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Bibliography Bibliography Agamben, Giorgio. Remnants of Auschwitz: The Witness and the Archive. New York: Zone Books, 1999. ———. State of Exception. Chicago and London: The University of Chicago Press, 2003. ———. The Coming Community: Theory Out of Bounds, Vol. 1, Michael Hardt (trans.). Minneapolis, London: University of Minesota Press, 2009. Anand, Mahesh. Rekha Jain. New Delhi: Rashtriya Natya Vidyalaya., 2010. Armitage, David. The Ideological Origins of the British Empire. Cambridge, 2000. Artaud, Antonin. The Theatre and its Double, Translated by Mary Caroline Richards. New York: Grove Press, 1958. Austin, J.L. How to Do Things with Words. Oxford, New York: Oxford University Press, 1976. Azmi, Saukat. Yaad ki Rehguzar. New Delhi, Allahabad, Patna: Rajkamal Prakashan, 2006. Badiou, Alain. Logics of World: Being and Event II, Alberto Toscano (trans.). Continuum, 2009. ———. Manifesto for Philosophy. Albany NY: State University of New York Press, 1992. Bagchi, Amiya Kumar. 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The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization. New Delhi: Oxford India Paperbacks, 2005. Bhatia, Nandi. Acts of Authority/Acts of Resistance: Theatre and Politics in Colonial and Post-­ colonial India. New Delhi: Oxford University Press, 2004. ——— (ed.). Modern Indian Theatre: A Reader. New Delhi: Oxford University Press, 2009. Bhattacharya, Malini. Gananatya Andolan O Natyakalar Rupantar Bhabna: 1942–1947. Kolkata: Pratikshan Publications, 1990. ———. The Indian People’s Theatre Association: A Preliminary Sketch of the Movement and the Organization 1942-47. New Delhi: Sangeet Natak Akademy, 1989. Blanchot, Maurice. The Unavowable Community, Pierre Joris (trans.). New York: Station Hill Press, 1988. Bose, Vishnu. Babu Thiyetar. Kolkata: Srishti Prakashan, 2001. Breckenridge, Carol A. and van der Veer, Peter (eds.). Orientalism and the Post-colonial Predicament: Perspectives on South Asia. Philadelphia: University of Pennsylvania Press, 1993. 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New Delhi: People’s Publishing House, 1980. Chakraborty, Uma. Pandita Ramabai: A Life and a Time. New Delhi: Critical Quest, 2007. Chanda, Pulak. Jagaroner Charan Mukunda Das o Tar Rachana- shamagra. Kolkata: Dey’s Publishing, 2011. Chatterjee, Partha. The Partha Chatterjee Omnibus. New Delhi: Oxford University Press, 1997. Chatterjee, Partha and Pandey, Gyanendra (eds.). Subaltern Studies VII: Writings on South Asian History and Society. Oxford and New York: Oxford University Press, 1992. Chatterjee, Sudipto. The Colonial Staged. Calcutta: Seagull Books, 2007. Chattopadhaya, Geeta. Bangla Swadeshi Gaan. Delhi: Delhi University, 1983. Chattopadhyay, Kamaladevi. Towards a National Theatre. Published for the All-India Women’s Conference by Aundh Pub. Trust, 1945. Choondal, Chummar. Christian Theatre in India. Trichur, Kerala: Kerala Folklore Academy, 1984. Choudhury, Darshan. Bangla Theatrer Itihaas. Kolkata: Pustak Bipani, 2007. ———. Unish Shotoker Natyabishoy. Kolkata: Pragya Bikash, October 2007. CPI. Class Struggle and the Problems of National Unity, Party Education Series. 3, Communist Party of India (Marxist), December. 1996. ———. Constitution of the Communist Party of India. Communist Party Publication, January 1972. Bibliography 165 Cox, Jeffery. Imperial Fault Lines: Christianity and Colonial Power in India, 1818-1940. California: Stanford University Press, 2002. Eck, Diana L. Darsan: Seeing the Divine Image in India. New York: Columbia University Press, 1996. Das, Pulin. Persecution of Drama and Stage. Calcutta: MC Sarkar and Sons Pvt. Ltd., 1986. Dasi, Binodini. Amar Katha O Ananya Rachana. Kolkata: New Rainbow Lamination, 1416 (Bengali year). Dasgupta, Hemendranath. The Indian Stage, Vol. 1. Calcutta: Metropolitan Printing and Publishing House, 1934. Davis, Tracy C. Actresses as Working Women: Their Social Identity in Victorian Culture. London and New York: Routledge, 1991. Deleuze, Gilles and Félix Guattari. What is Philosophy?. Colombia University Press, 2003. Derrida, Jacques. Demeure: Fiction and Testimony. California: Stanford University Press, 2000. ———. Monolingualism of the Other or the Prosthesis of Origin. Patrick Mensah (trans.). California: Stanford University Press, 1996. Deshpande, Sudhanva, Akshara, K.V. and Iyengar, Sameera (eds.). Our Stage: Pleasures and Perils of Theatre Practice in India. New Delhi: Tulika Books, 2009. Devi, Tandra. Village Theatres: The Foundations of Indian National Theatres, Foreword by Nandalal Bose. Tandrashram; Kashmir: Tandra Devi Publications, 1938. Dewar, Douglas. Bygone Days in India with Eighteen Illustrations. London: The Bodley Head Ltd. ———. In the Days of the Company. Shimla, London and Calcutta: Thacker, Spink and Co., 1920. Dharwadker, Aparna Bhargava. Theatres of Independence: Drama, Theory, and Urban Performances in India Since 1947. New Delhi: Oxford University Press, 2005. Dhingra, Baldoon. A National Theatre for India. Bombay: Padma Publications, 1944. Dictionary of Indian Biography. New York: Haskell House Publishers Ltd., 1906. Dutta, Abhijit. Glimpses of European Life in Nineteenth Century Bengal. Calcutta: Minerva Associates (Publications) Pvt. Ltd., 1995. Dutta, Krishna. Calcutta: A Cultural and Literary History. New York: Interlink Books, 2003. Dutt, Michael Madhusudan. Madhusudan Rachanabali (Collected works of Michael Madhusudan Dutt). Kolkata: Sahitya Sansad, 2012. Eden, Emily. ‘Up the Country’ Letters Written to Her Sister from the Upper Provinces of India; Richard Bentley. London: New Burlington Street Publisher, 1867. Engels, Friedrich. The Origin of the Family, Private Property and the State. New Delhi: People’s Publishing House, 2009. Fanon, Franz. The Wretched of the Earth. London: Penguin Books, 2001. Fischer-Lichte, Erika. Theatre, Sacrifice, Ritual: Exploring Forms of PoliticalTheatre. USA & Canada: Routledge, 2005. ———. History of European Drama and Theatre, Jo Riley (trans.). London and New York: Routledge, 2002. 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