Professionalism. Does It Exist?
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Crash- Amundo
Stress Free - The Sentinel Sedation Dentistry George Blashford, DMD tvweek 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com January 19 - 25, 2019 Don Cheadle and Andrew Crash- Rannells star in “Black Monday” amundo COVER STORY .................................................................................................................2 VIDEO RELEASES .............................................................................................................9 CROSSWORD ..................................................................................................................3 COOKING HIGHLIGHTS ....................................................................................................12 SPORTS.........................................................................................................................4 SUDOKU .....................................................................................................................13 FEATURE STORY ...............................................................................................................5 WORD SEARCH / CABLE GUIDE .........................................................................................19 READY FOR A LIFT? Facelift | Neck Lift | Brow Lift | Eyelid Lift | Fractional Skin Resurfacing PicoSure® Skin Treatments | Volumizers | Botox® Surgical and non-surgical options to achieve natural and desired results! Leo D. Farrell, M.D. Deborah M. Farrell, M.D. www.Since1853.com MODEL Fredricksen Outpatient Center, 630 -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
By DAVID LESER Two Years After Heath Ledger Scandalised Sections
By DAVID LESER Two years after Heath Ledger scandalised sections of middle America with his near- miraculous performance as a gay cowboy, he would light up the screen with another tour de force, this time as the lovelorn, heroin-soaked poet, Dan, in the Australian cult movie, Candy. Little known outside Australia, this film was based on a loosely autobiographical book of the same name written by Australian author, Luke Davies. In the film Ledger somehow managed to find his way inside the twisted, twilight world of the drug addict. I pull the syringe from her arm and drop it on the table and hold my thumb down over the tiny hole I’ve made. I release the tie with my other hand. Candy looks down at her arm like a child who’s relieved that the innoculation is over. Then she says, mmmm, and her facial muscles relax and she lies back on the bed and says, that is heaps better. Heaps better. Fuck oh God. Fuck fuck fuck. This is the best. Oh God, this is awesome. This was – as the New York Times commented of Ledger’s role – acting of the first order. “Ledger looks and plays the part of the scheming user exceptionally well. He’s deep in the character’s skin right from the start.” Ledger and his co-star, Abbie Cornish – who recently appeared opposite Cate Blanchett in Elizabeth: The Golden Age - had received their tutoring from an expert, a heroin addict belonging to a Sydney group called “Proud Users.” “Abbie and Heath got lots of lessons with a prosthetic arm on how to inject,” the film’s producer, Margaret Fink told Vanity Fair. -
Candy Talent: Heath Ledger, Abbie Cornish
Candy Talent: Heath Ledger, Abbie Cornish, Geoffrey Rush, Noni Hazlehurst, Tony Martin, Tom Budge. Director/producer/editor: Neil Armfield Duration: MA (15+) Classification: 108 minutes We rate it: Five stars. It’s my pleasure to announce that Australian cinema audiences can once again rejoice in the arrival of a sterling new Australian film. Candy, based on Luke Davies’ well-received 1997 novel, is the first big-screen feature- film effort from acclaimed theatre director Neil Armfield, and it’s a pretty stunning piece. Davies’ harrowing, immensely moving and often brutal novel gave us vivid portraits of its two central characters, young lovers whose lives were defined by their addiction to heroin. Far from being mere grunge wallowing, Candy told the deeply-felt story of a particular kind of doomed love: love played out against the looming backdrop of an unsustainable addiction. The novel’s appearance in 1997 was quite an event; Davies was rightly recognised as a major new literary presence in Australia, and his subsequent releases have confirmed the promise his debut made to readers. With the level of interest generated by Candy, a film adaptation was a likely thing. Enter Neil Armfield, gifted director of Belvoir St.’s Company B Theatre Group, and the man responsible for some of the most visionary Australian theatre of the last twenty years. Having directed television milestones like Edens Lost in the late 1980s, Armfield has long been in the running as Australia’s “man most overdue to direct a big-screen feature”. Candy is the film that has brought Armfield to the Australian cinema. -
All the Fun of the Fare
FEATURE FoCUS n MArkEt bUzz n AlliAnCE FilMS n CnC n zEntropA n EUropE’S FilM tAx CrEditS n SightSEErS (Clockwise from left) Speranza13 Media’s Romeo & Juliet; Recreation’s Red Hook Summer; Jennifer Lawrence; Arnold Schwarzenegger; Exclusive Media’s Look Of Love; Matt Damon; Kristen Stewart; Liam Hemsworth All the fun of the fare As the Cannes Marché opens for business, Screen looks at the hottest titles debuting at the market — at all stages of production — from the US, Europe and across Asia US sellers thriller Lone Survivor, which starts shooting Sep- tional and along with head of sales Nadine de Bar- tember 15. ros will take point on the Robert Rodriguez duo By Jeremy Kay Panorama Media, the new player backed by Frank Miller’s Sin City: A Dame To Kill For in 3D Lionsgate’s Patrick Wachsberger and Helen Lee Megan Ellison and run by Marc Butan and sales and Machete Kills (both in pre-production). Kim will kick off pre-sales on Catching Fire, the head Kim Fox, will introduce buyers to Kathryn Camela Galano’s Speranza13 Media will show a aptly named sequel to this year’s $625m-plus Bigelow’s Osama Bin Laden project Zero Dark promo from Romeo & Juliet based on Julian Fel- indie global behemoth The Hunger Games. The Thirty, currently shooting. lowes’ adapted screenplay. Hailee Steinfeld from merger with Summit has added thriller Red 2 (in Stuart Ford and sales chief Jonathan Deckter of True Grit stars alongside Douglas Booth. pre-production) to the pipeline. Other hot titles IM Global arrive on the Croisette with Robert The Solution Entertainment Group principal are Roman Polanski’s thriller D and Denis Ville- Luketic’s corporate espionage thriller Paranoia, to Lisa Wilson arrives with thriller Grand Piano neuve’s Prisoners. -
PORTFOLIO-KEYNOTE-PDF.Pdf
contents celebrities feature films tv commercials tv series short films print contact celebrities Kevin Bacon Heath Ledger Mia Wasikowska Sam Worthington Abbie Cornish Guy Pearce John Cleese Bryan Brown Radha Mitchell Michael Vartan Ryan Kwanten Emily Browning Sophie Lowe Heath Ledger Emily Browning Abbie Cornish feature films 6 Miranda Drive (coming soon) What Lola Wants Wolf Creek 2 Mine Games Red Hill Wolf Creek Rogue Savages Crossing Director: Rupert Glasson Starring: Sophie Lowe, Beau Knapp, Robert Taylor, Dale Dickey Prod co: What Lola Wants, LLC Director: Greg Mclean Starring: John Jarratt, Ryan Corr, Philippe Klaus, Shannon Ashlyn Prod co: Emu Creek Pictures Director: Richard Gray Starring: Joseph Cross, Briana Evigan, Julianna Guill, Ethan Peck, Alex Meraz, Rafi Gavron, Rebecca Da Costa Prod Co: Zero Gravity Management, Vitamin A Films, Oak Street Films Rebecca Da Costa as Rose Julianna Guill as Claire Briana Evigan as Lyla Julianna Guill as Claire Director: Patrick Hughes Starring: Ryan Kwanten, Steve Bisley, Tommy E Lewis Ryan Kwanten as Shane Cooper Tommy E Lewis as Jimmy Conway Prod co: Hughes House Film Ken Connley as Joseph Carlin Director: Greg Mclean Starring: John Jarratt, Kestie Morassi, Casandra McGrath, Nathan Phillips John Jarratt as Mick Taylor Prod co: Emu Creek Pictures Director: Greg Mclean Starring: Michael Varatan, Radha Mitchell, Sam Worthington, Mia Wasikowska Prod co: Miramax Films Michael Vartan as Pete McKell Sam Worthington as Neil Mia Wasikowska as Sherry Radha Mitchell as Kate Ryan Director: Kevin James -
Official Selection Contemporary World Cinema
Red Carpet Productions Present A FILM BY CATE SHORTLAND PRODUCED BY ANTHONY ANDERSON OFFICIAL SELECTION TORONTO INTERNATIONAL FILM FESTIVAL CONTEMPORARY WORLD CINEMA SCREENINGS Wed 15/9 11:45 am Varsity 5 Press / Industry Screening Fri 17/9 7:15 pm Isabel Bader Theatre 1st Screening Sat 18/9 4:30 pm Cumberland 2 2nd Screening HEAD OFFICE ASIA OFFICE IN TORONTO Veemarkt 77 – 79 14/F, 10 Knutsford Terrace Wouter Barendrecht 1019 DA Amsterdam Tsimshatsui, Kowloon Sutton Place Hotel The Netherlands Hong Kong, S.A.R. 955 Bay Street Phone: +31 20 627 3215 Phone: +852 2311 8081 Toronto, Canada M5S 2A2 Fax: +31 20 626 1155 Fax: + 852 2311 8023 Phone: +1 416 368 7350 E-mail: [email protected] E-mail: [email protected] Fax: +1 416 368 2572 1 SYNOPSIS A visually haunting film, set at the foot of the Australian ski fields, SOMERSAULT is the story of a young girl’s sensory journey, through which she learns the true meaning of love, family and friendship Living with her young single mother, sixteen-year old Heidi (Abbie Cornish), starved of true affection, looks to short-lived sexual encounters for the physical and emotional contact she craves. A confrontation with her mother is the catalyst for Heidi leaving home and fleeing to the snow resort town of Lake Jindabyne. Once there, she contacts a previous fling but is left to fend for herself with little money and no job. In between searching for work, Heidi explores the countryside, finding solace in the startling natural beauty around her. -
LIMITLESS (PG-13) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search LIMITLESS (PG-13) Ebert: Users: You: Rate this movie right now GO Search powered Share This WCIU by YAHOO! Facebook Page register You are not logged in. Log in » Subscribe to weekly newsletter » Replay Video times & tickets in theaters Fandango Robert De Niro and Bradley Cooper. Search movie Win Win showtimes and buy more current releases » tickets. Limitless one-minute movie reviews BY ROGER EBERT / March 16, 2011 about us still playing I know how Eddie Morra About the site » feels. Like him, I know almost everything, but have cast & credits The Adjustment Bureau Site FAQs » forgotten most of it. We are Another Year told time and again that we Eddie Morra Bradley Cooper Barney's Version Battle: Los Angeles Contact us » use only a small portion of Carl Van Loon Robert De Niro Biutiful our brains and have Lindy Abbie Cornish Email the Movie Blue Valentine enough left over to run Gennady Andrew Howard Answer Man » Cedar Rapids nations in our down time. Melissa Anna Friel Certifiably Jonathan “Limitless” is about Eddie’s Certified Copy adventures after his ex- on sale now Relativity Media presents a film Cold Weather brother-in-law gives him a directed by Neil Burger. Written by The Company Men pill that suddenly puts his Country Strong Leslie Dixon, based on a novel by entire brain online. Drive Angry 3D Alan Glynn. Running time: 105 The Eagle He finishes his novel at minutes. -
Distribution Company Argentina
Presenta SELECCIÓN OFICIAL VENECIA · TORONTO · LONDRES El Romance del Siglo (W.E.) Dirigida por Madonna Andrea Riseborough Abbie Cornish James D’Arcy Oscar Isaac SINOPSIS El Romance del Siglo, de Madonna, es un cuento apasionado y hermosamente elaborado acerca de la búsqueda del amor verdadero en el mundo moderno, visto a través del prisma de uno de los romances más fabulosos de la historia. El año es 1998 y en Manhattan se encuentra alborotada por la subasta de los bienes del Duque y la Duquesa de Windsor. Pero el remate es mucho más que una distracción para Wally Winthrop (Abbie Cornisa), una chica sureña atrapada en un matrimonio infeliz y abusivo. Obnubilada por los exquisitos efectos personales de la pareja, Wally se obsesiona con la historia de amor de Wallis Simspon (Andrea Riseborough), la elegante y carismática estadounidense que capturó el corazón del Rey Eduardo VII (James D’Arcy). A medida que va conociendo los sacrificios que Wallis tuvo que realizar al elegir estar con Eduardo, Wally encuentra el coraje para seguir su propio corazón y así crear su propia felicidad. NOTAS DE PRODUCCIÓN La guionista y directora Madonna viene desarrollando la idea de El Romance del Siglo desde hace muchos años. Siempre había tenido una fascinación por el Duque y la Duquesa de Windsor, pero no le interesaba hacer una biopic convencional. En cambio, buscó capturar la esencia de su romance y transmitir su interpretación de una de las más grandes historias de amor del siglo veinte. “La verdad es subjetiva. Todo lo que tengo que decir sobre el Duque y la Duquesa viene de la conclusión a la que llegué luego de realizar toda mi investigación. -
YEAR in REVIEW Celebrating Australian Screen Success and a Record Year for AFI | AACTA YEAR in REVIEW CONTENTS
2017 - 2018 YEAR IN REVIEW Celebrating Australian screen success and a record year for AFI | AACTA YEAR IN REVIEW CONTENTS Welcomes 4 7th AACTA Awards presented by Foxtel 8 7th AACTA International Awards 12 Longford Lyell Award 16 Trailblazer Award 18 Byron Kennedy Award 20 Asia International Engagement Program 22 2017 Member Events Program Highlights 27 2018 Member Events Program 29 AACTA TV 32 #SocialShorts 34 Meet the Nominees presented by AFTRS 36 Social Media Highlights 38 In Memoriam 40 Winners and Nominees 42 7th AACTA Awards Jurors 46 Acknowledgements 47 Partners 48 Publisher Australian Film Institute | Australian Academy of Cinema and Television Arts Design and Layout Bradley Arden Print Partner Kwik Kopy Every effort has been made to ensure the accuracy of the information contained in this publication. The publisher does not accept liability for errors or omissions. Similarly, every effort has been made to obtain permission from the copyright holders for material that appears in this publication. Enquiries should be addressed to the publisher. Comments and opinions expressed in this publication are not necessarily those of AFI | AACTA, which accepts no responsibility for these comments and opinions. This collection © Copyright 2018 AFI | AACTA and individual contributors. Front Cover, top right: Nicole Kidman accepting the AACTA Awards for Best Supporting Actress (Lion) and Best Guest or Supporting Actress in a Television Drama (Top Of The Lake: China Girl). Bottom Celia Pacquola accepting the AACTA Award for Best right: Gary Oldman accepting the AACTA International Award for Performance in a Television Comedy (Rosehaven). Best Lead Actor (Darkest Hour). YEAR IN REVIEW WELCOMES 2017 was an incredibly strong year for the Australian Academy and for the Australian screen industry at large.