Boston's Irish As Seen Through Bill Brett's Lens
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Alan Gilbert and the New York Philharmonic
FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said. -
Kevin Burke and Cal Scott
WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax. -
St. Michael's Church, Kildysart
The Grouped Anniversary Mass takes The Feast of the Assumption of the St. Michael’S church, KildySart place today. The following loved ones will Blessed Virgin Mary will be celebrated be remembered: on Tuesday, 15th August. Mass will be RAdharc na nOileann Jonathan Mahon, Rosshill celebrated at the following times: 06th August 2017 Margaret & Patrick Joseph Casey, St Mary’s Church, Cranny Fr. Albert McDonnell Gurtnahaha Monday, 14th August at 8 pm. 085 7811823 Parish Office-6832838 Edward & Teresa Meere, Ballylean St Benedict’s Church, Coolmeen Jamie Graham, London & Kildysart Tuesday, 15th August at 9.45 am. [email protected] Tony O’Hare, Quay Road Blessed Well, Lacknashannagh www.kildysartparish.org Bridie Meere (Himmel), Ballylean & New Tuesday, 15th August at 8 pm. e-mail: [email protected] Twitter@KildysartParish York Baptism: We welcome Saoirse Rose Normal working hours: Mon - Wed 9:15 - 2 & Thurs 9:15 - 1 Susan Meere (Sweetie), New York & O’Connell into the Christian family. Kildysart Saoirse was baptised in St Michael’s Anne Cahill, Cappanvarnogue Church, Kildysart on Sunday, 30th July Mass Times This Week Pat Joe Doohan, The Quay 2017. We congratulate her parents Niamh Monday 10 am (Kildysart) Tony Cleary, Clonola and Owen, Ennis Road and pray God’s Tuesday 9.30 am (Cranny) Annie & Paddy O’Connell, Cahercon continued blessing on the family. Wednesday 10 am (Kildysart) Ambrose O’Dea, Crahera Wedding: We congratulate Ann Marie Thursday 10 am (Kildysart) Patrick, Kathleen & Tim Hannon, Morrissey, Kilmurry McMahon and Friday 8 pm (Cillin, Clondrina) Newmarket on Fergus Aidan O’Sullivan, Rosshill who The Hastings Family, Canon Island celebrated the sacrament of marriage in St Offertory Collection: 30th July - €550. -
Polling Scheme 2016
COMHAIRLE CONTAE AN CHLÁIR CLARE COUNTY COUNCIL POLLING SCHEME SCÉIM VÓTÁLA Acht Toghcháin 1992 Acht Toghcháin (Leasú) 2001 Na Rialachàin (Scéimeanna Vótàla) 2005 Electoral Act 1992 Electoral (Amendment) Act 2001 Electoral (Polling Schemes) Regulations 2005 th 12 September 2016 THIS POLLING SCHEME WILL APPLY TO DÁIL, PRESIDENTIAL, EUROPEAN, LOCAL ELECTIONS AND ALSO TO REFERENDA All Electoral Areas in County Clare included in this document: Ennis Killaloe Shannon West Clare Constituency of Clare Constituency of Limerick City (Part of) ********************************** 2 Clare County Council Polling Scheme Electoral Act 1992 and Polling Scheme Regulations 2005 Introduction A Polling Scheme divides a County into Electoral Areas and these are further broken down in to Polling Districts, Electoral Divisions, and Townlands. The Scheme sets out a Polling Place or Polling Station for the townlands for electoral purposes. The Register of Electors is then produced in accordance with the districts defined within the Scheme. The making of a Polling Scheme is a reserved function of the Elected Members of the Council. County Clare consists of Two Dàil Constituencies, which are where the voters in County Clare democratically elect members to Dáil Éireann : 1. Constituency of Clare and the 2. Part of the Constituency of Limerick City County Clare now consists of four Electoral Areas which were set up under the Local Electoral areas and Municipal Districts Order 2014 Ennis Killaloe Shannon West Clare. 3 INDEX FOR POLLING SCHEME Constituencies Pages Constituency -
County Clare
Clare from Atlas and cyclopedia of Ireland. The general history (1905) NAME. The county is named from the little town of Clare, near the mouth of the Fergus : and this got its name from a bridge of planks by which the Fergus was crossed in old times : the Gaelic word clar signifying a board or plank. SIZE AND POPULATION. This county has water all round (namely, the Atlantic, the Shannon, and Lough Derg) except for 40 miles of its north and northeastern margin, where it is bounded by Galway. Greatest length from Loop Head to the boundary near Lough Atorick on the northeastern border, 67 miles ; breadth from Limerick to Black Head (nearly, but not quite, at right angles to the length), 42 miles ; breadth from Black Head to the shore west of Bunratty (at right angles to the length), 35 miles ; area, 1,294 square miles ; population, 141,457. SURFACE. It may be stated in a general way that the northern part and the eastern margin are mountainous or hilly ; and the middle and south form a broad plain, occasionally broken up by low hills, and in one place by a considerable mountain (Slievecallan). The barony of Burren in the north is an extraordinary region of limestone rock, rising into hills of bare gray limestone, the intervening valleys or flats being also composed of limestone, with great blocks strewn over the surface, both hills and valleys being relieved here and there by lovely grassy patches of pure green. MOUNTAINS AND HILLS. The highest summit of the Burren district is Slieve Elva (1,109), a conspicuous flat-topped mountain ; Cappanawalla 1,028) rises direct over Ballyvaghan Bay ; and in the east of the same district is Slievecarran (1,075). -
Recorded Monuments County Clare
Recorded Monuments Protected under Section 12 of the Notional Monuments (Amendment) Act, 1994 County Clare DdchasThe Heritage Service Departmentof The Environment, Heritage and Local Govemment 1998 RECORD OF MONUMENTSAND PLACES as Established under Section 12 of the National Monuments (Amendment) Act 1994 COUNTY CLARE Issued By National Monumentsand Historic Properties Service 1996 Establishment and Exhibition of Record of Monumentsand Places under Section 12 of the National Monuments (Amendment) Act 1994 Section 12 (1) of the National Monuments(Amendment) Act 1994 states the Commissionersof Public Worksin Ireland "shall establish and maintain a record of monumentsand places where they believe there are monumentsand the record shall be comprised of a list of monuments and such places and a map or maps showing each monument and such place in respect of each county in the State. " Section 12 (2) of the Act provides for the exhibition in each county of the list and maps for that county in a manner prescribed by regulations made by the Minister for Arts, Culture and the Gaeltacht. The relevant regulations were made under Statutory Instrument No. 341 of 1994, entitled National Monuments(Exhibition of Record of Monuments) Regulations, 1994. This manualcontains the list of monumentsand places recorded under Section 12 (1) of the Act for the Countyof Clare whichis exhibited along with the set of mapsfor the County of Clare showingthe recorded monumentsand places. 0 Protection of Monumentsand Places included in the Record Section 12 (3) of the -
In Pursuit of Efficiency
GRADING vs. ASSESSING HOW TO START A CHAMBER ENSEMBLE 2020 | VOLUME 5, N0. 1 MikeIn Pursuit ofBlock Efficiency IPS TO PREP FOR GIVE STUDENTS A EDITOR’S NOTE A GUEST ARTIST FINALLY! TIMPANI PASSION + PROBLEMS FOR PRACTICE SupportED 2020 Volume 5, Number 1 SOLVED SURVIVE THE ONE TEACHER’S YEAR-END QUEST: AN BUSTLE MAGAZE TET TT INSTRUMENT FOR EVERY STUDENT 2019 VOLUME 4 INTERNATIONAL SAX SENSATION KENNETH MINNESOTA’S TSE STAR ET A MILESTONE 2016 Emily Threinen his issue marks the beginning of the fifth it: “Efficiency holds intrinsic moral value. … Inefficiency year of SupportED. At the time we launched is a kind of sin rooted in a lack of appreciation for the the magazine in 2016, music educators and preciousness of our time and other people’s time.” advocatesT were celebrating the recent passing of the We know how busy you are, so we strive to get right Every Student Succeeds Act. That year, we first heard to the point. We want you to be able to access, consume words like Brexit and Zika. Leonardo DiCaprio and grow from what we are presenting. MORE GOALS MIKE BLOCK’S won his first Oscar, and “Uptown Funk” was named Yes, we are proud of the awards SupportED has won, THAN GRADES MUSICAL QUEST the Record of the Year. In Rio De Janeiro, veteran and we are thrilled to see how issues disappear at state 4 Focusing on course objectives 10 Cellist Mike Block’s output Olympians Michael Phelps and Usain Bolt as well as music education association conferences, The Midwest and learning goals rather than is staggeringly diverse, and he first-timer Simone Biles amazed us. -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
Séamus Begley Trio Brings Together the Musical Gifts of the Irish Artists - Seamus Begley, Dezi Donnelly and Matt Griffin
The Séamus Begley Trio brings together the musical gifts of the Irish artists - Seamus Begley, Dezi Donnelly and Matt Griffin. One can experience the passion and intensity that these performers bring to the stage combined with an intimacy and warmth that will make you feel part of the performance. What sets them apart in the first place is their beefing-up of the rhythmic side of the music while maintaining a purity in the melodic playing and instrumentation. Edgy in their delivery, tunes and songs are given a powerful, dynamic new flavour. This is a celebration of Traditional Irish music and song that you have to experience. Their concerts provide stunning arrangements of traditional Irish masterpieces. Séamus Begley - Accordion & Vocals Séamus Begley is regarded as one of the finest Traditional Irish musicians and singers, having reshaped Irish traditional music over the last two decades. He has won Ireland's prestigious National Entertainment Award for Traditional Music for his acclaimed CD Meiteal (Working Together), recorded with Steve Cooney. His album with guitarist Jim Murray “Ragairne” was acclaimed Folk/Traditional album of the Year by “The Irish Times” and “Hot Press”, the leading music magazine in Ireland. His latest work, The Bold Kerryman is an album of songs, produced by John Reynolds (who has worked with Damien Dempsey, Seun Kuti, Sinead O’Connor, Passenger, Nusrat Fateh Ali Khan, Brian Eno and David Byrne) Séamus is the quintessential Irish musician - an eager storyteller known for his sharp wit and famous for pumping out tunes. He plays with an energy that is alarming, bringing a frisky spontaneity to his box-playing, belting out jigs, slides and polkas with rapid sprays of reckless ornamentation before making a sudden key change into a bitter-sweet air, sung or played on the accordion. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
Boston Irish March 2020
Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty. -
The Development of an Archive of Explicit Stylistic
CONCLUSIONS I trust I am offering to my countrymen an acceptable present: the gift has novelty, at least, to recommend it. Though Ireland has been long famed for its poetry and music, these subjects have never yet been treated of historically. I do not pretend to have done completely, what has lain so long undone: no doubt, many sources of information still remain unopened, and many documents unconsulted. However, I have marked out a path, which may facilitate the pursuit of those who shall hereafter follow me.1 It may be ironic to conclude this latest study of Irish traditional music with the words that Joseph Cooper Walker used to open what is regarded as the first book on the subject, yet the sentiment is shared. In many ways, the best of what both studies have achieved is to draw attention to the vastness of that which still remains unknown. Similarly to Walker, the focus of this study is not on comprehensiveness but on the investigation of a pathway that may be useful beyond the scope of this thesis. The fundamental objective of this research was to develop and refine a process through which an archive of explicit stylistic data could be constructed and then to determine what practical outcomes would emerge from working with explicit stylistic data in this way. One of the more interesting results of the project was that from conversations with other musicians and academics I found that the basic idea of codifying and using stylistic knowledge was not new. Kristiina Ilmonen, the former director of the Folk Music Department at the Sibelius Academy in Helsinki, told me that she uses the term ‘treasure box’, to describe the mental space where her musical knowledge is stored and from which she can select elements of it for use in performance.