Sauce Template
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
The World of Blandings: (Blandings Castle) Free
FREE THE WORLD OF BLANDINGS: (BLANDINGS CASTLE) PDF P. G. Wodehouse | 656 pages | 20 Jun 2011 | Cornerstone | 9780099514244 | English | London, United Kingdom The World of Blandings (Blandings) by P G Wodehouse A Blandings Omnibus In this wonderfully fat omnibus, which seems to span the dimensions of the Empress of Blandings herself the fattest pig in Shropshire and surely all Englandthe whole world of Blandings Castle is spread out for our delectation: the engagingly dotty Lord Emsworth and his enterprising brother Galahad, his terrifying sister Lady Constance, Beach the butler his voice 'like tawny port made audible'James Wellbeloved, the gifted but not always sober pigman, and Lord Emsworth's secretary the Efficient Baxter, with gleaming spectacles, whose attempts to bring order to the Castle always end in disarray. Lurking in the wings is Sir Gregory Parsloe-Parsloe of Matchingham Hall, the neighbour with designs on the Prize which must surely belong to the The World of Blandings: (Blandings Castle). As Evelyn Waugh wrote, 'The gardens of Blandings Castle are that original garden from which we are all exiled. Each time you read another Blandings story, the sublime nature of that world is such as to make you gasp. It's dangerous to use the word genius to describe a writer, but I'll risk it with him. Not only the funniest English novelist who ever wrote but one of our finest stylists. For as long as I'm immersed in a P. Wodehouse book, it's possible to keep the real world at bay and live in a far, far nicer, funnier one where happy endings are the order of the day. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
Aunts Aren't What?
The quarterly journal of The Wodehouse Society Volume 27 Number 3 Autumn 2006 Aunts Aren’t What? BY CHARLES GOULD ecently, cataloguing a collection of Wodehouse novels in translation, I was struck again by R the strangeness of the title Aunts Aren’t Gentlemen and by the sad history that seems to dog this title and its illustrators, who in my experience always include a cat. Wodehouse’s original title is derived from the dialogue between Jeeves and Bertie at the very end of the novel, in which Bertie’s idea that “the trouble with aunts as a class” is “that they are not gentlemen.” In context, this is very funny and certainly needs no explication. We are well accustomed to the “ungentlemanly” behavior of Aunt Agatha—autocratic, tyrannical, unreasoning, and unfair—though in this instance it’s the good and deserving Aunt Dahlia whose “moral code is lax.” But exalted to the level of a title and thus isolated, the statement A sensible Teutonic “aunts aren’t gentlemen” provokes some scrutiny. translation First, it involves a terrible pun—or at least homonymic wordplay—lost immediately on such lost American souls as pronounce “aunt” “ant” and “aren’t” “arunt.” That “aunt” and “aren’t” are homonyms is something of a stretch in English anyway, and to stretch it into a translation is hopeless. True, in “The Aunt and the Sluggard” (My Man Jeeves), Wodehouse wants us to pronounce “aunt” “ant” so that the title will remind us of the fable of the Ant and the Grasshopper; but “ants aren’t gentlemen” hasn’t a whisper of wit or euphony to recommend it to the ear. -
THE ORIGINALIST with Award-Winning Actor EDWARD GERO
Two Conversations About THE ORIGINALIST With Award-Winning Actor EDWARD GERO A recipient of four Helen Hayes Awards, and a nominee for fourteen additional laurels, Edward Gero is mesmerizing audiences in John Strand’s brilliant play about Justice Antonin Scalia, one of the most fascinating personalities in the history of the Supreme Court. Join us for two dialogues about this riveting performance. A Dialogue that will Also Include Arena Stage Director MOLLY SMITH Tuesday, June 2, at 12:15 p.m. Woman’s National Democratic Club 1526 New Hampshire Avenue NW Luncheon and Program, $30; Program Only, $10 A Dialogue that will Also Include Political Journalist BILL PRESS Tuesday, June 2, at 7:30 p.m. Hill Center at the Old Naval Hospital 921 Pennsylvania Avenue SE Admission Free These engagements will focus on one of the most compelling shows that audiences have experienced in years, an evening that has earned enthusiastic reviews in all the major media and has been featured on MEET THE PRESS and the PBS NEWSHOUR. Each discussion will provide attendees an opportunity to participate in the conversation. To register online for the gathering at the Woman’s National Democratic Club, visit the Events page at www.democraticwoman.org and follow the prompt to “click here for more information.” To register by phone, simply call the Club at 202-232-7363. For inquiries or for additional details, email [email protected] or call John F. Andrews of The Shakespeare Guild at 505-670-9815. Join the Guild, and Greet the Stars EVENTS IN LONDON, NEW Y0RK, AND WASHINGTON If you attended A SHAKESPEAREAN REVEL AT LINCOLN CENTER in 2002, you relished actors John Cleese, Kitty Carlisle Hart, Dana Ivey, and Tony Randall, writer Adam Gopnik, and directors Bernard Gersten and Margot Harley in a tribute to KEVIN KLINE as that year’s recipient of the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. -
PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
MS41 Sir Kenneth Branagh
MS41 Branagh Collection About the collection: Background: The Sir Kenneth Branagh Archive originated in a substantial bequest to Queen's University from Sir Kenneth Branagh in 2000. The original bequests have been supplemented by donations from other sources, including commercial bodies (such as Naxos), charitable organisations (such as the Ulster Association of Youth Drama) and individuals (such as Mark Thornton Burnett, Sarah Hatchuel and Jude Tessel). Overview: The Archive consists of material relating to the professional life and work of Sir Kenneth Branagh. It is largely made up of paper documents (many are photocopies), but also holds recordings and merchandise related to individual productions. Original items (i.e. not photocopies) are marked as such in the listing. The Branagh Archive is an open collection, so periodically items will be added – from 2006 onwards the date items were added is noted. Arrangement: The material is arranged in 7 main headings: Theatre, Television, Film, Radio/Audio, General, Recordings and Oversized Material. Where material relating to a production allows, it is arranged by the type of material: Production Material, Publicity Material, Press/Reviews/Criticism, Publications and Merchandise. The General heading lists material which does not relate to any specific production (i.e. profiles and general biographical material). It also includes material relating to organisations with which Sir Kenneth Branagh is associated (Shakespeare Birthplace Trust and the Ulster Youth Theatre). The Recordings heading lists official releases of films, television work and radio, but also unofficial copies. In addition, it also contains recordings of television and radio interviews with Sir Kenneth Branagh. Finally, the Oversized Material heading lists materials which for reason of storage are held together. -
Woodrow Wilson Hall Dedicatory Rite Held Crooks and Spalding Delight
THE BREEZE ALUMNAE VOL. VHI HARRISONBURG, VIRGINIA, MAY 16, 1931 NUMBER 28 # Woodrow Wilson Hall NATIONAL NEWS Crooks and Spalding DEFEND ARMY PLANS FOR AIR Dedicatory Rite Held EVOLUTIONS Delight Large Audience <&- DR. DODD DELIVERS EULOGY WASHINGTON, Senator Hiram GIVE VARIED PROGRAM Mrs. Woodrow Wilson Bingham, Republican, of Connecticut, May Day Festival and Lieutenant Alfrod J. Williams, The joint recital given by Albert Completing the quadrangle and former naval racing pilot, today went Attends Dedication Draws Large Crowd Spalding, violinist and Richard proving the culmination and goal to- to the support of the Army , Air ward which the entire Harrisonburg Crooks, tenor, in Wilson Hall, Friday Corps, following publication of a OTHER NOTABLES HERE GRACE KERR—QUEEN evening at 8:30 made a fitting close to Teachers College has labored since story that the mass aerial manoeu- its founding, Woodrow Wilson Hall the dedicatory services of Woodrow vers between May 19-30 would cost was dedicated May IB, 1931. Built of Mrs. Edith Boiling Wilson, widow Wilson Hall, (the new administration the government $3,000,000. Both said Blasts of trumphets anouncing the of the War President, was the guest building of the State Teachers Col- native bluestone and with rising the purpose of aviation is defense of approach of the unknown Queen and white columns, this magnificent edi- of honor of the Harrisonburg State lege at Harrisonburg, Va.) the country and that sufficient train- her court broke the suspense of the fic proves a fitting tribute to the Teachers College here on Friday when ing methods are essential. audience attending the May Day Fes- The musicians, world known, for memory of Woodrow Wilson—fore- Woodrow Wilson Hall was dedicated The Air Corps has a definite ap- tival on the lawn of Hill Crest yes- the brilliance and attractiveness of most statesman of his time, promin- to the memory of her distinguished propriation for fuel, ft was explain- terday afternoon. -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory -
BTW June 2009.Qxd
Number 37 June 2009 Not a Lot of People Know This! To accompany the 50th issue of Wooster Sauce , Tony Ring has looked back over his researches and prepared a mélange of twenty snippets about Wodehouse, his work, friends and connections which do not seem to have been mentioned, certainly not prominently, in the numerous biographies and books of criticism. Wodehouse and Maurice Chevalier You, Jeeves was one of the first books read into a In 1917, the Wodehouse-Kern song The Picture I recording machine, from which gramophone Want to See was featured in Act 1 of Hallo, records were created and distributed to blind America! , a revue put on at the Palace Theatre, persons all over the USA. In less than five years, London. Initially, it was sung as a duet by Elsie Janis there were 300 volumes, lent free of charge by 28 and Owen Nares, but when he left the cast, his place regional libraries in the USA to the sightless, 20,000 was taken by Maurice Chevalier. of whom had been provided with a special ‘talking machine’, built by blind workmen on a WPA project. Wodehouse and the Radio Thank You, Jeeves , read by an experienced radio The broadcast of Wodehouse’s work on BBC Radio announcer, consisted of sixteen records of a little has never been the subject of a serious study, but is over half an hour each. one which would repay attention. For example, on The London Times also reported on equivalent February 2, 1927, ‘An entertainment arranged and developments in the UK in January 1936, and in a to be announced by Mr P G Wodehouse will be discussion of the techniques of reading books and broadcast from the London station tonight at 9.30.’ poetry out loud commented that: The programme actually lasted from 9.15pm to 11.00, but no information seems to be available as to No man of normal intelligence and normal self- its contents. -
Christmas. the EMPRESS of BLANDINGS CHRISTMAS CELEBRATION MENU
THE EMPRESS OF BLANDINGS CHRISTMAS MENUS Make our house your home this Christmas. THE EMPRESS OF BLANDINGS CHRISTMAS CELEBRATION MENU 3 courses for £24.95 I 2 courses for £19.95 The 2 course option applies to mains & puddings only, ask for availability. Starters 3 courses for £24.95 I 2 courses £19.95 The 2 course option applies to mains & pudding only, ask for availability. Soup, roasted cream of tomato with basil & croutons (v) Terrine, chicken, smoked ham hock & apricot terrine, red pepper & onion relish, watercress salad Warm Mushroom Tart, roasted mushrooms, thyme, egg, mushroom ketchup & leaves (v) Classic Prawn Cocktail, baby gem, tomato, cocktail sauce, lemon & crusty baton Winter Salad, red chard, sprout leaves, orange, walnuts, beetroot, chestnuts, pomegranate, spiced sherry vinaigrette (vg) Main Courses Roast Turkey, roast potatoes, chipolatas in bacon, Yorkshire pudding, stuffing, sprouts & chestnuts, brioche bread sauce, red cabbage & gravy Sea Bream, crushed potatoes with tomato & dill, white wine sauce, mustard, capers & fennel salad Butternut Squash & Quinoa Roulade, roast peppers, onions, chickpeas, pine nuts, coriander (v) Beef Bourguignon, mash, smoked bacon, mushrooms, carrots & parsley Crispy Aubergine Katsu Curry, sticky rice, pickled cucumber, chilli, coriander & sesame seeds (vg) Puddings Christmas Pudding with brandy butter, custard or toffee sauce Spiced Orange & Vanilla Crème Brûlée Chocolate & Orange Torte, salted caramel ice cream*, honeycomb, pomegranate molasses (*Judes vegan ice cream) (vg) Cheeseboard, -
The Freaks of Learning
Colby Quarterly Volume 18 Issue 2 June Article 3 June 1982 The Freaks of Learning G. E. Bentley, Jr. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 18, no.2, June 1982, p.87-104 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Bentley, Jr.: The Freaks of Learning The Freaks of Learning For thee we dim the eyes and stu!! the head With all such reading as was never read Dunciad, I, 165-66 87 Published by Digital Commons @ Colby, 1982 1 Colby Quarterly, Vol. 18, Iss. 2 [1982], Art. 3 88 COLBY LIBRARY QUARTERLY As THE Eighteenth Century was trying to draw quietly to a close, with .r\. Farmer George brushing the dew from his lawns and William Cowper sitting by the fire with the cup that cheers but not inebriates, there was an extraordinary outbreak of pigs in the social and intellectual life of England. These were not merely pigs of good breeding and im peccable taste; they were creatures of decorous deportment and aston ishing learning as well. They appeared in drawing rooms and on stage, and their accomplishments filled the lacunae of magazines and letters and literary causeries. They profoundly impressed some of the greatest geniuses of the age and left a name at which the world grew pale, to point a moral or adorn a tale. Not only did they appear in poems, but poems were written for them; indeed, the Learned Pig was seen as the rival of one of the greatest poets of the age.