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contents celebrities feature films tv commercials tv series short films print contact celebrities Kevin Bacon Heath Ledger Mia Wasikowska Sam Worthington Abbie Cornish Guy Pearce John Cleese Bryan Brown Radha Mitchell Michael Vartan Ryan Kwanten Emily Browning Sophie Lowe Heath Ledger Emily Browning Abbie Cornish feature films 6 Miranda Drive (coming soon) What Lola Wants Wolf Creek 2 Mine Games Red Hill Wolf Creek Rogue Savages Crossing Director: Rupert Glasson Starring: Sophie Lowe, Beau Knapp, Robert Taylor, Dale Dickey Prod co: What Lola Wants, LLC Director: Greg Mclean Starring: John Jarratt, Ryan Corr, Philippe Klaus, Shannon Ashlyn Prod co: Emu Creek Pictures Director: Richard Gray Starring: Joseph Cross, Briana Evigan, Julianna Guill, Ethan Peck, Alex Meraz, Rafi Gavron, Rebecca Da Costa Prod Co: Zero Gravity Management, Vitamin A Films, Oak Street Films Rebecca Da Costa as Rose Julianna Guill as Claire Briana Evigan as Lyla Julianna Guill as Claire Director: Patrick Hughes Starring: Ryan Kwanten, Steve Bisley, Tommy E Lewis Ryan Kwanten as Shane Cooper Tommy E Lewis as Jimmy Conway Prod co: Hughes House Film Ken Connley as Joseph Carlin Director: Greg Mclean Starring: John Jarratt, Kestie Morassi, Casandra McGrath, Nathan Phillips John Jarratt as Mick Taylor Prod co: Emu Creek Pictures Director: Greg Mclean Starring: Michael Varatan, Radha Mitchell, Sam Worthington, Mia Wasikowska Prod co: Miramax Films Michael Vartan as Pete McKell Sam Worthington as Neil Mia Wasikowska as Sherry Radha Mitchell as Kate Ryan Director: Kevin James Dobson Starring: John Jarrett, Craig McLachlan, Sacha Horler, Jessica Napier, Chris Haywood, Angela Punch McGregor, Rebecca Smart Prod Co: Winnah Films Sacha Horler as Shae Chis Haywood as Chris tv commercials Fosters Gold starring Holly Valance One-Tel Natures Organics Wraps of The World Honda CRV William Hill starring John Cleese Tattersalls Lotto Holden Watties Starhub Sensis NRMA Volkswagen television series Director: Sam Miller/ Ian Watson Starring: Daniel MacPherson, Abe Forsythe, Alexandra Moen, Kathryn Drysdale, Leon Ockenden, Rebecca Gibney, Lisa McCune, Brooke Satchwell Prod Co: Corner Store Films Alexandra Moen as Tamsin Rebecca Gibney as Lydia short film ICQ Mittens Parts of a Horse print Alazzo Adidas Olga Berg contact [email protected] usa: + 1 310 990 2415 aus: + 61 (0)414 617 387 www.nicoladunn.com.

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A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
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Crash- Amundo
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Reminder List of Productions Eligible for the 90Th Academy Awards Alien
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What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
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Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore.
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Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
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“If I See a Red Carpet
“IF I SEE A RED CARPET, Nadine Garner reminisces about the years she and Kylie Minogue were just Kids, and reveals that acting for adults is equally rewarding... and no less treacherous Photography CAMERON GRAYSON Styling IRENE TSOLAKAS Interview SIOBHAN DUCK adine Garner has seen and heard plenty series – was a blow for the single mother of two. “It was the most during her three-plus decades in showbiz. I was ever going to be earning,” she says. “I thought, ‘Oh my god… When she was 14, co-star Kylie Minogue everything is going to turn around!’ But nothing is guaranteed. introduced her to the music of Prince, the “I think we are at the very beginning of a new way of behaving Violent Femmes and Donna Summer on across all industries. And ours needed to be looked at – no doubt. the set of their TV series The Henderson Kids It still does; nothing is fixed here. We still have a systemic and turned her on to fashion with regular vulnerability in our industry for people to be taken advantage of.” excursions to Melbourne’s Camberwell Sunday Market. Despite her disappointment over the show’s demise, Garner NFor her second movie, Disney’s Bushfire Moon, she worked is supportive of the changes that are starting to take place: alongside veteran actor Charles “If you’ve got a menace in the “Bud” Tingwell; she’d later star in workplace [it needs to be dealt with]. a nationwide production of Cabaret And I know many actresses who have for a year as it travelled Australia.
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ABC TV 2015 Program Guide
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Sydney Program Guide
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By DAVID LESER Two Years After Heath Ledger Scandalised Sections
By DAVID LESER Two years after Heath Ledger scandalised sections of middle America with his near- miraculous performance as a gay cowboy, he would light up the screen with another tour de force, this time as the lovelorn, heroin-soaked poet, Dan, in the Australian cult movie, Candy. Little known outside Australia, this film was based on a loosely autobiographical book of the same name written by Australian author, Luke Davies. In the film Ledger somehow managed to find his way inside the twisted, twilight world of the drug addict. I pull the syringe from her arm and drop it on the table and hold my thumb down over the tiny hole I’ve made. I release the tie with my other hand. Candy looks down at her arm like a child who’s relieved that the innoculation is over. Then she says, mmmm, and her facial muscles relax and she lies back on the bed and says, that is heaps better. Heaps better. Fuck oh God. Fuck fuck fuck. This is the best. Oh God, this is awesome. This was – as the New York Times commented of Ledger’s role – acting of the first order. “Ledger looks and plays the part of the scheming user exceptionally well. He’s deep in the character’s skin right from the start.” Ledger and his co-star, Abbie Cornish – who recently appeared opposite Cate Blanchett in Elizabeth: The Golden Age - had received their tutoring from an expert, a heroin addict belonging to a Sydney group called “Proud Users.” “Abbie and Heath got lots of lessons with a prosthetic arm on how to inject,” the film’s producer, Margaret Fink told Vanity Fair.
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Candy Talent: Heath Ledger, Abbie Cornish
Candy Talent: Heath Ledger, Abbie Cornish, Geoffrey Rush, Noni Hazlehurst, Tony Martin, Tom Budge. Director/producer/editor: Neil Armfield Duration: MA (15+) Classification: 108 minutes We rate it: Five stars. It’s my pleasure to announce that Australian cinema audiences can once again rejoice in the arrival of a sterling new Australian film. Candy, based on Luke Davies’ well-received 1997 novel, is the first big-screen feature- film effort from acclaimed theatre director Neil Armfield, and it’s a pretty stunning piece. Davies’ harrowing, immensely moving and often brutal novel gave us vivid portraits of its two central characters, young lovers whose lives were defined by their addiction to heroin. Far from being mere grunge wallowing, Candy told the deeply-felt story of a particular kind of doomed love: love played out against the looming backdrop of an unsustainable addiction. The novel’s appearance in 1997 was quite an event; Davies was rightly recognised as a major new literary presence in Australia, and his subsequent releases have confirmed the promise his debut made to readers. With the level of interest generated by Candy, a film adaptation was a likely thing. Enter Neil Armfield, gifted director of Belvoir St.’s Company B Theatre Group, and the man responsible for some of the most visionary Australian theatre of the last twenty years. Having directed television milestones like Edens Lost in the late 1980s, Armfield has long been in the running as Australia’s “man most overdue to direct a big-screen feature”. Candy is the film that has brought Armfield to the Australian cinema.
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