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VOLUME 97 • NUMBER 3 • FALL 2020 JOURNAL ALICA AMERICAN ASSOCIATION T Editor: Michael Lettieri I Associate Editors Cristina Della Coletta Janice Aski University of California, San Diego Ohio State University Salvatore Di Maria Norma Bouchard University of Tennessee San Diego State University Valeria Finucci Theodore J. Cachey Jr. Duke University University of Notre Dame Shelleen Greene Luca Caminati University of California, Los Angeles Concordia University Margherita Heyer-Caput Mark Pietralunga University of California, Davis Florida State University Armando Maggi Deanna Shemek University of Chicago University of California, Irvine Carla Marcato Book/Media Review Editor Università di Udine Federica Santini Irene Marchegiani Kennesaw State University Stony Brook University Assistant Editors Carla Marello Paola Bernardini Università degli Studi di Torino University of Toronto Maria Carla Papini Tatiana Selepiuc Università degli Studi di Firenze University of Toronto Karen Pinkus Advertising Editor Cornell University Anthony Mollica Regina Psaki Brock University University of Oregon Editorial Board Lucia Re Ruth Ben-Ghiat University of California, Los Angeles New York University Jeffrey Schnapp Francesco Bruni Harvard University Università Ca’ Foscari di Venezia Luca Serianni Stefania Buccini Università di Roma-La Sapienza University of Wisconsin-Madison Francesco Spera Frank Burke Università di Milano Queen’s University Anthony Julian Tamburri Andrea Ciccarelli Calandra Institute, CUNY Indiana University Massimo Vedovelli Clarissa Clò Università per Stranieri di Siena San Diego State University Volume 97 ITALICA Number 3 Fall 2020 Journal Founded in 1924 of the American Association of Teachers of Italian Michael Lettieri Editor From the Editor 2020 was a very sad year for the Italian Studies community. We lost, among others, three very dear colleagues and friends: Franco Fido, Edoardo Lebano and Joseph Tusiani. Franco, Edoardo and Joseph touched many of us with their outstanding teaching, research, and service to our profession. They helped many of us become who we are now, and we are forever grateful to them. They will be sorely missed. In this issue, Franco Fido is remembered by Stefania Buccini. Written reflections on Lebano and Tusiani will follow in subsequent numbers of the journal. Vol. 97.3 brings you also the latest research, discussion and analysis on various topics, including literature, cinema, media, culture, language, and teaching and learning. Buona lettura! MICHAEL LETTIERI Acknowledgements The AATI is grateful for the continued support shown to Italica by the Department of Language Studies and the Office of the Vice- Principal Academic and Dean (University of Toronto Mississauga) in providing office space, essential technical assistance, and generous financial support. Italica (ISSN 00213020) is published four times a year, in the Spring, Summer, Fall, and Winter by the Office of publication: Department of Language Studies, University of Toronto Mississauga, 3359 Mississauga Road, Mississauga, Ontario, Canada L5L 1C6. Copyright © 2020 by the American Association of Teachers of Italian. POSTMASTER: Send address changes to: éditions Soleil publishing, P.O. Box 847, Welland, Ontario Canada L3B 5Y5 Cover design: Ewa Henry Cover: Mike Perry Layout and design: éditions Soleil publishing, inc. ITALICA Volume 97 ● Number 3 ● Fall 2020 From the Editor MICHAEL LETTIERI ......................................................................458 Remembering Franco Fido Ricordo di Franco Fido STEFANIA BUCCINI ......................................................................461 Essays/Research Studies Multimodality and Semiotic Codification in Dante’s Inferno RAFFAELE DE BENEDICTIS .............................................................481 Frammenti, rovine, “immaginazione ermeneutica”: Mantegna e il Novecento ANDREA MIRABILE ......................................................................522 A Word Is Worth a Thousand Pictures: A Discourse on the Role of Poetry in Our Times LUIGI BALLERINI ........................................................................539 Task-Based Language Teaching of Italian: A One-Year Case Study TOM MEANS .............................................................................567 Queering the Italian Classroom: A Course on Gender and Society in Italy ANDREA SCAPOLO ......................................................................588 Notes and Discussions Per una “mitografia dell’uomo” nella letteratura: i Saggi di Guido Pugliese SALVATORE DI MARZO ................................................................613 Review Articles Edith Bruck’s Poetry in/and the New Millennium PHILIP BALMA ...........................................................................623 Interviews Emanuela Piovano autora del cinema al femminile. Intervista con la regista FLAVIA LAVIOSA .........................................................................632 Reviews Andrea Raimondi. The Many Voices of Contemporary Piedmontese Writers. (ANGELO CASTAGNINO) ..............................................................650 Rosamaria Loretelli, Riccardo Capoferro and John Dunkley (eds.). The Criminal Question in the Public Sphere. Cesare Beccaria’s “On Crimes and Punishments” and Eighteenth-Century Britain: A Two-Way Perspective. Spec. issue of Diciottesimo Secolo 4 (2019). (CORIE MARSHALL) ....................................................................653 Anna Carocci. Il poema che cammina. La letteratura cavalleresca nell’opera dei pupi. (JO ANN CAVALLO) ....................................................................657 Luca Cottini. The Art of Objects. The Birth of Italian Industrial Culture, 1878-1928. (HIROMI KANEDA) .....................................................................661 Frank Burke. Fellini’s Films and Commercials: From Postwar to Postmodern. (RUSSELL KILBOURN) ..................................................................663 Eraldo Bellini. Calvino e i classici italiani. Anna Falessi Bellini (a cura di). (FRANCESCO SAMARINI) ...............................................................667 Simultanea: A Journal of Italian Media and Pop Culture 1.1 (2020). Marco Arnaudo and Andrea Ciccarelli (eds.). (MARY MIGLIOZZI) ....................................................................671 Luca Serianni. Il sentimento della lingua. Conversazione con Giuseppe Antonelli. (LEONARDO ROSSI) .....................................................................673 Contributors ............................................................................677 Advertisements ........................................................................681 Ricordo di Franco Fido Stefania Buccini University of Wisconsin-Madison Abstract: La scomparsa di Franco Fido, avvenuta il 23 giugno 2020, ha destato vivo cordoglio nella comunità accademica. Intellettuale di fama internazionale, vissuto fra l’Italia, la Francia e gli Stati Uniti, Fido ha dedicato la sua intera esistenza agli studi letterari percorrendo un arco cronologico ampio in cui il Settecento ha occupato un posto privilegiato. Attraverso le sue letture critiche, in grado di coniugare in modo esemplare rigore filologico e acribia esegetica, diverse generazioni di studiosi si sono potute avvalere non solo della sua immensa cultura, ma anche del suo rigoroso e antidogmatico metodo di lettura. Dai saggi imperniati su singoli autori alle panoramiche che percorrono vari secoli della storia della letteratura, il tratto distintivo degli studi di Fido va individuato in una profonda e moderna sensibilità umanistica che gli ha permesso di frequentare vari versanti della tradizione letteraria con impareggiabile competenza. Keywords: Settecento, Illuminismo, lettura, testo, teatro, commedia, Goldoni. ranco Fido è scomparso il 23 giugno F2020 a Longué-Jumelles, comune situato nella Valle della Loira dove risiedeva dal 2009. Nel corso di una lunga carriera accademica svolta fra l’Italia, la Francia e gli Stati Uniti, la sua vasta erudizione gli ha permesso di spaziare dalla letteratura alla storia delle idee, dal pensiero filosofico all’iconografia e dalla cultura italiana a quella francese con impareggiabile competenza e singolare finezza. Intellettuale di fama internazionale, Fido ha consacrato la sua intera esistenza agli studi letterari percorrendo un arco cronologico ampio in cui il secondo Settecento ha occupato un posto privilegiato. Dopo gli studi conseguiti alla Scuola Normale Superiore di Pisa sotto la direzione di insigni mentori, come Luigi Russo e Giorgio Pasquali, e periodi di insegnamento presso atenei francesi e americani, sono stati soprattutto gli anni trascorsi a Brown e a Italica • Vol. 97 • No. 3 • Fall 2020 461 Stefania Buccini Harvard fra il 1969 e il 2005 a marcare le fasi più significative della sua missione educativa e del suo itinerario scientifico.1 Coniugando rigore filologico e acribia esegetica in una prospettiva comparata, gli studi di Fido hanno offerto alla comunità accademica internazionale rare opportunità di riflessione e di apprendimento. Attraverso di essi diverse generazioni di letterati si sono potute avvalere non solo della sua immensa cultura, ma anche del suo rigoroso e antidogmatico metodo di lettura. Per Fido leggere era un processo organico e intenso, frazionato da soste, rinvii ed escursioni dal centro dell’opera letteraria alla sua periferia e viceversa. Questo sistematico meccanismo mentale, scandito da fasi precise, è delineato nelle preziose riflessioni sul proprio metodo
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    NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996).
  • Brochure Lignano Eng

    Brochure Lignano Eng

    Seaside holidays with a difference A melting pot for Latin, Germanic and Slav civilizations. Beaches of fine sand and a sea gently sloping away in Lignano and Grado, inlets embedded between white rocks in Trieste. Enchanting places, all year round. espite its limited extension, the And the allure of this area lasts well D coastline of Friuli Venezia Giulia beyond the summer months. offers many different facets of typical The fascination of Friuli Venezia Giulia Mediterranean appeal: surroundings and coast is just as intense in the spring, landscapes that astonish visitors because autumn and even winter. Mediterranean of the incredible contrasts in the space This is when the beaches are ideal for of a few miles. long romantic strolls. Grado is animated This is right where the Adriatic laps at by its centuries-old fishing tradition, with the shores of central Europe, offering delicious freshly caught fish skilfully a meeting between Latin, Germanic prepared by the local restaurants. and Slavic Mediterranean cultures. Northwards, the Trieste gulf, swept beaches From Lignano Sabbiadoro to Grado, the frequently by the impetuous north-easterly Friuli Venezia Giulia coast welcomes you Bora wind, offers a more introspective with its inviting and relaxing appeal. relationship with the sea. Here you’ll find broad sandy beaches From Duino to Sistiana and through to with their characteristic soft golden-brown Trieste itself, the coastline features a coloured sand and dunes. succession of sheer white cliffs interspersed in the heart And the sea is absolutely irresistible, with areas of dense Mediterranean vegetation. with its shallow waters and relaxing waves It’s also an ideal destination for summer that break gently on the beach.