Artists & Music Clivilles & Cole

Total Page:16

File Type:pdf, Size:1020Kb

Artists & Music Clivilles & Cole artists & Music Clivilles & Cole, BDP Simmons Boosts Execs, Plans Among February Sets Growth At Rush BY LARRY FLICK the same name (Mercury, Feb. 18). Co- produced by Mellencamp and BY JANINE McADAMS NEW YORK- Hip -hop and dance Mike Wanchic, the set features previ- beats will be plentiful in February as ously unavailable tracks by the sing- NEW YORK -Rush Communica- C&C Music Factory's Clivilles & Cole, er, as well as by Nanci Griffith, tions, the multimedia operation Sir Mix-A -Lot, and Boogie Down Pro- Dwight Yoakam, and John Prine. owned by rap impresario Russell ductions issue new albums. On Feb. 18, Hank Williams Jr. Simmons, continues to expand with Other noteworthy releases this bows with "Maverick" (Capricorn/ the appointment of a new president Execs Meet Artists One 2 One. Members of A &M recording group One 2 One month include the soundtrack to John Warner Bros.), his first studio set and plans several new film and chat with executives from A&M and PolyGram after performing at a recent PGD for Mellencamp's screen debut, "Falling since 1990's "Loan Wolf." Williams television projects. Communica- conference. The Canadian duo's debut album, "Imagine It," is scheduled for Rush From Grace," and new music by was at the production helm, along considered the Afri- release Feb. 18. The first single, "Peace Of Mind (Love Goes On)," is due out tions- largest Hank Williams Jr., Yngwie Malm- with James Stroud and Barry Beck- American-owned in Tuesday (28). Shown, from left, are Billy Gilbert, senior VP of sales and distribution, can- company the steen, Adrian Belew, and Calloway. ett. music industry compa- A &M; Jim Guerinot, senior VP of marketing, A &M; One 2 One member Leslie -is the parent Now that they have gained world- Heavy metal guitar hero Malm- La- Howe; Al Cafaro, CEO and president, A &M Records; One 2 One member Louise ny for Def Jam /Rush Associated wide notoriety as the masterminds steen makes his Elektra recording bels, Rush Management, Reny; Jim Caparro, executive VP, PGD; Richie Gallo, VP of sales and distribution, Artist Rush behind C&C Music Factory, produc- debut Feb. 11 with "Fire & Ice." He is (a A &M; Gary Rockhold, president, PGD; and David Fitch, VP, PGD. Producer's Management, RSTV tion team Robert Clivilles and David currently preparing an extensive TV production company), RSVP (a Cole delve into their vault of past world tour, which is slated to begin in film production company), and Rush projects for "Clivilles & Cole's Great- early spring. The first emphasis Broadcasting (a radio syndication est Remixes, Vol. I" (Feb. 11, Colum- track, "Teaser," goes to album rock network). bia). In addition to the current double - radio Feb. 18. Virgin Brings Carmen Ashhurst- Watson, former A -side hit "Pride (In The Name Of Another guitarist, Belew, issues Back Blues president of Def Jam /RAL, has been Love) /A Deeper Love," the set in- "Inner Revolution" (Atlantic, Feb. named to succeed Simmons as presi- cludes remixes of tracks by such art- 25), his first album since 1990's dent of Rush Communications. Ash - ists as Seduction, Chaka Khan, and "Young Lions." Classics With Lots Of flair hurst- Watson will oversee the opera- the Cover Girls. One of the top R &B releases of the BY PAUL VERNA Virgin launched the Flair im- tion of all the companies under the After attaining platinum -sales sta- month will be the sophomore set by print in late 1991, borrowing the Rush Communications umbrella. tus last year with his Nastymix al- Calloway, "Let's Get Smooth" (Epic, NEW YORK-Virgin Records has name from one of the labels under Simmons continues to serve as chair- bum "Swass," rapper Sir Mix-A -Lot Feb. 11). The group will aim to dupli- begun reissuing vintage record- the Modern Records umbrella. The man. makes his major -label debut Feb. 4 cate the multiformat success of last ings from the Modern Records cat- initial U.S. releases were Etta David Harleston has been named with "Mack Daddy" (Def American/ year's hit "I Wanna Be Rich" with alog of midcentury blues classics, James' "R &B Dynamite," King's to succeed Ashhurst- Watson as presi- Warner Bros.). The just-issued single the title track, which will ship as a which it acquired last year. "The Best Of B.B. King Vol. 1," dent of Def Jam /RAL Records. He "Baby Got Back (I Like Big Butts)" is single Feb. 4. Released in the U.S. under the and Watson's "Three Hours Past had been head of the label's business shaping up to be his first multiformat Also of urban interest are "360 De- Flair Records logo, these releases Midnight." affairs department. hit, as it begins to pick up adds at grees Of Power" by Sister Souljah include early material from the Since then, Flair has reissued Of Ashhurst-Watson's promotion, pop, urban, and club levels. (Epic, Feb. 11) and "Nearer To You" likes of Etta James, B.B. King, works by Elmore James and more Simmons says, "The company has Although it has been more than a by Skyy (Atlantic, Feb. 25). Johnny Guitar Watson, and El- material from King. According to grown rapidly in its 10 -year history year since Boogie Down Productions' Key alternative releases include more James. Swindel, plans are under way to re- and having such a capable individual gold- certified "Edutainment," the the return of Icelandic rockers Su- So far, all the releases in the lease a Howlin' Wolf package, a at the helm can only add to our con- act's front man, KRS -ONE, has re- garcubes with "Stick Around For Flair series have been licensed Delta blues compilation, and a tinued growth and expansion." Ash- mained highly visible. He has added Joy" (Elektra, Feb. 18); "Solace" by from Britain's Ace Records, which Lightnin' Hopkins set, among oth- hurst-Watson was not available for guest rhymes to a number of re- Sarah McLachlin (Arista, Feb. 4); the compiles the material, remasters er projects. comment by press time. leases during 1991, including singles fourth album by Cowboy Junkies, it, and creates the packages for The acquisition of the Modern Def Jam, which was founded by by R.E.M. and Shabba Ranks. BDP "Black -Eyed Man" (RCA, Feb. 11); the reissues. However, Virgin Rec- catalog allowed Virgin to mine one Simmons and then- partner Rick Ru- returns Feb. 25 with "Sex & Vio- and "Spooky" by Lush (Warner ords America plans to take an in- of the richest available sources of bin in 1983, quickly built an empire on lence" (Jive), to be preceded by the hit Bros., Feb. 4). creasingly active role in reviving vintage R &B material. Swindel rap music that included streetwise "Duck Down." Word has it the over- these archival recordings. Senior says, "After looking at the artists rap superstars L.L. Cool J, the Beast - all theme of the album will be gang - Assistance in preparing this story VP /GM Jim Swindel says, "We and the titles in the catalog, we re- ie Boys, and Kurtis Blow. Now near- initiated crimes. was provided by Barbara Davies will be taking over and taking a alized this was going to be as much ly a decade later, with rap music's Mellencamp's acting debut in the and Trudi Miller in New York; Mi- harder look at this catalog, which fun as you could have without be- look and style becoming much more film "Falling From Grace" will be chael George in Nashville; and Ro- comprises well over 6,000 individ- ing turned loose in the Chess Rec- diverse, Harleston says he has two supported by a soundtrack album of chelle Levy in Los Angeles. ual sides." (Continued on page 85) (Continued on page 89) E X E C U T I V E T U R N T A B L E RECORD COMPANIES. Eddie Pugh is promoted to senior VP of black music and jazz promotion at Columbia Rec- ords in New York. He was VP of black music and jazz promotion. Deborah Morgan is promoted to senior VP of marketing and sales for PolyGram Classics & Jazz in New York. She was VP of marketing and PUGH MORGAN KUSHNER BUTLER DUNGAN BISHOP FINKELSTEIN SIDES sales. In other appointments, Mi- chael Kushner is promoted to VP of dinator, national promotion coordina- Giant Records in Los Angeles ap- She was manager of national publici- varre Corp. in Los Angeles. He business affairs, East Coast, for Po- tor, and office assistant. Additionally, points Rob Sides director of national ty for Jive Records. was executive VP of Viking Rec- lyGram Records in New York. He Jackie Proffit is named promotion sales. He was regional sales and mar- Quintin Grogan is appointed ords. was director of business affairs. coordinator. She was office manager keting manager for Elektra Enter- chairman /CEO of Heritage Records Arista Records in Nashville pro- for Radio & Records magazine. tainment. in Los Angeles. He was VP of promo- RELATED FIELDS. Linda Lou McCall motes Allen Butler to VP of national Skip Bishop is promoted to VP of Darryl Sutton is named director of tion at advertising firm Charles is named VP of personal manage- promotion and artist development, pop promotion for RCA Records in A &R, R &B, for Virgin Records in Smith and Associates. ment for Bust It Management Inc. Mike Dungan to senior director of New York. He was national director Los Angeles. He was creative man- Spindletop Records in Los Angeles in Oakland, Calif. She was assis- marketing and sales, Rhonda For - of pop promotion.
Recommended publications
  • Full Diss Reformatted II
    “NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them.
    [Show full text]
  • Adrian Belew Power Trio
    This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up.
    [Show full text]
  • Motion Partial Dismissal Counterclaims
    theJasmineBRAND.com Case 2:15-cv-00432-RSL Document 1 Filed 03/19/15 Page 1 of 10 1 2 3 4 5 6 7 UNITED STATES DISTRICT COURT FOR THEtheJasmineBRAND.com WESTERN DISTRICT OF WASHINGTON 8 9 DAVID FORD, 10 Plaintiff, COMPLAINT FOR A DECLARATION OF JOINT v. 11 COPYRIGHT OWNERSHIP 12 ANTHONY L. RAY, p/k/a SIR MIX-A-LOT, JURY TRIAL DEMANDED 13 Defendant. 14 15 COMES NOW Plaintiff David Ford, by and through counsel, and 16 hereby complains of Defendant(s) as follows: 17 SUMMARY OF ACTION 18 This is an action brought under federal copyright law seeking a theJasmineBRAND.com19 declaratory judgment that Plaintiff David Ford is a co-author of a number 20 of joint works for which Defendant Anthony L. Ray p/k/a Sir Mix-A-Lot 21 registered copyrights at various times beginning in or about 1992, and that 22 Mr. Ford is entitled to receive an accounting of any revenue derived from 23 the exploitation of the joint works. 24 THE PARTIES 25 1. Plaintiff Mr. David Ford is an individual residing in White Center, 26 Washington. 27 WHITAKER LAW GROUP 28 1218 Third Avenue, Suite 1809 Complaint Page 1 Seattle, Washington 98101 (p) 206.436.8500 | (f) 206.693.2203 theJasmineBRAND.com Case 2:15-cv-00432-RSL Document 1 Filed 03/19/15 Page 2 of 10 2. Upon information and belief, Defendant Mr. Anthony Ray is an American MC, rapper, and producer having an address at 16727 SE Lake 1 Holm Rd, Auburn, Washington 98092. 2 JURISDICTION AND VENUE 3 3.
    [Show full text]
  • Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
    UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970.
    [Show full text]
  • Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires.
    [Show full text]
  • "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.
    [Show full text]
  • Eberhard Arnold
    EBERHARD ARNOLD Writings Selected with an Introduction by Johann Christoph Arnold Please share a link to this e-book with your friends. Feel free to post and share links to this e-book, or you may e-mail or print this book in its entirety or in part, but please do not alter it in any way, and please do not post or offer copies of this e-book for download on another website or through another Internet-based download service. If you wish to make multiple hard copies for wider distribution, or to reprint portions in a newsletter or periodical, please observe the following restrictions: • You may not reproduce it for commercial gain. • You must include this credit line: “Copyright 2011 by The Plough Publishing House. Used with permission.” This e-book is a publication of The Plough Publishing House, Rifton, NY 12471 USA (www.plough.com) and Robertsbridge, East Sussex, TN32 5DR, UK (www.ploughbooks.co.uk) Copyright © 2011 by Plough Publishing House Rifton, NY 12471 USA Contents Introduction 7 1 GOD’S REVOLUTION 32 A Call to the Inner Life 32 God’s Revolution 38 Against Bloodshed and Violence 44 2 THE NEW JUSTICE 53 Not a New Law 53 Away from Compromise and Shadow 63 God’s Kingdom - Future and Present 70 3 BECOMING HUMAN 80 The Better Righteousness 81 The Conscience 84 4 UNLESS YOU BECOME A CHILD 93 EBERHARD ARNOLD - WRITINGS SELECTED 5LOVE DIVINE AND LOVE HUMAN 98 Responsibility, Desire, and Love 108 The New Morality 111 6 LOVE IS WORK 115 Community as Work 117 Jesus and the Future State 122 7FROM ISOLATION TO COMMUNITY 128 Consciousness and Community 129 From Private Property to community 145 Why We Live in Community 153 8THE FIGHT AGAINST MAMMON 172 God or Mammon 172 The Fight Against Mammon 175 9GOD WITH US 182 The Experience of God 183 The Spirit of the Risen One 190 The Living Word 194 WWW .E BERHARD A RNOLD .
    [Show full text]
  • Revealing the Medicine Buddha's Art Windhorse
    PO Box 6483, Ithaca, NY 14851 607-273-8519 WINTER 1999 NEWSLETTER & CATALOG SUPPLEMENT REVEALING THE MEDICINE BUDDHA'S ART H.H. Dalai Lama Opens Groundbreaking Tibetan Medical Conference SETTLING INTO AMERICA by Victoria Huckenpaliler as Harvard Medical School, and Yale cause such a conference had already Interviews with the Four The First International Conference and Oxford Universities, exchanged been held in Tibet in the eighth cen- on Tibetan Medicine, held in the views with Tibetan doctors, including tury, and had included participants Tibetan Employees at Snow Lion nation's capital from 7-9 November the Dalai Lama's past and present from China, Mongolia, Iran and and inaugurated by H.H. the Dalai personal physicians, Dr. Yeshe Greece! Following his statement, Dr. by Julie Totlen main office with huge, silly grins on Lama, brought together notable phy- Donden and Dr. Tenzin Choedrak, in Wayne Jonas, Director of the Office Palden carefully wraps a pair of their faces, probably the result of sicians, scholars, and translators an atmosphere of mutual courtesy of Alternative Medicine at the Na- eternal knot earrings. Gently folding D.D.'s latest wisecrack. As they return from twenty-two nations seeking an and deference. tional Institute of Health, set the tone the plastic cushioning, he glances up to work and begin to regain their integrative approach to healing. The His Holiness opened the plenary by advocating greater receptivity in at a picture of the Dalai Lama at- calm, Kunga gently begins singing Western physicians, whose impec- session by gently reminding partici- the West to indigenous medicines, re- tached to the wall directly in front of an old Tibetan folk tune.
    [Show full text]
  • Arts and Sciences. a Personal Perspective of Tibetan Painting
    ART AND CHEMICAL SCIENCES 900 CHIMIA 2001, 55. No. 11 Chimia 55 (2001) 900-914 © Schweizerische Chemische Gesellschaft ISSN 0009-4293 Arts and Sciences. A Personal Perspective of Tibetan Painting Richard R. Ernst* Abstract: The relationship between the arts and the sciences is discussed from the standpoint of a scientist and passionate art lover. The two playgrounds of human creativity have much in common and have cross- fertilized each other over centuries. An active involvement in an artistic discipline can stimulate scientific creativity by direct analogy and by emotional and intellectual experience. The excitement of a scientist for the arts is exemplified by the author's adventures in Tibetan painting. The scientific study of Tibetan thangkas is discussed by examples from the author's collection. The analysis of pigments and the dating of the paintings are covered. In addition, some background information on the historical and iconographic context is given. Keywords: Arts and sciences' Dating of paintings' Pigment analysis· Tibetan Buddhism· Tibetan thangkas Arts and Sciences which have no equivalence in former pe- function may equally well be performed riods or in nature. And with the aid of the by an intelligently programmed and pow- Much has already been written about the computer-based synthesis of music and erful computer which has the advantage hidden link between the arts and the sci- of graphical creations, the very last limi- of not being distracted by emotional de- ences. The two highly creative fields are tations, imposed by the difficult musical sires. evidence of the ingenious human mind. instruments and the painter's self-willed How boring must it be to meet one of Human culture could hardly be conceived brush, are overcome, leading to a com- these 'perfectly objective scientists'! Per- without the arts or without the sciences.
    [Show full text]
  • 1967: a Year in the Life of the Beatles
    1967: A Year In The Life Of The Beatles History, Subjectivity, Music Linda Engebråten Masteroppgave ved Institutt for Musikkvitenskap UNIVERSITETET I OSLO November 2010 Acknowledgements First, I would like to express my gratitude towards my supervisor Stan Hawkins for all his knowledge, support, enthusiasm, and his constructive feedback for my project. We have had many rewarding discussions but we have also shared a few laughs about that special music and time I have been working on. I would also like to thank my fellow master students for both useful academically discussions as much as the more silly music jokes and casual conversations. Many thanks also to Joel F. Glazier and Nancy Cameron for helping me with my English. I thank John, Paul, George, and Ringo for all their great music and for perhaps being the main reason I begun having such a big interest and passion for music, and without whom I may not have pursued a career in a musical direction at all. Many thanks and all my loving to Joakim Krane Bech for all the support and for being so patient with me during the course of this process. Finally, I would like to thank my closest ones: my wonderful and supportive family who have never stopped believing in me. This thesis is dedicated to my grandparents. There are places I'll remember All my life though some have changed. Some forever not for better Some have gone and some remain. All these places have their moments With lovers and friends I still can recall. Some are dead and some are living, In my life I've loved them all.
    [Show full text]
  • Sample Chapter 24
    Chapter 24 (Wikipedia, Wikimedia Commons, Library of Congress) The Jazz Age and Beyond: American Culture in Prosperity and Depression CHAPTER OUTLINE 24.1 The Inner Revolution 24.2d Painting 24.1a Living in Good Times and Bad 24.2e Photography 24.1b Psychological Theories 24.2f Music 24.1c Changes in Education 24.2g Literature and Drama 24.1d Physical and Social Theory 24.2h Motion Pictures 24.1e Keynesian Economics 24.2i Architecture 24.1f Religious Fundamentalism in the 1920s 24.3 Social Change 24.1g Scopes Monkey Trial 24.3a Motorization and Urbanization 24.1h Ethnic Churches in Urban Centers 24.3b The Emancipated Woman 24.2 Mass Communication 24.3c An Urban Black Society 24.2a Newspapers 24.3d Prohibition 24.2b Magazines 24.3e Gangster Wars 24.2c Radio 24.3f Interwar Transition The decade of the 1920s, often called “the Jazz Age,” was an era that witnessed a new plenitude of consumer products and a flowering of the new media of mass culture. Then the stock market crashed in 1929. As the country slid into its worst-ever depression, most Americans began to focus on saving, rather than spending—except when it came to movie attendance, with this form of escape proving steadily popular despite the hard times. 24.1 The Inner Revolution 24.1a Living in Good Times and Bad If there was such a thing as the “normal” or “ordinary” American family in the interwar period, they lived in or near a small town—but even in the ‘20s people’s lives expanded in movement and variety as families acquired automobiles and radios, and towns acquired movie houses.
    [Show full text]
  • We, the Generation in the Wilderness Ricardo Feierstein
    We, the Generation in the Wilderness Ricardo Feierstein translated from the Spanish by J. Kates and Stephen A. Sadow 25th Anniversary Edition 1 We, the Generation in the Wilderness Books by Ricardo Feierstein La balada del sol (1969) • poetry Inventadiario (1972) • poetry Letras en equilibrio (1975) • poetry Sinfonía inocente (1984) • trilogy of novels La vida no es sueño (1987) • short stories Mestizo (1994; 2000 in English; 2010 in German) • novel Homicidios tímidos (1996) • short stories La logia del umbral (2001) • novel Las edades/The Ages (2005) • poetry anthology Consorcio Utopía (2007) • novel Cuaderno de un psicoanalista (2010) • novel Las novias perdidas (2011) • novel El caso del concurso literario (2013) • short stories We, the Generation in the Wilderness 25th Anniversary Edition Ricardo Feierstein translated from the Spanish by J. Kates and Stephen A. Sadow 2014 Originally published in 1989 by Ford-Brown & Co., Boston, Mass. This twenty- fifth anniversary edition published in 2014 by Northeastern University Libraries, with permission. Provided as an open access publication by Northeastern University. All rights remain with the author and translators. Acknowledgments: Some of the translations in this book have been previously published in Literary Olympians II (Crosscurrents), The Minnesota Review, and Third World (Pig Iron Press). The translators would like to thank the following for their support: A.M.I.A.—Communidad Judía de Buenos Aires, Asociación Argentina Por el Judaismo Laico y Humanista, and Northeastern University.
    [Show full text]