Elizabeth Thegolden Ag E

Total Page:16

File Type:pdf, Size:1020Kb

Elizabeth Thegolden Ag E ELIZABETH THEGOLDEN AG E UNIVERSAL PICTURES Presents In Association with STUDIOCANAL A WORKING TITLE Production A SHEKHAR KAPUR Film CATE BLANCHED GEOFFREY RUSH CLIVE. OWEN ELIZABETH THEGOLDENAGE RHYS IFANS JORDI MOLLA ABBIE CORNISH and SAMANTHA MORTON Executive Producers DEBRA HAYWARD L1ZA CHASIN MICHAEL HIRST Produced by TIM BEVAN ERIC FELLNER JONATHAN CAVENDISH Written by WILLIAM NICHOLSON and MICHAEL HIRST Directed by SHEKHAR KAPUR -1- CAST CHARLES BRUCE In order of appearance JEREMY CRACKNELL BENEDICT GREEN King Philip II of Spain JORDI MOLLA ADAM SMITH Infanta AIMEE KING SIMON STRATTON Queen Elizabeth I. CATE BLANCHETT CRISPIN SWAYNE Sir Christopher Hatton LAURENCE FOX Mary Stuart's Ladies-in-Waiting KITTY FOX Lord Howard JOHN SHRAPNEL KATE L1NDESAY Sir Francis Walsingham GEOFFREY RUSH KATHERINE TEMPLAR Annette ..................•......... SUSAN LYNCH Queen Elizabeth's Ladies-in-Waiting . Laundry Woman ELISE McCAVE HAYLEY BURROUGHS Mary Stuart SAMANTHA MORTON KIRSTY McKAY Bess Throckmorton ABBIE CORNISH LUCIA RUCK KEENE Margaret PENELOPE McGHIE LUCIENNE VENISSE-BACK Robert Reston RHYS IFANS Thornas Babington EDDIE REDMAYNE CREW Savage STUART MCLOUGLIN Sir Walter Raleigh CLIVE OWEN Directed by SHEKHAR KAPUR Calley ADRIAN SCARBOROUGH Written by WILLIAM NICHOLSON and Palace Doorkeeper ROBERT STYLES MICHAEL HIRST Don Guerau De Spes WILLIAM HOUSTON Produced by TIM BEVAN First Court Lady CORAL BEED ERIC FELLNER Second Court Lady ROSALIND HALSTEAD JONATHAN CAVENDISH Manteo STEVEN LOTON Executive Producers DEBRA HAYWARD Wanchese MARTIN BARON L1ZA CHASIN Walsingham's Agent DAVID ARMAND MICHAEL HIRST Francis Throckmorton STEVEN ROBERTSON Co-Producer MARY RICHARDS Ramsey JEREMY BARKER Director of Photography REMI ADEFARASIN, ssc Burton GEORGE INNES Production Designer GUY HENDRIX DYAS William Walsingham ADAM GODLEY Editor ...........•.............. JILL BILCOCK, ACE Mary Walsingharn KIRSTIN COULTER SMITH Costume Designer ALEXANDRA BYRNE Ursula Walsingham KELLY HUNTER Makeup and Hair Designer JENNY SHIRCORE Archduke Charles CHRISTIAN BRASSINGTON Music by CRAIG ARMSTRONG and Count Georg von Helfenstein ROBERT CAMBRINUS AR RAHMAN Sir Amyas Paulet TOM HOLLANDER Music Supervisor NICK ANGEL Torturer SAM SPRUELL Visual Effects Supervisor RICHARD STAMMERS Old Throckmorton TIM PREECE Casting by FIONA WEIR Spanish Minister VIDAL SANCHO First Assistant Director , TOMMY GORMLEY Dr. John Dee ............•....... DAVID THRELFALL Production Manager MARK MOSTYN Dance Master BENJAMIN MAY Second Unit Directed & Cellarman DAVID STERNE Photographed by ALAN STEWART Woman With Baby KATE FLEETWOOD Location Managers NICHOLAS. DAUBENY Royal Servant GLENN DOHERTY MANUS HOME Dean of Peterborough CHRIS BRAILSFORD 'A' Camera Operators SIMON FINNEY Executioner DAVE LEGENO BEN WILSON Spanish Archbishop ANTONY CARRICK Production Sound Mixer DAVID STEPHENSON Marriage Priest JOHN ATTERBURY Supervising Art Director FRANK WALSH Admiral Sir William Winter DAVID ROBB Set Decorator RICHARD ROBERTS First Spanish Officer ALEX GIANNINI Casting Associate LUCY BEVAN Second Spanish Officer JOE FERRERA Construction Manager MALCOLM ROBERTS Stunt Coordinator GREG POWELL Special Continuity Financial Controller MICHELE TANDY Courtiers JONATHAN BAILEY Script Supervisor ANGELA NOAKES-WHARTON ALEXANDER BARNES Post-Production Supervisor TANIA BLUNDEN -2- First Assistant Editor BILLY BROWNE Post-Production Accountant TARN HARPER Co-Visual Effects Supervisor GUY HENDRIX DYAS Supervising Sound Editor ., , .. MARK AUGUSTE Supervising Re-RecordingMixer TIM CAVAGIN Cate Blanchett's Makeup & Hair MORAG ROSS Clive Owen's Makeup & Hair ... DORKA NIERADZIK,MBE For WORKING TITLE Chief Operating Officer ANGELA MORRISON Executive in Charge of Production .. MICHELLE WRIGHT Production Executive SARAH-JANE ROBINSON Head of Development NATASCHA WHARTON Head of Legal & Business Affairs SHEERAZ SHAH Finance Director TIM EASTHILL Development Executive AMELIA GRANGER Vice President of Legal & Business Affairs GRAINNE McKENNA Legal & Business Affairs Executive .. LUCY WAINWRIGHT Executive Coordinator ANN LYNCH Legal & Business Affairs Manager . CHRISTINA ANGELOUDES Assistant Production Coordinator KATE BAILEY Assistant to Tim Bevan CHLOE DORIGAN Assistant to Eric Fellner ALiZA JAMES Music Coordinator VICKI WILLIAMS Office Manager , NICOLA GARREn Production Services by SCION FILMS Production Coordinator SAMANTHA BLACK Assistant Production Coordinator REBECCA RAE Assistant to Jonathan Cavendish MARIA RYAN Assistant to Shekhar Kapur CLARE WILLIAMS Assistant to Cate Blanchett JEMMA KEARNEY Assistant to Clive Owen HELEN APPLEBY Production Assistant GAVIN CARRUTHERS Asset Manager EMMA OLRICH-SMITH Accommodation Coordinator ALEX HODGSON Second Assistant Director MARK LAYTON Co-Second Assistant Director CHLOE CHESTERTON Crowd Second Assistant Director .. CANDY MARLOWE Floor Runners .. , JEREMY ANGEL OLIVER HAZELL BEATRICE MANNING Unit Managers TERRY BLYTHER DUNCAN FLOWER TOM FORSYTH Location Assistant DAN WHITTY First Assistant Accountant JAMES RICHARDSON Assistant Accountants DOUGAL CADIOU FARNAZ DONOVAN NON ELUNED Accounts Assistant JESSICA GREEN -3- MARKGEESON ADEDOYIN OLUSHONDE BRADLEY GODWIN JACQUELINE SIMPSON scotT KEERY AILSA WOODYARD TERRY ROYCE Hairdressers JON HENRY GORDON GREGOR TELFER LOULIA SHEPPARD LLOYD VINCENT Makeup Artists JOE HOPKER PETER WELLS SUSAN HOWARD WILLIAM WELLS Chief Crowd Makeup & Hair Artist JULIA VERNON Senior Sculptor , DUNCAN McDEVITT Crowd Makeup & Hair Artists BEATRIX ARCHER Sculptors STEVE DEAHL ANITA BROLLY ALEXANDRA HARWOOD NICOLA BUCK STEPHEN MCCLURE SHARON COLLEY Props Coordinator KELLY NEARY CHARMAINE FULLER Trainee Prop Makers SUZANNE FORWARD JULIE KENDRICK KAREN PUDDIFOOT UXUE LAGUARDIA Costume Supervisor SUZI TURNBULL ELIZABETH LAWSON Assistant Costume Designers SHARON LONG MAYUREE LAYTON JEREMY TURNER LIZ MICHIE Costume Assistant JANE PETRIE LOUISE NOCKLES Key Set Costumer MAURIZIO TORTI KATH RAYNER Cate Blanchett's Costumer ClARA McARDLE CHRISTINE WHITNEY Set Costumers MARTIN CHITTY ROSEMARY WARDER TOM HORNSBY Orrery Makeup & Hair Coordinator LIZ MURRAY JOSIE MARTIN Makeup & Hair Trainee KATIE LEE FIONA McCANN FT2 Makeup & Hair Trainee KAREN SCOTT Crowd. Costume Supervisors .. ANTHONY BROOKMAN Post-Production Coordinators AISHA BICKNELL YVONNE OTZEN FAYE STEVENS Crowd Costume Pre-Fitters CHLOE AUBRY Second Assistant Editor HELEN PASZYN . SALLYANN DICKSEE Cutting Room Trainees KARENJIT SAHOTA ANDREW JOSLIN RAJESH RAJILAL JOOLS OSBORNE Dialogue Editor SAM AUGUSTE JACQUELINE THOMAS ADR Editor TIM HANDS Crowd Costume Seamstress EMMA BROWN Sound Editor PAUL APTED Costume Coordinator JANIE DOWDING Foley Editor ANDREW NEIL Costume Runners SHEARA ABRAHAMS Special Effects Consultant JOSS WILLIAMS LUCY DONOWHO Special Effects Supervisor MIKE DAWSON Costume Driver JULIAN O'SULLIVAN Special Effects Floor Supervisor TERRY FLOWERS Chief Costume Cutter DALE WIBBEN Senior Special Effects Floor Technician .. KEITH DAWSON Men's Costume Cutter MELANIE CARTER Special Effects Floor Technicians DAVID WATSON Costume Cutter DOMINIC YOUNG HAYLEY WILLIAMS Head Textile Artist STEVEN GELL Special Effects Wireman JASON L1ENSTER Assistant Textile Artists JOANNA WEAVING Lead Special Effects ANITA MARQUEZ Workshop Technician STUART DIGBY Costume Makers CHARLOTTE COPSON Special Effects Workshop Technician .. TONY EDWARDS SUSAN CRAWSHAW Special Effects Trainee .......• " . BEN BROADBRIDGE JANE FLANAGAN Video Coordinator ANDY HADDOCK DEBBIE HINDS Sound Maintenance Engineers GARY DODKIN LIBERTY KELLY COLIN WOOD LINDA LASHLEY Sound Assistant STEPHANE MALENFANT PERNILLA LINDFORS Assistant Construction Manager ROBERT VOYSEY STEPHANIE LITTLE Construction Buyers CARMEL CASSIDY ARMELLE LUCAS SARAH HUNT CAVITA LUCHMUN Standby Carpenter DAVID WILLIAMSON LOUISE MILLS Standby Rigger SEAN YOUNG Standby Painter BRADLEY WOODBRIDGE Painters' Labourer ANDREW BROGAN Standby Stagehand JIM MUIR Apprentice Painters KIMBERLEY GRANT HOD Carpenter MARTIN HUBBARD ALEXANDER GREEN Supervising Carpenter ARTHUR HOLLAND DORIAN SMITH Chargehand Carpenters .. '" '" .... WAYNE DAY HOD Plasterer STEPHEN WATTS KEVIN DEARDON Supervising Plasterer KEVIN TURNER WAYNE HAMMOND Chargehand Plasterers PHILIP BABBAGE PAUL NOTT-MACAIRE JOHN HARRIS .Carpenters GEOFF BALL STEPHEN PAGE RAYMOND BELLCHAMBERS Plasterers ADAM AITKEN GARY BIRD ADRIAN AITKEN MARK BRADY LOUIS ALLEY ROB BROOKMAN SEAN BIRD RAYMOND DAY TONY BOXALL KEITH DYETT JOHN BUTLER DAVID EDWARDS NEIL CLARK LEE EDWARDS MELVYN COLEMAN STEVEN FITZWATER STEVEN COOK LEN HUNTINGFORD CLIFFORD ETHERIDGE ROB JACKSON PATRICK GLEESON TONY KERR JAMIE GOODFELLOW SIMON MARJORAM GEOFF GRANT DAVID MAYHEW MATTHEW GREEN PETER MAYHEW WILLIAM GRZESIK TOM McCARTHY OLIVER HOWLETT PAUL NASH RAYMOND JAMES COLIN OSGOOD JOHN LLOYD TONY SNOOK JOHN MADDEN GRAHAM WEAMES PETER McCARROLL JASON WEST GLENN MEES Apprentice Carpenters NIK BILLAM-SMITH STEPHEN MORRIS MARK WILLIAMS DENIS MURRAY Wood Machinists ANDREW CASTLE MICHAEL O'CALLAGHAN DANIEL WELLS STEPHEN POWELL Scenic Artists ROHAN HARRIS TONY PUTT JAMES GEMMEL ROBERT RAMSEY STEVE MITCHELL KEVON RICHARDS Assistant Scenic Artist ; . NIGEL HUGHES JOHN ROBERY Decorative Artists SIMON HAGUE JEREMY ROSE JULIAN WALKER ANDY SANDBACH HOD Painter MICHAEL SOTHERAN GARY STOKES Supervising Painter ALAN GOOCH ANDREW TOMBS Chargehand Painter ; JASON IVALL RAYMOND TRICKER Painters JOHN BROGAN ILiJAVASIC ADAM CAMPBELL STEVAN VASIC KEITH CONNOLLY BRIAN WHITE PETER DAVIS DOUGLAS WOODS PETER EDGE Supervising Plasterer's Labourer OTIS BELL LARRY GOOCH P.!asterers' Labourers
Recommended publications
  • Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
    THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival.
    [Show full text]
  • The Red Eye Series
    THE RED EYE SERIES Jai Shree Ram Compiled by NARAYAN CHANGDER FOR HARDCOPY BOOK YOU CAN CONTACT NEAREST BOOKSTORE Narayan Changder I will develop this draft from time to time First printing, March 2019 Contents I Part One 1 Famous playwright, poet and others .......................... 11 1.1 John Keats.................................................... 11 1.2 Christopher Marlowe........................................... 12 1.3 Dr.Faustus By Christopher Marlowe................................ 13 1.4 John Milton................................................... 18 1.5 The Poetry of John Milton........................................ 19 1.6 Paradise Lost- John Milton....................................... 29 1.7 William Wordsworth............................................ 36 1.8 Frankenstein-Mary Shelley...................................... 37 1.9 Samuel Taylor Coleridge........................................ 38 1.10 WilliamJai Shakespeare.... Shree....................................... 39 Ram 1.11 Play by sakespear............................................. 42 1.12 Edmund Spenser.............................................. 51 1.13 Geoffrey Chaucer............................................. 52 1.14 James Joyce.................................................. 53 1.15 Dante........................................................ 63 1.16 Hamlet....................................................... 72 1.17 Macbeth...................................................... 74 1.18 Poetry.......................................................
    [Show full text]
  • Best Picture Best Director Best Actor Best Actress Best Supporting
    Best picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book – WINNER! Roma A Star is Born Vice Best director Alfonso Cuarón (Roma) – WINNER! Adam McKay (Vice) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Pawel Pawlikowski (Cold War) Best actor Rami Malek (Bohemian Rhapsody) – WINNER! Christian Bale (Vice) Viggo Mortensen (Green Book) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Best actress Glenn Close (The Wife) Lady Gaga (A Star Is Born) Olivia Colman (The Favourite) – WINNER! Melissa McCarthy (Can You Ever Forgive Me?) Yalitza Aparicio (Roma) Best supporting actress Emma Stone (The Favourite) Rachel Weisz (The Favourite) Amy Adams (Vice) Regina King (If Beale Street Could Talk) – WINNER! Marina De Tavira (Roma) Best supporting actor Mahershala Ali (Green Book) – WINNER! Richard E Grant (Can You Ever Forgive Me?) Sam Elliott (A Star Is Born) Adam Driver (BlacKkKlansman) Sam Rockwell (Vice) Best original song Shallow (A Star Is Born) – WINNER! All the Stars (Black Panther) I’ll Fight (RBG) The Place Where Lost Things Go (Mary Poppins Returns) When a Cowboy Trades his Spurs for Wings (The Ballad of Buster Scruggs) Best documentary Free Solo – WINNER! Minding the Gap RBG Hale County This Morning, This Evening Of Fathers and Sons Best costume design Black Panther (Ruth E Carter) – WINNER! The Favourite (Sandy Powell) Mary Poppins Returns (Sandy Powell) Mary Queen of Scots (Alexandra Byrne) The Ballad of Buster Scruggs (Mary Zophres) Best makeup and hair Border Mary Queen of Scots
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • 2018-19 SEASON Celebrating 30 Years
    2018-19 SEASON Celebrating 30 Years OPENING NIGHT Proving Up NEW YORK PREMIERE MUSIC BY Missy Mazzoli LIBRETTO BY Royce Vavrek Adapted from the short story “Proving Up” by Karen Russell Co-commissioned by Washington National Opera, Opera Omaha, and Miller Theatre at Columbia University © 2018 G. Schirmer Inc. IN A NEW PRODUCTION BY OPERA OMAHA Wednesday, September 26, 8 p.m. | Friday, September 28, 8 p.m. Click on a section to learn more OVERVIEW SYNOPSIS CREATIVE TEAM CAST PRODUCTION PHOTOS OVERVIEW Proving Up Wednesday, September 26, 8 p.m. | Friday, September 28, 8 p.m. The performance runs approximately 75 minutes with no intermission. Composer Missy Mazzoli and librettist Royce Vavrek thrilled audiences and critics alike in 2016 with the premiere of their opera Breaking the Waves. This dynamic creative duo reunites for Proving Up, a harrow- ing tale of a family’s pursuit of the American Dream set in post-Civil War Nebraska. Miller’s 30th Anniver- sary Season opens with the New York premiere of this chamber opera that is by turns optimistic, exultant, and menacing. Major support for Proving Up is provided by Francis Goelet Charitable Lead Trusts and H.F. Lenfest Fund of The Philadelphia Foundation Introducing Proving Up A CONVERSATION WITH MISSY MAZZOLI AND ROYCE VAVREK Tuesday, September 25, 6:30 p.m. | Lenfest Center for the Arts On the eve of the New York premiere of their newest opera, Proving Up, the dynamic creative duo sits down with Associate Dean and Executive Director Melissa Smey to talk about the project, their creative process, and their inspiration.
    [Show full text]
  • Crash- Amundo
    Stress Free - The Sentinel Sedation Dentistry George Blashford, DMD tvweek 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com January 19 - 25, 2019 Don Cheadle and Andrew Crash- Rannells star in “Black Monday” amundo COVER STORY .................................................................................................................2 VIDEO RELEASES .............................................................................................................9 CROSSWORD ..................................................................................................................3 COOKING HIGHLIGHTS ....................................................................................................12 SPORTS.........................................................................................................................4 SUDOKU .....................................................................................................................13 FEATURE STORY ...............................................................................................................5 WORD SEARCH / CABLE GUIDE .........................................................................................19 READY FOR A LIFT? Facelift | Neck Lift | Brow Lift | Eyelid Lift | Fractional Skin Resurfacing PicoSure® Skin Treatments | Volumizers | Botox® Surgical and non-surgical options to achieve natural and desired results! Leo D. Farrell, M.D. Deborah M. Farrell, M.D. www.Since1853.com MODEL Fredricksen Outpatient Center, 630
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
    MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time.
    [Show full text]
  • DICKENS on SCREEN, BFI Southbank's Unprecedented
    PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars.
    [Show full text]
  • What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
    What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • Film Streams Programming Calendar Westerns
    Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2009 v3.1 Urban Cowboy 1980 Copyright: Paramount Pictures/Photofest Westerns July 3 – August 27, 2009 Rio Bravo 1959 The Naked Spur 1953 Red River 1948 Pat Garrett & High Noon 1952 Billy the Kid 1973 Shane 1953 McCabe and Mrs. Miller 1971 The Man Who Shot Liberty Valance 1962 Unforgiven 1992 The Magnificent Seven 1960 The Assassination of Jesse James by the Coward The Good, the Bad Robert Ford 2007 and the Ugly 1966 Johnny Guitar 1954 There’s no movie genre more patently “American” True Westerns —the visually breathtaking work of genre auteurs like Howard than the Western, and perhaps none more Hawks, John Ford, Sam Peckinpah, and Sergio Leone—are more like Greek generally misunderstood. Squeaky-clean heroes mythology set to an open range, where the difference between “good” and versus categorical evil-doers? Not so much. “bad” is often slim and sometimes none. If we’re missing one of your favorites here, rest assured this is a first installment of an ongoing salute to this most epic of all genres: the Western. See reverse side for full calendar of films and dates. Debra Winger August 28 – October 1, 2009 A Dangerous Woman 1993 Cannery Row 1982 The Sheltering Sky 1990 Shadowlands 1993 Terms of Endearment 1983 Big Bad Love 2001 Urban Cowboy 1980 Mike’s Murder 1984 Copyright: Paramount Pictures/Photofest From her stunning breakthrough in 1980’s URBAN nominations to her credit. We are incredibly honored to have her as our COWBOY to her critically acclaimed performance special guest for Feature 2009 (more details on the reverse side), and for in 2008’s RACHEL GETTING MARRIED, Debra her help in curating this special repertory series featuring eight of her own Winger is widely regarded as one of the finest films—including TERMS OF ENDEARMENT, the Oscar-winning picture actresses in contemporary cinema, with more that first brought her to Nebraska a quarter century ago.
    [Show full text]