1978 in Review (Continued from Page 77) Found Dead Underneath the Sink of the "Fire" by the Pointer Sisters
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Steve Harley Lee Nelson
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary. -
BWTB Sept. 13Th 2015
1 2 Playlist Sept. 13th 2015 9AM/OPEN The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only 3 Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP The Beatles - Fixing A Hole - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul On February 9, 1967, the Beatles recorded “Fixing A Hole” at Regent Sound Studio on Tottenham Court Road in London. -
© Sex Pistols Sessions Spreadsheet © 2013 God Save the Sex Pistols Studio Sessions Spreadsheet
©www.sex-pistols.net Sex Pistols Sessions Spreadsheet ©www.sex-pistols.net 2013 God Save The Sex Pistols Studio Sessions Spreadsheet. Exclusive ©www.sex-pistols.net 2013 Date Version Super Deluxe SEXBOX1 This Is Crap No Future Spunk Swindle v3 Other CDs Track Time * Track Time * Track Time * Track Time * Track Time * Track Time * Track Time Detail * Chris Spedding Session – Majestic Studios, May 1976 Problems 15/05/1977 1–18 03:41 13 03:36 No Feelings 15/05/1977 1–20 02:42 14 02:42 Pretty Vacant 15/05/1977 1–19 02:44 15 02:45 Dave Goodman Session 1 – Denmark Street & Riverside Studios, July 1976 Pretty Vacant 13–30/07/76 2–01 03:53 1 1 03:29 14 03:30 Lazy Sod 13–30/07/76 1 02:08 2 02:07 1 02:09 Satellite 13–30/07/76 2 04:10 3 04:10 2 04:12 No Feeling 13–30/07/76 Single 2B 2–01 02:46 1–14 02:47 3 02:51 4 02:51 3 02:54 I Wanna Be Me 13–30/07/76 Single 1B –––– –––– 1–13 03:06 4 03:10 5 03:11 4 03:16 3 03:03 Anarchy CD Submission 13–30/07/76 2–02 04:08 5 04:17 6 04:16 5 04:17 Anarchy In The UK 13–30/07/76 21 03:58 7 03:59 13 03:59 Dave Goodman Session 2 – Lansdowne & Wessex Studios, October 1976 Anarchy In The UK 10–12/10/76 6 04:07 8 04:09 6 04:10 Anarchy In The UK 10–12/10/76 Mike Thorne Remix 2–03 04:05 2 04:04 Anarchy CD Substitute 10–12/10/76 2–04 03:10 10 03:06 2 No Lip 10–12/10/76 2–05 03:15 11 03:27 2 Stepping Stone 10–12/10/76 2–06 03:00 12 03:05 2 Johnny B Goode 10–12/10/76 2–07 01:44 3 02:34 2 Road Runner 10–12/10/76 2–08 04:10 4 03:39 2 Watcha Gonna Do About It 10–12/10/76 2–09 01:57 7 01:53 2 4 01:53 Vacant CD2 2 No Fun 10–12/10/76 -
John Ellis Full Biog 2018
JOHN ELLIS BULLET BIOG 2018 Formed the legendary BAZOOKA JOE Band members included Adam Ant. First Sex Pistols gig was as support to Bazooka Joe. A very influential band despite making no records. Formed THE VIBRATORS. Released 2 albums for Epic. Also played with Chris Spedding on TV and a couple of shows. REM covered a Vibrators single. Extensive touring and TV/Radio appearances including John Peel sessions. Released 2 solo singles. Played guitar in Jean-Jacques Burnel’s Euroband for UK tour. Formed RAPID EYE MOVEMENT featuring HOT GOSSIP dancers and electronics. Supported Jean-Jacques Burnel’s Euroband on UK tour. Joined Peter Gabriel Band for “China” tour and played on Gabriel’s 4th solo album. Stood in for Hugh Cornwell for 2 shows by THE STRANGLERS at the Rainbow Theatre. Album from gig released. Worked with German duo ISLO MOB on album and single. Started working with Peter Hammill eventually doing many tours and recording on 7 albums. Rejoined THE VIBRATORS for more recording and touring. Founder and press officer for the famous M11 Link Road campaign. Recorded 2 albums under the name of PURPLE HELMETS with Jean-Jacques Burnel and Dave Greenfield of THE STRANGLERS. Played additional guitar on THE STRANGLERS ‘10’ tour. Joined THE STRANGLERS as full time member. Extensive touring and recording over 10 years. Many albums released including live recording of Albert Hall show. Played many festivals across the world. Many TV and Radio appearances. Started recording series of electronic instrumental albums as soundtracks for Art exhibitions. 5 CDs released by Voiceprint. Also released WABI SABI 21©, the first of a trilogy of albums inspired by Japanese culture. -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
BWTB March 15Th 2015
1 Breakfast with The Beatles Playlist America’s Longest Running Beatles Radio Show! March 8th 2015 As we begin Daylight Saving Time (DST) on Sunday, March 8, 2015. Our annual ALL SOLO BEATLES Show. No songs performed by the Beatles for the next 3 hours…but plenty of songs performed by Beatles! 9AM/OPEN 2 John we’d like to begin with you if yer ready? John Lennon – Look At Me - Plastic Ono Band ‘70 A song written around the time of “Julia” during the White Album sessions, it was never offered for that particular record. George Harrison – Let It Down (acoustic) - All Things Must Pass ‘70 Also written during the “Let It Be” sessions, this track shows Phil Spector running rampant with the Wall of Sound. Paul McCartney – Every Night – McCartney ‘70 Paul had been playing with the first two lines of the song since ’67, he finished Every Night while on holiday in Greece in 1969. Paul played guitar, drums and bass, with Linda on backing vocals. 9.10 BREAK No songs performed by the Beatles …but plenty of songs performed by Beatles! 3 NEW! Ringo – Postcards From Paradise - Postcards From Paradise 2015 John Lennon/Ringo – I’m The Greatest - Anthology ‘98 John’s recording and composition for Ringo – who used as the lead track on his “Ringo” solo album. George Harrison – I Dig Love - All Things Must Pass ‘70 Some idiots have considered this the most “throwaway track” of the album. But for this master class in songwriting, this track is far from a throwaway. Homer Simpson /Wings Peter Fonda clip Wings – Getting Closer This song had been lying around since 1974 in an unfinished form. -
Wavelength (July 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from -
Smash Hits Volume 8
1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0. -
June 2002 BBRANCHESRANCHES OOUTUT
• WECKL’S NEW SABIAN CYMBALS • MORE BILLY WARD • LLETTERMANETTERMAN’’SS ANTANTONON FIGFIG June 2002 BBRANCHESRANCHES OOUTUT AALIENLIEN AANTNT FFARMARM’’SS MMIKEIKE CCOSGROVEOSGROVE BBUTCHUTCH VVIGIG OOFF GGARBAGEARBAGE JJOHNOHN DDOLMAOLMAYYANAN “C“CHOPHOP SSUEYUEY”” DDANNYANNY CCAREYAREY’’SS TTOOLOOL GGROOVESROOVES MD’MD’SS MMASSIVEASSIVE NEW PRODUCT PREVIEW! $4.99US $6.99CAN NEW PRODUCT PREVIEW! 06 0 74808 01203 9 Contents ContentsVolume 26, Number 6 David Letterman’s ANTON FIG Obscure South African drummer becomes first-call drummer for New York’s most prestigious gigs. Read all about it. by Robyn Flans 38 Paul La Raia Alien Ant Farm’s UPDATE 20 MIKE COSGROVE Sveti’s Marko Djordjevic The AAF formula for heavy-rock success? Ghetto beats, a Michael 52 CPR’s Stevie Di Stanislao Jackson cover, and work, work, Willie Nelson’s Paul & Billy English Alex Solca and more work. by David John Farinella Japanese Tabla Synthesist Asa-Chang Warrant’s Mike Fasano Garbage’s Lamb Of God’s Chris Adler BUTCH VIG That rare artist with platinum experi- ROM HE AST ence on both sides of the glass, 62 F T P 132 Butch Vig knows of what he speaks. WEST COAST BEBOP PIONEER Alex Solca by Adam Budofsky ROY PORTER He carried first-hand knowledge from Charlie Parker to the West Coast, and helped MD’S PRODUCT EXTRAVAGANZA usher in a new chapter in jazz history. by Burt Korall Gearheads of the world, this is your issue! WOODSHED 138 76 CHRIS VRENNA Running on caffeine and plenty of ROM, ex–Nine Inch Nails drummer Chris Vrenna creates sonic scenarios unlike anything you’ve heard. -
Tom Robinson
Tom Robinson Thomas Giles Robinson (born 1 June 1950) is a British singer-songwriter, bassist, radio presenter and long-time LGBT rights activist, best known for the hits "Glad to Be Gay", "2-4-6-8 Motorway", and "Don't Take No for an Answer", with his Tom Robinson Band. He later peaked at No. 6 in the UK Singles Chart with his solo single "War Baby". In 1973, Robinson moved to London and joined the acoustic trio Café Society. They impressed Ray Davies, of The Kinks, enough for him to sign them to his Konk label and produce their debut album. According to Robinson, Davies's other commitments made the recording a lengthy process and, after it sold only 600 copies, he left the band. Subsequently, when the Tom Robinson Band were playing at the Nashville Rooms in London, Robinson saw Davies enter and sarcastically performed The Kinks' hit "Tired of Waiting for You". Davies retaliated with the less- than-complimentary Kinks single "Prince of the Punks", about Robinson. In London, Robinson became involved in the emerging gay scene and embraced the politics of gay liberation, which linked gay rights to wider issues of social justice. Inspired by an early Sex Pistols gig, he founded the more political Tom Robinson Band in 1976. The following year the group released the single "2-4-6-8 Motorway", which peaked at No. 5 in the UK Singles Chart for two weeks. The song alludes obliquely to a gay truck driver. In February 1978, the band released the live extended play Rising Free, which peaked at No. -
Ian "Knox" Carnochan & Pete
Page 1 of 4 Ian "Knox" Carnochan & Pete - The Vibrators October 9, 2005 Photo Credit: Angela Monger How did The Vibrators get started? Ian: Just prior to The Vibrators I'd been doing some three piece bands and stuff and I'd been playing in this bar and the wonder of wonders, Joe Strummer there playing the same. We both went to the same gigs. Joe Strummer was there just before me because he lived around the corner so he got the best night. I'd have the other night but that was all right. I ran an ad in the paper so I was picking up work from bands. We'd be playing with a jazz organist in a gay bar one night and be in an Irish show band another night playing guitar. Eddie wanted to start a band and he was very enthusiastic so we started The Vibrators and I thought it was just going to be another band. I think we were a normal bunch of sort of misfits musically. We all had very different ideas but we started playing and Eddie and Pat Collier the bass player used to go out all the time to places seeing if they could get us work. We started getting work and then we started playing faster and faster. The people were getting really into it and then suddenly there's pop rock you see and there we are doing this stuff. In a way I think we probably slightly contributed to it starting in England. It was probably coming through anyway but we were there.