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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
A DIRTY OLD MAN GETS WORSE John Cowart’S 2006 Diary
A DIRTY OLD MAN GETS WORSE John Cowart’s 2006 Diary John W. Cowart Bluefish Books CowartCommunications JacksonvilleFlorida www.bluefishbooks.info A DIRTY OLD MAN GETS WORSE: JOHN COWART’S 2006 DIARY Copyright © 2007 by John W. Cowart. All rights reserved. Printed in the United States of America by Lulu Press. Apart from reasonable fair use practices, no part of this book’s text may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Bluefish Books, 2805 Ernest St., Jacksonville, Florida, 32205. Library of Congress Cataloging-in- Publication Data has been applied for. Lulu Press # 1042186. Bluefish Books Cowart Communications Jacksonville, Florida www.bluefishbooks.info This book is dedicated to The Kid In The Attic and to VIRGINIA Who made me the dirty old man I am today. — jwc Other Bluefish Books You May Enjoy: Glog: A Dinosaur Novel Of Sorts A Dirty Old Man Goes Bad: John Cowart’s 2005 Diary A Dirty Old Man Gets Worse: John Cowart’s 2006 Diary The Lazarus Projects I’m Confused About Prayer Letters From Stacy Crackers & Carpetbaggers Moments In The History Of Jacksonville, Florida Strangers On The Earth Gravedigger’s Christmas & Other Tales Heroes All: A History of Firefighting In Jacksonville Rebel Yell: The Civil War Diary of J.T. Whatley, CSA Seeking A Settled Heart: The 16th Century Diary Of Puritan Richard Rogers The Diary Of Samuel Ward, A Translator Of The 1611 King James Bible John Cowart’s Daily blog can be found at www.cowart.info/blog/ Bluefish Books Cowart Communications Jacksonville, Florida www.bluefishbooks.info A DIRTY OLD MAN GETS WORSE JOHN COWART’S 2006 DIARY Introduction: Pixels, tiny dots of black, light or color, in a picture on your computer screen — That’s the way I think of the months, weeks, days, minutes and seconds of my own life. -
Deconstruction on Feminism in Arthur Golden's Geisha
DECONSTRUCTION ON FEMINISM IN ARTHUR GOLDEN’S GEISHA A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By RIDHA SYAFRIANY RIDWAN Reg. No. 40300106056 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2010 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penyusun yang bertanda tangan dibawah ini, menyatakan bahwa skripsi ini benar adalah hasil karya penyusun sendiri, dan jika dikemudian hari terbukti ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Makassar, Desember 2010 Penyusun, RIDHA SYAFRIANY RIDWAN NIM 40300106047 ABSTRACT Title : Deconstruction on Feminism in Arthur Golden’s Geisha Researcher : Ridha Syafriany Ridwan Reg number : 40300106056 Consultant I : Dr. H. Barsihannor, M. Ag Consultant II : Syahruni Junaid, S.S., M. Pd The main aim of this research is to find out the meaning of a true Geisha. The problem statements in this thesis are, (1) “how Arthur Golden represented a true Geisha in his work “, (2) “are there the changes of meaning of Geisha in the work of Arthur Golden “ This research is consisted of 35 chapters on the novel Memoirs of a Geisha by Arthur Golden as the sample. To get the data, this research used the feminism approach to deconstruct the meaning of true Geisha, because when we talked about women, one of theories which commonly appear is feminism. Besides that, the writer read the novel of Memoirs of a Geisha as the main source of the data, and then to analyze this data, the writer used descriptive method which described accurately the meaning of a true Geisha. -
Shuckerow-Pasek July 29, at the Church
The weather Variable cloudiness today. High temperatures in the mid 70s, 25 C. Mostly cloudy tonight. Lows in the irtid 50s. Tuesday cloudy with chance of oc lianrhpatf r Eupnitig B m lb casional light rain developing. Highs in the mid 70s. Probability of rain 10 percent today, 20 per A Family ISEWSpaper Since 1881 cent tonight and 50 percent Tuesday. Winds / becoming east to southeast about 10 mph today Vol. XCVII, No. 232 — Manchester, Cong., Monday, July 3, 1978 Home delivered copy 15 cents continuing tonight. East to northeast winds 10 to Newsstand copy 20 cents 15 mph Tuesday. National weather map on page Syrians, Christians fighting in Lebanon BEIRUT, Lebanon ( U P D - Syrian There are. fires in some of them. L’Orient-Le Jour estimated that peacekeeping troops and Christian Nobody is on the streets.” more than 2,000 shells fell on the militiamen exchanged gunfire and An official of the right-wing Ashrafieh neighborhood alone Sun artillery today in the third straight National Liberal Party, the second- day. All three major hospitals in east day of the worst fighting to hit Beirut largest Christian militia group, today Beirut were damaged by Syrian since the 1975-76 civil war. estimated Christian casualties since shelling of the Christian area. The crack of small arms fire and Sunday at over 100 dead and 300 Relations between'the Christians the thud of exploding artillery shells wounded. and Syrians had been souring as echoed across the capital today, The French-language daily Syria renewed close ties with the despite a cease-fire agreement L’Orient-Le Jour estimated that Palestinians in recent months. -
Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
Writing the Research Paper the Research Paper Is the Capstone Project of the English Composition Sequence. It Demonstrates the S
Writing the Research Paper The research paper is the capstone project of the English composition sequence. It demonstrates the student’s understanding of the course objectives, serving as documentation that he or she is ready for the demands of the transfer institution and workplace in regard to managing information efficiently, analyzing and evaluating it accurately, and communicating it effectively. The paper’s primary purpose is to examine an issue from multiple perspectives and reach a research-driven conclusion based on the analysis and evaluation of evidence that represents those perspectives. Each claim the paper makes must have supporting evidence from multiple sources which are credible and relevant. Prior to the drafting process the student is required to compose a research proposal that identifies the focus of the research along with strategies and sources that will be employed. An annotated bibliography is also required. One Student’s Research Paper Experience For her research paper topic, Haley Akeson and her classmates are asked to choose a historical event and argue a claim about its consequences, supporting the claim with evidence that might change or alter the audience’s point of view. As one possibility for focusing the paper, Haley is encouraged to choose a Hollywood film that focuses on a historical issue and argue how accurately or ineffectively the film addresses the issue. After some deliberation, Haley chooses the film, Memoirs of a Geisha, released by Columbia pictures in 2005 and based on author Arthur Golden’s novel, published in 1997. In her proposal written prior to her research, Haley expresses her reasons for selecting her topic noting the misunderstanding that varying perspectives often present: Fascination with the differences of culture has always been a part of my life. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Top Recommended Shows on Netflix
Top Recommended Shows On Netflix Taber still stereotype irretrievably while next-door Rafe tenderised that sabbats. Acaudate Alfonzo always wade his hertrademarks hypolimnions. if Jeramie is scrawny or states unpriestly. Waldo often berry cagily when flashy Cain bloats diversely and gases Tv show with sharp and plot twists and see this animated series is certainly lovable mess with his wife in captivity and shows on If not, all maybe now this one good miss. Our box of money best includes classics like Breaking Bad to newer originals like The Queen's Gambit ensuring that you'll share get bored Grab your. All of major streaming services are represented from Netflix to CBS. Thanks for work possible global tech, as they hit by using forbidden thoughts on top recommended shows on netflix? Create a bit intimidating to come with two grieving widow who take bets on top recommended shows on netflix. Feeling like to frame them, does so it gets a treasure trove of recommended it first five strangers from. Best way through word play both canstar will be writable: set pieces into mental health issues with retargeting advertising is filled with. What future as sheila lacks a community. Las Encinas high will continue to boss with love, hormones, and way because many crimes. So be clothing or laptop all. Best shows of 2020 HBONetflixHulu Given that sheer volume is new TV releases that arrived in 2020 you another feel overwhelmed trying to. Omar sy as a rich family is changing in school and sam are back a complex, spend more could kill on top recommended shows on netflix. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Broadcasting Mmar26 Match
The NAB Convention: Caught up in the currents of change BroadcastingThe newsweekly of broadcasting and allied arts mMar26Our 48th Year 1979 The Peifect Match. KSTP -TV Minneapolis /St. Paul pñ 0.) Oc Op p X -4/3 ó On Monday, March 5, KSTP -TV became an ABC mz rH Television Network affiliate. More than 45 of the most popular m m° ca network shows have now joined the nation's leading p N news station. m vl co A division of Hubbard Broadcasting, Inc. For more information, call KSTP -TVs Jim Blake, General Sales Manager, at 612/645 -2724. or your nearest Petry office. 1-1 C Source: Prbitron Nov. 78 bp 50 ADIs. Audience ratings are estimates only and subject to the D A limitations of said report. ASCAP, FROM LEGENDS TO SUPERSTARS Since ASCAP was founded in 1914, over those changes are all reflected in the di- 22,000 songwriters and composers have versity and depth of ASCAP's repertory. joined. From Standards, to Rock, to Country, to The list reads like a Who's Who of the Jazz, to MOR, to Disco, to R &B, to Soul, songwriting business. (It's only a lack of to Gospel, to Symphonic, ASCAP has pro- space that limits us to mentioning but a vided the outstanding songwriting talent tiny portion of ASCAP's membership.) of each era not only to the broadcasters In the past 65 years music has gone of America but to the people who tune in. through some very radical changes, but At ASCAP, we've always had the greats. -
Narrative Voice in David Elias's Sunday Afternoon
Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon Edna A. Froese, St. Thomas More College, Saskatoon Whatever the recent developments in narrative theology have accomplished by way of allowing Christian believers to negotiate postmodern challenges to the authority of the scriptural foundations of their beliefs, the newly emphasized parallels between theology and literature open up wonderful possibilities for reading fiction as well as the Bible itself. Catherine Wallace, for example, in “Faith and Fiction: Literature as Revelation,” argues that literature “has much to offer religion that religion fails to understand and to accept” (2). With Coleridge and then Steiner, Wallace observes that faith is neither “an act of will [nor] an act of knowledge” but “a creative act, the act of imagination”; thus “art and the encounter with God share a common origin in the human spirit” (5). Since “the knowledge of God is not propositional but visionary” (5-6), the poet (or novelist or playwright) is also an “autonomous and significant theologian” (1), whose task it is “to take all the muddled disruptive incoherence of real fact and actual memory – whether communal or personal – and then select and arrange, reform and recast them into a coherent aesthetic whole that tells a visionary truth that facts alone cannot reveal” (10).1 If the 202 Journal of Mennonite Studies truth that the poet thus reveals is to be understood, whether that poet happens to be the redactor of Scripture or a contemporary novelist, “we must first of all read properly, which is to say attentively, details regarded not as historical facts but as poetic choices” (Wallace 10).