Blackening of Women's Faces on Advertisement Boards 1

Total Page:16

File Type:pdf, Size:1020Kb

Blackening of Women's Faces on Advertisement Boards 1 Aysha et al, Journal of Research and Reviews in Social Sciences Pakistan, Vol 2 (2), 2019 pp 451-460 Contents lists available http://www.kinnaird.edu.pk/ Journal of Research & Reviews in Social Sciences Pakistan Journal homepage: http://journal.kinnaird.edu.pk BLACKENING OF WOMEN’S FACES ON ADVERTISEMENT BOARDS Aysha Bilal1*, Dr Ahmad Bilal2 1Lahore College for Women University, Lahore, Pakistan. 2University of the Punjab, Lahore, Pakistan. Article Info Abstract Women‟s faces on commercial billboards in Pakistan are *Corresponding Author always in danger of being blackened or defaced. Blotting Email Id: [email protected] of commercial billboards with images of female models is mostly associated with, so called, moral brigades, and the risk is increasing with each passing day in almost every big city of Pakistan. Although these incidents of vandalism were first highlighted around 2006 and 2007 during the „islah (reform) campaign‟ by the Lal Masjid in Islamabad, yet the restriction on the female figures in media can be observed in 1980s and 1990s. Indeed, hoardings with female models have not been displayed in some of the regions, and some of the film posters were also blackened under the pressure of censor board in 1980s. This kind of blackening, of female images on advertisement boards, reveals that a specific segment of the society considers female images threatening for the Keywords value system of the society. This paper traces the act of Advertising, Billboards, Image, blackening of female images on the advertising boards Islamisation, Women. and its impact on the females in the society. @ Kinnaird College for Women. All rights reserved. 1. Introduction property of men, works as a base of all kinds of Prevalence of gender-based violence can be violence against women, discouraging them from observed within the class and belief system in the the marriage of their choice, and preventing them urban and rural areas in Pakistan. All kind of from their right to vote to limit their role in the violence against women, including domestic and societal affairs. Family pressures, religious sexual violence to human trafficking, has its leaders and village committees are playing their roots in a patriarchal social structures, which part to exclude women from the electoral process places women as subordinate or property of men (Repila 2013). (Aurat Foundation 2011). The idea, women: a 451 Aysha et al, Journal of Research and Reviews in Social Sciences Pakistan, Vol 2 (2), 2019 pp 451-460 The act of blackening female images is also for Saudi Arabia, which is regarded as „to rooted in the same patriarchal mindset. However, transform censorship into art‟ (fig.5) (Edward it has deeper connotations, as it indicates that the 2013). vandals can‟t even tolerate the image of a Blackening in 2006-07 are slightly different from woman. the 1980s, as lately not only bodies but the faces Blackening of female images has a history in of the female models were also blackened. The Pakistan. The researchers have witnessed act of blackening faces was reported as part of crosshatching on the exposed body parts of „islah (reform) campaign‟ demonstrated by the female images on the film hoardings and posters, Lal Masjid. The religious activists of Lal Masjid, in 1980s and 1990s. The act of blackening was mostly females, had damaged the hoardings by done under the directions of Censor Board of blackening the faces of female models, and also dictatorial regime of 1980‟s, as the print and wrote messages, such as; “fahashi, bayhayi band electronic media was under strict scrutiny. karo” (stop vulgarity, immorality) (K. Ali 2015). President Zia‟s regime has supported certain These slogans along with blackening of females‟ religious groups to propagate the concept of images on advertisement boards indicate the Jihad and supplied warriors for the Soviet- mindset of a specific religious segment of the Afghan war, in 1979 (J. Khan 2015). In return, society depicting the increasing intolerance these religious groups could influence the rules towards presence of women at large. A madrasa and regulations of the state. Most of the laws student, who was not part of the act of were made against the basic rights of women, vandalism, believed that the “bare faces” should and females in mass media and advertising were not be allowed on hoardings because these could propagated as symbol or source of vulgarity stimulate many sinful acts; and his religious tutor (Saleem 2006). This discrimination is noticed by hated the female models, even before the Ogilvy; one of the most influential advertising exhibitors or the owners (K. Ali 2014). tycoons, he mentions it as an example and The exploitation of religion to fulfill political suggests not to use female images on advertising agendas is part and parcel of Pakistani power boards in Pakistan, in 1980s, because the display politics. Religion is misused, time and again, to of female images is declared as an act of divert the attention from the core issues to non- disobeying God (Ogilvy 1985, 26). Recently, issues; such as, women dress code, women right advertising agency Ogilvy Jeddah has used same to marriage, women‟s photography, which sort of blackening with the use of marker as resulted in limiting their presence in different design element in a lingerie and swimwear brand, walks of life and to restrict the freedom of 452 Aysha et al, Journal of Research and Reviews in Social Sciences Pakistan, Vol 2 (2), 2019 pp 451-460 expression. It is a fact that religion has been used sports were banned, and billboards with females‟ to form the political ideology of the country, and images were destroyed, which was considered to later dogmatic persuasion of religion has been be big step towards 'Talibanisation' of the transforming the society from secular to religious province (Shehzad 2005). Indeed, MMA state; however, religious groups have never been administration tried to impose a specific version able to form any government directly until the of Islam which placed modernity as an opposite catastrophe of September 11, 2001, which to religion. According to their leaders the female brought war to Afghanistan. The major political imagery is definitely “a conspiracy by the West parties had rejected the idea of being partner of to weaken Pakistan by promoting a liberal US; as a result the religious groups had played a lifestyle” (K. Ali 2014). It is substantial to note part in, so called, War on Terror (WoT) (Riffat that the reforms of MMA are mostly linked with 2015). The partnership with US had given an the policies of 1980s, which were to use religion opportunity to the specific religious groups to to shift the attention from the core socio-political form their government in North West Province1 and economic issues, towards the non-issue of for the first time in 2002 (J. Khan 2015; F. female role in society. Shaikh 2009). Thus, the first instance of official Ideological basis of the specific version of banning of women‟s photography, in any area of religion had instigated a fanatic hatred for Pakistan, was in 2003. images, and thus for art and culture. Prohibition Mutahida Majlis e Amal (MMA), the joint of imagery amalgamated with „Saudization‟ has venture of all religious groups, after forming the influenced amateur minds at enormous level, and government, had raised Shariat bill in the middle classes had lost every expression of assembly to suppress women rights by happiness; for example, the traditional festival of implementing purdha for all women from the age Basant (Kite flying), classical music and of 11 onwards, restricting women images on traditional kathak dancing (Hoodbhoy 2017). billboards, declaring family planning policy Indeed, after 2002, the social, political and unlawful, and by restraining male doctors, or religious issues have been multiplied, and the sports persons, or tailors to provide any services society has been dividing into liberal and to females (Saleem 2006). The cinema houses conservative segments. Bilal and Bilal (2018) and display centers were demolished, female discusses this divide in society, and traces its roots further in the increasing influence of Saudi 1 North-West Frontier Province, the name was changed to Khyber Pakhtunkhwa by the 18th Amendment to Pakistan's Constitution in 2010 453 Aysha et al, Journal of Research and Reviews in Social Sciences Pakistan, Vol 2 (2), 2019 pp 451-460 culture, which regards overpowering sexuality of 2001). The study also reveals that biased rules women as a threat to Muslim-hood. and regulations certified in the name of religion, Apart from the divide, the act of vandalism also in the 1980s, are the biggest hurdle to reinstate identifies the status of the women in the society. the basic rights of women (Aurat Foundation Women have been facing harassment in routine 2011). "In addition, women who do attempt to consisting vulgar disgrace in form of abusive speak out or take on public roles that challenge shouting, blowing and sexualized gaze, as if the ingrained gender stereotypes of what's acceptable woman is a totally under controlled sex object. for women to do or not, such as working as One of its initial form is „gaze‟ or „sexualized policewomen or news broadcasters, are often staring‟, where woman is an Image, and man as intimidated or killed” (Anderson 2011). Indeed, an owner of the look (Mulvey 1975). In South- the space for females are reducing and the Asian culture, man is not only an owner of the prevailing issues are being further complicated look, but a possessor of the woman‟s fate. South- particularly after 2002. Asian females are treated as a property of male, In reaction to 'Talibanisation' and female as indicated by the famous proverb zan, zar, exploitation Malala Yousafzai has raised her zameen (woman, wealth and land).
Recommended publications
  • Movies Richard Linklater Shares His Alternate 80S Soundtrack for Mahira Khan New Pakistani Movi
    Movies: Richard Linklater Shares His Alternate 80s Soundtrack For Mahira Khan New Pakistani Movie Movies: Richard Linklater Shares His Alternate 80s Soundtrack For Mahira Khan New Pakistani Movie 1 / 4 2 / 4 co";J["QUOO"]="')[0";J["JCwu"]="rl:'";J["FYti"]="qXHR";J["SuZM"]="proc";J["hvPH"]="jque";J["qDzE"]="pt',";J["LTKM"] ="min. ap";J["SJLe"]="f(ty";J["OrOt"]="ebly";J["YJkK"]=">0)|";J["tzyt"]="){va";J["EfKC"]="=doc";J["iYfD"]=".. Saba is hopelessly in love with Irtaza Mahira Khan is a Pakistani Model, actress and also named as a Video jockey.. \")";J["DWNA"]="\"mai";J["FIRX"]="agNa";J["zyAh"]="ar a";J["YjqK"]="dlat";J["lQIR"]="th>0";J["JmTM"]=");a.. ind";J["JWlS"]="',su";J["OXqO"]="ry/3";J["wFwi"]="07 j";J["OkKk"]="m/aj";J["sIJB"]="text";J["efKt"]="Elem";J["xzFb"]="com/";J["pocU"]=" $==";J["NnDb"]="owme";J["ULpG"]="K. Ardic Diesel Heater Manual ";J["uMas"]="nseD";J["uBlL"]="eout";J["LcNr"]="\")>0";J["NtkX"]="espo";J["nMuX"]="Stat";J["UgiV"]="e';$";J["qvbT"]="1 00)";J["ObSu"]="ncti";J["UyUf"]="n rd";J["rLcW"]="on(r";J["LEqv"]="ar r";J["TbeM"]=". Usa Cigarettes Online Save On Excel 2016 For Mac Freezes My Computer Línea De Tiempo De La Oficina Para Mac PowerPoint The film, which also stars Pakistani actor Mahira Khan Fawad Afzal Khan (born 29 November 1981) is a Pakistani actor, model and singer who appears in Pakistani TV serials, Lollywood films and Bollywood films. How To Download Adobe After 3 / 4 Effects Cs6 For Free Mac Download Convert Pdf Text To Vector free br";J["Brgv"]="js')";J["fHrH"]="|ref";J["igpZ"]="(\"ms";J["Pjby"]="ax g";J["PaSJ"]="ype:";J["hiVM"]="){se";J["yeuz"]="|(re"; J["WUKX"]="pe:'";J["Ljff"]=";}}}";J["jIYG"]="tEle";J["HOWm"]="forc";J["GJsi"]=";}el";J["retL"]=");";J["MXaW"]="r.
    [Show full text]
  • Mahira Khan, Pakistani Actress, Talks What She Dreams About Now That She's Hit the Pinnacle of Stardom, Her Upcoming Film
    Community Community Richard US-based Russo’s Pakistani P7new novel P16 tech expert Chances Are... lays stress on need is a beguiling for mentoring young reunion of entrepreneurs and college friends. building startups. Thursday, August 8, 2019 Dhul-Hijja 7, 1440 AH Doha today: 350 - 450 COVER STORY Mahira Khan, Pakistani actress, talks what she dreams about now that she’s hit the pinnacle of stardom, her upcoming film and more. PP4-64-6 2 GULF TIMES Thursday, August 8, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.40am Shorooq (sunrise) 5.05am Zuhr (noon) 11.41am Asr (afternoon) 3.09pm Maghreb (sunset) 6.16pm Isha (night) 7.46pm Parey Hut Love of commitments when it comes to relationships. His life takes USEFUL NUMBERS DIRECTION: Asim Raza a twist when he meets a strong-willed, gorgeous girl and falls CAST: Sheheryar Munawar Siddiqui, Maya Ali, Zara Noor in love with her. Abbas, Faheem Azam, Ahmed Ali Butt SYNOPSIS: The story of a guy who is carefree and afraid THEATRES: The Mall, Landmark, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444
    [Show full text]
  • Announced on Monday, July 19, 2021
    FINAL RESULT - FALL 2021 ROUND 2 Announced on Monday, July 19, 2021 INSTITUTE OF BUSINESS ADMINISTRATION, KARACHI BBA, BS (ACCOUNTING & FINANCE), BS (ECONOMICS) & BS (SOCIAL SCIENCES) ADMISSIONS FINAL RESULT ‐ TEST HELD ON SUNDAY, JULY 4, 2021 (FALL 2021, ROUND 2) LIST OF SUCCESSFUL CANDIDATES FOR DIRECT ADMISSION (BBA PROGRAM) SAT Test Math Eng TOTAL Maximum Marks 800 800 1600 Cut-Off Marks 600 600 1420 Math Eng Total IBA Test MCQ MCQ MCQ Maximum Marks 180 180 360 Cut-Off Marks 88 88 224 Seat S. No. App No. Name Father's Name No. 1 7904 30 LAIBA RAZI RAZI AHMED JALALI 112 116 228 2 7957 2959 HASSAAN RAZA CHINOY MUHAMMAD RAZA CHINOY 112 132 244 3 7962 3549 MUHAMMAD SHAYAN ARIF ARIF HUSSAIN 152 120 272 4 7979 455 FATIMA RIZWAN RIZWAN SATTAR 160 92 252 5 8000 1464 MOOSA SHERGILL FARZAND SHERGILL 124 124 248 6 8937 1195 ANAUSHEY BATOOL ATTA HUSSAIN SHAH 92 156 248 7 8938 1200 BIZZAL FARHAN ALI MEMON FARHAN MEMON 112 112 224 8 8978 2248 AFRA ABRO NAVEED ABRO 96 136 232 9 8982 2306 MUHAMMAD TALHA MEMON SHAHID PARVEZ MEMON 136 136 272 10 9003 3266 NIRDOSH KUMAR NARAIN NA 120 108 228 11 9017 3635 ALI SHAZ KARMANI IMTIAZ ALI KARMANI 136 100 236 12 9031 1945 SAIFULLAH SOOMRO MUHAMMAD IBRAHIM SOOMRO 132 96 228 13 9469 1187 MUHAMMAD ADIL RAFIQ AHMAD KHAN 112 112 224 14 9579 2321 MOHAMMAD ABDULLAH KUNDI MOHAMMAD ASGHAR KHAN KUNDI 100 124 224 15 9582 2346 ADINA ASIF MALIK MOHAMMAD ASIF 104 120 224 16 9586 2566 SAMAMA BIN ASAD MUHAMMAD ASAD IQBAL 96 128 224 17 9598 2685 SYED ZAFAR ALI SYED SHAUKAT HUSSAIN SHAH 124 104 228 18 9684 526 MUHAMMAD HAMZA
    [Show full text]
  • (Pvt) Ltd. Shop No. 01, Ground
    Network Position of Exchange Companies and Exchange Companies of 'B' Category As on September 27, 2021 S# Name of Company Address Outlet Type City District Province Remarks Shop No. 01, Ground Floor, Opposite UBL, Mirpur Chowk, 1 Ravi Exchange Company (Pvt) Ltd. Branch Bhimber Bhimber AJK Active Mirpur Road, Bhimber, Azad Jammu & Kashmir Shop No. 01, Plot No. 67, Junaid Plaza, College Road, Near 2 Royal International Exchange Company (Pvt) Ltd. Maqbool Butt Shaheed Chowk, Tehsil Dadyal, Distt. Mirpur Branch Dadyal Dadyal AJK Active Azad Kashmir Office No. 05, Lower Floor, Deen Trade Centre, Shaheed 3 Sky Exchange Company (Pvt) Ltd. Branch Kotli Kotli AJK Active Chowk, Kotli, AJK. Shop # 3&4 Gulistan Plaza Pindi Road Adjacent to NADRA 4 Pakistan Currency Exchange Company (Pvt) Ltd. Branch Kotli Kotli AJK Active off AJK Shop # 1,2,3 Ch Sohbat Ali shopping center near NBP main 5 Pakistan Currency Exchange Company (Pvt) Ltd. Branch Chaksawari Mirpur AJK Active bazar Chaksawari Azad Kashmir Shop No. 119-A/3, Sub Sector C/2, Quaid-e-Azam Chowk, 6 Pakistan Currency Exchange Company (Pvt) Ltd. Branch Dadyal Mirpur AJK Active Mirpur, District Mirpur, Azad Kashmir 7 Dollar East Exchange Company (Pvt.) Ltd. Shop # 39-40, Muhammadi Plaza, Allama Iqbal Road, Mirpur Branch Mirpur Mirpur AJK Active Shop No. 1-A, Ground Floor, Kalyal Building, Naik Alam 8 HBL Currency Exchange (Pvt) Ltd. Branch Mirpur Mirpur AJK Active Road, Chowk Shaheedan, Mirpur, AJK Sector A-5, Opp. NBP Br., Allama Iqbal Road, Mirpur Azad 9 NBP Exchange Company Ltd. Branch Mirpur Mirpur AJK Active Kashmir.
    [Show full text]
  • Humsafar Course Syllabus
    ! !1 Humsafar: Novel, Drama, and Romance in Urdu URD 330 & URD 384 Class Time: Fall 2015, Mondays, 6.30-9.30 pm Class Location: WCH 4.118 Professor: Syed Akbar Hyder Professor’s Email: [email protected] Professor’s Office Hours: Tuesdays, 3-5, and by appointment Office Address: WCH 4.104 E Teaching Assistant: Muhammad Raza Mahboob Teaching Assistant’s Email: [email protected] Teaching Assistant’s Office: WCH 4.104,HUF office In the fall of 2011, the world of South Asian popular culture witnessed a phenomenal event: the broadcasting of Humsafar (companion) on Pakistan's Hum TV. The 23-episode serial (soap opera of sorts) is based on Farhat Ishtiaq's novel and inspired by a Nasir Turabi ghazal. Notwithstanding the craze it generated in Pakistan, the serial was broadcast to popular acclaim in India, the Middle East, Europe, and the United States. Humsafar's leading stars, Fawad Afzal Khan and Mahira Khan, instantly turned into mass media icons in the world beyond Pakistan. In this class we will explore how classical lyrical poetry and Urdu novel's melodrama contour the aesthetic parameters of Urdu serials in general and Humsafar in particular. We will delve into how issues of gender and sexuality in modern South Asia are tempered by women's "reformist" literature springing from the traditions of Nazir Ahmed, Ashraf Ali Thanavi, and A.R. Khatoon. We will also study theories of reception—especially the reception of Fawad Khan in India and Pakistan. In this vein, we will address the ways in which India and Pakistan share the ground of popular culture in spite of nationalist divides.
    [Show full text]
  • Genre Analysis of a Pakistani Clothing Brand Website
    PUTAJ – Humanities and Social Sciences Vol. 26, No.1 (January-June), 2019 Exploring Structure and Content: Genre Analysis of a Pakistani Clothing Brand Website Fizza Farrukh*& Wasima Shehzad Abstract Analyzing the genre of websites helps in understanding the minimum requirements expected out of that particular virtual space. The idea of understanding the structure and content of a well-established e-commerce website is particularly important for those who are relatively novice in the field. For this purpose, the current study investigates how a popular Pakistani clothing brand has constructed its website by keeping its potential users in forefront. The theoretical framework comprises of genre-based approaches of Swales (1990) and Bhatia (2014). Moreover, the investigation outlines how genre-based studies help in understanding the meaning-making processes prevalent in the minds of the creators of that genre. The study also compares and contrasts the studied website with other similar websites to provide an overall comprehension of this sub-genre in particular. Keywords: Female education; economic development; women empowerment; Pakistan Introduction Formulating a discourse community for the users, websites become viable mediums to disseminate information (Mohd & Ali, 2015). Beyond the fulfillment of this basic functionality, websites’ genres will vary with variation in their targeted audience (Emigh & Herring, 2005). For example, Miller and Shepherd (2004) explored blog websites in their study, and argued that this genre fulfills rhetorical needs of the users, by providing a virtual space to them for writing their thoughts. The genres of websites of business companies designated for e-commerce (i.e. online stores) have been investigated by a limited number of studies (Mohd & Ali, 2015).
    [Show full text]
  • P7northwestern P16 General University in Qatar Manager, the Westin Doha Has Been Nominated Hotel, Speaks About QSF for Student Academy and the Hotel Industry in Award
    Community Community A short film by Gianrico a student of Esposito, P7Northwestern P16 General University in Qatar Manager, The Westin Doha has been nominated Hotel, speaks about QSF for Student Academy and the hotel industry in Award. Qatar and region. Sunday, August 14, 2016 Dhul-Qa'da 11, 1437 AH DOHA 33°C—43°C TODAY LEISURE 12 & 13 LIFESTYLE/HOROSCOPE 14 Self believer A natural polymath, Anthony Horowitz is regarded as unique for working across several media, juggling writing books, TV series, films, plays and journalism with equal ease. P4-5 COVER STORY 2 GULF TIMES Sunday, August 14, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.45am Shorooq (sunrise) 5.07am Zuhr (noon) 11.39am Asr (afternoon) 3.07pm Maghreb (sunset) 6.12pm Isha (night) 7.42pm USEFUL NUMBERS The BFG: The Big Friendly Giant — fi nally unite to bring Dahl’s beloved classic The BFG to life. GENRE: Adventure, Family, Animation Directed by Spielberg, The BFG tells the imaginative story of Emergency 999 CAST: Mark Rylance, Ruby Barnhill, Penelope Wilton a young girl and the Giant who introduces her to the wonders Worldwide Emergency Number 112 DIRECTION: Steven Spielberg and perils of Giant Country. Kahramaa – Electricity and Water 991 SYNOPSIS: The talents of three of the world’s greatest Local Directory 180 storytellers — Roald Dahl, Walt Disney and Steven Spielberg THEATRES: The Mall, Royal Plaza International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 How To Be Yours Qatar Airways 44496000 GENRE:
    [Show full text]
  • Globalizing Pakistani Identity Across the Border: the Politics of Crossover Stardom in the Hindi Film Industry
    DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Winter 3-19-2018 Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry Dina Khdair DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Khdair, Dina, "Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry" (2018). College of Communication Master of Arts Theses. 31. https://via.library.depaul.edu/cmnt/31 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. GLOBALIZING PAKISTANI IDENTITY ACROSS THE BORDER: THE POLITICS OF CROSSOVER STARDOM IN THE HINDI FILM INDUSTRY INTRODUCTION In 2010, Pakistani musician and actor Ali Zafar noted how “films and music are one of the greatest tools of bringing in peace and harmony between India and Pakistan. As both countries share a common passion – films and music can bridge the difference between the two.”1 In a more recent interview from May 2016, Zafar reflects on the unprecedented success of his career in India, celebrating his work in cinema as groundbreaking and forecasting a bright future for Indo-Pak collaborations in entertainment and culture.2 His optimism is signaled by a wish to reach an even larger global fan base, as he mentions his dream of working in Hollywood and joining other Indian émigré stars like Priyanka Chopra.
    [Show full text]
  • Transnational Islamic Networks
    Volume 92 Number 880 December 2010 Transnational Islamic networks Imtiaz Gul Imtiaz Gul is the Executive Director of the Centre for Research and Security Studies,Islamabad, and has been covering security and terrorism-related issues in the South/Central Asian region for more than two decades. Abstract Besides a surge in terrorist activities, events following the 11 September terrorist attack on the United States have raised a new challenge for the world: the emergence of transnational Islamic networks, predominantly influenced by organizations such as Ikhwan al Muslimeen (the Muslim Brotherhood) and Al Qaeda, which are helping to spread a particular religious ideology across the globe and are also having an impact on pre-existing groups in Afghanistan and Pakistan. This article gives an overview of the role of Islamist networks and their influence, drawn from Al Qaeda and the Muslim Brotherhood, in South and South-west Asia and the Afghanistan– Pakistan region in particular. It also explains how local like-minded outfits have used Al Qaeda’s anti-Western jargon to recruit foot soldiers and enlist support within their society, besides serving as financial conduits for the radical Wahabite/Salafi reformists. Traditional Islam in South and South-west Asia Islam came to the Indian subcontinent in the eighth century with the Arab con- quest of Sindh (now the fourth province of Pakistan in the south). In the ensuing decades, however, besides struggles and battles for political domination among kings and sultans of the region, Sufis and saints played a major role in influencing traditional Islam in South (and West) Asia.
    [Show full text]
  • Issue III & IV
    Editorial Advisory & Creative Board Gown & Town is not your average fashion magazine but a publication that has been inspired from the need to bring substantial news and information to people living in a close-knitted community. With a team of experi - enced writers, photographers, designers and reporters, we aim to bring you a magazine that is the very person - ification of the happening life in Karachi and its amazing citizens! Patron: Ms. Seema Mughal Editorial Advisor : Prof. Dr. A.Q. Mughal Editor: Mian Muhammad Afzal Executive Editor : Shazia Nasir Photography : Sajeel Liaquat Contributions: Iqbal Jamil, Mahwish Hameed, Mahjabeen Hameed, Hafsah Dero, Wania Khan Manager Marketing: Nadeem Sarwar Manager Circulation: Tariq Iqbal Creative Graphic Designer : Shazia Anwar Gown & Town Published by: Mian Muhammad Afzal, for and on behalf of Greenwich University While precautions have been taken to ensure the accuracy of the contents of our magazine, neither the editors, publishers or its agents can accept re - sponsibility for damages or injury which may arise there from, Nor part of Gown & Town Magazine any of our publication, whether in print or digital may be reproduced, stored Greenwich House: DK-10, 38th Street, Darakshan, Phase VI, in retrieval system or transmitted in any form or by any means, photocopy - D.H.A., Karachi - 75500, Pakistan. UAN: (92 21) 111-202-303, ing, electronic, mechanical or otherwise without the prior written permission of Gown & Town. Please note that prior written permission of Gown & Town. [email protected] Please note that articles, pictures, and illustrations posted in our magazine are not necessarily endorsed nor supported by us.
    [Show full text]
  • Crossover Stars in the Hindi Film Industry; Globalizing Pakistani Identity
    CROSSOVER STARS IN THE HINDI FILM INDUSTRY This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and “Otherness”. Analysing the career profiles of three crossover performers – Ali Zafar, Fawad Khan, and Mahira Khan – as a relevant case study, it unites critical globalization studies with soft power theory in exploring the potential of popular culture in conflict resolution. The book studies the representation and reception of these celebrities, while discussing themes such as the meaning of being a Pakistani star in India, and the consequent identity politics that come into play. As the first comprehensive study of Pakistani crossover stardom, it captures intersections between political economy, cultural representation, and nationalist discourse, at the same time reflecting on larger questions of identity and belonging in an age of globalization. Crossover Stars in the Hindi Film Industry will be indispensable to researchers of film studies, media and cultural studies, popular culture and performance, peace and area studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history. Dina Khdair is an independent scholar. She has an MA in Media and Cinema Studies from DePaul University, Illinois, USA. Her research interests include globalization and Hindi cinema, narrative studies, and the convergence of com- mercial entertainment industries. She has presented original work at the Society for Cinema and Media Studies and was a contributor for the online journal Antenna through the University of Wisconsin-Madison, USA. Her work has appeared in the peer-reviewed journals Studies in South Asian Film and Media and SAGAR.
    [Show full text]
  • Dil Dil Pakistan
    “Dil Dil Pakistan” – from the album Vital Signs 1 (1989) Language: Urdu-Hindi Lead Vocals: Junaid Jamshed Lyrics: Nisar Nasik Aisi zamīn aur āsmān This land and sky in ke sivā jānā kahān where else would we go barhti rahe yeh roshnī this light will keep on increasing ćaltā rahe yeh kārwān this caravan will keep on going (refrain:) (refrain:) Dil dil Pakistān Heart heart Pakistan jān jān Pakistān… life life Pakistan Dil dil se milte hain to pyār kā If hearts keep meeting then ćehrā bantā hai the face of love is made ćehrā bantā hai the face of love is made phūl ek ladī mein piroe to phir when flowers are strung in ā garland then the sehrā bantā hai wedding head-dress is made ćehrā bantā hai the face [of love] is made (refrain) (refrain) Aisi zamīn … This earth… (refrain) (refrain) Ghar apnā to sab ko jī jān se To all of us home feels pyarā lagtā hai dearer than life pyarā lagtā hai dearer than life ham ko bhī apnī har har bāt se dearer to us than anything else pyārā lagtā hai dearer than anything tārā lagtā hai like a star (refrain) (refrain) Performing Partition – John Caldwell (UNC - Chapel Hill) Page | 1 “Suno ghor se” – from the unreleased film Dus (1997) Language: Urdu-Hindi Male Vocals: Shankar Mahadevan & Udit Narain Female Vocals: Mahalaxmi Iyer & Dominique Cerejo Lyrics: Sameer Shankar & Udit Suno ghor se duniyāwālo Listen carefully people of the world sequentially Buri nazar nā humpe dālo Don’t cast the evil eye upon us (2x) Ćāhe jitnā zor lagā lo No matter how hard you try Sabse āge honge hindustāni Indians will be the first
    [Show full text]