Richard Briers Stars in “All in Good Faith – the Complete First Series” (Cert Tbc)

Total Page：16

File Type：pdf, Size：1020Kb

RICHARD BRIERS STARS IN “ALL IN GOOD FAITH – THE COMPLETE FIRST SERIES” (CERT TBC) In his first comedy for ITV, Richard Briers stars as a beleaguered vicar who abandons the comforts of his affluent Oxfordshire parish for the more challenging climes of a run-down Midlands town. Co-starring Barbara Ferris and Nigel Humphreys, this hugely engaging sitcom is penned by noted screenwriter John Kane, and directed by multi-award winner John Howard Davies. Own it on 21 October 2013, RRP £12.99. When doubts begin to assail the Rev. Philip Lambe, he feels the problems of an urban parish might help renew his faith in himself. But before accepting a position in Edendale, he must convince his family – particularly reluctant wife Emma – that the move will mean a fresh start for them all. When Philip and Emma finally visit Edendale they discover that if anything, it’s even worse than reports suggested. In fact, one night spent there confirms Emma’s worst fears, and reinforces Philip’s belief that Edendale really needs him… ENDS NOTES TO EDITOR ALL IN GOOD FAITH – THE COMPLETE FIRST SERIES (CERT TBC) RRP: £12.99 Running Time: 150 mins (approx.) Screen Ratios: 4:3 (colour) No. of Discs: 2 Catalogue no. 7953952 For further information visit: www.networkonair.com www.twitter.com/networktweets For media enquiries contact: Luciano Chelotti, Sabina Maharjan or Bryony Forde Network, 19-20 Berghem Mews, Blythe Road, London, W14 0HN Tel: 020 7605 4422 or 020 7605 4424 Fax: 020 7605 4421 Email [email protected] , [email protected] or [email protected].

Copy Link

Recommended publications

Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
[Show full text]
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster.
[Show full text]
THE ORIGINALIST with Award-Winning Actor EDWARD GERO
Two Conversations About THE ORIGINALIST With Award-Winning Actor EDWARD GERO A recipient of four Helen Hayes Awards, and a nominee for fourteen additional laurels, Edward Gero is mesmerizing audiences in John Strand’s brilliant play about Justice Antonin Scalia, one of the most fascinating personalities in the history of the Supreme Court. Join us for two dialogues about this riveting performance. A Dialogue that will Also Include Arena Stage Director MOLLY SMITH Tuesday, June 2, at 12:15 p.m. Woman’s National Democratic Club 1526 New Hampshire Avenue NW Luncheon and Program, $30; Program Only, $10 A Dialogue that will Also Include Political Journalist BILL PRESS Tuesday, June 2, at 7:30 p.m. Hill Center at the Old Naval Hospital 921 Pennsylvania Avenue SE Admission Free These engagements will focus on one of the most compelling shows that audiences have experienced in years, an evening that has earned enthusiastic reviews in all the major media and has been featured on MEET THE PRESS and the PBS NEWSHOUR. Each discussion will provide attendees an opportunity to participate in the conversation. To register online for the gathering at the Woman’s National Democratic Club, visit the Events page at www.democraticwoman.org and follow the prompt to “click here for more information.” To register by phone, simply call the Club at 202-232-7363. For inquiries or for additional details, email [email protected] or call John F. Andrews of The Shakespeare Guild at 505-670-9815. Join the Guild, and Greet the Stars EVENTS IN LONDON, NEW Y0RK, AND WASHINGTON If you attended A SHAKESPEAREAN REVEL AT LINCOLN CENTER in 2002, you relished actors John Cleese, Kitty Carlisle Hart, Dana Ivey, and Tony Randall, writer Adam Gopnik, and directors Bernard Gersten and Margot Harley in a tribute to KEVIN KLINE as that year’s recipient of the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS.
[Show full text]
PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers.
[Show full text]
MS41 Sir Kenneth Branagh
MS41 Branagh Collection About the collection: Background: The Sir Kenneth Branagh Archive originated in a substantial bequest to Queen's University from Sir Kenneth Branagh in 2000. The original bequests have been supplemented by donations from other sources, including commercial bodies (such as Naxos), charitable organisations (such as the Ulster Association of Youth Drama) and individuals (such as Mark Thornton Burnett, Sarah Hatchuel and Jude Tessel). Overview: The Archive consists of material relating to the professional life and work of Sir Kenneth Branagh. It is largely made up of paper documents (many are photocopies), but also holds recordings and merchandise related to individual productions. Original items (i.e. not photocopies) are marked as such in the listing. The Branagh Archive is an open collection, so periodically items will be added – from 2006 onwards the date items were added is noted. Arrangement: The material is arranged in 7 main headings: Theatre, Television, Film, Radio/Audio, General, Recordings and Oversized Material. Where material relating to a production allows, it is arranged by the type of material: Production Material, Publicity Material, Press/Reviews/Criticism, Publications and Merchandise. The General heading lists material which does not relate to any specific production (i.e. profiles and general biographical material). It also includes material relating to organisations with which Sir Kenneth Branagh is associated (Shakespeare Birthplace Trust and the Ulster Youth Theatre). The Recordings heading lists official releases of films, television work and radio, but also unofficial copies. In addition, it also contains recordings of television and radio interviews with Sir Kenneth Branagh. Finally, the Oversized Material heading lists materials which for reason of storage are held together.
[Show full text]
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory
[Show full text]
BTW June 2009.Qxd
Number 37 June 2009 Not a Lot of People Know This! To accompany the 50th issue of Wooster Sauce , Tony Ring has looked back over his researches and prepared a mélange of twenty snippets about Wodehouse, his work, friends and connections which do not seem to have been mentioned, certainly not prominently, in the numerous biographies and books of criticism. Wodehouse and Maurice Chevalier You, Jeeves was one of the first books read into a In 1917, the Wodehouse-Kern song The Picture I recording machine, from which gramophone Want to See was featured in Act 1 of Hallo, records were created and distributed to blind America! , a revue put on at the Palace Theatre, persons all over the USA. In less than five years, London. Initially, it was sung as a duet by Elsie Janis there were 300 volumes, lent free of charge by 28 and Owen Nares, but when he left the cast, his place regional libraries in the USA to the sightless, 20,000 was taken by Maurice Chevalier. of whom had been provided with a special ‘talking machine’, built by blind workmen on a WPA project. Wodehouse and the Radio Thank You, Jeeves , read by an experienced radio The broadcast of Wodehouse’s work on BBC Radio announcer, consisted of sixteen records of a little has never been the subject of a serious study, but is over half an hour each. one which would repay attention. For example, on The London Times also reported on equivalent February 2, 1927, ‘An entertainment arranged and developments in the UK in January 1936, and in a to be announced by Mr P G Wodehouse will be discussion of the techniques of reading books and broadcast from the London station tonight at 9.30.’ poetry out loud commented that: The programme actually lasted from 9.15pm to 11.00, but no information seems to be available as to No man of normal intelligence and normal self- its contents.
[Show full text]
Kenneth Branagh's Hamlet: Twenty Years On. Produced by David Barron. Adapted for the Screen and Directed by Kenneth Branagh
1 Kenneth Branagh’s Hamlet: Twenty Years On. A Review by Garry Victor Hill Produced by David Barron. Adapted for the screen and directed by Kenneth Branagh. Production Design: Tim Harvey. Editing: Neil Farrell. Photography: Alex Thomson. Music: Patrick Doyle. Length: 242 minutes. A Castle Rock Entertainment Feature. Warner Brothers Distribution. BBC and Turner Inc. Cinematic Release: 1996 Rated PG “Parents Strongly Cautioned” Rating ********* 90% Available on video and DVD in both full and edited versions. Cast Hamlet: Kenneth Branagh Ophelia: Kate Winslet Gertrude: Julie Christie 2 Claudius: Derek Jacobi Polonius: Richard Briers Laertes : Michael Maloney Horatio: Nicholas Farrell Marcellus: Jack Lemmon Bernardo: Ian McElhinney The Player King: Charleton Heston The Player Queen: Rosemary Harris Rosenencrantz: Tmothy Spall Guilderstein: Reece Dinsdale Fortinbras: Rufus Sewell The Ghost: Brian Blessed The First Gravedigger: Billy Crystal The Second Gravedigger: Simon Russell Beale Osric: Robin Williams Reynaldo: Gerard Depardieu The English Ambasador: Richard Attenborough Fransisco: Ray Fearnon Cornelius: Ravil Isyanov The Norwegian Captain: John Spencer-Churchill. Anthony: Denzil Washington (?) unbilled Also appearing in brief flashbacks are Judy Dench, John Gelgud, Ken Dodd and John Mills Twenty years makes a good timespan to judge the merits of a film. Publicity, contemporary reviews, awards and commercial results have all faded and no longer 3 clutter what we see: the film stands on its merits and hopefully stands above the things that usually date the transient, the trendy and the shallow. This is not a perfect film, but it has great lasting value and stands above its time. Somebody very wise (if now forgotten) originated the comment that anybody who plays Hamlet cannot totally succeed, but they cannot totally fail either.
[Show full text]
MUCH ADO ABOUT NOTHING Film Synopsis
MUCH ADO ABOUT NOTHING Film Synopsis The hot Italian sun beats down on a beautiful villa set in the idyllic Tuscan countryside. Leonato, governor of Messina (RICHARD BRIERS), and the women of his household sprawl on the hillside relishing the summer heat. Suddenly, Don Pedro, Prince of Arragon (DENZEL WASHINGTON) and his victorious army are seen approaching in the distance, returning from the wars. As the horses gallop towards the country estate, the women rush back to the house, and pandemonium reigns as they excitedly get themselves ready to meet the returning heroes. The men are warmly welcomed as they emerge through the archways of the villa, and seductive glances are exchanged. The wars are over. All can now devote themselves to a period of rest, revelry and match-making. Don Pedro’s close companions are the two lords Claudio (ROBERT SEAN LEONARD) and Benedick (KENNETH BRANAGH). Both men find themselves drawn into romance during their stay in Leonato ‘s household. Benedick is a proud and confirmed bachelor, famously engaged in a constant -war of wits with Leonato's niece, the strong-willed Beatrice (EMMA THOMPSON). But their spirited parrying of words and vigorous skirmishes of wit hide a deeper attraction. Leonato ‘s daughter, the lovely and innocent Hero (KATE BECKINSALE) is wooed by the young lord Claudio, only to experience despair when Claudio is deceived into thinking she has betrayed him on the very eve of their wedding. At the heart of the mayhem is the evil Don John (KEANU REEVES), Don Pedro’s bastard brother, who creates the intrigue because of his jealousy of Don Pedro.
[Show full text]
Shakespeare's Romantic Comedies on Film
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Not for an age, but for all time": Shakespeare's Romantic Comedies on Film Kelly A. Rivers University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Film and Media Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Rivers, Kelly A., ""Not for an age, but for all time": Shakespeare's Romantic Comedies on Film. " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/744 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelly A. Rivers entitled ""Not for an age, but for all time": Shakespeare's Romantic Comedies on Film." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Robert E. Stillman, Major Professor We have read this dissertation and recommend its acceptance: Charles J. Maland, Heather A. Hirschfeld, H. Phillip Hamlin Accepted
[Show full text]
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth
[Show full text]
21 July 2017 Page 1 of 8
Radio 4 Extra Listings for 15 – 21 July 2017 Page 1 of 8 SATURDAY 15 JULY 2017 Burying The Typewriter is Carmen Bugan©s memoir of growing SAT 07:30 Painting the Clouds with Sunshine (b0076vq0) up in Romania in the 1970s and 1980s when the country was Episode 3Jazz musician and broadcaster Humphrey Lyttelton SAT 00:00 Paradise Lost in Cyberspace (b007jpgs) governed by Ceausescu, and his network of agents and informers, explores the troubled world of British band leaders after 1945. Episode 5Now a fully-fledged OAP, George Smith is set for a the Securitate, exerted a malign influence in every sphere of From November 2005. special mission with Andrea Sunbeam and Mrs Cookson. society. SAT 08:00 The Noble Years (b08y6wtz) Colin Swash©s dystopian comedy stars Stephen Moore as George, Carmen Bugan was educated at the University of Michigan (Ann "You can©t have suspense without information" - Alfred Patsy Byrne as Doris, Geoffrey McGivern as O©Connell, Edna Arbor) and Balliol College, Oxford, where she was awarded a Hitchcock on making films Dore as Mrs Cookson, Lorelei King as Andrea Sunbeam, Melanie doctorate. Her first book of poetry, Crossing The Carpathians, "At first I thought they©re going to need subtitles in the picture" - Hudson as Wilma P Random. With Christopher, Lewis MacLeod was published by Oxford Poets/Carcanet in 2004. Shelley Winters on Michael Caine©s cockney accent in ©Alfie©. and Peter Serafinowicz. "A beautiful, vivid memoir..." "Milligan and I are both manic depressives" - Peter Sellers. Producer: Richard Wilson. The Guardian Alfred Hitchcock, Shelley Winters, Peter Sellers, Sammy Davis First broadcast on BBC Radio 4 in 1998.
[Show full text]