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The Polish-Lithuanian Commonwealth As a Political Space: Its Unity and Complexity*
Chapter 8 The Polish-Lithuanian Commonwealth as a Political Space: Its Unity and Complexity* Satoshi Koyama Introduction The Polish-Lithuanian Commonwealth (Rzeczpospolita) was one of the largest states in early modern Europe. In the second half of the sixteenth century, after the union of Lublin (1569), the Polish-Lithuanian state covered an area of 815,000 square kilometres. It attained its greatest extent (990,000 square kilometres) in the first half of the seventeenth century. On the European continent there were only two larger countries than Poland-Lithuania: the Grand Duchy of Moscow (c.5,400,000 square kilometres) and the European territories of the Ottoman Empire (840,000 square kilometres). Therefore the Polish-Lithuanian Commonwealth was the largest country in Latin-Christian Europe in the early modern period (Wyczański 1973: 17–8). In this paper I discuss the internal diversity of the Commonwealth in the sixteenth and seventeenth centuries and consider how such a huge territorial complex was politically organised and integrated. * This paper is a part of the results of the research which is grant-aided by the ‘Grants-in-Aid for Scientific Research’ program of the Japan Society for the Promotion of Science in 2005–2007. - 137 - SATOSHI KOYAMA 1. The Internal Diversity of the Polish-Lithuanian Commonwealth Poland-Lithuania before the union of Lublin was a typical example of a composite monarchy in early modern Europe. ‘Composite state’ is the term used by H. G. Koenigsberger, who argued that most states in early modern Europe had been ‘composite states, including more than one country under the sovereignty of one ruler’ (Koenigsberger, 1978: 202). -
Fiscal States, Composite Monarchies and Political Economies. a View from the Spanish Empire (C.1492-C.1650) Bartolomé Yun Casa
Fiscal states, composite monarchies and political economies. A view from the Spanish empire (c.1492-c.1650) Bartolomé Yun Casalilla Pablo de Olavide University [email protected] [email protected] Paris, February 2016 Paris School of Economics Séminaires d‘Histoire économique (Please do not quote without permission) 1 During the last decades a good number of historians are putting together the three concepts heading the title of this talk. Possibly some of them do it unconsciously (or un-properly, if you like), but that is an excellent reason to reflect on the subject in an explicit way. The relationship between the fiscal state and its political economy is almost automatic. Not because they are the same, but because, from the perspective of studies of the political economy and, more specifically, from the new institutional economics‘ approach, the fiscal skeletons of Old Regime states are crucial components of the institutional system as a whole. The other binomial -- that of the composite monarchy and fiscal state-- seems to be less immediate. This may be the reason why it has fostered (rather nonsense) discussions about authorship. I would like to discuss here some of the different links among this trio, which I think are crucial to understand old regime societies and some quite often forgotten questions. Most of my reasoning, as well as the empirical base for some of my proposals were already in my book Marte contra Minerva, which came out in 2004, and a good deal of it is crucial to a forthcoming volume, whose provisional title is The Iberian World. -
Special List 318 1
special list 318 1 RICHARD C.RAMER Special List 318 The Middle Ages 2 RICHARDrichard c. C.RAMER ramer Old and Rare Books 225 east 70th street . suite 12f . new york, n.y. 10021-5217 Email [email protected] . Website www.livroraro.com Telephones (212) 737 0222 and 737 0223 Fax (212) 288 4169 December 3, 2018 Special List 318 The Middle Ages Items marked with an asterisk (*) will be shipped from Lisbon. SATISFACTION GUARANTEED: All items are understood to be on approval, and may be returned within a reasonable time for any reason whatsoever. VISITORS BY APPOINTMENT special list 318 3 Special List 318 The Middle Ages Important Study of Medieval Portuguese Sigillography, Nicely Bound *1. ABRANTES, D. Luís Gonzaga de Lancastre e Távora, Marquês de. O estudo da sigilografia medieval portuguesa: I. Panorama dos estudos sig- ilográficos no nosso país e normas para a sua sistematização; II. Esboço de um Corpus esfragístico medieval português. Lisbon: ICLP / Ministério da Educação, 1983. Large 8°, contemporary navy blue half morocco over marbled boards, spine with raised bands in five compartments, gilt letter, top edges tinted blue, original illustrated wrappers bound in. In very fine condition. 353 pp., (3 ll.), 485 illustrations on 78 ll. plates. ISBN: none. $350.00 FIRST and ONLY EDITION. ❊ OCLC: 165508668 (Bayerische Staatsbibliothek, Universitätsbibliothek Erlangen- Nürnberg,Universitätsbibliothek Würzburg, Universitätsbibliothek Ausburg); 959001864 (Biblioteca de Arte Calouste Gulbenkian). Another Copy, in the Original Wrappers, of this Important Study of Medieval Portuguese Sigillography *2. ABRANTES, D. Luís Gonzaga de Lancastre e Távora, Marquês de. O estudo da sigilografia medieval portuguesa: I. -
Reflexos Dirige Calles. the Iconographic Program of The
Reflexos dirige calles. The Iconographic Program of the Monastery of Santa Maria la Real de NievaÕs ecclesia fratrum (1414-1432)1 Diana Lucêa Gîmez-Chacîn UDC: 726.71.04(460.188)"13" D. Lucía Gómez-Chacón Original scientific paper Universidad Complutense de Madrid Manuscript received: 24. 03. 2016. Departamento de Historia del Arte I (Medieval) Revised manuscript accepted: 29. 03. 2016. Facultad de Geografía e Historia DOI: 10.1484/J.HAM.5.111363 28040 Madrid, España In 1399, Queen Catherine of Lancaster founded the Monastery of Santa Maria la Real de Nieva (Segovia, Spain). e present paper aims to highlight the relevance of the apparently profane scenes and representations of Friars Preachers that decorate this former Dominican convent's ecclesia fratrum, as they constitute a message through which the religious community, and especially its novices, could be instructed in regular observance at a time when the Order of Preachers was undergoing a profound spiritual reform. Key words: Santa Maria la Real de Nieva, Order of Preachers, Queenship, Observant reform, ecclesia fratrum, medieval iconography. According to the chronicles, in 1392 the Virgin Mary In spite of its iconographic richness, the sculptural reliefs appeared to a shepherd called Pedro Amador while he was preserved inside the church have been buried in oblivion for watching over his flock in a slate quarry near the village of many centuries. The representations of diligent as well as Nieva, in the current Spanish province of Segovia. The Mar- lazy Dominican friars that decorate the capitals and corbels ian apparition asked him to go to Segovia and beg Bishop inside the sanctuary have been relegated to the background Alonso de Frias to unearth her effigy, which had remained as a consequence of the interest aroused not only by the hidden in that exact place for a long time. -
Encenações Talássicas E a Imagem De Poder Das Dinastias De Avis E Sabóia Nos Portos De Lisboa E Villefranche-Sur-Mer Por Ocasião Do Casamento Da Infanta D
encenaçõestalássicas e a imagem de poder encenaçõesdas dinastias de avistalássicas e sabóia nos portos e ade lisboa imageme villefranche-sur-mer de poder daspor ocasião dinastiasdo casamento de avisda infanta e sabóiad. beatriz (1521) ... 145 carla alferes pinto* Encenações talássicas e a imagem de poder das dinastias de Avis e Sabóia nos portos de Lisboa e Villefranche-sur-Mer por ocasião do casamento da Infanta D. Beatriz (1521)** No dia 5 de Agosto de 1521, a Infanta D. Beatriz (1504-1538) deixava o Paço da Ribeira para embarcar na nau Santa Catarina do Monte Sinai a caminho de Nice e do ducado de Sabóia, depois do casamento por procuração com o Duque Carlos III (1486-1553) reali- zado em Abril. O embarque assinalava o culminar de uma série de cerimónias cortesãs e eventos públicos realizados na cidade de Lisboa que se destinavam a comemorar o aus- picioso evento, que fora negociado e era interpretado de maneiras diversas pelas cortes portuguesa e saboiana. Se para D. Manuel (r. 1495-1521) era sobretudo uma maneira de procurar intervenção e afirmação dinástica na Europa mediterrânica, onde o seu campo de acção era diminuto, para o Duque, era a concretização de uma ousada estratégia polí- tico-financeira, que desviava o ducado dos matrimónios tradicionalmente ligados à Casa Real francesa, aproximando-se ao invés da dinastia imperial, e que recheava os depau- perados cofres saboianos com o rendimento do dote da Infanta, que em dinheiro, jóias, pedras preciosas, prata, tapeçarias e têxteis ascendia aos 150 000 cruzados (Buescu 2012; Merlin 2012; Pinto 2018a; Pinto 2018b). -
Everything You Need to Know About Luxembourg
Everything you need Everything you need toto know about knowLuxembourg about Luxembourg Luxembourg at a glance ATAt A a GLANCE glance Name Languages Official name: National language: Grand Duchy of Luxembourg luxembourgish (lëtzebuergesch) National holiday: Administrative languages: 23 June french, german and luxembourgish Geography Area: 2,586 sq. km Of which: agricultural: 49% wooded: 34% Neighbouring countries: Germany, Belgium and France Main towns: Luxembourg and Esch-sur-Alzette Administrative subdivisions: 3 districts (Luxembourg, Diekirch and Grevenmacher) 12 cantons, 118 town council areas (communes) Climate Temperate From May to mid-October, the temperatures are particu- larly pleasant. Whereas May and June are the sunniest months, July and August are the hottest. In September and October Luxembourg often experiences his own “Indian Summer”. Population Total population: 451,600 inhabitants, 81,800 of whom live in the City of Luxembourg. Over 174,200 (38.6%) people out of the total population are foreigners. (Source: STATEC January 2004) The capital City of Luxembourg Government Useful addresses : Form of government: Service information et presse du Gouvernement constitutional monarchy under a system of (Government Information and Press Service) parliamentary democracy 33, boulevard Roosevelt, L-2450 Luxembourg Head of State: Tel.: (+352) 478 21 81, Fax: (+352) 47 02 85 HRH Grand Duke Henri (since October 7, 2000) www.gouvernement.lu Head of government: www.luxembourg.lu Jean-Claude Juncker, Prime Minister [email protected] Parties in power in the government: coalition between the Christian-Social Party (CSV) Service central de la statistique et des études and the Socialist Workers’ Party of Luxembourg (LSAP) économiques (STATEC) Parties represented in the Chamber of Deputies: (Central Statistics and Economic Studies Service) Christian-Social Party (CSV), 13, rue Erasme, bâtiment Pierre Werner, Socialist Workers’ Party of Luxembourg (LSAP), B.P. -
The Grand Ducal Family of Luxembourg ✵ ✵ the Grand Ducal Family of Luxembourg ✵
The Grand Ducal Family of Luxembourg ✵ ✵ The Grand Ducal Family of Luxembourg ✵ TRH Grand Duke Henri and Grand Duchess Maria Teresa wave to the crowd from the balcony of the Grand Ducal Palace (7 October 2000) Historical introduction ✹07 Chapter One The House of Luxembourg-Nassau ✹17 - The origins of the national dynasty 18 - The sovereigns of the House of Luxembourg 20 - Grand Duke Adolphe 20 - Grand Duke William IV - Grand Duchess Marie-Adélaïde 21 - Grand Duchess Charlotte 22 - Grand Duke Jean 24 - Grand Duke Henri 28 Grand Duchess Maria Teresa 32 - Hereditary Grand Duke Guillaume 34 - Grand Duke Henri’s brothers and sisters 36 - HRH Grand Duke Henri’s accession to the throne on 7 October 2000 40 Chapter Two The monarchy today ✹49 - Prepared for reign 50 - The Grand Duke’s working day 54 - The Grand Duke’s visits abroad 62 - Visits by Heads of State to Luxembourg 74 - The public image of the Grand Ducal Family in Luxembourg 78 Chapter Three The constitutional monarchy ✹83 - The political situation of the Grand Duke 84 SUMMARY - The order of succession to the throne 92 Index - Index Accession to the Grand Ducal Throne 94 - The Lieutenancy 96 - The Regency 98 Chapter Four The symbols of the monarchy ✹101 - National Holiday – official celebration day of the Grand Duke’s birthday 102 - Coats of arms of the Grand Ducal House 104 - The anthem of the Grand Ducal House 106 Chapter Five The residences of the Grand Ducal Family ✹109 - The Grand Ducal Palace 110 - Berg Castle 116 - Fischbach Castle 118 Annexe - The Grand Duke’s visits abroad - Visits by Heads of State to Luxembourg HistoricalIntro introduction History Historical summary Around 963 1214 Siegfried acquires the rocky Ermesinde of Luxembourg outcrop of Lucilinburhuc marries Waleran of Limburg 1059-1086 1226- 1247 Conrad I, Count of Luxembourg Ermesinde, Countess of Luxembourg 8 1136 ✹ Death of Conrad II, last Count 1247-1281 Henry V of Luxembourg, of Luxembourg from the House known as Henry the Blond, of Ardenne. -
A Scent of Eternity the Flower Painter JL Jensen
A scent of eternity The flower painter J.L. Jensen January 21 – August 12, 2018 J.L. Jensen, Opstilling med blomster og frugt, 1836 Landesmuseum für Kunst und Kulturgeschichte Oldenburg Blossom-Jensen comes to Nivaa The Nivaagaard Collection opened its doors to a grand exhibition featuring the works of J.L. Jensen (1800-1856), often referred to as ‘Blossom-Jensen’. Jensen was the leading flower painter of the Danish Golden Age. He devoted his entire life and career to depicting lavish bouquets in glowing colours as well as vivid displays of fruits, even though flower painting was traditionally a genre that was looked down on and generally something that female amateur painters occupied themselves with. The exhibition was the first in recent times to feature Blossom-Jensen and the biggest one ever dedicated to the artist. Jensen worked within the international still life (nature morte in French; stilleben in German) tradition, which focuses on paintings of static subjects such as an arrangement of inanimate materials, typically flowers, fruits, food and dead animals. The Danish artist painted all of these, but he is most renowned for his beautiful paintings of flowers in Greek vases, baskets and wreaths lying on a sill or growing on the forest floor. In addition to these are his works of pieces of fruit and his rare kitchen and hunting works, as well as the hitherto unknown porcelain that he – as the head painter at the Royal Porcelain Factory – decorated for King Frederick VI of Denmark’s two daughters. What particularly characterises Jensen’s works is his painstakingly detailed depiction of each flower, piece of fruit or animal and his well-balanced and harmonic compositions, where light flows into the bouquets so that each flower, leaf, bud or stalk is clearly and logically rendered. -
In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations). -
Art from the Ancient Mediterranean and Europe Before 1850
Art from the Ancient Mediterranean and Europe before 1850 Gallery 15 QUESTIONS? Contact us at [email protected] ACKLAND ART MUSEUM The University of North Carolina at Chapel Hill 101 S. Columbia Street Chapel Hill, NC 27514 Phone: 919-966-5736 MUSEUM HOURS Wed - Sat 10 a.m. - 5 p.m. Sun 1 p.m. - 5 p.m. 2nd Fridays 10 a.m. – 9 p.m. Closed Mondays & Tuesdays. Closed July 4th, Thanksgiving, Christmas Eve Christmas Day, & New Year’s Day. 1 Domenichino Italian, 1581 – 1641 Landscape with Fishermen, Hunters, and Washerwomen, c. 1604 oil on canvas Ackland Fund, 66.18.1 About the Art • Italian art criticism of this period describes the concept of “variety,” in which paintings include multiple kinds of everything. Here we see people of all ages, nude and clothed, performing varied activities in numerous poses, all in a setting that includes different bodies of water, types of architecture, land forms, and animals. • Wealthy Roman patrons liked landscapes like this one, combining natural and human-made elements in an orderly structure. Rather than emphasizing the vast distance between foreground and horizon with a sweeping view, Domenichino placed boundaries between the foreground (the shoreline), middle ground (architecture), and distance. Viewers can then experience the scene’s depth in a more measured way. • For many years, scholars thought this was a copy of a painting by Domenichino, but recently it has been argued that it is an original. The argument is based on careful comparison of many of the picture’s stylistic characteristics, and on the presence of so many figures in complex poses. -
MCMANUS-DISSERTATION-2016.Pdf (4.095Mb)
The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation McManus, Stuart Michael. 2016. The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493519 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World A dissertation presented by Stuart Michael McManus to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2016 © 2016 – Stuart Michael McManus All rights reserved. Dissertation Advisors: James Hankins, Tamar Herzog Stuart Michael McManus The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World Abstract Historians have long recognized the symbiotic relationship between learned culture, urban life and Iberian expansion in the creation of “Latin” America out of the ruins of pre-Columbian polities, a process described most famously by Ángel Rama in his account of the “lettered city” (ciudad letrada). This dissertation argues that this was part of a larger global process in Latin America, Iberian Asia, Spanish North Africa, British North America and Europe. -
The Rise and Decline of a Renaissance Monarchy
DENMARK, 1513−1660 This page intentionally left blank Denmark, 1513–1660 The Rise and Decline of a Renaissance Monarchy PAUL DOUGLAS LOCKHART 1 1 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Paul Douglas Lockhart 2007 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Lockhart, Paul Douglas, 1963- Denmark, 1513–1660 : the rise and decline of a renaissance state / Paul Douglas Lockhart.