Irelands Animals: Myths, Legends & Folklore Free

Total Page:16

File Type:pdf, Size:1020Kb

Irelands Animals: Myths, Legends & Folklore Free FREE IRELANDS ANIMALS: MYTHS, LEGENDS & FOLKLORE PDF Niall Mac Coitir | 380 pages | 28 Dec 2015 | The Collins Press | 9781848892507 | English | Cork, Ireland Top 10 Irish Myths and Legends - The long history of Ireland is replete with ancient folklore and mythology. Stories Legends & Folklore fairies playing pranks, warriors with ultimate knowledge and a Legends & Folklore other Irish myths and legends are strange, fascinating, and very popular, and we are presenting here about 10 such interesting myths and legends right now. Pookas are a kind of fairy who just is interested in creating chaos in the mortal world. The Pookas was seen at night across the seaboard and rural Ireland. On any good day, the Pooka would come and destroy a farm, causing harm to animals and tearing down fences. On bad days Pookas would stand outside a farmhouse and then call people by their name. If the person came out the Pooka would take them away. The Banshee is believed to Irelands Animals: Myths a woman carrying with her the omen of death. At times, the Banshee appeared like an old woman clad in rags, sometimes like a beautiful and young girl, and at times like a wash woman ringing out clothes full of blood. Irelands Animals: Myths one would see her she would cry in a strange way and that cry caused death Legends & Folklore any family who heard it. The Dagda, as per Irish mythology, was a priest who had a beautiful and big harp. In a war, the harp was stolen by a rival tribe and was taken to some abandoned castle. Dagda went there and called to his harp. The harp itself came to Dagda and he struck its chords. Music of Tears started playing and everyone present in the castle also started crying. Again Dagda struck its chords and this time Music of Mirth was played and everyone began laughing. The chords were struck for a final time and this time it played the Music of Sleep. Other than Dagda Legends & Folklore fell asleep and this gave Dagda a chance to run away with his harp. If legends are to be believed female fairies many a time gave birth to deformed babies. However, fairies love visually pleasing children and thus they Legends & Folklore enter the mortal world and swap their babies with a human baby that was healthy and beautiful. Though the changeling looked just like human babies their emotional characteristics were Irelands Animals: Myths different. They were happy only if some grief or misfortune occurred in the house. Most people believe that St. Patrick is the one because of who green beer was brought to pubs and he is the man Irelands Animals: Myths brought good days. The fact is St. Patrick turned into Irelands Animals: Myths only centuries after he died and he was not even Irish. He was born to a rich family in Britain but was kidnapped and sold as a slave in Ireland. During his slavery days he converted to Christianity, and when he got free, he spent his life teaching about Christianity to the Irish. After his death, he was forgotten, but years later monks started telling tales of St. Patrick and said he had forced the snakes out of Ireland. However, he could never have done this as Ireland never had snakes. This story rises from the Mythological Cycle of Ireland. Lir was the Sea Lord and had a wife and four kids. One day she took the kids to a lake, and when they were swimming she cast a spell on them which made them turn into swans. As per the spell, the children would have to remain that way until they heard a Christian bell. The swans kept swimming for years from a river to lake to Irelands Animals: Myths waiting to hear a bell, but it was after years that St. Patrick Legends & Folklore Ireland and freed these children of the curse. Finn MacCool can be seen in many Irish legends and was a mythological warrior. As per one story, there was a salmon that had full knowledge of the world and Finn planned to eat this salmon to gain its knowledge. Legends & Folklore Finn put his thumb in his mouth to relieve the pain and right then he gained the knowledge that the salmon had. Right from that time whenever Finn wanted to gain knowledge of something he just had to suck his thumb. The Druids considered Shamrock to be a sacred plant with the help of which evil could be warded off. According to the Celtics, the heart-shaped leaves of this plant bestowed it with mystical properties. There are three heart leaves and for the Celtic three is a sacred number. For some Christians too the three leaves of Shamrock had a special meaning — it represented the Holy Trinity. See also; 10 Most Haunted Castles in Ireland. A Leprechaun is perhaps the most popular type of fairy of Ireland. Traditionally, they are fairies and usually come in front of humans in the form of an old man, quite different from the modern view, where they appear as childlike small fairy wearing a green suit. Leprechauns, as the Legends & Folklore say, love collecting gold, store it in a pot, and keep them at the end of a rainbow. If a person is able to catch a leprechaun then Irelands Animals: Myths have to grant them three wishes before being released. See also; 10 Hybridized Humanoids Types in Mythology. Though faeries appear almost in all mythologies in some form, they are very important to the Irish. They are believed to be powerful, beautiful, and irresistible. This can be unfortunate as fairies in Ireland usually are known to bring bad luck to any Irelands Animals: Myths they get close to. True or not these Irish myths and legends certainly are very interesting. The more you learn about them higher will be your interest to learn further, and further. Top 10 Lesser known creatures from Hindu mythology. The Animals within Irish Myth - Bard Mythologies These tales are passed on from generation to generation but are sometimes still referenced in every-day life. The creatures that Legends & Folklore in these tales are weird, wonderful and terrifying. Before becoming a mascot for St. Often seen as a symbol of luck, the Leprechaun collects gold and hides it at the end of a rainbow. If Legends & Folklore see him, he must grant you three wishes before he can be released. However, use these wisely! He may try Legends & Folklore trick you. One story tells of a man who captured a leprechaun and wished to be taken to the gold. The leprechaun showed the man the tree under which the gold was hidden, but the man did not have a shovel to uncover the treasure. He set the leprechaun free and marked the tree with his garter so he could go and get a shovel. However, when he Legends & Folklore he found that every tree in the area had an identical garter tied to it. The moral of the story is, get rich quick schemes never work! King James I of Scotland was said to have been confronted by a banshee shortly before he passed away. Her appearance comes in a number of guises, a young woman, a stately matron or withered hag, Irelands Animals: Myths always dressed in a white cloak. Some stories say the banshee can appear as a crow, weasel or stoat: all animals of witchcraft. However, the story behind the Banshee is not a callous one and traces back to the 8th century. The best keeners attended the funerals of the affluent and well-known people and were well paid by wealthy families. The Pooka is the most feared type of Irish fairy. They are violent tricksters who emerge solely at night. Pookas often take the form of a black horse who stampede at night trampling fences, properties, and crops. If chickens or cows see a Pooka they will be too traumatised to produce eggs or milk for weeks. In County Wexford Pookas are said to take the form of large, dark eagles while in Laois, Pookas take the Legends & Folklore of a terrifying boogeyman character. Pookas are shapeshifters. While they take the form of a horse to wreak night-time destruction, they will take the form of a goblin to claim a share of the harvest. Pookas are said to have mastered human speech. If the person emerges they are dragged away by the Pooka, but if no one comes outside the Irelands Animals: Myths will vandalise the property. They are not Legends & Folklore be confused with mermaids as they have human-like legs instead of a tail. However, unlike humans, Merrows have large, flat feet and webbed fingers to improve swimming. Some say her abilities come from a red- feathered cap while others claim it comes from a sealskin cape. Either way, for her to walk on land Irelands Animals: Myths must abandon her cap or cape. If a man finds and hides these garments, the Merrow is forced to become his wife and she cannot return to the ocean. Merrows are desirable brides with their extreme beauty and riches collected from the ocean floor. However, as soon as she finds her garments again, she is overwhelmed by the urge to return to the sea and will Legends & Folklore her husband and children. Many families claim to be descended from Merrows entrapped by fishermen. Kelpies are evil water spirits who haunt rivers and lakes. They often appear as a foal or horse with a perpetually soaking wet mane.
Recommended publications
  • Camelot -.: Carton Collector
    Mitos y Leyendas - Camelot (236) cartoncollector.cl 001 UR Draig Goch 081 R Levantar Muerto 161 V Paiste 002 UR Clídna 082 R Vampiro de Almas 162 V Dragón del Monte 003 UR Morgause 083 R Alas del Murciélago 163 V Blue Ben 004 UR Arthur Pendragón 084 R Regresar la Espada 164 V Serpopardo 005 UR Duelo de Dragón 085 R Coronación 165 V Glatisant 006 UR Seducción 086 R Excalibur Liberada 166 V Gwiber 007 UR Invocar Corrupción 087 R Torneo 167 V Rhydderch 008 UR Garra de Cristal 088 R Letanía del Rayo 168 V Tlachtga 009 MR Dragón Blanco 089 R Aura Bendita 169 V Ceasg 010 MR Gwyn ap Nudd 090 R Llamar a los Antiguos 170 V Lady Blanchefleur 011 MR Fuath 091 R Licántropos Rampantes 171 V Bugul Noz 012 MR Balin dos Espadas 092 R Yelmo Montadragón 172 V Gancanagh 013 MR Bridei I 093 R Hacha de los Bosques 173 V Guinevak 014 MR Incinerar 094 R Clarent 174 V John de la Costa 015 MR Relámpago Faérico 095 R Primera Excalibur 175 V Korrigan 016 MR Bendición de Armas 096 R Cementerio Dragón 176 V Addanc 017 MR Cortamundos 097 R Isla de Avalón 177 V Wight 018 MR Nido de Uolot 098 R Cementerio Impuro 178 V Cu Sith 019 M Dragón Inferno 099 R Guardia Gozosa 179 V Palamades 020 M Merlín Ambrosius 100 C Cockatriz 180 V Agravain 021 M Sir Perceval 101 C Wyvern Negro 181 V Gaheris 022 M Auberón 102 C Ave Boobrie 182 V Lucán 023 M Oilliphéist 103 C Stollenwurm 183 V Sir Héctor 024 M Lancelot del Lago 104 C Vouivre 184 V Mark de Cornwall 025 M Morgana de la Sombra 105 C Dragón de Dalry 185 V Olwen 026 M Claíomh Solais 106 C Roba Almas 186 V Pellinore 027 M Dullahan
    [Show full text]
  • Sumdog Spelling Words
    Sumdog spelling words a acrobat age amuse applauded assemble babies aardvark acrobatic ageless amusement applause assent baboon abandon across aggression amusements apple assessment baboons abandoned act aggressive an appliance assignment baby abbey action ago anagram applicable assist baby’s abbeys active agony analyse applicably assistance babysitter abbreviation activity agoraphobia analysis application assistant back abducted actor agree ancestor applied assorted backbone Aberdeen actress agreeable anchor applies assume backed abilities actual agreed ancient apply assurance backfired ability actually agreement and applying asterisk backflip able adapt aground android appointment asteroid background abnormal add ahead angel apprentice astonish backhand abnormalities addict ahoy angelic apprenticeship astonishing backing aboard addiction aid anger apprenticeships astrology backpack abominable addition ail angle approach astronaut backside aboriginal additional aim angler appropriate astronomy backstage about address aimless angles approximate at backstretch above addressed air angrier April ate backstroke abracadabra addresses Airdrie angriest aqua athlete backup abrasive adjective airport angrily aquaplane athletic backward abroad adjust aisle animal aquarium atlas backwards abrupt adjustment ajar animals aquatic atmosphere backyard absence admiration alarm ankle aqueduct atom bacon absent admire albatross anniversaries arachnophobia atomic bacteria absolute admission album anniversary arc attach bad absolutely admit alcohol announce
    [Show full text]
  • Heroes, Gods and Monsters of Celtic Mythology Ebook
    HEROES, GODS AND MONSTERS OF CELTIC MYTHOLOGY PDF, EPUB, EBOOK Fiona Macdonald,Eoin Coveney | 192 pages | 01 May 2009 | SALARIYA BOOK COMPANY LTD | 9781905638970 | English | Brighton, United Kingdom Heroes, Gods and Monsters of Celtic Mythology PDF Book This book is not yet featured on Listopia. The pursuit was a long one, and Caorthannach knew St. Danu DAH-noo. Details if other :. Co Kerry icon Fungie the Dolphin spotted after fears he was dead. The pair is said to whip the horses with a human spinal cord. Though the saint was desperately thirsty, he refused to drink from the poisoned wells and prayed for guidance. Scota SKO-tah. Showing The Dullahan rides a headless black horse with flaming eyes, carrying his head under one arm. He is said to have invented the early Irish alphabet called Ogham. Patrick when he banished the snakes out of Ireland. Cancel Reply. One monster, however, managed to escape — Caorthannach, the fire-spitter. Comments Show Comments. Carman is the Celtic goddess of evil magic. Leanan Sidhe would then take her dead lovers back to her lair. Ancient site of Irish Kings and the Tuatha de Danann. Now the Fomori have returned to their waters and transformed into sea monsters who prey on humans. Bay KIL-a. Patrick would need water to quench his thirst along the way, so she spitfire as she fled, and poisoned every well she passed. Several of the digital paintings or renderings for each of the archetypes expressed by various artists. According to Irish folklore, Sluagh are dead sinners that come back as malicious spirits.
    [Show full text]
  • Fairy and Folk Tales of the Irish Peasantry, by 1
    Fairy and Folk Tales of the Irish Peasantry, by 1 Fairy and Folk Tales of the Irish Peasantry, by William Butler Yeats This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fairy and Folk Tales of the Irish Peasantry Author: William Butler Yeats Editor: William Butler Yeats Release Date: October 28, 2010 [EBook #33887] Language: English Fairy and Folk Tales of the Irish Peasantry, by 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FAIRY AND FOLK TALES *** Produced by Larry B. Harrison, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FAIRY AND FOLK TALES OF THE IRISH PEASANTRY. EDITED AND SELECTED BY W. B. YEATS. THE WALTER SCOTT PUBLISHING CO., LTD. LONDON AND FELLING-ON-TYNE. NEW YORK: 3 EAST 14TH STREET. INSCRIBED TO MY MYSTICAL FRIEND, G. R. CONTENTS. THE TROOPING FAIRIES-- PAGE The Fairies 3 Frank Martin and the Fairies 5 The Priest's Supper 9 The Fairy Well of Lagnanay 13 Teig O'Kane and the Corpse 16 Paddy Corcoran's Wife 31 Cusheen Loo 33 The White Trout; A Legend of Cong 35 The Fairy Thorn 38 The Legend of Knockgrafton 40 A Donegal Fairy 46 CHANGELINGS-- The Brewery of Egg-shells 48 The Fairy Nurse 51 Jamie Freel and the Young Lady 52 The Stolen Child 59 THE MERROW--
    [Show full text]
  • Table of Contents Monsters 56
    Table Of Contents Monsters 56 . Rylkar 4 . Banshrae 56 . Rylkar Harridan 5 . Beastwraith 57 . Rylkar Madclaw 5 . Deerwraith 58 . Rylkar Tormentor 6 . Ratwraith 58 . Rylkspawn Swarm 7 . Wolfwraith 60 . Satyrs 8 . Bhaergala 60 . Bargda 9 . Bile Wrapped in Beauty 61 . Gabharchinn 10 . Blight 62 . Marsyan 10 . Melon Blight 64 . Sidhe 10 . Pumpkin Blight 64 . Dullahan 11 . Corrupture 66 . Nemanon 12 . Dearg-due 68 . Sluagh 14 . Dryads 70 . Splinterwaif 14 . Briarwitch Dryad 71 . Uncle Skeleton 16 . Deadwood Revenant 73 . Unicorns 17 . Gulthias Dryad 73 . Black Unicorn 18 . Rhyzalich Dryad 75 . Bloodlance 20 . Fairies 77 . Shadow Unicorn 20 . Aorial 79 . Water Horses 21 . Bevhensie 79 . Mourioche 22 . Boowray 80 . Nuckelavee 23 . Terropo 81. Tangie 24 . Fenhound 82 . Wrath of Nature 25 . Feral Yowler 82 . Calvary Creekrotter 26 . Filth Son 83 . Cinderswarm 27 . Gruesome Lurker 84 . The Fey in Ravnica 28 . Hags 28 . Elder Hags 29 . Termagant Hags 30 . Grandmother Griselda 32 . Jacks 32 . Jack-in-Irons This supplement is the third in a series of supplements 33 . Jack Around dedicated to expanding on the bestiary of fey creatures 34 . Jacky Longlegs available to Dungeon Masters. For its companion pieces, 36 . Jolly Jack check out Fey Compendium I: Spirits of the Feywild, Fey 37 . Springheel Jack Compendium II: Hags, and Fey Compendium IV: Winter Fey 38 . Spryjack 39 . Joystealer 40 . Mishocair Ghosts 40 . Bocanach 41 . Cariad Ysbryd 42 . Fear Gorta 43 . Lhiannan Shee 44 . Saugh 45 . Moonrat DUNGEONS & DRAGONS, D&D, Wizards of the Coast, 46 . Moonrat Alpha Forgotten Realms, Ravenloft, Eberron, the dragon 46 . Moonrat Baron ampersand, Ravnica and all other Wizards of the Coast 47 .
    [Show full text]
  • World Mythology - Assignments April 6-May 1
    World Mythology - Assignments April 6-May 1 4/3 Pursuit of Happiness Activity #12 4/6 Pursuit of Happiness Activity #13 4/7 Pursuit of Happiness Activity #14 4/8 Pursuit of Happiness Activity #15 4/9 Pursuit of Happiness Activity #16 4/10-17 SPRING BREAK 4/20-4/22 Viking Webquest - Viking Webquest ​ Students without internet access should read pp. 205-209 in textbook 4/23 Read “The Creation, Death and Rebirth of the Universe” p. 208 The Creation, Death, and Rebirth of the Universe (Norse Creation Myth) Online link if you did not bring your textbook home 4/24 Complete quiz on Google Classroom Creation, Death and Rebirth Myth 4/27 Complete Prereading Questions on Google Classroom “The Theft of Idun’s Apples” Prereading Questions Read “The Theft of Idun’s Apples” p. 213 https://thenorsegods.com/the-theft-of-induns-apples/ online copy of text ​ 4/28 Complete the attached graphic organizers for the story. “The Theft of Idun’s Apples” Graphic Organizers 4/29 Read “The Death of Balder” p 218 Balder online copy ​ Take the online quiz that is posted on Google Classroom Death of Balder Quiz 4/30 Read “The Theft of Thor’s Hammer” p. 223 The Theft Of Thor´s Hammer online copy of text ​ 5/1 Answer these questions on “The Theft of Thor’s Hammer” The Theft of Thor’s Hammer Questions 5/4-5/6 Celts Webquest Not connected? Read 255-256 in textbook 5/7-5/8 Read “The Ages of the World” p 256 in the textbook No Textbook Donna Rosenberg – The Ages of the World ​ 5/11 “The Ages of the World” Quiz - online Google Form Not connected? I will mail if I have a valid address.
    [Show full text]
  • Hertford O'donnell's Warning
    Hertford O’Donnell’s Warning Charlotte Riddell Many a year ago, before chloroform was thought of, there lived in an old, rambling house, in Gerard Street, Soho, a young Irishman called Hertford O’Donnell. After Hertford O’Donnell he was entitled to write M.R.C.S., for he had studied hard to gain this distinction, and the older surgeons at Guy’s (his hospital) considered him, in their secret hearts, one of the most rising operators of the day. Having said chloroform was unknown at the time this story opens, it will strike my readers that, if Hertford O’Donnell were a rising and successful operator in those days, of necessity he combined within himself a larger number of striking qualities than are by any means necessary to form a successful operator in these. There was more than mere hand skill, more than even thorough knowledge of his profession, needful for the man who, dealing with conscious subjects, essayed to rid them of some of the diseases to which flesh is heir. There was greater courage required in the manipulator of old than is at present altogether essential. Then, as now, a thorough mastery of his instruments — a steady hand — a keen eye — a quick dexterity were indispensable to a good operator; but, added to all these things, there formerly required a pulse which knew no quickening — a mental strength which never faltered — a ready power of adaptation in unexpected circumstances — fertility of resource in difficult cases, and a brave front under all emergencies. If I refrain from adding that a hard as well as a courageous heart was an important item in the programme, it is only out of deference to general opinion, which amongst other delusions, clings to the belief that courage and hardness are antagonistic qualities.
    [Show full text]
  • The Significant Other: a Literary History of Elves
    1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee.
    [Show full text]
  • CU/LT 270 CELTIC MYTH and LEGEND in EARLY IRELAND IES Abroad Dublin
    CU/LT 270 CELTIC MYTH AND LEGEND IN EARLY IRELAND IES Abroad Dublin DESCRIPTION: This interdisciplinary course offers students an introduction to Irish heroic literature, Celtic mythology and Irish fairy tales and folklore. We will read a selection of early Irish tales from The Mythological Cycle, The Ulster Cycle, The Cycle of Finn and The Historical Cycle, exploring what literary genres our stories fit into, the significance of various recurring themes and symbols, the connections between Celtic mythology and other world mythologies and the origins of Arthurian legends as based upon Celtic prototypes. These stories offer a fascinating insight into the complex world of pre-Christian and early Christian Ireland by painting vivid portraits of life, culture and legends in pagan times. In addition to the literature aspect of this course, we will also explore insular and continental Celtic archaeology and early Irish history, both of which will enable us to place our stories within a tangible, historical framework. We will also examine legends of otherworldly beings that are particular to Ireland, such as the banshee, the leprechaun and the pooka—discussing how, over time, the mythology and pagan beliefs of early Ireland transformed into Irish folklore and superstitions. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: English METHOD OF PRESENTATION: • Lectures • Seminar discussion • Small group discussion REQUIRED WORK AND FORM OF ASSESSMENT: Please bear in mind that this is a reading intensive course and you must have the required reading completed for the assigned day. • Participation - 10% • Presentation/Discussion leading - 20% • Museum Review and Artefact Biography - 25% • Final Essay - 25% • Final exam - 20% EVALUATION CRITERIA: Oral and written assignments will be evaluated and graded according to the following: Content, Critical Engagement, Clarity, Research, Original Thoughts and Ideas.
    [Show full text]
  • Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960
    Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960 Meaney, Reading the Irish Woman.indd 1 15/07/2013 12:33:33 Reappraisals in Irish History Editors Enda Delaney (University of Edinburgh) Maria Luddy (University of Warwick) Reappraisals in Irish History offers new insights into Irish history, society and culture from 1750. Recognising the many methodologies that make up historical research, the series presents innovative and interdisciplinary work that is conceptual and interpretative, and expands and challenges the common understandings of the Irish past. It showcases new and exciting scholarship on subjects such as the history of gender, power, class, the body, landscape, memory and social and cultural change. It also reflects the diversity of Irish historical writing, since it includes titles that are empirically sophisticated together with conceptually driven synoptic studies. 1. Jonathan Jeffrey Wright, The ‘Natural Leaders’ and their World: Politics, Culture and Society in Belfast, c.1801–1832 Meaney, Reading the Irish Woman.indd 2 15/07/2013 12:33:33 Reading the Irish Woman Studies in Cultural Encounter and Exchange, 1714–1960 GerArdiNE MEANEY, MARY O’Dowd AND BerNAdeTTE WHelAN liVerPool UNIVersiTY Press Meaney, Reading the Irish Woman.indd 3 15/07/2013 12:33:33 reading the irish woman First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Gerardine Meaney, Mary O’Dowd and Bernadette Whelan The rights of Gerardine Meaney, Mary O’Dowd and Bernadette Whelan to be identified as the authors of this book have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
    the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people.
    [Show full text]
  • By Dan Dillon, Chris Harris, Rodrigo Garcia Carmona, and Wolfgang
    by Dan Dillon, Chris Harris, Rodrigo Garcia Carmona, and Wolfgang Baur SampleDeveloped by Steven Winter file TOME OF BEASTS CREDITS Design: Dan Dillon, Chris Harris, Cover Art: Marcel Mercado Rodrigo Garcia Carmona, and Wolfgang Baur Art Director: Marc Radle Additional Design: William Ryan Carden, Layout and Graphic Design: Marc Radle Christopher Carlson, Michael John Conard, James L. Crawford, Christopher Delvo, Matthew F. Dowd, Artists: Darren Calvert, Ivan Lee Dixon, Micah Epstein, Timothy Eagon, Matthew Eyman, Robert Fairbanks, Frank Garza, Felipe Gaona, Josh Hass, Ambrose H. Hoilman, David Gibson, Christopher Gilliford, John Henzel, Michael Jaecks, Eoghan Kerrigan, Guido Kuip, Pat Loboyko, Jeremy Hochhalter, Michael Holland, Ben Iglauer, Shawncee McCoy, Dio Mahesa, Justin Mayhew, James Introcaso, Dan Layman-Kennedy, Christopher Lockey, Marcel Mercado, Aaron Miller, Johnny Morrow, Maximilian Maier, Greg Marks, Dave Olson, Richard Pratt, Jason Rainville, Felipe Gaona Reydet, Kathryn Steele, Marc Radle, Jon Sawatsky, Ryan Shatford, Troy E. Taylor, Florian Stitz, Nakarin Sukontakorn, Andrew Teheran, Jorge A. Torres, Darius Uknuis, Ørjan Ruttenborg Svendsen, Byran Syme, Cory Trego-Erdner, Sersa Victory, and Ben Wertz Eva Widermann, and Keiran Yanner Development: Steven Winter Logo: Doug Wohlfeil Editing: Peter Hogan, Wade Rockett, and Wolfgang Baur Playtest Coordinator: Ben McFarland Proofreading: Dan Dillon Playtesters: Aaron Meadows, Aaron Sarver, Adam Sirois, Al Lencioni, Gregory Blair, Guillaume Berthome, Guy Parisi, Church, Alex
    [Show full text]