Warrior's Art Room Relocates, Expands Hours
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The Hilltop 4-16-1999
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 4-16-1999 The iH lltop 4-16-1999 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 4-16-1999" (1999). The Hilltop: 1990-2000. 237. https://dh.howard.edu/hilltop_902000/237 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The Voice of Howard University Since 1924 VOLUME 82, No. 26 FRIDAY, APRIL 16, 1999 http://hilltop.howard.edu • • Student, 22, n1vers1 Dies at HU Hospital rove Friends Remember Mark Holland as • 'Compassionate' ID By APRILL 0. TURNER this summer. And in the Tubman Hilltop Staff Writer Quadrangle, Truth and Crandall Halls will open by December, with air con The University is planning a series ditioning. Elzey said the University of construction projects in the com plans to wire the Quad for cable and ing months that will result in a new other computer services. He did not bookstore and the reopening of Truth however, say when or if the Univer and Crandall Halls, officials said sity would provide cable access to the recently. Quad or any other dormitory. The 4th Street Bookstore will be For much of this decade, schools moved to the Howard Center on Mark Holland around the nation have provided its Feb. -
Ally Mcbeal” Movie Serial
FORMULAIC EXPRESSIONS FOUND IN THE “ALLY MCBEAL” MOVIE SERIAL THESIS Submitted in Partial Fulfillment of the Requirements for the Master Degree of Magister Pendidikan (M.Pd) of Semarang State University FRIDA WIDYAWATI TRIASNINGRUM 2201505024 POST GRADUATE PROGRAM OF ENGLISH EDUCATION SEMARANG STATE UNIVERSITY 2009 SUPERVISORS’ APPROVAL This Thesis Formulaic Expressions Found in the Ally Mcbeal Movie Serial By : Frida Widyawati Triasningrum 2201505024 Has been approved by the supervisor’s in order to be presented In front of the Board of Examiners Semarang, January 11.2009 First Supervisor, Second Supervisor, Dr. Djoko Sutopo, M.Si Dr. Warsono, M.A NIP. 131569192 NIP. 130350484 ii THESIS APPROVAL This thesis has been examined and defended before the Board of Examiner of the Graduate Program of Semarang State University on: Day : Thursday Date : March 12, 2009 Board of Examiners Chairman Secretary Dr. Samsudi, M.Pd Prof. H. Mursid Saleh, Ph.D NIP. 131658241 NIP. 130354512 First Examiner Dr. Dwi Anggani L.B. ,M.Pd NIP. 130354512 Second Examiner/ Third Examiner / Second Supervisor First Supervisor Dr. Warsono Dip. TEFL,M.A Dr. Djoko Sutopo, M.Si NIP. 130350484 NIP. 131569192 iii DECLARATION I certify that this thesis is definitely my own work. I am completely responsible for the contents of this thesis. Other writers’ opinion or findings included in this thesis are quoted or cited in accordance with ethical standard. Semarang, January 2009 Frida Widyawati Triasningrum 2201505024 iv MOTTO AND DEDICATION “Gratitude is our most direct line to God and the angels. If we take the time, no matter how crazy and troubled we feel, we can find something to be thankful for. -
THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
MANIFESTO - Scrubbed by Mainstream Media Outlets
MANIFESTO - scrubbed by mainstream media outlets From: Christopher Jordan Dorner /7648 To: America Subj: Last resort Regarding CF# 07-004281 I know most of you who personally know me are in disbelief to hear from media reports that I am suspected of committing such horrendous murders and have taken drastic and shocking actions in the last couple of days. You are saying to yourself that this is completely out of character of the man you knew who always wore a smile wherever he was seen. I know I will be villified by the LAPD and the media. Unfortunately, this is a necessary evil that I do not enjoy but must partake and complete for substantial change to occur within the LAPD and reclaim my name. The department has not changed since the Rampart and Rodney King days. It has gotten worse. The consent decree should never have been lifted. The only thing that has evolved from the consent decree is those officers involved in the Rampart scandal and Rodney King incidents have since promoted to supervisor, commanders, and command staff, and executive positions. The question is, what would you do to clear your name? Name; A word or set of words by which a person, animal, place, or thing is known, addressed, or referred to. Name Synonyms; reputation, title, appellation, denomination, repute. A name is more than just a noun, verb, or adjective. It's your life, your legacy, your journey, sacrifices, and everything you've worked hard for every day of your life as and adolescent, young adult and adult. -
Finding a Place in the History of Feminist Televsison
FINDING A PLACE IN THE HISTORY OF FEMINIST TELEVSISON: SEXUALITY IN HBO’S GIRLS By Madison Grace Clark Submitted in Partial Fulfillment of the Requirements for Honors in Visual & Media Studies University of Redlands Redlands, California April 2015 © Copyright by Madison Grace Clark 2015 ii TABLE OF CONTENTS Introduction 1 Television and Feminism History 3 Conflicting Sexual Desires and the “Sex Wars” 17 Casual Sex and its Narrative Implications 26 The Role of Sexuality in Defining Oneself— Breaking the Virgin/ Whore Trope 29 Reproductive Justice, a Foundation for Female Support 35 The Importance of Young Adulthood in the Progress of Feminist Programing 39 Bibliography 41 iii ACKNOWLEDGMENTS To my beloved friends, family and professors, without your unwavering support this project would not have been possible. A special thanks to Kelly Hankin for her steadfast commitment to my success and delightful sense of humor—I could not have asked for a better advisor for this journey. To Jennifer Nelson, your guidance through my research and writing process is very much appreciated, thank you for pushing me to think outside of the box. Lastly, to Alon August, Emma Haas, Jackie Starks, Gregory Clark and Diana Clark, thank you for always encouraging me to work my hardest, even when the work may seem impossible. iv ABSTRACT This essay analyzes the HBO series Girls (2012-) from a feminist media studies perspective. Through an in depth analysis of the history of feminist television, this paper claims that Girls takes a pro-sex feminist stance on issues of sexuality and identity and therefore progresses the timeline of depictions of feminism in prime-time television. -
A Show of One's Own: the History of Television and the Single Girl in America from 1960
A Show of One's Own: The History of Television and the Single Girl in America from 1960. by Erin Kimberly Brown A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2015 © Erin Kimberly Brown 2015 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis analyzes the image of the single girl in American history from 1960. The changes made to her lifestyle through technology, politics, education and the workforce are discussed, as is the impact made by the second-wave feminist movement. The evolution seen is traced in detail through five pivotal television series (That Girl, The Mary Tyler Moore Show, Murphy Brown, Ally McBeal and Sex and the City) that displayed to millions of viewers across the nation how unmarried women were building their lives and the challenges that they experienced. These programs were an important part of their female audience's life, highlighting what was possible to achieve, yet they were not always greeted with the highest regard. Judgment of the single women's lifestyle was seen from writers and politicians who commented on their unmarried status, their sexuality and pregnancies outside of marriage. Even television networks and producers would, at times, be unconvinced of the single female's choices. -
Mass Appeal of the Practice and Ally Mcbeal: an In-Depth Analysis of the Impact of These Television Shows on the Public's Perception of Attorneys
UCLA UCLA Entertainment Law Review Title The Mass Appeal of The Practice and Ally McBeal: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys Permalink https://escholarship.org/uc/item/9t888611 Journal UCLA Entertainment Law Review, 7(1) ISSN 1073-2896 Author Kitie, Brett Publication Date 1999 DOI 10.5070/LR871026994 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Mass Appeal of The Practice and Ally McBeal: An In-Depth Analysis of the Impact of these Television Shows on the Public's Perception of Attorneys Brett Kitei* I. INTRODUCTION It is hard to watch much television today without seeing lawyers in action. Other than television shows about the police or medical doctors, no other profession is featured nearly as often in a storyline.' Lawyers perme- ate television because our legal system remains a very intriguing topic for the average viewer, and the law itself provides a dramatic tension that makes a perfect subject for television.2 With the public image of lawyers and law firms currently at an all time low however, 3 one would think that a television show about the inner feelings of a lawyer or a show about the ethical dilemmas a lawyer must overcome would not really be prime-time material. As evidenced by the enormous success and critical acclaim of both Ally McBeal and The Practice,this is clearly not the case. Whether on the Internet4 or with co-workers over morning coffee,5 * J.D. Candidate, U.C.L.A School of Law, 2000. -
The Movie “Precious”: a Misrepresentation of Most Young Black Urban Mothers
The Movie “Precious”: A Misrepresentation of Most Young Black Urban Mothers by Cassandra Chaney, Ph.D. [email protected] Professor, College of Human Sciences and Education, School of Social Work, Child and Family Studies Louisiana State University, Baton Rouge, Louisiana Abstract This study is an exploratory content analysis of the cinematic portrayals in the movie Precious (2009) against those present in five movies: Sparkle (1976); The Color Purple (1985); Eve’s Bayou (1997); Love and Basketball (2000); and Akeelah and the Bee (2006). These movies feature Black female youth between the ages of 10-16 in eighteen television sitcoms. In general, regardless of family structure or socioeconomic status, young Black teens in the films were equally likely to be in unloving, unsupportive, and dysfunctional family units as they were in loving, nurturing, and supportive home environments. The eighteen television sitcoms that feature Black female youth between the ages of 12 to 16 demonstrate them as reared in married, two-parent homes in which they are consistently receive love, respect, and protection. Recommendations are made regarding debunking negative stereotypes of low-income, high-risk Black children and their families. Keywords: African American; poverty; Precious; social support; stereotype; teenage pregnancy. 142 Africology: The Journal of Pan African Studies, vol.11, no.7, May 2018 Introduction When I viewed the movie Precious (2009)1 several years ago, I was deeply moved by the script, the performances, and the cinematography that was part of that cinematic experience. For over two hours, I watched this young Black woman endure frequent physical, verbal, mental, and emotional abuse at the hands of her dysfunctional mother Mary and her perverted father, Carl, with whom she bore two children. -
Browngirl Narratives Final Draft Reddy 8.15.13
ABSTRACT: Title of Dissertation: BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996) Melissa Kim Chae Reddy, Doctor of Philosophy, 2013 Dissertation Directed By: Associate Professor Psyche Williams-Forson Department of American Studies “Browngirl Narratives” seeks to gain a clearer understanding of what we can learn from the textual evidence about the experiences of browngirls who came of age during the post-civil rights Golden Age of Hip Hop (1986-1996) by examining the contemporary literature, film, social media and music produced by and about these black women. It is an inquiry into the ways in which browngirls who came of age in the United States1 negotiate the dominant scripts that exist in their lives––literature, music, film, television and the Internet––to create and craft their own stories. The aim here is to utilize an interdisciplinary, black female-centered framework to fully problematize phenomena such as self-creation, empowerment, and sexual exploration in the lives of black women who came of age during the approximate ten year period of 1986-196. This study is an examination of black female bidungsromane–– black female cultural texts which illustrate the coming of age and/or development processes. Additionally it is an investigation into what we can learn about the ongoing 1! The United States and its territories such as Guam, Northern Mariana Islands, Puerto Rico and U.S. Virgin Islands, American Samoa, U.S. Minor Outlying Islands. individuation processes for post-civil rights browngirls by engaging texts produced by and about these women. “Browngirl Narratives,” examines various literary, visual and aural texts by and/or about women of African descent that explore coming of age in the lives of browngirls who came of age in Golden Era. -
V-DAY's 2005 PRESS KIT Thank You for Taking the First Step in Helping To
WELCOME TO V-DAY’S 2005 PRESS KIT Thank you for taking the first step in helping to stop violence against women and girls. V-Day relies on the media to help get the word out about the global reach and long-lasting effects of violence. With your assistance, we hope your audience is compelled to take action to stop the violence, rape, domestic battery, incest, female genital mutilation, sexual slavery—that many women and girls face every day around the world. Our goal is to provide media with everything you need to present the most interesting and meaningful story possible. If you require additional information or interviews, please contact Susan Celia Swan at [email protected]. In addition, you can find all of our press releases (including the most recent) posted at our site in the Press Release section. Thank you again for joining V-Day in our fight to end violence against women and girls. Susan Celia Swan Jerri Lynn Fields Media & Communications Executive Director 212-253-1823 914-835-6740 CONTENTS OF THIS KIT Page 1: Welcome To V-Day’s 2005 Press Kit Page 2: V-Day 2005 Overview Press Release Page 5: About V-Day and Mission Statement Page 6: Star Support: The Vulva Choir Page 9: Quote Sheet Page 10: Biography of V-Day Founder and Artistic Director/Playwright Eve Ensler Page 11: Take Action to Stop Violence Page 12: V-Day College and Worldwide Campaigns Page 13: Selected Media Coverage Page 48: Selected Press Releases FOR IMMEDIATE RELEASE Contact: Susan Celia Swan (212) 253-1823 [email protected] V-DAY 2005: VAGINA WARRIORS LEAD THE WAY FIRST BOOK - VAGINA WARRIORS - FEATURING CELEBRITIES AND ACTIVISTS TO BE RELEASED BY BULFINCH PRESS FEBRUARY 2005 V-DAY’S EMMY AWARD WINNING DOCUMENTARY UNTIL THE VIOLENCE STOPS TO BE RELEASED FOR RENTAL BY NETFLIX AND FOR PURCHASE BY DOCURAMA IN EARLY 2005 V-DAY 2005 SPOTLIGHT ON WOMEN OF IRAQ: UNDER SIEGE MORE COLLEGE V-DAY BENEFITS THAN EVER! Thousands of community-based V-Day benefit events of The Vagina Monologues to take place February - March 2005 in the U.S. -
Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Fox, Kenneth James The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1767 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LT-H-111111423-i ai3890 iýýmX ýw Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Kenneth James Fox Queen Mary, University of London Thesis submitted for the degree of Doctor of Philosophy February 2006 Cinematic visions of Los Angeles: Representations of identity and mobility in the cinematic city Table of Contents Thesis Abstract Acknowledgements (ii) Foreword: From Ballyshannon to Los Angeles 1-4 Chapter One 5-54 The Cinematic City Chapter Two 55 - 85 Los Angeles: interweaving the material and the cinematic city Chapter Three 86 - 118 Reconstructing past visions of Los Angeles: mobility and identity in the noir cinematic city Chapter Four 119-158 Cinematic visions of future Los Angeles Chapter Five 159 -191 Cinematic visions of contemporary Los Angeles: Chapter Six 192 - 228 Cinematic visions of Latina/o Los Angeles Chapter Seven 229 - 260 Los Angeles: A cinematic city of hybridity? Chapter Eight 261 - 281 Cinematic Los Angeles: a new imaginary? Bibliography 282 - 309 Filmography 310 - 320 Appendix 1 (Stills in Volume 2) 1- 65 THESIS ABSTRACT Kenneth James Fox Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city.