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December 22 It Really Is Hard to Believe Advent and Christmas Is Here
Swift Creek Chronicler Page 4 Swift Creek Baptist Church 9300 Penny Road Raleigh, NC 27606 Swift Creek Baptist Church From the Pastor…. 9300 Penny Road Raleigh, NC 27606 I begin with thanks for the card and gift from the church for Pastor Appre- (919) 851-0112 ciation Day. It was so thoughtful of you to remember me and Angie and I truly Fax (919) 851-0171 appreciate the ministry we all have here at Swift Creek. I also want to say a word Email: of thanks to everyone who helped in any way with Operation Christmas Child. [email protected] www.swiftcreekchurch.com Our church members gave115 shoe boxes and overall our Relay Center re- ceived 2093 shoe boxes. Special thanks goes to Lynn & Will Cullins who faithful- ly spear headed this project. In the coming weeks we should see evidence of our portico/foyer project. The permitting process has been completed and the final timeframes will be set soon. We anticipate some disruption during construction, so flexibility will go a long way for everyone. December 22 It really is hard to believe Advent and Christmas is here. Christmas is filled Church Staff: with so much tradition and remembrances it can be overwhelming to the point Dr. David Vess, Pastor where we can miss the simple story of God's love coming to us in a meager Foyer/Portico Building Fund Update Rev. David Beaver, Minister of Music manger. Years ago The Christian Century published a story written by Harriet Mrs. Robin Atkins, Director of Richie. It was about an incident in her family's life that revealed to her the true Children and Youth Activities nature of Christmas. -
ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
PROGRAM BOOK September 2020 CONTENTS FWSO STAFF
fwsoFort Worth Symphony Orchestra Stewart Goodyear at Will Rogers Memorial Auditorium Sept. 18-20 PROGRAM BOOK September 2020 CONTENTS FWSO STAFF 2 Letter from the Chairman EXECUTIVE OFFICE Keith Cerny, Ph.D., President and CEO 3 Letter from the President & CEO Diane Bush, Executive Assistant and Board Secretary ARTISTIC OPERATIONS 4 About Robert Spano Becky Tobin Vice President of Artistic Operations and COO Douglas Adams Orchestra Librarian 5 Fort Worth Symphony Orchestra Roster James Andrewes Assistant Librarian Kelly Ott Artistic Manager 6 Program 1 :: Sep. 11—13, 2020 Victoria Paarup Artistic Operations Coordinator Jacob Pope Production Manager Artist Profile: Lisa Stallings Director of Operations Asleep at the Wheel Brenda Tullos Orchestra Personnel Manager Taylor Vogel Director of Education and Community Programs The Quebe Sisters DEVELOPMENT 11 Program 2 :: Sep 18—20, 2020 Julie Baker Vice President of Development Artist Profile: Kara Allan Endowment Campaign Manager Mary Byrd Development Coordinator Rossini, Saint-Saëns, and Mendelssohn Tyler Murphy Gifts Officer Patrick Summers Jonathan Neumann Director of Special Events Stewart Goodyear FINANCE David Sanders Vice President of Finance and CFO 18 Executive Committee Latonja Scott Finance Manager Rebecca Clark Finance and Benefits Assistant 19 Board of Directors HUMAN RESOURCES 34 Arts Council of Fort Worth Jacque Carpenter Director of Human Resources MARKETING Carrie Ellen Adamian Chief Marketing Officer Jennifer Aprea Patron Development Center Manager Melanie Boma Ticket Services Manager Stephen Borodkin Ticket Services Representative Katie Kelly Communications Manager Dan Meagher Director of Single Ticket Promotions McKalah Robinson Ticket Services Representative TECHNOLOGY Scott Griffitts Vice President of Technology 1 | 2020/2021 SEASON LETTER FROM THE CHAIRMAN MERCEDES T. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
2S & 3S on the Go! Manual
2S & 3S ON THE GO! STORYTIME MANUAL A handbook containing storytime planning cards including songs, rhymes, group activities, sensory exploration, and crafts developmentally appropriate for children aged 2 to 3. 2S & 3S ON THE GO! STORYTIME MANUAL AUTHORS Carolyn Brooks Branch Manager, El Dorado Hills Library Debbie Arenas Early Childhood Literacy Specialist, El Dorado Hills Library CONSULTANTS Robyn Chu MOT, OTR/L Growing Healthy Children Therapy Services TYPING & LAYOUT Kathryn McGinness El Dorado County Library SPECIAL ACKNOWLEDGEMENTS We would like to acknowledge and thank Betsy Diamant-Cohen and her storytime program, Mother Goose on the Loose, for inspiring us to provide excellent service to the youngest members of our community. A tremendous thank you to Kathi Guerrero and First 5 of El Dorado for all of their support for our community’s children. PRINTING Copyright© 2014 by the El Dorado County Library. Permission is granted to print and reproduce the contents of this manual for personal, educational, and non-commercial use. This project was funded, in part or whole, by a federal IMLS grant, administered by the California State Library Services and Technology Act (LSTA). ii To the families of El Dorado County who read to their children each and every day. TABLE OF CONTENTS Foreword by Carolyn Brooks...…............................................…...5 Chapter 1: Background & Research Introduction.............................................................................................7 Background............................................................................................7 -
Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 5 April 2016 Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War Morgan Jones Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Law Commons, and the Other Music Commons Recommended Citation Jones, Morgan (2016) "Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War," Touro Law Review: Vol. 32 : No. 1 , Article 5. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/5 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Jones: Goodnight Saigon GOODNIGHT SAIGON: BILLY JOEL’S MUSICAL EPITAPH TO THE VIETNAM WAR Morgan Jones* Billy Joel adopted new personae and took on new roles in several songs on both 1982’s The Nylon Curtain1 and his penultimate studio album to date, 1989’s Storm Front.2 In what some have seen as an attempt to reach a more adult audience, to “move pop/rock into the middle age and, in the process, earn critical respect,”3 Joel put on new hats (literally, at times: his fedora-wearing balladeer appears prominently in the video for “Allentown”) for “Allentown” and “The Downeaster ‘Alexa’,” “Pressure” and “We Didn’t Start the Fire,” and “Goodnight Saigon” and “Leningrad.”4 Each of these pairs of songs saw Joel endeavoring to make statements about issues that were bigger than he and his own life, which was in stark contrast to his sources of inspiration for his earlier, more self-centered albums. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999
RCA Discography Part 12 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999 LPM/LSP 3700 – Norma Jean Sings Porter Wagoner – Norma Jean [1967] Dooley/Eat, Drink And Be Merry/Country Music Has Gone To Town/Misery Loves Company/Company's Comin'/I've Enjoyed As Much Of This As I Can Stand/Howdy Neighbor, Howdy/I Just Came To Smell The Flowers/A Satisfied Mind/If Jesus Came To Your House/Your Old Love Letters/I Thought I Heard You Calling My Name LPM/LSP 3701 – It Ain’t necessarily Square – Homer and Jethro [1967] Call Me/Lil' Darlin'/Broadway/More/Cute/Liza/The Shadow Of Your Smile/The Sweetest Sounds/Shiny Stockings/Satin Doll/Take The "A" Train LPM/LSP 3702 – Spinout (Soundtrack) – Elvis Presley [1966] Stop, Look And Listen/Adam And Evil/All That I Am/Never Say Yes/Am I Ready/Beach Shack/Spinout/Smorgasbord/I'll Be Back/Tomorrow Is A Long Time/Down In The Alley/I'll Remember You LPM/LSP 3703 – In Gospel Country – Statesmen Quartet [1967] Brighten The Corner Where You Are/Give Me Light/When You've Really Met The Lord/Just Over In The Glory-Land/Grace For Every Need/That Silver-Haired Daddy Of Mine/Where The Milk And Honey Flow/In Jesus' Name, I Will/Watching You/No More/Heaven Is Where You Belong/I Told My Lord LPM/LSP 3704 – Woman, Let Me Sing You a Song – Vernon Oxford [1967] Watermelon Time In Georgia/Woman, Let Me Sing You A Song/Field Of Flowers/Stone By Stone/Let's Take A Cold Shower/Hide/Baby Sister/Goin' Home/Behind Every Good Man There's A Woman/Roll -
Backforty Bunkhouse Newsletter
Backforty Bunkhouse Newsletter Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Joe Baker The Backforty Bunkhouse Newsletter is sent to over 700 email subscribers periodically and is growing every day. There are DJs, artists Publisher and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music genres. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering “UNSUBSCRIBE” in the subject box of the email. ___________________________________________________________________________________________________________ Published by Joe Baker 3. Bar D roundup, Vol.#4, Various Poets 4. Chuck Cusimano, Wind, Blow My Blues Away Cowtown Society of Western Music Heroes 5. Daughters Of The Purple Sage, Best Of Academy of Western Artists Disc Jockey of the Y ear Cowtown Society of Western Music Disc Jockey of the Year 6. Prescott/Hollenbeck/Masterson, Ranch Life Western Swing Music Society of the Southwest Hall of Fame 101 Membership Director—Cowtown Society of Western Music 7. Gil Prather, Last Of The Border Cowboys Board of Directors—Cowtown Society of Western Music Seattle Western Swing Music Society POWS Hall of Fame 8. The Buckarettes, Cowgirl Serenade Backforty Newsletter—CSWM‟s Publication of the Year 2009 9. Stephanie Davis, Western Bliss 10. Cora Rose Wood, Cora‘s Cowgirl Yodel Totsie Slover, Editor 11.