EILEEN REEVES Department of Comparative Literature 125 East Pyne Princeton University Princeton, NJ 08544 Tel: 609.258.4266 Fax: 609.258.1873 ereeves [at] princeton.edu
EMPLOYMENT
6/07- Professor of Comparative Literature, Princeton
6/00-6/07 Associate Professor of Comparative Literature, Princeton
7/93-6/00 Assistant Professor of Comparative Literature, Princeton
9/89-6/93 Assistant Professor of Romance Languages, University of Pennsylvania
EDUCATION
9/87 Ph.D. in Comparative Literature, Stanford University
5/79 B.A. in French Literature; B.A. in English and American Literature, Whitman College
HONORS AND AWARDS
12/11 Old Dominion Professorship, Princeton University, deferred until July 2013-June 2014
3/03 Italian Academy, Columbia University Fellowship for September 2003-May 2004
3/03 Stanford University Humanities Center Fellowship for September 2003-June 2004 (declined)
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3/98 Princeton University Grant for Summer Research in the Humanities and Social Sciences
9/96-9/99 Elias Boudinot Bicentennial Preceptorship, Princeton University
7/95 American Academy in Rome, NEH fellowship, for September 1995- May 1996 (declined)
3/95 Huntington Library, San Marino, CA. NEH fellowship, for January-June 1996
4/90 Folger Library Fellowship in Cartography (declined)
4/90 Herman Dunlop Smith Fellowship in Cartography at the Newberry Library (declined)
2/90 Jeanette D. Black Memorial Fellowship in Cartography at the John Carter Brown Library (deferred until summer 1991)
9/88-6/89 Harvard University, Villa I Tatti Fellow, Florence
5/88-6/89 Leopold Schepp Foundation Fellow, New York
9/87-6/88 New York University, Mellon Fellowship in Italian Baroque Literature
9/82-6/86 Stanford University, Graduate Fellowship in Comparative Literature
5/79 Whitman College, cum laude; Highest Honors in French Literature; Highest Honors in English and American Literature
PUBLICATIONS
Books
Evening News: Optics, Astronomy and Journalism in Early Modern Europe. University of Pennsylvania Press, 2014.
(With Albert Van Helden) Galileo and Scheiner on Sunspots 1611-1613. University of Chicago Press, 2010.
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Galileo’s Glassworks: The Telescope and the Mirror. Harvard University Press, 2008.
Painting the Heavens: Art and Astronomy in the Age of Galileo. Princeton University Press, 1997.
Articles
“Galileo, Oracle. On the History of Early Modern Science” in Villa I Tatti Studies 18.1 (2015): 7-22.
“Something of a Cypher: Galileo’s Anagrams,” in Andrea Albrecht, Giovanna Cordibella, and Volker Remmert, ed., Tintenfass und Telescope (Berlin: Walter de Gruyter, 2014): 15-31.
“Astrology and Literature,” in Brendan Dooley, ed., A Companion to Renaissance Astrology (Leiden and Boston: Brill, 2014).
“Hearing Things: Organ Pipes, Trumpets, and Telescopes,” in John W. Hessler and Daniel De Simone, ed., The Starry Messenger, Venice 1610: ‘From Doubt to Astonishment’ (Washington, DC: Library of Congress, 2013) 165-182.
“The New Sciences and the Visual Arts,” in Babette Bohn and James Saslow, ed., A Companion to Renaissance and Baroque Art (Malden, MA and Cambridge, UK: Wiley-Blackwell, 2013) 316-335.
“Variable Stars: A Decade of Historiography on the Sidereus Nuncius,” Galilaeana VIII (2011): 37-72.
“Complete Inventions: the Mirror and the Telescope,” in Albert Van Helden, Sven Dupré, Rob van Gent, and Huib Zuidervaart, ed., The Origins of the Telescope (Amsterdam: KNAW, 2010): 167-182.
“From Dante’s Moonspots to Galileo’s Sunspots,” MLN 124.5 (December 2009): 190-209.
“Virgil’s Sunspots: From Seasonal Sign to Cultural Climate,” in Alessandro Nova and Tanja Michalsky, eds., Wind und Wetter. Eine Ikonologie der Atmosphäre (Florence: Marsilio, 2009) 77-101.
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“Kingdoms of Heaven: Galileo and Sarpi on the Celestial,” Representations 105.4 (2009): 61-84.
“Mere Projections: Sunspots and the Camera Obscura,” Galilaeana 4 (2007): 47-77.
“Faking It: Apelles and Protogenes among the Astronomers,” Bildwelten des Wissens, Kunsthistorisches Jahrbuch für Bildkritik 5.2 (2007): 65-72.
(With Albert Van Helden) “Verifying Galileo’s Discoveries: Telescope Making at the Collegio Romano,” Acta Historica Astronomiae 33 (2007): 127-141.
“Speaking of Sunspots: Oral Culture in an Early Modern Scientific Exchange,” Configurations 13.2 (2007): 185-210.
“Occult Sympathies and Antipathies: The Case of Early Modern Magnetism,” in Wolfgang Detel and Claus Zittel, ed., Wissenideale und Wissenkulturen in der frühen Neuzeit (Berlin: Akademie Verlag, 2002) 97-114.
“As Good as Gold: The Mobile Earth and Early Modern Economics,” Journal of the Warburg and Courtauld Institutes 62 (2000) 1-45.
“Representing Invention: The Telescope as News,” in Dana Stewart and Alison Cornish, eds., Sparks and Seeds: Medieval Literature and its Afterlife. Essays in Honor of John Freccero (Turnhout and Binghamton: SUNY-Brepols: 2000) 267-290.
“Old Wives’ Tales and the New World System: Gilbert, Galileo, and Kepler,” Configurations 7 (1999) 301-354.
"John Donne and the Oblique Course," Renaissance Studies VII:2 (1993) 168-183.
"Reading Maps," Word & Image 9:1 (1993) 51-65; reprinted in Anne Hurley and Kate Greenspan, eds., So Rich a Tapestry: The Sister Arts and Cultural Studies (Lewisburg, Pa.: Bucknell University Press, 1995) 285-314.
"Daniel V and the Assayer: Galileo Reads the Handwriting on the Wall," Journal of Medieval and Renaissance Studies 21 (1991) 1-27.
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"Augustine and Galileo on Reading the Heavens," Journal of the History of Ideas LII: 4 (1991) 563-579.
"Charles Bonnet's Roman Philosophique and Jacques le Fataliste," French Forum XVI: 3 (1991) 285-303.
Translator (from the Italian), "Development of a Method," in Representative Essays of Leo Spitzer, A. Forcione, H. Lindenberger, and M. Sutherland, eds. (Stanford: Stanford University Press, 1988) 425-448.
"Beasts, Machines, and other Humans: Some Views from the Renaissance," (Stanford University: Department of Special Collections and University Archives, 1987) 1-25.
"The Rhetoric of Optics: Perspectives on Galileo and Tesauro," Stanford Italian Review VII (1987) 129-144.
"Tesauro's Cannocchiale aristotelico," Co-editor, Eugenio Donato, Stanford Italian Review V (1985) 101-114.
Reviews and Short Pieces
“Five Questions on the Scientific Revolution,” Galilaeana 11 (2014): 23-28.
Susan Gaylard, Hollow Men: Writing, Objects, and Public Image in Renaissance Italy, Modern Language Quarterly 75.4 (2014): 577-580.
Sachiko Kusukawa, Picturing the Book of Nature, Times Literary Supplement 5745 (May 10, 2013) 10.
Volker Remmert, Picturing the Scientific Revolution, Print Quarterly 29.4 (2012): 454-458.
Horst Bredekamp, Irene Brückle, Oliver Hahn, Paul Needham, eds. Galileo's O, Isis 103.3 (2012): 583-585.
Frédérique Aït-Touati, Fictions of the Cosmos: Science and Literature in the Seventeenth Century, Studies in History and Philosophy of Science 43 (2012): 421- 424.
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Alexander Marr, Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy, Nuncius 27 (2012): 193-205.
Erminia Ardissino, Galileo: La scrittura dell’esperienza, Renaissance Quarterly 64:4 (2011): 1273-1274.
John Heilbron, Galileo, Isis 102:3 (2011): 533-536.
David Wootton, Galileo Watcher of the Skies, Times Higher Education, December 16, 2010.
“Galileo Galilei” in Anthony Grafton, Glenn Most, Salvatore Settis, eds. The Classical Tradition (Cambridge, MA: Harvard University Press, 2010): 383-384.
Maurice Finocchiaro, The Essential Galileo, Journal for the History of Astronomy 41:1 (2010): 127-129.
“Macchie Solari e Tavolozze di Pittori,” in Lucia Tongiorgi and Alessandro Nova, eds. Il cannocchiale e il pennello. Nuova scienza e nuova arte nell’età di Galileo (Milan: Giunti, 2009): 214-223.
Vincent Ilardi, Renaissance Vision from Spectacles to Telescopes, Early Science and Medicine 14:4 (2009): 561-563.
Mario Biagioli, Galileo’s Instruments of Credit: Telescopes, Images, Secrecy, Isis 98:1 (2007): 179-180.
“Science and Literature,” in The Encyclopedia of Italian Literary Studies, ed. Gaetana Marrone Puglia and Paolo Puppa, 2 vols. (New York: Taylor & Francis / Routledge, 2007) 2: 1712-1717.
“Galileo Galilei,” in The Encyclopedia of Italian Literary Studies, 1: 801-805.
Pamela H. Smith, The Body of the Artisan. Art and Experience in the Scientific Revolution, Renaissance Quarterly 58:2 (2005) 680-682.
David Freedberg, The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History, Art Bulletin 86:1 (2004): 170-173.
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“Galileo Galilei,” in Europe 1450 to 1789: Encyclopedia of the Early Modern World, Jonathan Dewald, ed., 6 vols. (New York: Charles Scribner’s Sons, 2003) 3: 5-8.
Peter N. Miller, Peiresc’s Europe: Learning and Virtue in the Seventeenth Century, Renaissance Quarterly 54:4 (2001) 1618-1621.
Mary Baine Campbell, Wonder and Science: Imagining Worlds in Early Modern Europe, and Erica Fudge, Ruth Gilbert, and Susan Wiseman, eds., At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period, Renaissance Quarterly 54:1 (2001) 298-301.
Suzanne B. Butters, The Triumph of Vulcan: Sculptors’ Tools, Porphyry, and the Prince in Ducal Florence, Isis 91:4 (2000) 774-775.
Peter Harrison, The Bible, Protestantism, and the Rise of Natural Science, Renaissance Quarterly 52: 3 (1999) 910-911.
Gabriella Moretti, Gli Antipodi: avventure letterarie di un mito scientifico, Speculum 73:3 (1998) 872-874.
“Giovanni Antonio Magini’s Manuscript on the Nova of 1604,” Martayan Lan Rare Books Catalogue 22 (1998) 90-92.
Michael Murrin, History and Warfare in Renaissance Epic, Speculum 72:2 (1997) 537-539.
"More Comments on the Comets of 1618: Lo Scandaglio of Giovanni Battista Stelluti," Martayan Lan Rare Books Catalogue 19 (1996) 52-54.
Maurice A. Finnocchiaro, The Galileo Affair: A Documentary History, Italica 68 (1991) 494-497.
Luca Bianchi, L'inizio dei tempi: antichità e novità del mondo da Bonaventura a Newton, Italica 67 (1990) 215-217.
TALKS AND PRESENTATIONS
“Drawing on Galileo: Art, Astronomy, and Appropriation,” Harvard University, February 2016. (By invitation).
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“Drawing on Galileo: Art, Astronomy, and Appropriation,” Fred Jones Jr. Museum of Art, Norman, Oklahoma, January, 2016. (By invitation).
“Five Shades of Gray: Galileo, Goltzius, and Astronomical Engraving,” University of Oklahoma, September 2015. (By invitation).
Master Class: Galileo’s Starry Messenger, University of Oklahoma, September 2015. (By invitation).
“Galileo’s Dead Letters on the Sunspots,” California Institute of Technology, June 2015. (By invitation).
“Connoisseurs, Copyists, and Copernicans,” Renaissance Society of America, Berlin, March 2015.
“Second Impressions: The Early Modern Chiaroscuro Woodcut,” Max Planck Institute, Berlin, December 2014. (By invitation).
“Galileo Goes to the Junkshop,” University of California at Irvine, November 2014. (By invitation).
“Still Stranger Impressions: Scheiner’s Sunspots,” Workshop, University of California at Irvine, November 2014. (By invitation).
Master Class: Galileo’s Starry Messenger, Duke University, November 2014. (By invitation).
“Galileo Goes to the Junkshop,” Duke University, November 2014. (By invitation).
“The Latest News: State-owned Vehicles and Limping Messengers,” Getting the Picture: The Visual Culture of News, University of Southern California, April 2014. (By invitation).
“Unnatural Color,” Renaissance Society of America, New York, NY, March 2014.
“Strange Impressions: The Early Modern Chiaroscuro Woodcut,” Max Planck Institute, Berlin, November 2013. (By invitation).
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“Summer School: Galileo’s Research Agenda of June 2012,” History of Science, Harvard University, October 2013. (By invitation).
“Galileo Goes to the Junkshop,” Society of Fellows, Princeton University, September 2013.
“Galileo Humanist,” Renaissance Society of America, San Diego, CA, April 2013.
“Color by Numbers: The Harmonious Palette in Early Modern Painting,” University of Western Ontario, October 2012. (By invitation).
“Something of a Cypher: Galileo’s Anagrams,” Villa Vigoni, Lake Como, Italy, September 2012. (By invitation).
“The Transit of Venus: A Historical Overview,” Department of Astronomy and Astrophysics, Princeton University, June 2012. (By invitation).
“‘Come, give me an instrument!’ Telescopes, Trumpets, and Organs,” Library of Congress, Washington, DC, November 2010. (By invitation).
“‘Come, give me an instrument!’ Telescopes, Trumpets, and Organs,” Gallatin School, NYU, April 2010. (By invitation).
“’A Most Excellent Spy’: Galileo’s Telescope and Political Perspicacity,” Renaissance Society of America, Venice, Italy, April 2010.
“Galileo Galilei: The Starry Messenger,” Firestone Library Gallery, Princeton University, February 2010. (By invitation).
“Once in a Blue Sun: Sunspots and the Accident of Color,” On Accident, School of Architecture, Princeton University, December 2009. (By invitation).
“Painting the Heavens: Art and Astronomy in the Age of Galileo,” Louisiana Art and Science Museum, Baton Rouge, LA, December 2009. (By invitation).
“Sunspots: Black, White, and Read All Over,” Seminar on the History of the Material Text, University of Pennsylvania, November 2009. (By invitation).
“Complete Inventions: The Galileian Telescope and its Rivals,” University of Michigan, November 2009. (By invitation).
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“A Colorful Tale: Depicting the Sunspots’ Path,” University of Turin, September 2009. (By invitation).
“Complete Inventions: The Galileian Telescope and its Rivals,” University of Turin, September 2009. (By invitation).
“Real Fakes: Pre-telescopic Devices on the English Stage,” The Long View: 400 Years of the Telescope, National Maritime Museum, Greenwich, UK, July 2009. (By invitation).
“Lessons from Galileo,” 400 Years of Telescopes: From Galileo to the Search for Extrasolar Planets, Alumni Association, Princeton University, June 2009. (By invitation).
“From Spyglasses to Sunspots: Thomas Harriot,” Thomas Harriot Quadricentennial, Chapel Hill, N.C., April 2009. (By invitation).
“Sunspots and Painter’s Primaries,” Renaissance Society of America, Los Angeles, March 2009.
“Galileo’s Glassworks,” Department of Astronomy and Astrophysics, Princeton University, February 2009. (By invitation).
“’Doubtful Matters:’ Painters, Pigments, and Primary Colors,” University of Pennsylvania, December 2008. (By invitation).
“Late News and Complete Inventions,” Roosevelt Academy, Middelburg, The Netherlands, September 2008. (By invitation).
“From Dante’s Moonspots to Galileo’s Sunspots,” Johns Hopkins University, May 2008. (By invitation).
“Unseasonable Warmth: Exchanges over Early Modern Sunspots,” Wind und Wetter, Kunsthistorisches Institut in Florenz; Max-Planck-Institut, Florence, Italy, June 2007. (By invitation).
“Satellite States,” Renaissance Society of America, Miami, FL, March 2007.
“Speaking of Sunspots,” Minneapolis, MN, February 2007. (By invitation).
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“Mere Projections: Galileo and Scheiner on the Sunspots,” Minneapolis, MN, February 2007. (By invitation).
“Frozen Words, Bottled Sound: Anxieties about Early Modern Print,” MLA, Philadelphia, PA, December 2006.
“Seeing Spots: Galileo, Scheiner, and the Solar Image,” La Conquista del Visibile: Galileo e le Arti, University of Pisa, September 2006. (By invitation).
“Sympathetic Ears, Intractable Echoes,” (Commentary), Science and Religion in the Early Modern Period, Shakespeare Association of America, April 2006.
“Faking It: Apelles and Protogenes among the Astronomers,” Renaissance Society of America, March 2006.
“Sir Walter Raleigh’s Geography,” (Commentary), History of Science Program Seminar, Princeton University, December 2005.
“Idle Inventions,” Society of Fellows, Princeton University, October 2005.
“Camera Work,” International Association of Word and Image Studies, Philadelphia, PA, September 2005.
“Early Fictions of Telescopic Vision,” Ecole Pratique des Hautes Etudes and Institut national d’histoire d’art, Paris, June 2005. (By invitation).
“The Tyranny of the Gazettier,” Renaissance Society of America, Cambridge, UK, April 2005.
“Speaking of Sunspots,” Dialogues and Discourses: Conversing with Early Modern Philosophy, University of Cambridge, April 2005. (By invitation).
“Vesalian Anatomy and the Art of Gesture,” (Commentary), Seeing Science, Princeton University, March 2005.
“It’s News: the Development of Early Modern Serial Journalism,” Princeton Adult School, March 2005. (By invitation).
“Something from Nothing: Making Sense of Early Modern Nonsense,” Old Dominion, Princeton University, January, 2005.
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“Camera Work: René Descartes, Constantijn Huygens, and the Dark Room,” Picture and Text: Visualization and Knowledge in the Evolution of Culture, The 19th International Workshop on the History and Philosophy of Science, Tel Aviv, November, 2004. (By invitation)
“Lunar Craters and the Bohemian Crisis,” The Age of Galileo: Art and Science in Early Modern Italy, Rutgers University, October, 2004. (By invitation)
“Something from Nothing: Making Sense of Early Modern Nonsense,” Italian Academy, Columbia University, April 2004.
“Speaking of Sunspots,” University of California at Santa Cruz, March 2004. (By invitation)
“Speaking of Sunspots,” University of California at Berkeley, March 2004. (By invitation)
“Something from Nothing: Making Sense of Early Modern Nonsense,” Vanderbilt University, February 2004. (By invitation)
“Disclosure and Secrecy in the Camera Obscura,” The Hockney-Falco Thesis Revisited, Ghent University, Belgium, November 2003. (By invitation)
“Of Language and the Lodestone,” Italian Academy, Columbia University, October 2003.
“Speaking of Sunspots,” Seminar on the History of the Material Text, University of Pennsylvania, October 2003. (By invitation)
“Wind and Water,” (Commentary), The Italian Renaissance City, Princeton University, September 2003.
“Of Language and the Lodestone,” Prehistory of the Posthuman, Princeton University, June 2003.
“Weapon Salves and Plague Spreaders,” (Commentary) Early Modern Magic, Princeton University, April 2003.
“The Medici Regency and the Satellite States about Jupiter,” Renaissance Society of America Annual Meeting, Toronto, Ontario, March 2003.
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“Of Language and the Lodestone,” Whitman College, January 2003. (By invitation)
“Of Language and the Lodestone,” Old Dominion, Princeton University, January 2003.
“Black Magic, White Magnets,” Renaissance & Early Modern Colloquium, Princeton University, October 2002.
“Black Magic, White Magnets,” Committee on Conceptual and Historical Studies of Science, The University of Chicago, April 2002. (By invitation)
“Black Magic, White Magnets,” University of Mississippi, March 2002. (By invitation)
“Black Magic, White Magnets,” New York University, March 2002. (By invitation)
"Occult Sympathies and Antipathies: The Case of Early Modern Magnetism," Epistemology and its Social Context in Early Modern Europe, Frankfurt, Germany, December 2000. (By invitation)
"Galileo Galilei and the Reflecting Telescope: Some Speculation," History of Science Annual Conference, Vancouver, B.C., November 2000.
"Evening News: The Starry Messenger and the Starry Mirror," Department of the History of Science, Medicine, and Technology, the Johns Hopkins University, April 2000. (By invitation)
“‘Jesuits on the Moon!’ Galileo’s Starry Messenger and Early Modern Tabloid Culture,” Smith College, November 1999. (By invitation)
“Old Wives’ Tales and the New World System: The Letter to the Grand Duchess Cristina,” Casa Italiana Zerilli-Marimò, New York University, March 1999. (By invitation)
“Going Dutch: Early English News Coined at the Mint in Amsterdam,” The Culture of Exchange: the Netherlands, University of Pennsylvania, March 1999. (By invitation)
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“Paper Money: Early Modern News as Currency,” MLA, San Francisco, CA, December 1998.
“’Safe from the Cockroaches and Bookworms:’ Early Modern Manuscript Newsletters,” Seminar on the History of the Material Text, University of Pennsylvania, November 1998. (By invitation)
“The Artist as Scientist,” (commentator), History of Science Annual Conference, Kansas City, MO, October 1998.
“Of Chamberpots and Copernicanism: Early Modern Economics and the Mobile Earth,” Renaissance Society of America, College Park, MD, March 1998.
“Painting the Heavens,” Harvard Club of New York City, March 1998. (By invitation)
“Old Wives’ Tales and the New World System: A Social History of Early Modern Astronomy,” MLA, Toronto, December 1997.
“Evening News: Early Modern Astronomy and Journalism,” Fact and Fancy: Art and Science in Early Modern Europe, Princeton University, April 1997. (By invitation)
“Evening News: Early Modern Astronomy and Journalism,” Renaissance Colloquium, University of Pennsylvania, April 1997. (By invitation)
"Evening News: Early Modern Astronomy and Journalism," MLA, Washington, D.C., December 1996.
"Evening News: Early Modern Astronomy and Journalism," The Huntington Library, San Marino, CA, July 1996. (By invitation)
"A Bright Light from the North: Peter Paul Rubens, Galileo Galilei, and the Aurora Borealis," The Visual Culture of Art and Science: The Royal Society, London, July 1995. (By invitation)
"Copernicanism for the Ladies," MLA, San Diego, CA, December 1994.
"Cigoli's Immacolata and the Maculate Moon," The Institute for Advanced Study, Princeton, NJ, April 1994. (By invitation)
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"Reflections on the Moon: Francesco Furini and Galileo Galilei," Series on Art, Science, and Literature, New York University, March 1994. (By invitation)
"Pacheco, Velázquez, and Galileo's Maculate Moon," Series on Art, Science, and Literature, New York University, March 1994. (By invitation)
"Galileo's Lost Treatise on Vision and Colors," Series on Art, Science, and Literature, New York University, March 1994. (By invitation)
“Galileo's Lost Treatise on Vision and Colors,” the History of Science Colloquium, Princeton University, December 1993. (By invitation)
"Painting the Moon: the Immacolata of Santa Maria Maggiore," New York University, December 1993. (By invitation)
"Galileo Galilei, Lodovico Cigoli, and the Copernican Crucifixion," Princeton University, April 1993. (By invitation)
"Pacheco, Velázquez, and Galileo's Maculate Moon," Renaissance Society of America, Kansas City, MO, April 1993.
"Reflections on the Moon: Francesco Furini and Galileo Galilei," Baroque Poetry Symposium, State University of New York at Stony Brook, March 1993. (By invitation)
"Galileo Galilei's Reading Lesson," Princeton University, January 1993.
"What Counted: Museums and Metamathematical Thought in Natural History," MLA, New York, December 1992.
"Who Read Early Modern Maps?" Renaissance Society of America, Stanford University, March 1992.
"Dismemberment and Remembrance in La Confession d'un enfant du siècle," MLA, San Francisco, CA, December 1991.
"Theaters of Operation: French Medicalization in the Post-Revolutionary Period," Nineteenth Century French Studies, University of New Orleans, October 1991.
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"Galileo Galilei and the End of the Renaissance," Renaissance Society of America, Duke University, 1991.
"Eclipse and the Book of the Apocalypse," University of Tulsa Comparative Literature Symposium, April 1991.
"Reading Maps," the Sister Arts Conference, Skidmore College, October 1990.
"Lunar Phenomena in Paradiso XXIII," the Virgil-Dante Conference at the University of Pennsylvania, November 1989.
PROFESSIONAL SERVICE AT PRINCETON
6/14- Chair, Department of Comparative Literature
6/15-6/16 Director of Undergraduate Studies, Comparative Literature
6/12-6/13 Director of Undergraduate Studies, Comparative Literature
9/10-6/13 Organizer, Annual Lecture Series in Comparative Literature
6/08-6/12 Director of European Cultural Studies
6/08-6/09 Director of Graduate Studies, Comparative Literature
6/05-6/06 Acting Director, Program in European Cultural Studies
6/04-6/05 Director of Undergraduate Studies, Comparative Literature
6/02-6/03 Director of Undergraduate Studies, Comparative Literature
6/01-6/03 Member, University Committee on Examinations and Standing
6/01-6/02 Acting Director, Program in European Cultural Studies
6/00-6/01 Director of Graduate Studies, Comparative Literature
9/00-9/01 Member, University Committee on Graduate Studies
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6/99-6/05 Member, Renaissance Studies Committee
6/98-6/05 Member, Italian Studies Committee
6/96-9/97 University Community Committee
6/97-6/98 Director of Undergraduate Studies, Comparative Literature
6/94-6/95 Director of Undergraduate Studies, Comparative Literature
OTHER PROFESSIONAL SERVICE
1/03-5/05 Discipline Representative, Renaissance Society of America
9/97-9/00 Delegate, Early Modern Italian Literature, Modern Languages Association