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The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax: -
Copyrighted Material
Index Ackroyd, Peter, 350, 360, 364–65, 399 absence of in Poems (1920), 137–43 on TSE’s work, 205, 213, 244 religious, 367, 373 Action française see Maurras, Charles toward popular culture, 67, 68, 69, 75, Adams, Henry, 151–54 162, 186, 317, 320 “The Ad-Dressing of Cats” (poem), toward women, 332 228–29, 237 “American Literature and the American Adelphi, 390, 391–92, 393 Language” (lecture), 24, 284 Adorno, Theodor, 319 “Andrew Marvell” (essay), 306–08, Advocate (Harvard literary magazine), 4, 308–09 108, 311 Andrewes, Lancelot, 148, 152, 192, 201 Aeschylus, 76, 181, 248, 252 in “Journey of the Magi,” 191, 192, Africa, 87, 170, 346 193 African-American culture and black Anglicanism, TSE’s conversion to, 9, 17, ethnicity, 183–84, 186–87, 318, 54, 291, 337, 372, 399 345–48 effect on TSE’s thought, 47, 87, 133, see also jazz; minstrelsy, blackface; ragtime 191–92, 276–77, 298, 301, 331, After Strange Gods (lectures), 23, 88, 289, 357, 379 293, 298, 363, 373–74, 381, 384, negative reaction to, 9, 363, 429 405 see also Christianity and “free-thinking Jews,” 23–24, 150, “Animula” (poem), 194–96, 197, 234–35 335–36, 346, 381 anthropology, 5, 36–37, 55, 79–90, 142, and “Tradition and theCOPYRIGHTED Individual 251, MATERIAL 396 Talent,” 16, 276 and concept of “culture,” 37–38, 88–90, Agrarianism, 418–19 287, 288–89, 292, 295 Aiken, Conrad, 121, 392, 437 see also primitivism and the primitive; letters from TSE, 6, 58–59, 61, 94–95, ritual 348 anti-Semitism, 150, 319, 335, 381, Alain-Fournier, Henri, 5 423–24, 426–27 Aldington, Richard, 80 condemned -
Simply Eliot
Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T. -
Ts Eliot As Saying, "Was No Such Easy Matter"; and His Early Fondness for Penning His Name "T
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1961 T. S. Eliot| In pursuit of tradition Donald Bernhardt McLeod The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation McLeod, Donald Bernhardt, "T. S. Eliot| In pursuit of tradition" (1961). Graduate Student Theses, Dissertations, & Professional Papers. 3835. https://scholarworks.umt.edu/etd/3835 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. T.S. EUOT: IN PURSUIT OF TRADITION by DONALD B. MCLEOD B.A. Whitman College, 19^6 Presented in partial fulfillment of the requirements for the degree of Master of Arts MONTANA STATE UNIVERSITY 1961 Approved by: Chairman, Boardof E^fiPiers __________ bean. Graduate School Date UMl Number: EP35733 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT P iM is M ig UMl EP35733 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
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Young T.S. Eliot
Werner Vordtriede | Young T.S. Eliot The students of Harvard University publish a literary magazine, the “Harvard Advocate.” The first poems of Eliot appeared there during his “undergraduate” years, from 1907 to 1910. They are verses of the sadness of youth, precious and melancholy, entirely under the spell of late-Victorian poetry. They deal with the withering of the world in autumn; the palace of Circe, in which one experiences death; aftereffects of Swinburne, Rossetti and Dowson. But that obtains only for the first two years, 1907 and 1908. Then a sonnet suddenly appears with the title “Nocturne,” in which Romeo is apostrophized as “grand serieux” who is given a veritable gift of his Juliet’s death, thereby avoiding the banal danger of having to keep their intensive love affair going for weeks and years to wear it out. Because these verses aren’t in any of Eliot’s books and are therefore unknown I quote them here: Romeo, grand serieux, to importune Guitar and hat in hand, beside the gate With Juliet, in the usual debate Of love, beneath a bored but courteous moon; The conversation failing, strikes some tune Banal, and out of pity for their fate Behind the wall I have some servant wait, Stab, and the lady sinks into a swoon. Blood looks effective on the moonlit ground — The hero smiles; in my best mode oblique Rolls toward the moon a frenzied eye profound, (No need of “Love forever?” – “Love next week?”) While female readers all in tears are drowned: — “The perfect climax all true lovers seek!” The speaker of these saucy, witty apercus is of course Shakespeare himself, who appears bored by the eternally shining moon of the lovers and makes fun of the tears of his stirred women readers and acknowledges Romeo in the last line, for whom Juliet’s death is “the perfect climax all true lovers seek.” Something has clearly happened here that has made for a clever unmasking of romantic attitudes by the elegiac late-comer at twenty years of age. -
Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
Yehuda Amichai
Poets, Belief and Calamitous Times . in calamitous times When old certainties lose their outlines, Virtues are negated, and faith fades.1 Gwynith Young Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy June 2006 Department of English University of Melbourne 1 Primo Levi, ‘Huayna Capac’, Collected Poems, (London: Faber & Faber, 1988), 35. ii iii Abstract My research in this thesis covers the religious discourse of six contemporary poets who write belief from a position of calamity. Yehuda Amichai writes from the constant wars fought since the founding of the state of Israel; Anne Sexton from psychiatric illness; Seamus Heaney from the sectarian violence of Ireland; Paul Celan and Nelly Sachs from the twentieth century's greatest calamity, the Holocaust; and Yves Bonnefoy, from the language theories of post-modernism, which are calamitous for a poet. My hypothesis is that under the pressures of calamity, in their resulting fragile subjectivity, poets will write an over-cohesive statement of belief, in which ambiguity and contradiction are suppressed, but that these qualities may be discernable through both traces and gaps in the discourse. In all except one of the poets, I have found this to be the case. Only Nelly Sachs avoids this pattern, and integrates evil and belief. Yehuda Amichai's over-cohesive statement of belief asserts the absence of God and calls God to account. Breaking through this overt discourse however, and dominant by Amichai's final book, is evidence of a nurturing spiritual belief. Anne Sexton repudiates her writing of Christ as Divine mother, companion, liberator and nourisher and reinscribes a patriarchal metanarrative in her 'Rowing' poems. -
Valerie Eliot: in Memoriam
Time Present The Newsletter of the T. S. Eliot Society number 78 WINTER 2013 CONTENTS Valerie Eliot: In Memoriam Essays 1 he T. S. Eliot Society lost its foremost Honorary Member with the passing on 9 Conference Notes 4 TNovember of Valerie Esmé Eliot (1926–2012). A requiem mass was held for her in the Parish Church of St. Stephen, London, on 21 November, with a reading of “Journey Book Reviews 8 of the Magi” by Seamus Heaney, a eulogy by Craig Raine, and a choral singing of Igor Stravinsky’s setting of “The dove descending breaks the air” and George Herbert’s “King Pubic Sightings 10 of Glory, King of Peace, I will love thee,” both of which were sung at Eliot’s service there. As a Yorkshire teenager spellbound by John Gielgud’s reading of “Journey of the Abstracts 11 Magi,” Valerie determined upon graduation to make her way to T. S. Eliot: she eventually became his personal secretary at Faber in 1949, brought him much happiness after their Conferences and marriage in 1957, and became the steward of his papers upon his death in 1965. She Call for Papers 17 opened or attended the openings of numerous cultural events over the years, and her generous presence at the reception and dinner during the Eliot Society’s visit to London in Call for 2004 is remembered as a thrilling highlight by many our members. Nominations 18 The obituaries have invariably described her life mainly in terms of Eliot’s, but in the forty-seven years after his death she created an extraordinary life of her own as editor Board Report 18 of the facsimile edition of The Waste Land and three volumes of letters; as a director and sustaining supporter of the Faber firm; and as the executrix of his estate, which was Membership List 18 enriched by the worldwide success of Cats, thereby enabling her to become a major philanthropist for the nation, the arts, education, and numerous charities. -
Party Tunes Dj Service Artist Title 112 Dance with Me 112 It's Over Now 112 Peaches & Cream
Party Tunes Dj Service www.partytunesdjservice.com Artist Title 112 Dance With Me 112 It's Over Now 112 Peaches & Cream 112 Peaches & Cream (feat. P. Diddy) 112 U Already Know 213 Groupie Love 311 All Mixed Up 311 Amber 311 Creatures 311 It's Alright [Album Version] 311 Love Song 311 You Wouldn't Believe 702 Steelo [Album Edit] $th Ave Jones Fallin' (r)/M/A/R/R/S Pump Up the Volume (ToraDora!) Hashimoto Yukari Ame iro Rondo (ToraDora!) Hashimoto Yukari Chance Chase Classroom (ToraDora!) Hashimoto Yukari Creme Brule no Tsukurikata (ToraDora!) Hashimoto Yukari Duty of love (ToraDora!) Hashimoto Yukari Eyecatch (ToraDora!) Hashimoto Yukari Great escape (ToraDora!) Hashimoto Yukari Happy Monday (ToraDora!) Hashimoto Yukari Hey! You are lucky girl (ToraDora!) Hashimoto Yukari Kanchigai Hour (ToraDora!) Hashimoto Yukari Kaze wo Kiite (ToraDora!) Hashimoto Yukari Ki Me Ze Fi Fu (ToraDora!) Hashimoto Yukari Kitchen In The Dark (ToraDora!) Hashimoto Yukari Kotori no Etude (ToraDora!) Hashimoto Yukari Lost my pieces (ToraDora!) Hashimoto Yukari love on the balloon (ToraDora!) Hashimoto Yukari Magic of love (ToraDora!) Hashimoto Yukari Monochrome set (ToraDora!) Hashimoto Yukari Morning Glory (ToraDora!) Hashimoto Yukari Next Mission (ToraDora!) Hashimoto Yukari Onna no Ko no Kimochi (ToraDora!) Hashimoto Yukari Psychocandy (ToraDora!) Hashimoto Yukari READY STEADY GO! (ToraDora!) Hashimoto Yukari Small Heaven (ToraDora!) Hashimoto Yukari Sora iro no Houkago (ToraDora!) Hashimoto Yukari Startup (ToraDora!) Hashimoto Yukari Tears of dragon (ToraDora!) Hashimoto Yukari Tiger VS Dragon (ToraDora!) Hashimoto Yukari Todoka nai Tegami (ToraDora!) Hashimoto Yukari Yasashisa no Ashioto (ToraDora!) Hashimoto Yukari Yuugure no Yakusoku (ToraDora!) Horie Yui Vanilla Salt (TV-SIZE) (ToraDora!) Kugimiya Rie, Kitamura Eri & Horie Yui Pre-Parade (TV-SIZE) .38 Special Hold on Loosely 1 Giant Leap f. -
42656曲、85.5日、652.37 Gb
1 / 87ページ Rock 42656曲、85.5日、652.37 GB アーティスト アルバム 項目数 合計時間 A.F.I. Black Sails In The Sunset 12 46:11 The A.G's This Earth Sucks 34 58:13 Above Them Blueprint for a Better Time 11 36:42 Abrasive Wheels The Riot City Years 1981-1982 22 53:41 Abrasive Wheels When The Punks Go Marching In 22 53:41 The ABS Mentalenema 8 23:27 The ABS A Wop Bop A Loo Bop...Acough,Wheese,Fart! 40 2:13:05 The Academy Is Almost Here 10 32:56 Accidente Accidente 11 27:10 Accidente Amistad y Rebelión 10 25:10 Ace Bushy Striptease The Words That You Said Are Still Wet In My Head 14 23:15 Action Action Don't Cut Your Fabric To This Year's Fashion 13 50:26 Active Sac Kill All Humans 13 34:23 Active Sac Road Soda 14 37:12 ADD/C Busy Days 15 29:09 Adhesive From left to right 14 25:32 The Adicts The Complete Singles Collection 24 1:11:50 The Adicts This Is Your Life 21 54:06 Adolescents Adolescents 16 35:21 The Adorkables ...She Loves Me Not 12 37:15 The Adverts Cast Of Thousands 14 45:48 The Adverts Crossing The Red Sea With The Adverts 14 39:22 The Adverts Live At The Roxy 12 36:09 The Afghan Whigs Up In It 13 45:36 After School Special After School Special 14 29:03 After The Fall After The Fall 12 40:20 Against Me! Americans Abroad!!! Against Me!!! Live In London!!! 17 52:29 Against Me! As The Eternal Cowboy 11 25:08 Against Me! Crime, as Forgiven By Against Me! 6 18:22 Agent Orange Living in Darkness 16 44:53 Aiden Nightmare Anatomy 11 40:18 Airbag Ensamble Cohetes 14 34:27 Airbag Mondo Cretino (Remasterizado 2009) 18 35:06 Airbag ¿Quién mató a Airbag? 13 31:39 Aitches Stay In Bed 15 32:43 Rock 2 / 87ページ アーティスト アルバム 項目数 合計時間 The Alarm Declaration 12 46:09 The Alarm Eye Of The Hurricane 10 41:01 Alex Kerns The Future Ain't What It Used To Be 9 20:59 Alexisonfire Watch Out! 11 43:45 Algebra One The Keep Tryst E.P.