DOCSLIB.ORG

9 September 2016 Page 1 of 12

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
9 September 2016 Page 1 of 12 Radio 3 Listings for 3 – 9 September 2016 Page 1 of 12 SATURDAY 03 SEPTEMBER 2016 (conductor) Fantasie uber ºFreu dich sehr, o meine Seeleº Op. 30; Christ ist 6:17 AM erstanden von dem Tod; Es kommt ein Schiff geladen; Komm, SAT 01:00 Through the Night (b07qc4bq) Grieg, Edvard (1843-1907) susser Tod; O Haupt voll Blut und Wunden; O Traurigkeit, O Shostakovich and Beethoven from the Warsaw Philharmonic Violin Sonata No.3 in C minor (Op.45) Herzeleid; Praludium und Fuge E major Op. 56, No. 1; Praludium Alena Baeva (violin), Giuzai Karieva (piano) und Fuge D minor Op. 56, No. 2; Praludium und Fuge in G major John Shea presents the Warsaw Philharmonic Orchestra in 6:41 AM Op. 56, No. 3; Praludium und Fuge C Op. 56, No. 4; Praludium Shostakovich©s First Violin Concerto with soloist Leticia Moreno, Respighi, Ottorino (1879-1936) und Fuge B major Op. 56, No. 5; Fantasie und Fuge C minor Op. and Beethoven©s Seventh Symphony. Ancient Airs and Dances - Suite No.2 29; Introduction and Passacaglia in D minor; Zwolf Stucke Op. 1:01 AM CBC Vancouver Orchestra, Mario Bernardi (conductor). 59; Organ Pieces (3) Op. 7; Postludium; Six Trios Op. 47; Saryan, Ghazaros [1920-1998] Variations and Fugue on ©Heil unserm Konig, Heil!©, WoO IV/7; Passacaglia SAT 07:00 Breakfast (b07rkrzg) Erste Suite E minor Op. 16 Warsaw Philharmonic Orchestra, Sergey Smbatyan (conductor) Saturday - Elizabeth Alker Bernhard Buttmann (organ) 1:09 AM OEHMS OC851 (4CD) Shostakovich, Dmitri [1906-1975] Elizabeth Alker presents Radio 3©s classical breakfast show, Violin Concerto No.1 in A minor, Op.77 featuring listener requests. Reger: Songs Leticia Moreno (violin), Warsaw Philharmonic Orchestra, Sergey REGER: Mein Traum Op. 31 No. 5; Unbegehrt Op. 31; Flieder Smbatyan (conductor) Email [email protected]. Op. 35 No. 4; Volkslied Op. 37 No. 5; Gluckes genug Op. 37 No 1:48 AM 3; Zwischen zwei Nachten Op. 43 No. 1; Meinem Kinde Op. 43 Falla, Manuel de [1876-1946] SAT 09:00 Record Review (b07syffv) No. 3; Wiegenlied Op. 43 No. 5; Sag es nicht Op. 43 No. 8; Am Nana Summer Record Review: Proms Composer - Max Reger Dorfsee Op. 48 No. 6; Traume, traume, du mein susses Leben! Leticia Moreno (violin) and unidentified harpist Op. 51 No. 3; Zwei Ganse Zur weissen Gans sprach einst vertraulich eine graue Op. 55 No. 8; Viola d©amour Op. 55; 1:51 AM with Andrew McGregor, including recordings of Proms Waldseligkeit Op. 62 No. 2; Sehnsucht Op. 66 No. 1; Morgen! Beethoven, Ludwig van [1770-1827] Composer Max Reger and a review of recent Baroque chamber Op. 66 No. 12; Kindergeschichte Op. 66 No. 12; Aeolsharfe Op. Symphony No.7 in A major, Op.92 music releases with Hannah French. 75 No. 11; Hat gesagt - bleibt©s nicht dabei Op. 75 No. 12; Du Warsaw Philharmonic Orchestra, Sergey Smbatyan (conductor) meines Herzens Kronelein Op. 76 No. 1; Volkslied aus Franken ± 2:31 AM 9.00am Waldeinsamkeit Op. 76, No. 3; Wenn die Linde bluht Op. 76 No. Mozart, Wolfgang Amadeus (1756-1791) Handel in Italy, Volume 2 4; Gluck Op. 76 No. 16; In einem Rosengartelein Op. 76 No. 18; Concerto for Harp, Flute and Orchestra (K.299) in C major HANDEL: Agrippina: Overture; Nisi Dominus, HMV 238: Sicut Des Kindes Gebet Op. 76 No. 22; Die Mutter spricht Op. 76 No. Suzana Klincharova (harp), Georgi Spasov (flute), Sofia Soloists sagittae; Pure del cielo intelligenze eterne (from Il Trionfo del 28; Das Wolklein Op. 76 No. 33; Mittag Op. 76 No. 35; Chamber Ensemble, Plamen Djurov (conductor) Tempo e del Disinganno); Tu del ciel ministro eletto (Il Trionfo Schelmenliedchen Op. 76 No. 36; Maria Wiegenlied Op. 76 No. 3:01 AM del Tempo e del Disinganno); Poiche giuraro amore, HWV148; Harpsichord Concerto in G major, HWV 487; Sonata in G minor 52; Mausefangen Op. 76 No. 58; Oben in dem Birnenbaum Op. Stravinsky, Igor (1882-1971) 76/59; Ehre sei Gott in der Hohe! Pulcinella - ballet HV 580: Larghetto; Dalla guerra amorosa, HWV 102; Precipitoso nel mar che freme (from Aci, Galatea e Polifemo); Duetto XV: Sophie Bevan (soprano), Malcolm Martineau (piano) Lynne Dawson (soprano), Rolando Villazón (tenor), Denis Sedov HYPERION CDA68057 (CD) (baritone), Radio France Philharmonic Orchestra, Marc Quel fior che all©alba ride (The flower that smiles at dawn), HWV192; Se tu non lasci amore, HWV201 Minkowski (conductor) Max Reger - Piano Music 3:38 AM Benjamin Bevan (baritone), Sophie Bevan (soprano), Mary Bevan (soprano), Benjamin Bevan (baritone), London Early REGER: Variations and Fugue on a theme of J S Bach; Five Ravel, Maurice (1875-1937) Humoresques; Variations and Fugue on a theme of G P Telemann Miroirs Opera, Bridget Cunningham (harpsichord & conductor) SIGNUM SIGCD462 (CD) Marc-Andre Hamelin (piano) Martina Filjak (piano) HYPERION CDA66996 (CD) 4:11 AM Geminiani, Francesco (1687-1762) Faure: The Complete Songs, Vol. 1 FAURE: Le papillon et la fleur Op. 1 No. 1; Mai Op. 1 No. 2; REGER: Konzert Im Alten Stil, Op. 123; Sinfonietta, Op. 90 Concerto Grosso (Op.3 No.6) in E minor Bamberg Symphony Orchestra, Horstein Stein (conductor) Camerata Bern, Thomas Furi (conductor) Poeme d©un jour Op. 21; Lydia Op. 4 No. 2; Tristesse Op. 6 No. 2; Dans les ruines d©une abbaye Op. 2 No. 1; Le voyageur Op. 18 KOCH SCHWANN 3-1354-2 (CD) 4:21 AM No. 2; Serenade toscane Op. 3 No. 2; Les berceaux Op. 23 No. 1; Szymanowski, Karol [1882-1937] Chanson du pecheur Op. 4 No. 1; Vocalise-etude; Sylvie Op. 6 REGER: Sonata in C major; Little Sonata in A major; Tarantella The Fountain of Arethusa, from Myths (Op.30) No. 3; Apres un reve Op. 7 No. 1; Aurore Op. 39 No. 1; Fleur in G minor; Albumblatt in E flat major Seung-Hye Choi (piano), Hyun-Mi Kim (violin) jetee Op. 39 No. 2; Arpege Op. 76 No. 2 (Samain); Les matelots Ulf Wallin (violin), Roland Pontinen (piano) 4:27 AM Op. 2 No. 2; La fee aux chansons Op. 27 No. 2; Nell Op. 18 No. CPO 9998572 (CD) Beethoven, Ludwig van [1770-1827] 1; Cinq Melodies ©de Venise© Op. 58; Le jardin clos Op. 106; Overture in C major Op.115 (zur Namensfeier) Lydia's Vocalises: Vocalise No. 20 ©L©Envie© The Romantic Piano Concerto 53 - Reger & Strauss Concerto Köln, Michael Güttler (conductor) Ann Murray (mezzo), John Chest (baritone), Iestyn Davies REGER: Piano Concerto in F minor Op. 114 4:34 AM (countertenor), Nigel Cliffe (baritone), Ben Johnson (tenor), STRAUSS, R: Burleske for Piano and orchestra in D minor, Byrd, William (c.1540-1623) Lorna Anderson (soprano), Janis Kelly (soprano), Joan Rodgers AV85 Pavana lachrimae (after John Dowland) for keyboard (MB.28.54) (soprano), Malcolm Martineau (piano) Marc-Andre Hamelin (piano), Rundfunk-Sinfonieorchester Aapo Häkkinen (harpsichord) SIGNUM SIGCD427 (CD) Berlin, Ilan Volkov (conductor) 4:42 AM HYPERION CDA67635 (CD) Turina, Joaquín (1882-1949) Faure: Apres un reve Rapsodia sinfonica for piano and string orchestra (Op.66) FAURE: Nocturne No. 4 in E flat major Op. 36; Nocturne No. 6 Reger: Choral Music Angela Cheng (piano), Calgary Philharmonic Orchestra, Hans in D flat major Op. 63; Barcarolle No. 5 in F sharp minor Op. 66; REGER: Der Einsiedler Op. 144a; Drei sechsstimmige Chore Op. Graf (conductor) Barcarolle No. 6 in E flat major Op. 70; Barcarolle No. 7 in D 39; Drei Chore Op. 6; Drei Gesange Op. 111b; 4:51 AM minor Op. 90; Pavane Op. 50 (transcribed by Louis Lortie); Palmsonntagmorgen; Requiem Op. 144b Franceschini, Petronio (1650-1680) Preludes (9) Op. 103; Apres un reve Op. 7 No. 1 (arranged by Alice Gribbin (soprano), Christopher Glynn (piano), Consortium, Sonata for 2 trumpets, strings and continuo in D major Percy Grainger); Pelleas et Melisande Op. 80 (suite) (movement 3 Andrew-John Smith (conductor) Yordan Kojuharov & Petar Ivanov (trumpets), Teodor Moussev arranged by Alfred Cortot) HYPERION CDA67762 (CD) (organ), Sofia Philharmonic Orchestra, Yordan Dafov (conductor) Louis Lortie (piano) CHANDOS CHAN10915 (CD) 10.10am 5:01 AM Bruckner & Zemlinksy: String Quintets Haapalainen, Väinö (1893-1945) 9.30am Proms Composer: Max Reger (1873 - 1916) BRUCKNER: String Quintet in F major; Intermezzo for String Lemminkainen Overture (1925) Summer Record Review©s Proms Composer feature explores Quintet in D minor Finnish Radio Symphony Orchestra, Atso Almila (conductor) recordings of the music of German composer, pianist, organist, ZEMLINSKY: String Quintet in D minor 5:09 AM and teacher Max Reger, ahead of the Proms performance of his Bartholdy Quintet Chausson, Ernest (1855-1899) ©Variations and Fugue on a Theme by Mozart© next week. AVI MUSIC AVI8553348 (CD) Pavane & Forlane - from ©Quelques Danses© (Op.26) Bengt Åke-Lundin (piano) Reger: Organ Works, Vol. 1 Edition Staatskapelle Dresden - Volume 38 5:19 AM REGER: Fantasy and Fugue on B-A-C-H Op. 46; Erste Suite E BRUCKNER: Symphony No. 7 in E Major Vivaldi, Antonio (1678-1741) minor Op. 16; Organ Sonata No. 1 in F sharp minor Op. 33; WAGNER: Das Liebesmahl der Apostel, WWV 69 Kyrie eleison in G minor for double choir and orchestra (RV.587) Zwolf Stucke Op. 80: No. 10; Zwolf Stucke Op. 80: No. 11 Staatskapelle Dresden, Christian Thielemann (conductor) Choir of Latvian Radio, Riga Chamber Players, Sigvards Klava ©Toccata©; Zwolf Stucke Op. 80: No. 12; Zwolf Stucke Op. 80: PROFIL MEDIEN PH15013 (2CD) (conductor) No. 8 Romanze in A minor; Organ Sonata No. 2 in D minor Op. Reich: Double Sextet & Radio Rewrite 5:29 AM 60 REICH: Double Sextet; Radio Rewrite Schubert, Franz (1797-1828) Gerhard Weinberger (organ) Ensemble Signal, Brad Lubman Piano Trio in E flat major (D.897), ©Notturno© CPO 7777172 (2Hybrid SACD) HARMONIA MUNDI HMU907671 (CD) Grieg Trio 5:40 AM Vivit! 10.40am Hannah French on recent early music releases Farkas, Ferenc [1905-2000] REGER: Melodia Op.
Load more

Recommended publications
  • 1 Madama Butterfly I Personaggi E Gli Interpreti
    1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly .
    [Show full text]
  • Program Aida
    AÏDA ANNONSE Giuseppe Verdi AÏDA Opera i fire akter Libretto av Antonio Ghislanzoni Fremføres på originalspråket italiensk Sommeropera på Bergenhus Festning 14., 16., 18. og 20. august 2005 Regissør: Sandro Santillo Scenografi- og kostymedesigner: Kentaur Dirigent/kunstnerisk leder: Anne Randine Øverby Aïda: Galina Gorchakova Radames: Ernesto Grisales Amneris: Eugenie Grunewald Amonasro: Anooshah Golesorkhi Ramfis: Arutjun Kotchinian Konge: Balátz Póka Yppersteprestinne: Sylvia Skeie Vik Budbærer: Daniel Icobescu Prester, prestinner, tjenere, feltherrer, soldater, slaver, egyptiske fanger, egyptiske folk: Timisoara Filharmoniske Kor Bergen Operakor Fra VNOs Barnekor Ragazzi: Randi Emilie Dahlen, Marie Stølsbotn, Susanne Grønner, Ina Rokne Midtun, Teresia M. S. Aarskog, Laura Agathe Moberg, Ida Ludvigsen, Grete Iren Grønner, Alette Jervell Pettersen Små barn: Åshild Øyro, ,Laura Hagen Aadland, Kaja Rønning Statister: Birthe Gundersen, Alexandra Hoff, Korinnstudering: Anne Randine Øverby, Repetitør: Sabrina Trosje Orkester: Timisoara Filharmoniske Orkester Lysdesign: Lysteknikk: AVAB CAC Bergen; Jørgen Lystrup, Per Rye Ravnestad, Lyddesign: Peter Dan Lydteknikk: AVAB CAC Bergen; Karim Balgobin, Terje Ellefsen. Scenografiassistent: Peter Hala’sh Kostymeassistent: Antonia Baranyai Sceneteknikk: Sverre Hus, Stig Thorsen, Espen Tufta Søm/påkledning: Guri-Marie Johnsen, Aud Engevik, Gunn-Bente Solstrand Hår/maske: Tove Ingebrigtsen, Tonny Garmannslund, Kristine Fjose, Marit Pedersen Inspisient: Annlaug Hus Støttet av Norsk Kulturråd Bakgrunn AïDA er en stor opera med en forhistorie og tilblivelse som ikke står tilbake operaens handling når det gjelder dramatikk. I 1867 ble Egypt lagt under tyrkisk herredømme, en tilstand som vedvarte frem til 1914. 2 år senere ble Suez-kanalen åpnet, og i denne forbindelsen ønsket khediven Ismael Pasha å bestille en ny opera fra en av samtidens ledende operakomponister. Fremføringen av operaen skulle samtidig innvie den nye italienske operaen i Kairo, som khediven hadde latt bygge.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Martina Filjak – Biography
    Martina Filjak – biography ”Martina Filjak revealed herself to be a premium class pianist'' Süddeutsche Zeitung “' Brilliant , sensitive and imaginative playing with resourcefulness of technique and naturalness of musicality ...a striking individuality ...a pianist to watch'' The New York Times One of the most exciting artists to emerge in recent years, Martina Filjak is garnering international praise for her poetic passion and technical mastery at the keyboard as well as for her charismatic personality and magnetic stage presence. Martina Filjak came to international attention by winning the Gold Medal, the 1st prize and the Beethoven prize at the Cleveland International Piano Competition in 2009, which brought her numerous engagements in the United States and internationally. Prior to that, she won 1st prizes at the Maria Canals Piano Competition (Barcelona) and the Viotti Piano Competition (Vercelli), and was a laureate at the Busoni Piano Competition. The 18-19 season kicked off with a performance of the 2nd Piano Concerto by Brahms alongside the Staatskapelle Halle at the Music Festival in Chorin, Germany and continues with a series of concerto performances that include collaborations with Orquesta Filarmónica de Bogotá and Diego Naser, the New West Symphony and Fawzi Haimor, the Norddeutsche Philharmonie Rostock and Nicholas Milton, the Colorado Springs Philharmonic and Josep Caballé Domenech, the Filarmònica de Málaga and Guillermo Garcia Calvo, the Capella Aquileia and Paul Goodwin, the Orquesta Filarmónica de Buenos Aires at the Teatro Colon and Manuel Hernández Silva, the Torino Philharmonic and the Zagreb Soloists, various chamber music performances as well as a recital tour in Latin America. Martina Filjak’s latest CD has been released in 2016 on Solo Musica (distributed by Sony Music) with works by Bach, Schumann and Scriabin.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • R a I R a D I O 5 C L a S S I C a Domenica 05. 03. 2017
    RAI RADIO5 CLASSICA sito web: www.radio5.rai.it e-mail: [email protected] SMS: 347 0142371 televideo pag. 539 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto DOMENICA 05. 03. 2017 00:00 EUROCLASSIC NOTTURNO: mantzaros, nicolaos (1795-1872): sinfonia di genere orientale - [9.28] - orch sinf nazionale della radio greca dir. andreas pylarinos (reg. 11/06/2005) - enescu, george (1881-1955): konzertstück per vla e pf - [8.53] - gyözö máté, vla; balázs szokolay, pf - duruflé, maurice (1902-1986): quatre motets sur des thèmes grégoriens op. 10 - [7.58] - tallinn music high school chamber choir dir. evi eespere - wagenseil, georg christoph (1715-1777): concerto in mi bem mag per trbne e orch - [9.37] - warwick tyrrell, trbne; adelaide symphony orch dir. nicholas braithwaite - scriabin, alexander (1872-1915): preludio e notturno per la mano sinistra op. 9 - [10.17] - martina filjak, pf - ciajkovskij, piotr (1840-1893): marcia slava in si bem min op. 31 - [9.36] - BBC philharmonic orch dir. rumon gamba (reg. hanley, 11/03/1999) - brahms, johannes (1833-1897): trio per pf e archi n. 3 in do min op. 101 - [17.46] - tamas major, vl; peter szabo, vcl; zoltán kocsis, pf - schubert, franz (1797-1828): fantasia in do mag per pf (D 760) "wanderer" - [21.27] - paul lewis, pf (reg. bath, 28/05/1998) - grieg, edvard (1843-1907): dai tempi di holberg, suite op. 40 - [20.02] - bergen philharmonic orch dir. andrew litton 02:00 Il ritornello: riproposti per voi i programmi trasmessi ieri sera dalle ore 20:00 alle ore 24:00 06:00 ALMANACCO IN MUSICA: georg friedrich haendel: concerto in si bem mag per org orch e b.
    [Show full text]
  • Träum Weiter Vom Orchester Der Zukunft
    1 7. DEUTSCHER ORCHESTERTAG 3. UND 4. NOVEMBER 2019 Umweltforum Berlin Auferstehungskirche TRÄUM WEITER VOM ORCHESTER DER ZUKUNFT. Gefördert von: VORWORT WILLKOMMEN BEIM DOT 2019 Wir begrüßen Sie herzlich zum 17. Deutschen Orchestertag 2019! Im vergangenen Jahr haben wir den zweiten Tag unserer Konferenz zum ersten Mal für Orchestermusiker*innen geöffnet, damit der Orchestertag zu einem Forum für Aus­ tausch, Dialog und dem besseren gegenseitigen Verstehen für Management und Musiker wird. Das konstruktive und positive Feedback bestätigt uns darin, diesen Prozess in diesem Jahr fortzuführen. Neben praktischen Aspekten der Digitalisierung wie etwa Apps und Technik, die das Konzerterlebnis bereichern, und den Chancen von digitalem Noten­ material für den gesamten Theater­ oder Orchesterbetrieb legen wir einen deutlichen Schwerpunkt auf die Fragestellung: Was ist das Orchester der Zukunft? Was ist die Zukunft der Orchester? Gemeinsam mit dem Dirigenten Iván Fischer, Mitgliedern der Jungen Deutschen Philharmonie und anderen Impulsgebern möchten wir überlegen, wie ein Orchester aussehen könnte, das (noch) nicht den Zwängen des Arbeitsalltags und unseren verfestigten Vorstellungen von Orchesterleben unterworfen ist. Am Sonntag werden wir uns wie üblich der Fortbildung widmen. Mit unserem bewährten Premiumpartner der Mannheimer Versicherung haben wir für die gleich­ namige Akademie erneut ein Programm zusammengestellt, das wertvolle Impulse für den Orchestermanagement­Alltag zu den Themen New Work und Agiles Management gibt. Wir freuen uns auf
    [Show full text]
  • Private Musiksammlung Archiv CD/DVD
    Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Tagliaferri Tagliaferri Piscatore e Pusilleco - Luciano Pavarotti - - - - - - - - - n OS - 410015,1 Tagliaferri - - 01.01.1900 - W 0,046 - T- CD Tchaikowsky Der Kaufmann von - 2013 Bregenz Charles Workman - Magdalena Anna Erik Nielsen O - 18.07.2013 Oe 1 Hofmann - Christopher Ainslie - Jason 2208,01 André Tchaikowsky Venedig - Bridges - Kathryn Lewek - Juliusz (1935 - 1982) - Wiener Symphoniker 18.07.2013 - Kubiak - Verena Gunz - David Stout - Oper 1 - Keith Warner - Ashley Martin-Davis cda1311 T- M 4 3 CD Telemann Heilig, heilig ist Gott - 2004 Magdeburg Dorothee Fries - Martin Oro - Andreas Ulrich Stötzel Ch-O - 12.03.2004 DLR Berlin Post - Albrecht Pöhl - - - - - 407,01 Georg Philipp - Collegium vocale des Bach-Chores Telemann (1681 - - Hannoversche 24.03.2004 - Siegen - Hofkapelle TWV 2,06 - cda404 T- Dok 117 2 CD Telemann Unsterblicher - 2000 Magdeburg Sophie Daneman - Alison Hagley - Simon Preston O - 16.03.2000 DLR Berlin Rufus Müller - Paul Agnew - Roman 408,01 Georg Philipp Nachruhm Friedrich - Trekel - Colin Campbell - - - - Telemann (1681 - Augusts - verfaßt auf den Tod Augusts Orchestra of the Age 08.08.2000 - des Starken of Enlightenment TWV 4,07 - cda404 T- VHS-Audi 2 CD o Telemann Brockes-Passion - 2005 Paris Annette Dasch - Dietrich Henschel - René Jacobs O - 23.03.2005 Fr.
    [Show full text]
  • Martina Filjak, Piano 6
    Martina Filjak, piano 6 DILLUNS, 29 D’agost DE 2016 – 21.00 h Estiu al Palau Sala de Concerts Martina Filjak, piano Programa I Franz Joseph Haydn (1732-1809) Variacions en Fa menor, Hob. XVII:6 12’ Sonata en Sol menor, Hob. XVI:44 11’ 1. Moderato 2. Allegretto Johann Sebastian Bach (1685-1750) – Franz Liszt (1811-1886) Preludi i fuga en La menor, S. 462/1 11’ II Franz Liszt Dues llegendes, S.175 19’ 1. Sant Francesc d’Assís: la prèdica als ocells 2. Sant Francesc de Paula caminant sobre les aigües Franz Liszt – Gaetano Donizetti (1797-1848) Reminiscències de ‘Lucia di Lammermoor’, S. 397 6’ Franz Liszt – Giuseppe Donizetti (1788-1856) Marxa per al sultà Abdul Medjid-Khan, S.403 bis 8’ Martina Filjak “Brillant, sensible i imaginativa, juga amb la inventiva de [...] la musicalitat [...]. Una individualitat sorprenent [...]. Una pianista per veure.” «The New York Times» És una de les artistes joves més prometedores dels últims anys. Acumula elogis arreu del món per la seva passió poètica i el control tècnic del seu instrument, a més de tenir una personalitat carismàtica i una presència magnètica a l’escenari. Després de graduar-se a l’Acadèmia de Música del Zagreb, va acabar els estudis de piano al Conservatori de Viena i, posteriorment, a la Hochschule für Musik de Hannover. A més, va assistir a classes de Màster a l’Acadèmia de Piano de Como. Des que va guanyar el primer premi del Concurs Internacional de Piano de Cleveland, Martina Filjak ha actuat als escenaris més prestigiosos, com el Carnegie Hall de Nova York, Konzerthaus de Berlín, Musikverein de Viena i Concertgebouw d’Amsterdam, a més del Palau de la Música Catalana, Sala Verdi i Auditori de Milà, Teatro San Carlo de Nàpols i a la Salle Gaveau de París.
    [Show full text]
  • 12-02-2019 Queen of Spades Eve.Indd
    PYOTR ILYICH TCHAIKOVSKY the queen of spades conductor Opera in three acts Vasily Petrenko Libretto by Modest Tchaikovsky production Elijah Moshinsky and the composer, based on the story by Alexander Pushkin set and costume designer Mark Thompson Monday, December 2, 2019 lighting designer 7:30–11:05 PM Paul Pyant choreographer John Meehan revival stage director Peter McClintock The production of The Queen of Spades was made possible by a generous gift from the Lila Acheson and DeWitt Wallace Endowment Fund, established by the founders of The Reader’s Digest Association, Inc. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2019–20 SEASON The 73rd Metropolitan Opera performance of PYOTR ILYICH TCHAIKOVSKY’S the queen of spades conductor Vasily Petrenko in order of vocal appearance tchekalinsky the governess Paul Groves* Jill Grove sourin masha Raymond Aceto* Leah Hawkins** count tomsk y / plutus master of ceremonies Alexey Markov Patrick Cook hermann chloë Yusif Eyvazov Mané Galoyan prince yeletsk y tchaplitsky Igor Golovatenko Arseny Yakovlev** lisa naroumov Lise Davidsen Mikhail Svetlov the countess Larissa Diadkova catherine the gre at Sheila Ricci pauline / daphnis Elena Maximova piano solo Lydia Brown* Monday, December 2, 2019, 7:30–11:05PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Tchaikovsky’s The Musical Preparation John Keenan, Yelena Kurdina, Queen of Spades Lydia Brown*, and Natalia Katyukova* Assistant Stage Directors Gregory Keller and Paula Williams Children’s Chorus Director Anthony Piccolo Prompter Yelena Kurdina Met Titles Sonya Haddad Assistant to the Costume Designer Charlotte Bird Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This performance uses strobe-light and gunshot effects.
    [Show full text]
  • Vladimir Krpan 80 Plus 20.1.2018
    VLADIMIR KRPAN 80 PLUS Učenici svojem Profesoru u povodu njegova 80. rođendana Martina Filjak, Katarina Krpan Srđan Filip Čaldarović, Maksim Mrvica Pedja Mužijević, Bruno Vlahek Vladimir Krpan glasovir Zagrebačka filharmonija Tonči Bilić, dirigent Subota, 20. siječnja 2018. u 19.30 sati Koncertna dvorana Vatroslava Lisinskog Wolfgang Amadeus Mozart 3 Uvertira operi Figarov pir, K. 492 Wolfgang Amadeus Mozart Koncert za dva glasovira i orkestar u Es-duru, K. 365 Allegro Andante Rondo: Allegro Martina Filjak, glasovir Pedja Mužijević, glasovir Francis Poulenc Koncert za dva glasovira i orkestar u d-molu, FP 61 Allegro ma non troppo Larghetto Finale: Allegro molto Bruno Vlahek, glasovir Srđan Filip Čaldarović, glasovir * * * Dmitrij Šostakovič Svečana uvertira u A-duru, op. 96 Antonín Dvořák – John Lenehan Koncert iz Novoga svijeta, za glasovir i orkestar Nikolaj Rimski-Korsakov – Sergej Rahmanjinov Bumbarov let iz 3. čina opere Priča o caru Saltanu, za glasovir Maksim Mrvica, glasovir Boris Papandopulo Pop-koncert, za dva glasovira i orkestar Nakladnik: Koncertna dvorana Vatroslava Lisinskog Za nakladnika: Dražen Siriščević, ravnatelj Katarina Krpan, glasovir Producentica programa: Martina Vukšić Vladimir Krpan, glasovir Urednica: Jelena Vuković Autorica teksta: Ana Vidić Lektorica: Rosanda Tometić Poslije koncerta s umjetnicima razgovara Gordana Krpan. Oblikovanje i grafička priprema: Daniel Ille Tisak: Intergrafika TTŽ d. o. o., Zagreb Naklada: 450 primjeraka Cijena: 20 kuna www.lisinski.hr VLADIMIR KRPAN 4 „Vladimir Krpan je dubinski pokrenutom snažnom i sveobuhvaćajućom 5 gestom otkrivao i s istraživačkim elanom uranjao u prostore duha otvorene prema naslijeđenim horizontima generacija svojih prethodnika koji su sudjelovali u europskom konceptu ideja glazbe i kulture od početka 20. stoljeća. Oživljavajući u svakom trenutku i trajno interpretirajući stratešku poziciju izvođača između djela, autora i publike, pridodao joj je snagom svog talenta simboličko značenje i sjaj te time produbio istovremeno svoju intimnu glazbenu, ali i javnu odgovornost.
    [Show full text]
  • Verdi's La Forza Del Destino
    Verdi’s La forza del destino - A survey of the studio and selected live recordings by Ralph Moore Despite its musical quality, variety and sophistication, La forza del destino is something of an Ugly Duckling among Verdi’s mature works, and it is for that reason that I did not survey it when I previously covered most of Verdi’s major and most popular operas. It suffers from a sprawling structure whereby succeeding scenes can seem disjointed, some peculiar motivation, an excess of disguise, an uncertain tone resulting from an uneasy admixture of the tragic and the would-be comical, and the presence of two characters with whom, for different reasons, it is difficult to empathise. Don Carlo suffers from a pathological obsession with revenge resulting in his stabbing his own sister as an “honour killing”; his implacable bloodlust is both bizarre and deeply repugnant, while Preziosilla must be one of the most vapid and irritating cheerleaders in opera. “Rataplan, rataplan” – rum-ti-tum on the drum, indeed; it takes a special singer to transcend the banality of her music but it can be done. Although it is just about possible to argue that guilt and shame are at the root of their behaviour, it is mostly inexplicable to modern audiences that Alvaro and Leonora separate after her father’s accidental death and never again try to reunite until they meet again by chance – or fate - in the last scene set five years later. Verdi attempts to lighten the relentlessly grim mood by the inclusion of a supposedly comic character in Fra Melitone who often isn’t very funny – and what is the point of Trabuco, a superfluous peddler? Finally, what the heck is an Incan prince doing in Seville, anyway? While fully aware of its failings, I have returned to La forza del destino because it contains some marvellous music and the kinds of emotional turmoil and dramatic confrontation which lie at the heart of opera.
    [Show full text]