Lakshmi Stotram Being of Knowledge and Bliss Is Always Here and Everywhere, Only It Is Covered and Obscured by Hymns to Goddess Lakshmi Ignorance
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Sri Lakshmi Narayana Stotram
Sincere Thanks To: 1. SrI Seva SwAmi Memorial Foundation and SrI Vedanta Desika Research Centre, Villivakkam, Chennai, India for the source text of the SrI SUkti. 2. SrI Sundar Kidambi for facilitating the access to the Sanskrit Sloka-s and providing the ITrans text for the Sloka-s 3. SrI Srinivasan Narayanan swami for Sanskrit text and proof-reading 4. http://nallurtemple.org and http://groups.yahoo.com/group/arasanipalai/ for pictures 5. Smt Jayashree Muralidharan for eBook assembly Cover image of ArasAnipAlai SrI LakshmInArAyaNa perumAL mUlavar and utsavar Courtesy of ArasAnipAlai SrI Rajagopalan Swami, ArasAnipAlai Thattai SrI Sampath swAmi http://groups.yahoo.com/group/arasanipalai/ and www.anudinam.org www.sadagopan.org C O N T E N T Introduction 1 Slokams and Comments 3 Slokams 1 - 21 and Mangala Slokam 5 - 20 nigamanam 20 Transliteration Scheme used in the eBook 21 - 22 www.sadagopan.org SrI LkshmInArayana perumAL MUlavar and utsavar - arasANipAlai Thanks: http://groups.yahoo.com/group/arasanipalai/ www.sadagopan.org . ïI>. ïI seva Svaimn> Anug&hIten ïIlúmInaray[StaeÇm! SrI lakshmInArAyaNa stotram (Composed by SrI sevA Swamy) Introduction: We will visit the srotria village of ArasANipAlai, where SrI LakshmI nArAyaNa perumaL blesses us with MahA LakshmI seated on His left lap. ArasANipAlai is one of the 18 Vaidika agrahArams situated between the two rivers, PaalARu and SeyyAr. Dusi MaamaNDUr and Nallur are two of such agrahArams besides ArasANipAlai in this region. Many yajn~ams have been conducted at the NallUr and ArasANipAlai agrahArams by the descendants of KiDaambi AcchAn (PraNatArtiharar) who performed MaDappaLLi kaimkaryam for AcArya RaamAnuja (1017-1137 CE). -
Friday Hindu Story
Lord Brahma Brahma is the creator of the universe and all knowledge. He is the first god in the Hindu Trimurti (three gods who are responsible for the creation, preservation and destruction of the world). Brahma grew inside a lotus from the navel of a sleeping Vishnu. He has 4 heads and has the goddess Saraswati as a companion. Brahma is sometimes depicted with a beard. Lord Vishnu Vishnu is the Hindu god who preserves the universe and people. He is the second god in the Hindu Trimurti. Hindus believe that he has saved his followers by appearing to them in other forms. Vishnu has four arms to represent the four corners of the world. Lord Shiva Shiva is the destroyer of the universe so that new life can come again. He restores the balance between good and evil. He is the third god in the Hindu Trimurti. Ganesh Ganesh is the elephant-headed god and the Lord of all living things. He is the god who helps people overcome their problems by granting them wisdom and strength. It is said that the god Shiva cut off his original head and restored him to life by giving him the head of an elephant. Lakshmi Lakshmi is the wife of Vishnu and travels on a lotus flower. She is the goddess of wealth and success. Sita Sita is actually an incarnation of the goddess Lakshmi. She is a beautiful, loyal wife and a role model for Hindu women. Rama Rama is the ‘perfect’ avatar of Vishnu. He is a symbol of chivalry and virtue. -
An Exploration of Hindu Goddess Iconography Evyn Venkateswaran
Venkateswaran 1 Devi: An Exploration of Hindu Goddess Iconography Evyn Venkateswaran ‘Devi’ is a collection of illustrations that emphasize the unifying feminine power in Hinduism, commonly known as shakti. Portrayed within are several deities that have unique stories and corporeal forms, re-contextualized through a modern lens. The ways in which I have achieved this is through my depiction of each of the goddesses, featuring a separate culture or ethnicity found within the Indian Subcontinent. This challenges the current market of Hindu illustrations where all goddesses share the same facial-features, skin-tone, and clothing. In addition, each of the artworks contain compositions that are unique and break away from the typical forward-facing, subject gazing directly at the audience compositions found in the aforementioned illustrations. Lastly, when creating my illustrations, I strove to capture a story or a meaning that would distinguish the identity of that specific deity. Initially, the technique in which I completed this project was through using either oil pastels or nupastels, later adding a layer of digital paint with Photoshop. However, due to different situational changes, I have finished my last images utilizing Procreate on my iPad Pro. With both situations, I focused on impressionistic mark-making, using several colors to create an iridescent quality in each of the pieces. Within my color palettes, I used golden-yellow in each of the pieces to draw significance between the goddesses, for example using the most amount of gold in Durga to emphasize how she’s the ultimate form of shakti. My intent of displaying these images is through posters that can either be used as iconography within worship or hung up as decoration. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
Two Shakti Pithas of Kandhamal District
Orissa Review September - 2009 Two Shakti Pithas of Kandhamal District Raghunatha Rath Shakti cult or Mother Goddess worship had been level are known as Rastra Devi. They are being traced in the Indus valley civilization. Hence we Hinduized in name and process of worship also believe that from the ancient period Mother and Bramhin priests are engaged by the state. Goddess is being worshipped in India. Suktas The deities Pattakhanda and Baral Devi were dedicated in the Vedas to as much as forty of Kandhamal district have a tribal root, in course female deities. It is widely of time they have developed to accepted by scholars that the the status of regional fame being root of Shakti worship is laying patronized by local chiefs and in Devi Sukta of Rig Veda. So worshipped by both tribals and there is no doubt about non-tribals which helped the ancientness of mother chiefs to subdue the tribal Goddess worship in India. subjects and to gain control over In Adibasi community them. In the following paras we most of deities belongs to will come to know about both the female line. They worship deities in detail. Earth Goddess, River Goddess Pattakhanda Goddess, and Mountain Goddess etc. All the sources The word Pattakhanda literally of nature are worshiped as means "chief sword or main Goddesses in tribal societies. sword". Pattakhanda worship Likewise at the end of each indicates worship of weapons. village in Odisha we can Weapons are regarded as Goddess Durga, which is witness a place dedicated to Goddess Pattakhanda Mother Goddess, known by prevalent in the Hindu society of different names. -
Saubhagya Lakshmi Upanishad Chapter 1
“Om Sri Lakshmi Narashimhan Nahama” Saubhagya Lakshmi Upanishad Om! Speech is rooted in my thought (mind) and my thought is rooted in my speech. Be manifest, patent, to me; be ye two, for me, the lynch-pins of the Veda. Let not Vedic lore desert me. With this mastered lore, I join day with night. I shall speak what is right; I shall speak what is true. Let that protect me; let that protect the speaker. Let that protect me. Let that protect the speaker, protect the speaker! Om! Peace! Peace! Peace! Chapter 1 I-1: Then the Gods said to the Lord: Lord ! Expound for us the science of the Goddess of Prosperity. I-2: The Lord, the primeval Narayana, replied: Be it so. With intent minds, all of you Gods, listen ! With the aid of the fifteen verses beginning with the verse ‘hiranyavarnam’ (of the hue of gold), etc., meditate on the four-armed Sri (the Goddess of Prosperity), whose form is that of the Fourth, who is beyond the Fourth, who is supreme over all, who is present in all consecrated seats, and who is encircled by the divinities of the seats, major and minor. I-3: Now, the seers of the hymn on Sri consisting of fifteen verses are Ananda, Kardama, Chiklita and Indirasuta. Of the first verse, the seer is Sri. Of the (next) fourteen verses, the seers are Ananda etc. Of the first three verses, ‘hiranyavarnam’, etc., the metre is Anustubh. Of the verse ‘kamso’smi’, the metre is brihati, of the two others Tristubh (is the metre); of the next eight the metre is Anustubh. -
The Science Behind Sandhya Vandanam
|| 1 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 Sri Vaidya Veeraraghavan – Nacchiyar Thirukkolam - Thiruevvul 2 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 �ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || Sri Nrisimha Priya ------------------------------------------------------------------------------------------ AN AU T H O R I S E D PU B L I C A T I O N OF SR I AH O B I L A M A T H A M H. H. 45th Jiyar of Sri Ahobila Matham H.H. 46th Jiyar of Sri Ahobila Matham Founder Sri Nrisimhapriya (E) H.H. Sri Lakshminrisimha H.H. Srivan Sathakopa Divya Paduka Sevaka Srivan Sathakopa Sri Ranganatha Yatindra Mahadesikan Sri Narayana Yatindra Mahadesikan Ahobile Garudasaila madhye The English edition of Sri Nrisimhapriya not only krpavasat kalpita sannidhanam / brings to its readers the wisdom of Vaishnavite Lakshmya samalingita vama bhagam tenets every month, but also serves as a link LakshmiNrsimham Saranam prapadye // between Sri Matham and its disciples. We confer Narayana yatindrasya krpaya'ngilaraginam / our benediction upon Sri Nrisimhapriya (English) Sukhabodhaya tattvanam patrikeyam prakasyate // for achieving a spectacular increase in readership SriNrsimhapriya hyesha pratigeham sada vaset / and for its readers to acquire spiritual wisdom Pathithranam ca lokanam karotu Nrharirhitam // and enlightenment. It would give us pleasure to see all devotees patronize this spiritual journal by The English Monthly Edition of Sri Nrisimhapriya is becoming subscribers. being published for the benefit of those who are better placed to understand the Vedantic truths through the medium of English. May this magazine have a glorious growth and shine in the homes of the countless devotees of Lord Sri Lakshmi Nrisimha! May the Lord shower His benign blessings on all those who read it! 3 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 4 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || CONTENTS Sri Nrisimha Priya Owner: Panchanga Sangraham 6 H.H. -
GCSE Hinduism Shakti Definition: Shakti : Idea of God As a Female
GCSE Hinduism Shakti Definition: Shakti : idea of God as a female power. Some renowned forms of God as Mother, are Parvati, Durga, Kali, Lakshmi, and Saraswati Key Points Parvati: 1) Female Shakti 2) Consort of Lord Shiva. 3) Power to other devis come from her 4) Mother to Kartika & Ganesh Idea of God(shiva) and his manifesting power(parvati) are inseparable Durga 1) Role of the destroyer of evil 2) Sent to kill buffalo-demon, Maheshasura, 3) Carrying many different divine weapons to fight Maheshasura 4) She battled against the demon for 9 days and nights. 5) On the 10 th day the devil was killed – Dusserah 6) Durga puja is the festival celebrated mainly in eastern part of India. 7) She is seated on a tiger – suppression of ego. Lakshmi 1) Consort of Vishnu 2) Goddess of Beauty, Prosperity(wealth) and benevolence(love) 3) Wears a red/pink sari 4) Holds a lotus in 2 hands, and money flowing from other 2 hands 5) Money flowing represents offerings to devotees 6) Particularly worshipped at Diwali - Laksmi Pujan Saraswati 1) Consort of Brahma 2) Personification of Knowledge & aesthetics a. Expressed via art, music & dance 3) Holds a Veena (instrument like a sitar) 4) Wears a white Sari – symbol of purity 5) Holds scriptures in one hand for knowledge & rosary(mala) in another – for austerity Kali 1) Female role of destroyer (like female Shiva) so has scary appearance 2) Has black skin & hair 3) Necklace of skulls 4) Scary appearance shows God is both creator and destroyer, as if god creates everything, then only He can destroy it. -
S.No Roll No Name Eng San Mat Sci Soc Cgpa 1 4114130 Adithya Dutt A1 B1
SRI SATHYA SAI HIGHER SECONDARY SCHOOL, PRASANTHI NILAYAM X CLASS BOARD EXAMINATION RESULT 2016-17 S.NO ROLL NO NAME ENG SAN MAT SCI SOC CGPA 1 4114130 ADITHYA DUTT A1 B1 B2 B1 A2 8,40 2 4114131 AJITH R M K A2 B1 B1 B1 B1 8,20 3 4114132 ANANTHA KRISHNAN P M A1 A1 A2 A1 A1 9,80 4 4114133 ANISH K A1 A1 A1 A2 A1 9,80 5 4114134 AYUSH AGRAWAL A1 A1 A1 A1 A1 10,00 6 4114135 BHAVYA CHARAN Y A2 B1 B1 B1 B1 8,20 7 4114136 BHAGAWAN P A1 A1 A1 A1 A1 10,00 8 4114137 BIBHU PRASAD SAHU A1 A1 A1 A1 A1 10,00 9 4114138 JAGANNIL BANERJEE A1 A1 A1 A1 A1 10,00 10 4114139 KESHAV P A1 A2 A2 A2 A2 9,20 11 4114140 MEGHA SAI C A1 A2 A2 A2 A1 9,40 12 4114141 MRUNAL SIMHA K A1 A2 B1 A1 A1 9,40 13 4114142 NAVEEN SAI KUMAR REDDY N A1 A1 A1 A1 A1 10,00 14 4114143 NITHIN KUMAR REDDY U A1 A1 A1 A1 A1 10,00 15 4114144 OM SAI RUKVITH S A1 A2 A2 A1 A2 9,40 16 4114145 PREM SUDHEER REDDY T A1 A1 A2 A1 A1 9,80 17 4114146 PRUTHVI KRISHNA M A1 A1 A2 A1 A1 9,80 18 4114147 RAM PRASAD G A1 A1 A2 A2 A1 9,60 19 4114148 RISHABH TOOR A1 A1 A1 A1 A1 10,00 20 4114149 RISHI G KANNAN A1 A1 A1 A1 A1 10,00 21 4114150 ROHIT MOHUN RAJU N A2 A2 B1 A2 A2 8,80 22 4114151 SAHIL MEHRA A1 B1 B1 B1 A2 8,60 23 4114152 SAI AASHISH D A1 A2 B1 A2 A2 9,00 24 4114153 SAI GOVINDA V A1 A1 A2 A1 A1 9,80 25 4114154 SAI JATHIN RAJU C A1 B2 B2 B1 B1 8,00 26 4114155 SAI KESHAV S A1 A2 A2 A1 A2 9,40 27 4114156 SAI MADHAV B Y A1 B1 B1 A2 A2 8,80 28 4114157 SAI MOHIT GARG A1 A1 A2 A2 A2 9,40 29 4114158 SAI SANATHANN K A1 A1 A1 A1 A1 10,00 30 4114159 SAI SANTOSH N A1 A1 A1 A1 A1 10,00 31 4114160 SAI SATHVIK M V -
Female Deity of Sanchi on Lotus As Early Images of Bhu Devi J
NEW INTERPRETATION ON GAJ- LAKSHMI FIGURES OF SANCHI (AND OTHER SRAMANICAL SITES) nn DR. J. MANUEL THE BACK GROUND • INDRA RULED THE ROOST IN THE RGVEDIC AGE • OTHER GODS LIKE AGNI, SOMA, VARUN, SURYA BESIDES ASHVINIKUMARS, MARUTS WERE ALSO SPOKEN VERY HIGH IN THE LITERATURE • VISHNU IS ALSO KNOWN WITH INCREASING PROMINENCE SO MUCH SO IN THE LATE MANDALA 1 SUKT 22 A STRETCH OF SIX VERSES MENTION HIS POWER AND EFFECT • EVIDENTLY HIS GLORY WAS BEING FELT MORE AND MORE AS TIME PASSED • Mandal I Sukt 22 Richa 19 • Vishnu ki kripa say …….. Vishnu kay karyon ko dekho. Vay Indra kay upyukt sakha hai EVIDENTLY HIS GLORY WAS BEING FELT MORE AND MORE AS TIME PASSED AND HERO-GODS LIKE BALARAM AND VASUDEVA WERE ACCEPTED AS HIS INCARNATIONS • CHILAS IN PAKISTAN • AGATHOCLEUS COINS • TIKLA NEAR GWALIOR • ARE SOME EVIDENCE OF HERO-GODS BUT NOT VEDIC VISHNU IN SECOND CENTURY BC • There is the Kheri-Gujjar Figure also of the Therio anthropomorphic copper image BUT • FOR A LONG TIME INDRA CONTINUED TO HOLD THE FORT OF DOMINANCE • THIS IS SEEN IN EARLY SACRED LITERATURE AND ART ANTHROPOMORPHIC FIGURES • OF THE COPPER HOARD CULTURES ARE SAID TO BE INDRA FIGURES OF ABOUT 4000 YEARS OLD • THERE ARE MANY TENS OF FIGURES IN SRAMANICAL SITE OF INDRA INCLUDING AT SANCHI (MORE THAN 6) DATABLE TO 1ST CENTURY BCE • BUT NOT A SINGLE ONE OF VISHNU INDRA 5TH CENT. CE, SARNATH PARADOXICALLY • THERE ARE 100S OF REFERENCES OF VISHNU IN THE VEDAS AND EVEN MORE SO IN THE PURANIC PERIOD • WHILE THE REFERENCE OF LAKSHMI IS VERY FEW AND FAR IN BETWEEN • CURIOUSLY THE ART OF THE SUPPOSED LAXMI FIGURES ARE MANY TIMES MORE IN EARLY HISTORIC CONTEXT EVEN IN NON VAISHNAVA CONTEXT AND IN SUCH AREAS AS THE DECCAN AND AS SOUTH AS SRI- LANKA WHICH WAS THEN UNTOUCHED BY VAISHNAVISM NW INDIA TO SRI LANKA AZILISES COIN SHOWING GAJLAKSHMI IMAGERY 70-56 ADVENT OF VAISHNAVISM VISHNU HAD BY THE STARTING OF THE COMMON ERA BEGAN TO BECOME LARGER THAN INDRA BUT FOR THE BUDDHISTS INDRA CONTINUED TO BE DEPICTED IN RELATED STORIES CONTINUED FROM EARLIER TIMES; FROM BUDDHA. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.