein. Finally, my dissertation examines wether the late and last Lacan can offer a theory of the subject that could potentially reconcile the anti-relational desire to take into account the singularity of one’s own mode of jouissance, and the relational need for political recognition, which always implies, in one way or another, a limitation on the free rein of jouissance. !ix ACKNOWLEDGEMENTS Many people have earned my deepest gratitude for their contribution towards the completion of my dissertation. I am extremely grateful to my adviser Royal S. Brown who first introduced me to the different interpretations of Lacan in English and helped me connect these readings to my love of French avant-garde Literature and French avant-garde cinema, while never imposing on my research any specific direction, except the one of my true desire: an interpretation of Lacanian psychoanalysis’ potential impact on gender and queer theory.
Load more

Recommended publications
  • What Feminism? Author(S): Alice A
    Berghahn Books What Feminism? Author(s): Alice A. Jardine Source: French Politics, Culture & Society, Vol. 28, No. 2, SPECIAL ISSUE: Simone de Beauvoir: ENGAGEMENTS, CONTEXTS, RECONSIDERATIONS (Summer 2010), pp. 66-74 Published by: Berghahn Books Stable URL: https://www.jstor.org/stable/42843656 Accessed: 11-05-2020 19:30 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Berghahn Books is collaborating with JSTOR to digitize, preserve and extend access to French Politics, Culture & Society This content downloaded from 206.253.207.235 on Mon, 11 May 2020 19:30:25 UTC All use subject to https://about.jstor.org/terms What Feminism? Alice A. Jardine Harvard University There is a new bridge in Paris: La Passerelle Simone de Beauvoir. I love this bridge. Almost as if in perfect harmony with its namesake, it joins the National Library with the Bercy Park, once a famous wine depot, still full of vineyards. Beauvoir would no doubt have loved the fact that the bridge joins the reading of books with the imbibing of spirits. Incorporating its etymological groundings in "passer" and "elles," the Simone de Beauvoir footbridge bounces, moves, spi- raling along its various levels of passageways from side to side, up and down, within an undulating rhythm at times a little dizzying.
    [Show full text]
  • Sublimation in the Atheist Sigmund Freud: Religion and Sublimation in Carl G
    CHAPTER FOUR SUBLIMATION IN THE ATHEIST SIGMUND FREUD: RELIGION AND SUBLIMATION IN CARL G. JUNG AND OTTO RANK Freud’s two main additions to the theory of man—the primacy of the unconscious and the centrality of sexuality, were set forth by him early in his career. His masterwork Th e Interpretation of Dreams (1900), with its all-important early section “Th e Project,”148 aimed to put the theory of the unconscious on a scientifi c footing once and for all, or at the very least, on a fi rmer scientifi c footing than anyone had placed it hitherto. Ernest Jones in the fi rst volume of his biography of Freud emphasizes that medical psychology had been groping towards the theory of the unconscious—the idea “that all one’s mental capacities could be in full usage without consciousness being called up” (words of British psy- chologist Sir Samuel Wilkes)—for at least two decades before Freud’s epoch-making book appeared.149 Th ough Freud cites a host of psychol- ogists who wrote on the unconscious, Berlin psychologist Th eodor Lipps was one of his most important predecessors. As early as 1883 Lipps had written the following: “We not only assert the existence of unconscious mental processes alongside the conscious ones. We fur- ther postulate that the unconscious processes are the basis of the con- scious ones. [italics mine—ALC] In the proper conditions unconscious processes rise to consciousness and then return to the unconscious.”150 Freud underlined this passage in his copy of Lipps’ article which is in his personal library and this is what Freud went on to prove scientifi - cally in his 600+-page work.
    [Show full text]
  • Penumbra Anamnesis Anamnesis Means Remembrance Or Reminiscence, the Collection and Re- Collection of What Has Been Lost, Forgotten, Or Effaced
    PEN UMBR ( a ) ( ) PENUMBR Edited by Sigi Jöttkandt and Joan Copjeca Penumbra Anamnesis Anamnesis means remembrance or reminiscence, the collection and re- collection of what has been lost, forgotten, or effaced. It is therefore a matter of the very old, of what has made us who we are. But anamnesis is also a work that transforms its subject, always producing something new. To recollect the old, to produce the new: that is the task of Anamnesis. a re.press series Penumbra Sigi Jöttkandt and Joan Copjec, editors re.press Melbourne 2013 re.press PO Box 40, Prahran, 3181, Melbourne, Australia http://www.re-press.org © the individual contributors and re.press 2013 This work is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for any com- mercial gain in any form whatsoever and that you in no way alter, transform or build on the work outside of its use in normal academic scholarship without express per- mission of the author (or their executors) and the publisher of this volume. For any re- use or distribution, you must make clear to others the license terms of this work. For more information see the details of the creative commons licence at this website: http://creativecommons.org/licenses/by-nc-nd/2.5/ National Library of Australia Cataloguing-in-Publication Data Title: Penumbra / Sigi Jöttkandt and Joan Copjec (eds.). ISBN: 9780987268242 (paperback) 9780987268259 (eBook : PDF) Series: Anamnesis.
    [Show full text]
  • Voice, Superego and Violence
    European Scientific Journal December 2013 /SPECIAL/ edition vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 VOICE, SUPEREGO AND VIOLENCE Dra. Araceli Colin232 Autonomous University of Queretaro Abstract The ideology is constructed with a social discourse interweaved with the unconscious desire of the parents to the child, registered through signifiers. The plot that organizes all these modes of transmission and the way to incorporate and subjectivizate them is the voice. The voices of the parents take place in the superego. The superego is a foundation for subsequent voices of authority, whether educational or political. The voices of the superego are fierce and imperative and does not admite doubt. From this basis we are going to do a critical reading to the governmental dispositive to attend intra-family violence in Mexico. Keywords: Superego, Voice, Unconscious, Subjectivization Introduction Marx, in his Preface to A Contribution to The Critique of Political Economy, formulated one of his principal aphorisms and the foundation of a materialist psychology: "It is not the consciousness of the man that determines their being social, but their social being that determines consciousness"(1978:518) (1859). The analytic practice confirms this Marxist postulate. Although they have had reciprocal influences, the differences between Psychology and Psychoanalysis are well known. The object of study of Psychoanalysis is the unconscious. Departing from the Marxist aphorism and adding this unconscious dimension, the same phrase could be restated as: “it is not the unconscious part of humans which determines their social being, but it is rather their social being that determines the unconscious.” Freud demonstrated that consciousness is a mere surface where thoughts and associations appear, but having an evanescent character.
    [Show full text]
  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support.
    [Show full text]
  • The Other Woman. Towards a Diffractive Rereading of the Oeuvres of Simone De Beauvoir and Luce Irigaray
    Faculty of Humanities Research Institute for History and Culture (OGC) RMA Gender and Ethnicity, 2011-2012 The Other Woman. Towards a diffractive rereading of the oeuvres of Simone de Beauvoir and Luce Irigaray. Research master thesis, Gender and Ethnicity Written by Evelien Geerts, 3615170 Supervisor: dr. Iris van der Tuin (Utrecht University) Second reader: dr. Annemie Halsema (VU-University) Utrecht, 20/07/2012. Abstract. This thesis project –a project that has to be located in the domains of Continental philosophy, feminist theory, and gender studies– wishes to overcome the Oedipalized reception history, or the Oedipal feminist narratives that have been created and told about the oeuvres of feminist philosophers Simone de Beauvoir and Luce Irigaray. I claim that this Oedipalized reception history –which will be thoroughly reviewed in this thesis– put the works of Beauvoir and Irigaray against one another in an oppositional and hierarchic manner, by first of all examining the wide-spread assumption that Irigaray should be seen as Beauvoir’s rebellious daughter, and by critically looking at the idea that Irigaray’s sexual (now relabeled as sexuate) difference philosophy then must be a flat-out refusal of Beauvoir’s humanist, existentialist feminism. My project hopes to shed light on this paralyzing constructed opposition, and wishes to move towards a different kind of feminist rereading and story-telling: namely, a diffractive and explicitly an-Oedipal way of telling of stories that would look for the lines of continuity between these two philosophies, without reducing them to another; without, to put it differently, falling back into the phallogocentric, reflective logic of sameness.
    [Show full text]
  • Julia Kristeva's 'Culture of Revolt' and (Post) Modern Religious Subjectivity
    Julia Kristeva’s ‘Culture of Revolt’ and (Post) Modern Religious Subjectivity by Bonnie de Bruijn A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto © Copyright by Bonnie de Bruijn 2016 Julia Kristeva’s ‘Culture of Revolt’ and (Post) Modern Religious Subjectivity Bonnie de Bruijn Doctor of Philosophy Department for the Study of Religion University of Toronto 2016 Abstract This study offers a close reading of Julia Kristeva’s theories of ‘intimate revolt’ and ‘revolt culture’ and applies them to discussions of religious subjectivity. Decidedly non-militaristic, intimate revolt is reconceived in psychoanalytic and literary terms to mean an ongoing process of introspection and interrogation. The notion is derived from a multi-faceted and dynamic view of the mind, which, I submit, can broaden our conceptualization of religious subjectivity in popular discourse and vis-à-vis other psychoanalytic interpretations of religion. Indeed, Kristeva’s seemingly ambiguous treatment of Christianity is better understood in light of her theory of intimate revolt, which accepts and encourages working through competing ideas. Taking seriously the socio-political implications of intimate revolt, the overarching questions of this project are whether or not religion can fit into Kristeva’s vision of revolt culture, and, if so, what it might look like. I argue that, while she privileges aesthetic and psychoanalytic forms of revolt, Kristeva leaves open the possibility of intimate revolt in religion, particularly through her discussions of ‘the sacred’ and Christian mysticism. Finally, I survey progressive Christianity and John Caputo’s postmodern religion to identify potential examples of religious subjects who contribute to a culture of revolt.
    [Show full text]
  • Dilemma of Unconscious, Jouissance and Phallus: a Psychoanalytical Study of Gender and Identity
    OF JOURNAL CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 19, 2020 DILEMMA OF UNCONSCIOUS, JOUISSANCE AND PHALLUS: A PSYCHOANALYTICAL STUDY OF GENDER AND IDENTITY Dr. Nipun Chaudhary Associate Professor, Dept. of English, Lovely Professional University, India Email: [email protected] Received: 14 April 2020 Revised and Accepted: 8 August 2020 ABSTRACT: Lacan escalates his insistence that woman is not a solidified or rigid entity rather she flows like the flow of the liquid and the rush of the feminine flow perforates masculine and garbed solidity of phallic prick and intensifies the fear of castration for the male. Irigaray advances and ramifies Lacanian assertion by adding that the feminine flow may not simply be measured as the hysteric or unrestrained discharge of female vagina; on the contrary the discharge of feminine olfactory is a real challenge for masculine solidity. Concisely, the feminine jouissance flows in its own pleasure, without any consideration of defying the masculine solidity. However, the feminine jouissance is liberated, redemptive and narcissistic and above it exists as a gratuitous pure jouissance; redeemed of any desire to dominate. KEYWORDS: Unconscious, Jouissance, Phallus Paper Freud undertook a challenge of dividing the human mind into three segments which, as a composite structure, is known as the topography of the human mind. Superego, ego, and id indulge in a dialogue to consummate the desire of the narcissistic ego which for Freud is the pleasure- seeking agency, i.e., id. According to Lacan, the ego is not a separate agency rather it is closely knit within the cathexis of libidinal energy. Love and illness transfer ego projection; Love transfers ego to the other body by cathexis.
    [Show full text]
  • Keeping up with the Psychoanalysts: Applying Lacanian and Feminist Theory to Reality Television
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2018 Keeping Up with the Psychoanalysts: Applying Lacanian and Feminist Theory to Reality Television Catherine E. Leary Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Leary, Catherine E., "Keeping Up with the Psychoanalysts: Applying Lacanian and Feminist Theory to Reality Television" (2018). UVM Honors College Senior Theses. 249. https://scholarworks.uvm.edu/hcoltheses/249 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Keeping Up with the Psychoanalysts Applying Lacanian and Feminist Theory to Reality Television Catherine Leary University of Vermont Undergraduate Honors Thesis Film and Television Studies 2018 Committee Members Hyon Joo Yoo, Associate Professor, Film and Television Studies Anthony Magistrale, Professor, English Sarah Nilsen, Associate Professor, Film and Television Studies Leary 2 Acknowledgements I would like to thank Dr. Hyon Joo Yoo for her continued support and wealth of knowledge as my thesis supervisor as I worked my way through dense theory and panicked all year. I would also like to express my gratitude to Dr. Tony Magistrale for serving as the chair of my committee and encouraging me to have fun and actually delve into a Kardashian based project. I also greatly appreciate Dr. Sarah Nilsen’s help as my third reader and as someone who isn’t afraid to challenge theoretical applications.
    [Show full text]
  • Critical Models Interventions and Catchwords Theodor W. Adorno
    EuRoPEAN PERSPECTIVES A Series in Social Thought and Cultural Criticism Lawrence D. Kritzman, Editor Critical Models Interventions and Catchwords European Perspectives presents English translations of books by leading European thinkers. With both classic and outstanding contemporary works, the series aims to shape the major intellectual controversies of our day and to facilitate the tasks of his­ torical understanding. Julia Kristeva Strangers to Ourselves Theodor W. Adorno Notes to Literature, vols.1 and 2 Richard Wolin, editor The Heidegger Controversy Antonio Gramsci Prison Notebooks, vols. 1 and 2 Jacques LeGoff History and Memory Alain Finkielkraut Remembering in Vain: The Klaus Barbie Trial and Crimes Against Humanity Julia Krist eva Nations Without Nationalism Pierre Bourdieu The Field of Cultural Production Theodor W. Adorno Pierre Vidal-Naquet Assassins of Memory: Essays on the Denial of the Holocaust Translated and with a Preface Hugo Ball Critique of the German Intelligentsia by Henry W Pickford Gilles Deleuze and Felix Guattari What Is Philosophy? Karl Heinz Bohrer Suddenness: On the Moment of Aesthetic Appearance Alain Finkielkraut The Defeat of the Mind Julia Krist eva New Maladies of the Soul Elisabeth Badinter XY: On Masculine Identity Karl Lowith Martin Heidegger and European Nihilism Gilles Deleuze Negotiations, 1972-1990 Pierre Vidal-Naquet The jews: History, Memory, and the Present Norbert Elias The Germans Louis Althusser Writings on Psychoanalysis: Freud and Lacan Elisabeth Roudinesco jacques Lacan: His Life and Work Ross Guberman julia Kristeva Interviews Kelly Oliver The Portable Kristeva Pierra Nora Realms of Memory: The Construction of the French Past, vol. 1: Conflicts and Divisions, vol. 2: Traditions, vol.
    [Show full text]
  • Psychoanalytic Literary Criticism”, Chapter 3 from the Book Creating Literary Analysis (Index.Html) (V
    This is “Writing about Character and Motivation: Psychoanalytic Literary Criticism”, chapter 3 from the book Creating Literary Analysis (index.html) (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This content was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. i Chapter 3 Writing about Character and Motivation: Psychoanalytic Literary Criticism LEARNING OBJECTIVES 1. Understand the varieties of psychoanalytic literary theories. 2. Apply a psychoanalytic theory to a literary work. 3. Engage in the writing process of a peer writer, including peer review.
    [Show full text]
  • Prospects for Lacanian Psychoanalysis in Law Richard E
    Washington and Lee Law Review Volume 54 | Issue 3 Article 9 Summer 6-1-1997 Does Law Need an Analyst? Prospects for Lacanian Psychoanalysis in Law Richard E. Redding Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Jurisprudence Commons, and the Law and Psychology Commons Recommended Citation Richard E. Redding, Does Law Need an Analyst? Prospects for Lacanian Psychoanalysis in Law, 54 Wash. & Lee L. Rev. 1119 (1997), https://scholarlycommons.law.wlu.edu/wlulr/vol54/iss3/9 This Book Review is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. Book Review Does Law Need an Analyst? Prospects for Lacanian Psychoanalysis in Law LACAN AND THE SUBJECT OF LAW: TOWARD A PSYCHOANALYTIC CRITI- CAL LEGAL THEORY. By David S. Caudill. Atlantic Highlands, NJ: Humanities Press, 1997. 206 pp. $15.95 paper, $49.95 cloth. Reviewed by Richard E. Redding The debate continues over the merits of French psychoanalytic theorist Jacques Lacan - was he a "charlatan"' or an "intellectual hero?"2 Enter David Caudill's book, Lacan and the Subject oftaw: Toward a Psychoana- lytic CriticalLegal Theory.3 In providing practical applications of Lacan to the law, the book will no doubt be seen as an important contribution in resolving the debate. Caudill, a law professor with a Ph.D.
    [Show full text]