DOCSLIB.ORG

Secular Song of the Spanish Renaissance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Secular Song of the Spanish Renaissance University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2018 Secular Song of the Spanish Renaissance: Portrayals of Moors and Christians During the Reign of Isabel and Fernando, the Reconquest, and the First Morisco Rebellion Katharyn Reishus Benessa Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Benessa, Katharyn Reishus, "Secular Song of the Spanish Renaissance: Portrayals of Moors and Christians During the Reign of Isabel and Fernando, the Reconquest, and the First Morisco Rebellion" (2018). Dissertations. 478. https://digscholarship.unco.edu/dissertations/478 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! © 2018 KATHARYN REISHUS BENESSA ALL RIGHTS RESERVED ! ! ! ! ! ! UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School ! ! SECULAR SONG OF THE SPANISH RENAISSANCE: PORTRAYALS OF MOORS AND CHRISTIANS DURING THE REIGN OF ISABEL AND FERNANDO, THE RECONQUEST, AND THE FIRST MORISCO REBELLION! ! A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor !of Arts ! Katharyn Reishus Benessa ! ! College of Performing and Visual Arts School of Music Music History !and Literature August 2018 This Dissertation by: Katharyn Reishus Benessa Entitled: Secular Song of the Spanish Renaissance: Portrayals of Moors and Christians during the reign of Isabel and Fernando, the Reconquest, and the First Morisco Rebellion! . ! has been approved as meeting the requirement for the Degree of Doctor of Arts in the College! of Music. ! !Accepted by the Doctoral Committee ! ______________________________________________________ !Deborah Kauffman, D.M.A., Research Advisor _____________________________________________________ !Jonathan Bellman, D.M.A., Committee Member ______________________________________________________ !Carissa Reddick, Ph.D., Committee Member ______________________________________________________ !Michael Welsh, Ph.D., Faculty Representative ! ! ! !Date of Dissertation Defense _______________________________ ! ! !Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ! ! ! ABSTRACT ! Benessa, Katharyn Reishus. Secular Song of the Spanish Renaissance: Portrayals of Moors and Christians during the reign of Isabel and Fernando, the Reconquest, and the First Morisco Rebellion. Published Doctor of Arts dissertation, University !of Northern Colorado, 2018. Spanish secular songs from the 1460s to 1550s, represented by the forms of romances, villancicos, and cancíones, are found in cancióneros, or songbooks, and published collections for vihuela and solo voice. Organized according to narrative categories and chronology, the songs reflect events before, during, and after the reconquista and portray Moors and Christians from the reign of Isabel and Fernando to beyond the First Morisco Rebellion. Many songs in the cancióneros are anonymous or by little known composers, although seven pieces by Juan del Encina are included. Works in the vihuela publications are represented by the composers, Luis Milán, Alonso de Mudarra, Enrique Valderrábano, Miguel de Fuenllana, and Diego Pisador. Addressing fort-five songs, a larger selection than is typically discussed in scholastic research, the works are divided into narrative categories: The Isabel Songs, The Carillo Songs, The Reconquista Songs (with subcategories of Conflict in Central Spain, Conflict in Andalusia portrayed in the cancióneros, Conflict in Andalusia !iii portrayed in the vihuela publications, and The Other Alhama), Granada Songs, The Morisco Songs, and Hearts Held Captive: Songs of Love, Rejection, and Grief. Textual and musical analyses illuminate the differing narrative threads betweenthe works of the cancióneros and the vihuela publications. From those that display courtly, idealized expressions of love and beauty, to those that portray conflict, battles, and the Moors, the songs reveal differences in perspective, mood, and form. Songs include a previously unidentified set of pieces associated with Archbishop Alfonso Carillo, love songs with disturbing associations of captivity, and the shifting portrayal of Moors through an idealized memory of convivencia, or coexistence. Additionally, the dating of the source, Canciónero musicale de la Colombina, is questioned. These works provide a geocultural narrative of the tumult surrounding the pivotal year of 1492, creating a new prism through which to view this historical period in Spain. ! ! ! ! ! ! ! ! ! ! !iv ! ! ! ACKNOWLEDGEMENTS Above all, I thank Deborah Kauffman. As a mentor and role model, I could have found no one better to guide me through my degree. As my research advisor…well, let me just say that if editing were a super power, Dr. Kauffman would have her own film, graphic novel, and line of merchandise. With genuine gratitude, I acknowledge the other members of my committee, each of whom relinquished a slice of their summer to get me on my way: Jonathan Bellman, because music is worth arguing about; Carissa Reddick, who makes music theory audible; and Michael Welsh, for jumping in at the last minute, and with a few pithy strokes, showed me how to paint a broader picture of Renaissance Spain. I thank the UNC School of Music for being the perfect program for me, and Stephen Luttman, for being UNC Music. Appreciation to Deborah Kauffman (again!) and Thomas Lack for working on the beautiful music examples, and to Ben Bellman for eleventh-hour cartography. With endless devotion, I acknowledge my guitar and lute people. You are why I am here: Deborah Fox, who shaped my path; Robert Ruck, for the golden guitar; Robert Guthrie, who gave me my first Fuenllana piece; Robert Castellano, for introducing me to period instruments; Alexander Batov, for the winter apple, the smell of wood, and the never-ending inspiration found in his beautiful instruments; Richard Thurstans, for his humo[u]r, and role as sounding board and tour guide; Douglas Alton Smith, my !v champion; and Phillip de Fremery, who first suggested I study guitar and music history (I blame you the most!). To my high school English teacher, Janet MacBeth, who introduced me to the concept of hearing the tone in poetry: you are all over this study. I must recognize several people who are no longer with us: Merriam Whaples, who taught me how to use a Mac and made me read Tovey; Herbert Turrentine, who introduced me to iconography, and shared his dream to return to school after retiring, thus introducing me to the endless possibilities of lifelong learning; and Patrick O’Brien, for whom words are not enough — every time I play, I think if you, and I thank you. I count my lucky stars for every person listed above. No one has influenced my life more than teachers. I cannot forget my parents and grandparents for sending me to Walnut Hill School for the Arts and igniting a life in the arts. And lastly, I thank my daughter, Nora: edgy, dark, funny, creative, with an unapologetically, perfect memory — I am honored to have such a great person in my life. Finishing this degree is part of my contract to you: if I can do this, you can do anything. *** I dedicate this work to every library I have ever set foot in, and to the card catalogs of my childhood, the smell of which should be distilled down to a perfume. !vi ! ! ! ! ! ! TABLE OF CONTENTS ! CHAPTER! I. INTRODUCTION ……………………………………………… 1 Methodology Review of Literature II. BACKGROUND ………………………………………………. 16 Historical Background Sources Cancíoneros Vihuela Publications Forms Romances Villancicos Cancíones III. SONG TOPICS AND ANALYSES …………………………….. 38 The Isabel Songs The Carillo Songs The Reconquista Songs Conflict in Central Spain Conflict in Andalusia Portrayed in Cancíoneros Conflict in Andalusia Portrayed in the Vihuela Publications The Other Alhama The Granada Songs The Morisco Songs Hearts Held Captive: Songs of Love, Rejection, and Grief Unhappy Spain IV. CONCLUSION ………………………………………………… 143 !vii BIBLIOGRAPHY …….……………………………………………………… 148 APPENDIX A. Timeline……………………………………………………………….. 152 B. Maps ………………………………..………………………………… 155 C. Song List ……………………………………………………….….….. 159 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !viii ! ! ! ! ! LIST OF !TABLES Table 1.1 Cancióneros……………………………………………………………. 4 1.2 Vihuela Publications…………………………………………………… 4 1.3 Songs included in selected research…………………………………… 15 3.1 The Isabel Songs………………………………………………………. 40 3.3 “Ysabel, perdiste la tu faxa,” text……………………………………… 47 3.4 “Viva el gran Re,” text………………………………………………… 50 3.5 The Carillo Songs……………………………………………………… 53 3.6 The Reconquista Songs………………………………………………… 66 3.7 “En Avila,” text………………………………………………………… 68 3.8: “Alburquerque” text…………………………………………………… 70 3.9: “Muy crueles voces,” Vuelta text……………………………………… 75 3.10: “Caballeros de Alcalá,” text………………………………………….. 78 3.11: “Sobre Baza,” text……………………………………………………. 82 3.12: “Por los campos,” text………………………………………………… 83 3.13: “De’Antequera sale el moro,” text…………………………………… 87 3.14: “La Mañana de Sant Juan,” text……………………………………… 89 3.15: “Passeavase el rey moro,” stanza 1………………………………… 91 !ix 3.16: “Dile que Pedro
Load more

Recommended publications
  • Ajedrez Para Todos Sergio Garza
    Ajedrez para todos Sergio Garza Juego, deporte, arte y ciencia, el ajedrez cuenta en la actualidad, y según estimaciones de la Federación Estadounidense de Ajedrez, con más de 200 millones de jugadores de ajedrez en activo. Se estima que en el mundo se han escrito unos 50.000 libros de ajedrez. De hecho, se han publicado más libros de ajedrez que del resto de juegos y deportes juntos. Su popularidad se debe a que plantea un apasionante desafío intelectual, produce un gran placer estético a quienes lo practican, es el deporte más barato que existe, se juega con las mismas reglas en todo el mundo, y es apropiado para cualquier edad. El origen del ajedrez Nefertiti jugando al antiguo juego egipcio Senet (el tablero es de 3xl0) que existía miles de años antes de la invención del ajedrez. La historia de los inicios del ajedrez tiene su origen en Asia. El juego del chaturanga que se jugaba en el noroeste de la India puede considerarse su precursor. En Sánscrito chatur = cuatro, anga = parte. Simbolizaban las 4 divisiones del antiguo ejército indio: infantería, caballería, elefantes y carros. En su historia del mundo en 30 volúmenes Muruj adh-Dhahab, el historiador y geógrafo al-Masudi (888 - 956 a.c.), cuando presentaba la línea de la sucesión de los reyes Indios, menciona que 120 años tras la muerte del bien conocido Rey Poros inventó el chaturanga durante el reinado del Rey Balhit. Ya que es posible fechar correctamente a Poros, entonces según al-Masudi se puede establecer la fecha de invención del chaturanga como aproximadamente en el año 200 a.c.
    [Show full text]
  • Lyric Provinces in the English Renaissance
    Lyric Provinces in the English Renaissance Harold Toliver LYRIC PROVINCES IN THE ENGLISH RENAISSANCE Harold Toliver Poets are by no means alone in being pre­ pared to see new places in settled ways and to describe them in received images. Outer regions will be assimilated into dynasties, never mind the hostility of the natives. The ancient wilderness of the Mediterranean and certain biblical expectations of what burning bushes, gods, and shepherds shall exist every­ where encroach upon the deserts of Utah and California. Those who travel there see them and other new landscapes in terms of old myths of place and descriptive topoi; and their descriptions take on the structure, to­ nality, and nomenclature of the past, their language as much recollection as greeting. In Professor Toliver's view, the concern of the literary historian is with, in part, that ever renewed past as it is introduced under the new conditions that poets confront, and is, therefore, with the parallel movement of liter­ ary and social history. Literature, he reminds us, is inseparable from the rest of discourse (as the study of signs in the past decade has made clearer), but is, nevertheless, distinct from social history in that poets look less to common discourse for their models than to specific literary predecessors. Careful observ­ ers of place, they seek to bring what is distinct and valuable in it within some sort of verbal compass and relationship with the speaker. They bring with them, however, formulas and tf > w if a loyalty to a cultural heritage that both com­ plicate and confound the lyric address to place.
    [Show full text]
  • Canada Needs You Volume One
    Canada Needs You Volume One A Study Guide Based on the Works of Mike Ford Written By Oise/Ut Intern Mandy Lau Content Canada Needs You The CD and the Guide …2 Mike Ford: A Biography…2 Connections to the Ontario Ministry of Education Curriculum…3 Related Works…4 General Lesson Ideas and Resources…5 Theme One: Canada’s Fur Trade Songs: Lyrics and Description Track 2: Thanadelthur…6 Track 3: Les Voyageurs…7 Key Terms, People and Places…10 Specific Ministry Expectations…12 Activities…12 Resources…13 Theme Two: The 1837 Rebellion Songs: Lyrics and Description Track 5: La Patriote…14 Track 6: Turn Them Ooot…15 Key Terms, People and Places…18 Specific Ministry Expectations…21 Activities…21 Resources…22 Theme Three: Canadian Confederation Songs: Lyrics and Description Track 7: Sir John A (You’re OK)…23 Track 8: D’Arcy McGee…25 Key Terms, People and Places…28 Specific Ministry Expectations…30 Activities…30 Resources…31 Theme Four: Building the Wild, Wild West Songs: Lyrics and Description Track 9: Louis & Gabriel…32 Track 10: Canada Needs You…35 Track 11: Woman Works Twice As Hard…36 Key Terms, People and Places…39 Specific Ministry Expectations…42 Activities…42 Resources…43 1 Canada Needs You The CD and The Guide This study guide was written to accompany the CD “Canada Needs You – Volume 1” by Mike Ford. The guide is written for both teachers and students alike, containing excerpts of information and activity ideas aimed at the grade 7 and 8 level of Canadian history. The CD is divided into four themes, and within each, lyrics and information pertaining to the topic are included.
    [Show full text]
  • Túneles De Abdalajís
    Túneles de Abdalajís ÍNDICE DE CONTENIDOS 1.- Introducción 2.- Tramo Gobantes – Túnel de Abdalajís Este 3.- Ejecución de los túneles Proceso de construcción Galerías de Seguridad 4.- Tuneladoras Partes de la tuneladora Funcionamiento Instalaciones auxiliares Principales características de las tuneladoras 5.- Revestimiento interior 6.- Compromiso Medioambiental Protección del Sistema Hidrológico Otras medidas adoptadas 1 1.- Introducción La construcción de la línea de Alta Velocidad Córdoba-Málaga se inscribe en el corredor de Andalucía, que conectará a través de la línea Madrid-Córdoba- Sevilla, con Málaga, Jaén, Granada, Cádiz y Huelva. Esta línea cuenta con una longitud total de 155 kilómetros (desde el enlace con la línea de Alta Velocidad Sevilla-Madrid en el término municipal cordobés de Almodóvar del Río, hasta Málaga capital) y su construcción se dividió en un total de 22 tramos, con un presupuesto total de 2.100 millones de euros. La línea se construye en doble vía electrificada de ancho U.I.C. (internacional) preparada para desarrollar velocidades máximas de 350 kilómetros por hora. A efectos de su paulatina puesta en servicio, su trazado puede dividirse en tres grandes tramos: • Almodóvar del Río-Antequera, de 100 kilómetros. • Antequera-Arroyo de las Cañas, de 49 kilómetros. • Arroyo de las Cañas-Málaga, de 6 kilómetros. 2 Por lo que respecta al tramo Antequera-Arroyo de las Cañas, en él se sitúan las mayores obras de ingeniería, tanto la mayor parte de los 19 kilómetros de túneles como de viaductos. Destaca en este tramo la construcción del doble túnel de Abdalajís, que con más de 7 kilómetros de longitud, es el mayor construido en Andalucía.
    [Show full text]
  • Spanish, French, Dutch, Andamerican Patriots of Thb West Indies During
    Spanish, French, Dutch, andAmerican Patriots of thb West Indies i# During the AMERICAN Revolution PART7 SPANISH BORDERLAND STUDIES By Granvil~ W. andN. C. Hough -~ ,~~~.'.i~:~ " :~, ~i " .... - ~ ,~ ~"~" ..... "~,~~'~~'-~ ,%v t-5.._. / © Copyright ,i. "; 2001 ~(1 ~,'~': .i: • by '!!|fi:l~: r!;.~:! Granville W. and N. C. Hough 3438 Bahia Blanca West, Apt B ~.l.-c • Laguna Hills, CA 92653-2830 !LI.'.. Email: gwhough(~earthiink.net u~ "~: .. ' ?-' ,, i.. Other books in this series include: • ...~ , Svain's California Patriots in its 1779-1783 War with England - During the.American Revolution, Part 1, 1998. ,. Sp~fin's Califomi0 Patriqts in its 1779-1783 Wor with Englgnd - During the American Revolution, Part 2, :999. Spain's Arizona Patriots in ire |779-1783 War with Engl~n~i - During the Amcricgn RevolutiQn, Third Study of the Spanish Borderlands, 1999. Svaln's New Mexico Patriots in its 1779-|783 Wit" wi~ England- During the American Revolution, Fourth Study of the Spanish Borderlands, 1999. Spain's Texa~ patriot~ in its 1779-1783 War with Enaland - Daring the A~a~ri~n Revolution, Fifth Study of the Spanish Borderlands, 2000. Spain's Louisi~a Patriots in its; 1779-1783 War witil England - During.the American Revolution, Sixth StUdy of the Spanish Borderlands, 20(~0. ./ / . Svain's Patriots of Northerrt New Svain - From South of the U. S. Border - in its 1779- 1783 War with Engl~nd_ Eighth Study of the Spanish Borderlands, coming soon. ,:.Z ~JI ,. Published by: SHHAK PRESS ~'~"'. ~ ~i~: :~ .~:,: .. Society of Hispanic Historical and Ancestral Research ~.,~.,:" P.O. Box 490 Midway City, CA 92655-0490 (714) 894-8161 ~, ~)it.,I ,.
    [Show full text]
  • Information and Disinformation in Late Colonial New Granada*
    The Americas 54:2 October 1997, 167-184 Copyright by the Academy of American Franciscan History INFORMATION AND DISINFORMATION IN LATE COLONIAL NEW GRANADA* n 1814, Alexander von Humboldt, the great traveller and explorer of the Americas, drew attention to an unusual feature of the move­ Iment for independence in the Viceroyalty of New Granada: the establishment of printing presses and newspapers followed rather than preceded the outbreak of war.1 Humboldt was struck by the contrast New Granada's war of independence offered with the two more fa­ mous political revolutions of the age. A great proliferation of printed pamphlets and periodicals had preceded the outbreak of revolution in both the Thirteen Colonies and France. How curious, Humboldt com­ mented, to find the process reversed in Spanish America. Humboldt is not alone in viewing the newspaper as the expected harbinger of change in the age of Atlantic revolution. While the precise role played by the printed word in the French and American revolutions remains a subject of debate, many historians acknowledge the importance of print in creating a climate conducive to revolutionary challenge.2 Were newspapers and the press really latecomers to the revolution in the Viceroyalty of New Granada, as Humboldt suggests? What does this tell us about late colonial New Granada? How, in the absence of a * I am grateful to the British Academy for their financial support, which made possible this research, and to the two reviewers for their very helpful comments. ' Alexander von Humboldt, Alejandro de Humboldt por tierras de Venezuela (Caracas: Fun- dacion Eugenio Mendoza, 1969), pp.
    [Show full text]
  • Century Barcelona
    Immigration and Integration in a Mediterranean City: The Making of the Citizen in Fifteenth- Century Barcelona Volume 1 Carolina Obradors Suazo Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, July 2015. European University Institute Department of History and Civilization Immigration and Integration in a Mediterranean City: The Making of the Citizen in Fifteenth-Century Barcelona. Volume 1 Carolina Obradors Suazo Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Luca Molà, (EUI, Supervisor). Prof. Regina Grafe, (EUI, Second Reader). Dr. Roser Salicrú i Lluch (Institució Milà i Fontanals -CSIC, External Supervisor). Prof. Bartolomé Yun-Casalilla (EUI, Universidad Pablo de Olavide, Seville). Prof. James Amelang (Universidad Autónoma de Madrid). © Carolina Obradors Suazo, 2015. No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Immigration and Integration in a Mediterranean City: The Making of the Citizen in Fifteenth-Century Barcelona Carolina Obradors Suazo Thesis Supervisor: Professor Luca Molà Abstract. This thesis explores the norms, practices, and experiences that conditioned urban belonging in Late Medieval Barcelona. A combination of institutional, legal, intellectual and cultural analysis, the dissertation investigates how citizenship evolved and functioned on the Barcelonese stage. To this end, the thesis is structured into two parts. Part 1 includes four chapters, within which I establish the legal and institutional background of the Barcelonese citizen. Citizenship as a fiscal and individual privilege is contextualised within the negotiations that shaped the limits and prerogatives of monarchical and municipal power from the thirteenth to the late fourteenth centuries.
    [Show full text]
  • 100 Years: a Century of Song 1970S
    100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My
    [Show full text]
  • Costa Del Golf Malaga
    COSTA DEL SOL COSTA DEL GOLF COSTA DEL GOLF COSTA DEL SOL - COSTA DEL GOLF COSTA DEL GOLF Welcome to the Costa del Golf With more than 70 world-class golf courses, the Costa del Sol has been dubbed the Costa del Golf, a prime destination for sports holidays. Situated midway between the sea and the mountains, with 325 days of sun a year and an average annual temperature in the 20°Cs, the Costa del Sol promises perfect playing conditions all year round. And as if that weren’t enough, there’s plenty of culture to soak up, as well as leisure activities and entertainment to pleasantly while away the hours. Not to mention the balmy beaches, stunning natural landscapes and excellent connections by air (Malaga international airport is the third largest in Spain), land (dual carriageways, motorways, high speed trains) and sea (over 11 marinas). All coming together to make the Costa del Sol, also known as the Costa del Golf, the favourite golfing destination in Europe. COSTA DEL SOL - COSTA DEL GOLF COSTA DEL GOLF A round of golf in stunning surroundings The diverse range of course designs will make you want to come back year after year so you can discover more and more new courses. From pitch and putt to the most demanding holes, there is a seemingly endless array of golf courses to choose from. Diversity is one of the defining characteristics of the Costa del Golf; and there really is something for everyone. The golf courses regularly organise classes and championships for men and women of all levels.
    [Show full text]
  • Cher the Greatest Hits Cd
    Cher the greatest hits cd Buy Cher: The Greatest Hits at the Music Store. Everyday low prices on a huge selection of CDs, Vinyl, Box Sets and Compilations. Digitally remastered 19 track collection of all Cher's great rock hits from her years with the Geffen/Reprise labels, like 'If I Could Turn Back Time', 'I Found. Product Description. The first-ever career-spanning Cher compilation, sampling 21 of her biggest hits. Covers almost four decades, from the Sonny & Cher era. The Greatest Hits is the second European compilation album by American singer-actress Cher, released on November 30, by Warner Music U.K.'s WEA ​Track listing · ​Charts · ​Weekly charts · ​Year-end charts. Find a Cher - The Greatest Hits first pressing or reissue. Complete your Cher collection. Shop Vinyl and CDs. Cher's Greatest Hits | The Very Best of Cher Tracklist: 1. I love playing her CDs wen i"m alone in my van. Cher: Greatest Hits If I Could Turn CD. Free Shipping - Quality Guaranteed - Great Price. $ Buy It Now. Free Shipping. 19 watching; |; sold. Untitled. Buy new Releases, Pre-orders, hmv Exclusives & the Greatest Albums on CD from hmv Store - FREE UK delivery on orders over £ Available in: CD. One of a slew of Cher hit collections, this set focuses mostly on material from her three late-'80s/early-'90s faux. Believe; The Shoop Shoop Song (It's In His Kiss); If I Could Turn Back Time; Heart Of Stone; Love And Understanding; Love Hurts; Just Like Jesse James. Find album reviews, stream songs, credits and award information for The Greatest Hits - Cher on AllMusic - - Released in Australia in , after the.
    [Show full text]
  • Fray Ambrosio De Montesino Y El Repertorio Navideño Cancioneril, Con Especial Atención Al Bifolio Carp
    CUADERNOS DE MÚSICA IBEROAMERICANA. Vol. 27 enero-diciembre 2014, 27-47 ISSN: 1136-5536 MARICARMEN GÓMEZ MUNTANÉ Universitat Autònoma de Barcelona Fray Ambrosio de Montesino y el repertorio navideño cancioneril, con especial atención al bifolio carp. 3/16 del Archivo Histórico Provincial de Orense El feliz hallazgo de un nuevo manuscrito con repertorio cancioneril navideño amplía la infor- mación disponible al respecto en una época relativamente temprana, como es la del reinado de los Reyes Católicos. A pesar de su estado fragmentario, la circunstancia de que en él se den cita un vi- llancico hasta ahora desconocido de Juan de Valera, que fue maestro de capilla de la catedral de Se- villa entre 1505 y 1507, y otro de Pedro de Escobar, su sucesor en el cargo, invita a revisar algunos datos que son lugar común cuando se trata de villancicos navideños, así como el papel desempe- ñado por destacados miembros de la orden franciscana en los orígenes del género. Palabras clave:Villancico navideño, Orense, Juan de Valera, Pedro de Escobar, Ambrosio de Mon- tesino, Reyes Católicos. The timely discovery of a new manuscript featuring Christmas chansonnier repertory expands on the information available on this subject during a relatively early period, as is that of the reign of the Catholic Monarchs. In spite of its fragmentary nature, the fact that it contains a hitherto unknown villancico (carol) by Juan de Valera, who was maestro di cappella at Seville Cathedral between 1505 and 1507, and another by Pedro de Escobar, his successor in the post, calls for a revision of some of the clichéd information about Christmas carols, as well as the role played by leading members of the Franciscan order in the origins of the genre.
    [Show full text]
  • An Analysis of Public Participation in the Water Industry
    UNLV Theses, Dissertations, Professional Papers, and Capstones 12-1997 Public Participation Program Development: An analysis of public participation in the water industry Marcia Lynne Holmberg Univeristy of Nevada Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Civic and Community Engagement Commons, Communication Commons, and the Water Resource Management Commons Repository Citation Holmberg, Marcia Lynne, "Public Participation Program Development: An analysis of public participation in the water industry" (1997). UNLV Theses, Dissertations, Professional Papers, and Capstones. 279. http://dx.doi.org/10.34917/1480617 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. PUBLIC PARTICIPATION PROGRAM DEVELOPMENT: AN ANALYSIS OF PUBLIC PARTICIPATION IN THE WATER INDUSTRY Marcia Lynne Hoimbeig Bachelor of Arts University
    [Show full text]