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The Evolution of the U.S. Navy's Maritime Strategy
U.S. Naval War College U.S. Naval War College Digital Commons Newport Papers Special Collections 2004 The Evolution of the U.S. Navy's Maritime Strategy John B. Hattendorf Follow this and additional works at: https://digital-commons.usnwc.edu/usnwc-newport-papers Recommended Citation Hattendorf, John B., "The Evolution of the U.S. Navy's Maritime Strategy" (2004). Newport Papers. 20. https://digital-commons.usnwc.edu/usnwc-newport-papers/20 This Book is brought to you for free and open access by the Special Collections at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Newport Papers by an authorized administrator of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. NAVAL WAR COLLEGE NEWPORT PAPERS 19 N A The Evolution of the U.S. Navy’s V AL Maritime Strategy, 1977–1986 W AR COLLEGE NE WPOR T P AP ERS N ES AV T A A L T W S A D R E C T I O N L L U E E G H E T R I VI IBU OR A S CT MARI VI 1 9 John B. Hattendorf, D. Phil. Cover This perspective aerial view of Newport, Rhode Island, drawn and published by Galt & Hoy of New York, circa 1878, is found in the American Memory Online Map Collections: 1500–2003, of the Library of Congress Geography and Map Division, Washington, D.C. The map may be viewed at http://hdl.loc.gov/ loc.gmd/g3774n.pm008790 The Evolution of the U.S. -
August 2018 Issue of Newsnet
August 2018 • v. 57, n. 4 NewsNet News of the Association for Slavic, East European, and Eurasian Studies When the East Tries to Become the West Lynn M. Tesser, Marine Corps University Following the example of Anna Grzymala- best court external forces.4 Greek expatriate activists and Busse’s President’s Address at last year’s convention, this Philhellenes more genuinely advocated for recognition of article considers the 2018 Annual Convention theme of a European nation-state centered on the reconstruction “Performance” by comparing the incomparable.1 I examine of Ancient Hellas,5 thus illustrating Chip Gagnon’s claim the two major Western-centric efforts at “Europeanizing” that major powers, which facilitated the international the East: attempts to establish institutions, policies, and recognition of an area’s independence and sovereignty, practices associated, first, with the modern nation-state shaped nationalist discourse towards demonstrating the concept, and second, with the European Union (EU). Both existence of a territorially-based, linguistically-defined inspired certain performances from eastern elites, whether nation.6 as nationalists, Europeans, or both, potentially altering Following the defeat of Napoleon and European values and identities. Comparing these periods explains governments’ move towards or enhancement of why scholars tend to underestimate the retrenchment of authoritarianism, the Greek campaign channeled liberal-democracy after the “return to Europe.” unfulfilled desires for political liberalism and constitutional The first major application of the modern nation- government across Europe even though most inhabitants state concept in the East began with recognition of Greece of the incipient Greece showed little appetite for liberalism.7 in 1830 – the inaugural state recognized for a specific Major powers initially categorized the Greek rebellion as people.2 Yet few Greeks on the Peloponnese or nearby a liberal revolt comparable to the 1820-21 rebellions in areas wanted a nation-state. -
Annual Report of the Institute for the Study of Totalitarian Regimes for 2008
Annual Report 2009Institute for the Study of Totalitarian Regimes Contents A few words of introduction from the chairwoman of the Institute Council............................. 4 A few words of introduction from the Institute’s Director............................................................ 5 Council of the Institute for the Study of Totalitarian Regimes.................................................... 6 1. Activities of the Institute for the Study of Totalitarian Regimes.............................................. 7 Thematic focal points approved by the Council............................................................................... 7 Research, scholarly investigation and documentation activities............................................ 9 1. Research projects................................................................................................. 10 2. Documentation projects...................................................................................... 14 Educational, exhibition and publication activities................................................................. 18 1. Educational activities......................................................................................... 18 2. Overview of conferences, symposia and seminars held in 2009.................... 21 3. Series of public history seminars....................................................................... 22 Exhibition and publication activities, communication platforms and education on civic responsibility.............................................................................................................................. -
Art Exhibitions Between 1920S and 1930S, Reflected in the Avant- Garde Magazine UNU
Învăţământ, Cercetare, Creaţie Vol. 7 No. 1 - 2021 171 Art Exhibitions between 1920s and 1930s, Reflected in the Avant- garde Magazine UNU Cristina GELAN1 Abstract: In the first decades of the twentieth century, when the trend of emancipation of Romanian culture - literature, but also art, under the influence of traditionalist direction and synchronization with European ideas became increasingly evident, the avant-garde movement proposed a series of aesthetic programs, aiming to impose a new vision, both in literature and in art. In this sense, the magazines founded during this period had a major role, even if many of them appeared for relatively short periods of time. Among them, there is the magazine UNU, a publication that appeared in Dorohoi, between April and December 1928, and later, between January 1929 and December 1932, in Bucharest. The magazine had declared itself surrealist and promoted the experiences of avant-garde events. Key-words: Romanian art; avant-garde; new art; UNU; surrealism 1. Introduction In the context of the first decades of the twentieth century, in which the trend of emancipation of Romanian culture - literature, but also art, under the influence of traditionalist direction and synchronization with European ideas became increasingly obvious, the avant- garde movement proposed a series of aesthetic programs, aiming to impose a new vision, both in literature and in art. In this sense, the magazines founded during this period had a major role, even if many of them appeared for relatively short periods of time. Among them, there is the magazine UNU, a publication that appeared in Dorohoi, between April and December 1928, and later, between January 1929 and December 1932, in Bucharest. -
Balint Juhasz Doctoral School of History, Pázmány Péter Catholic University
VI International Forum for Doctoral Candidates in East European Art History, Berlin, 3rd May 2019, organized by the Chair of East European Art History, Humboldt University Berlin Balint Juhasz Doctoral School of History, Pázmány Péter Catholic University The Italian trend of the Interwar Hungarian Neoclassicism Art in Transylvania Subject and main question of the PHD Project The Trianon Treaty of 4 June 1920 led to the break-up of certain regions from the Austro-Hungarian Empire and the birth of new nations. Before World War I, Hungarian artists from Transylvania were studying in Munich and Paris. Tightening the boundaries and breaking away from the motherland led to the creation of a new part of the country. In Transylvania, at the beginning of the 1920s, the only colony of artists at European level existed in Nagybánya (Baia Mare), where not only Hungarians but also Romanian and German students could learn. On the other hand, the artschool of Kolozsvár (Cluj) founded in 1925 and then relocated to Timisoara was an alternative solution. Aurel Ciupe, a Romanian artist who teached there, had a greater insight into European developments. Paris remained the most important station for Romanian artists in Bucharest and Transylvania. Nevertheless, some German artists like Max Hermann Maxy and Fritz Kimm preferred Berlin for retraining. By contrast, in the 1920s and 1930s, Italy underwent through a major transformation. Already in 1917 and 1918, many members of the Italian artistic generation, who survived the horrors of the war, forgot the lively optimism and radicalism of futurism. Leading figures as Giorgio de Chirico, Mario Sironi, and Felice Casorati have chosen the spirituality of Valori Plastici and Novecento. -
ROTES ANTIQUARIAT Katalog Frühjahr 2011 Kunst Und Literatur Titel-Nr
ROTES ANTIQUARIAT Katalog Frühjahr 2011 Kunst und Literatur Titel-Nr. 7 Inhaltsverzeichnis KUNST – Dokumentationen, illustrierte Bücher und graphische Folgen 3 Dadaismus, Futurismus und Surrealismus 6 Expressionismus 24 Fotografie 42 Konstruktivismus/ Funktionalismus 45 Sowjetische Propaganda 68 Der Sturm 70 Verismus 71 Einzelblätter 74 LITERATUR 90 EXIL 114 Wir sind jederzeit am Ankauf ganzer Sammlungen und einzelner Publikationen und Graphiken interessiert. Katalogbearbeitung: Friedrich Haufe Kataloggestaltung: Markéta Cramer von Laue Fotografie: Lara Siggel Übersetzungen: Constanze Hager u.a. Orders from the USA: [email protected] Bestellungen bitte an: Rotes Antiquariat und Galerie C. Bartsch Knesebeckstr. 13/14, 10623 Berlin-Charlottenburg Tel. 030-37 59 12 51, Fax 030-31 99 85 51 [email protected] Mitglied im Bankverbindung: Member of Christian Bartsch Postbank Berlin, Konto-Nr. 777 844 102 Deutsche Bank, Konto-Nr. 135 687 200 Für unsere Schweizer Kunden Christian Bartsch, Konto 91-392193-5, PostFinance Schweiz Steuer-Nummer 34/217/58303 USt-ID 196559745 Katalog Frühjahr 2011 Kunst und Literatur Seite 5 Kunst I KUNST DOKUMENTATIONEN,ILLUSTRIERTE BÜCHER UND GRAPHISCHE FOLGEN 1. Abstraction, Création, Art non figurativ. 1932. Heft 1 (von 5). (Paris). 1932. 48 S. Mit zahlr. Abb. 4°, Orig.-Umschlag. (Bestell-Nr. KNE10061) 800,- € Original-Ausgabe. - "Abstraction-Création" vereinte die beiden Gruppen "Cercle et Carré" und die aus ihr hervorgegangene, vor allem durch van Doesburg initiierte Abspaltung "Art concret"; die Zusammenfügung -
Nicholas Murray BUTLER Arranged Correspondence Box Contents Box
Nicholas Murray BUTLER Arranged Correspondence Box contents Box# Box contents 1 Catalogued correspondence 2 A-AB 3 AC - ADAMS, J. 4 ADAMS, K.-AG 5 AH-AI 6 AJ-ALD 7 ALE-ALLEN, E. 8 ALLEN, F.-ALLEN, W. 9 ALLEN, Y. - AMERICAN AC. 10 AMERICAN AR. - AMERICAN K. 11 AMERICAN L.-AMZ 12 ANA-ANG 13 ANH-APZ 14 AR-ARZ 15 AS-AT 16 AU-AZ 17 B-BAC 18 BAD-BAKER, G. 19 BAKER, H. - BALDWIN 20 BALE-BANG 21 BANH-BARD 22 BARD-BARNES, J. 23 BARNES, N.-BARO 24 BARR-BARS 25 BART-BAT 26 BAU-BEAM 27 BEAN-BED 28 BEE-BELL, D. 29 BELL,E.-BENED 30 BENEF-BENZ 31 BER-BERN 32 BERN-BETT 33 BETTS-BIK 34 BIL-BIR 35 BIS-BLACK, J. 36 BLACK, K.-BLAN 37 BLANK-BLOOD 38 BLOOM-BLOS 39 BLOU-BOD 40 BOE-BOL 41 BON-BOOK 42 BOOK-BOOT 43 BOR-BOT 44 BOU-BOWEN 45 BOWER-BOYD 46 BOYER-BRAL 47 BRAM-BREG 48 BREH-BRIC 49 BRID - BRIT 50 BRIT-BRO 51 BROG-BROOKS 52 BROOKS-BROWN 53 BROWN 54 BROWN-BROWNE 55 BROWNE -BRYA 56 BRYC - BUD 57 BUE-BURD 58 BURE-BURL 59 BURL-BURR 60 BURS-BUTC 61 BUTLER, A. - S. 62 BUTLER, W.-BYZ 63 C-CAI 64 CAL-CAMPA 65 CAMP - CANFIELD, JAMES H. (-1904) 66 CANFIELD, JAMES H. (1905-1910) - CANT 67 CAP-CARNA 68 CARNEGIE (1) 69 CARNEGIE (2) ENDOWMENT 70 CARN-CARR 71 CAR-CASTLE 72 CAT-CATH 73 CATL-CE 74 CH-CHAMB 75 CHAMC - CHAP 76 CHAR-CHEP 77 CHER-CHILD, K. -
June 2019 Newsnet
NewsNet News of the Association for Slavic, East European and Eurasian Studies June 2019 v. 59, n. 3 TABLE OF CONTENTS Who’s Laughing Now?: What Volodymyr Zelensky’s 2 Presidential Win May Mean for Ukraine Studies War on the Academy: The Hungarian Government’s 8 Crackdown on Research Freedom 14 2019 Research Grant Recipients Cohen-Tucker Dissertation 16 Research Fellowship Recipients 21st-Century Approaches to 18 Copyright Law 22 Affiliate Group News 24 Publications 28 Personages 29 In Memoriam 30 Institutional Member News Association for Slavic, East European, and Eurasian Studies (ASEEES) 203C Bellefield Hall, 315 S. Bellefield Ave Pittsburgh, PA 15260-6424 tel.: 412-648-9911 • fax: 412-648-9815 www.aseees.org ASEEES Staff Executive Director: Lynda Park 412-648-9788, [email protected] NewsNet Editor & Program Coordinator: Trevor Erlacher 412-648-7403, [email protected] Communications Coordinator: Mary Arnstein 412-648-9809, [email protected] Membership Coordinator: Sean Caulfield 412-648-9911, [email protected] Convention Manager: Margaret Manges 412-648-4049, [email protected] Financial Support: Roxana Palomino 412-648-4049, [email protected] Who’s Laughing Now?: WHAT VOLODYMYR ZELENSKY’S PRESIDENTIAL WIN MAY MEAN FOR UKRAINE STUDIES William Jay Risch GEORGIA COLLEGE It was not supposed to happen this way in Ukraine. Comedian and entertainer Volodymyr Zelensky, a man with no political experience whatsoever, defeated incumbent President Petro Poroshenko, a prominent figure in Ukrainian politics for the past two decades. He won despite Ukraine being five years in a hybrid war with Russia that has cost at least 13,000 lives by late February 2019 and has led to as many as 1.8 million people still being registered as Internally Displaced Persons (IDPs) as of July 2018.1 It was not a defeat. -
Lista Proiectelor Organizate De Reprezentanțele ICR Din Străinătate În Luna Aprilie 2017
Lista proiectelor organizate de reprezentanțele ICR din străinătate în luna aprilie 2017 Institutul Cultural Român de la Beijing 12, 18 aprilie / Conferința „Cultura României descoperită de studenții chinezi“ a avut loc în data de 12 aprilie, la Academia de Arte din Beijing și apoi în data de 18 aprilie, la Universitatea de Studii Străine din Beijing, la solicitarea celor două instituții de învățământ. Conferințele au fost susținute de directorul ICR Beijing, Constantin Lupeanu, în limba chineză. Prima prelegere a avut ca temă „România – dezvoltarea artelor plastice în România și grafica românească“, iar cea de-a doua „România – limbă, cultură și civilizație“, fiecare temă fiind aleasă în funcție de profilul instituției unde a avut loc. Proiectul a fost organizat în colaborare cu Academia de Arte din Beijing și cu Universitatea de Studii Străine din Beijing. 16 aprilie – 3 mai / Participarea artistului Vlad Basarab la la Bienala Internațională de Ceramică de la Gyeonggi, Coreea de Sud la 4th Hong Guang Zi Qi International Ceramic Art Festival“, la Kai Hong Tang Art Museum din Yixing, provincia Jiangsu, China (desfășurată în perioada 15 – 28 aprilie 2017) și la evenimentele conexe organizate în cadrul celor două expoziții. Vlad Basarab a prezentat portul tradițional românesc în cadrul ceremoniei de deschidere a expoziției internaționale de ceramică, a susținut o prelegere în fața studenților de la Institutul de Tehnologie din Wuxi, China (Wuxi Institute of Technology), în data de 27 aprilie, a realizat artist talk-uri în cadrul Centrului Mondial de Ceramică din Icheon, Coreea de Sud (Icheon World Ceramic Center), în perioada 29-30 aprilie. În cadrul Bienalei Internaționale de Ceramică de la Gyeonggi, Coreea de Sud, artistul Vlad Basarab a participat cu filmul Arheologia Memoriei – Instalație. -
June 2018 Newsnet
NewsNet News of the Association for Slavic, East European and Eurasian Studies June 2018 v. 58, n. 3 TABLE OF CONTENTS 2 Prague Spring at 50 In Search of the “Perfect Collection”: Armenian Studies 8 Collections at the UC-Berkeley Library Collaborating across Centers 12 and Disciplines: Pitt’s Central Eurasia Initiative 14 Affiliate Group News 16 Publications 22 Personages Cohen-Tucker Dissertation 24 Research Fellowship Recipients 26 In Memoriam 28 Institutional Member News 31 Member Spotlight: Dan Healey Association for Slavic, East European, and Eurasian Studies (ASEEES) 203C Bellefield Hall, 315 S. Bellefield Ave Pittsburgh, PA 15260-6424 tel.: 412-648-9911 • fax: 412-648-9815 www.aseees.org ASEEES Staff Executive Director: Lynda Park 412-648-9788, [email protected] Communications Coordinator: Mary Arnstein 412-648-9809, [email protected] NewsNet Editor & Program Coordinator: Andrew Behrendt 412-648-7403, [email protected] Membership Coordinator: Jacob Boehmer 412-648-9911, [email protected] Financial Support: Krystina Rigdon 412-648-4049, [email protected] Convention Manager: Margaret Manges 412-648-4049, [email protected] http://oskf.flu.cas.cz/1968-1989-home office, but was nonetheless lauded for shining a spotlight on the Armenian genocide. FX’s Cold War period drama The Americans (2013-) is mentioned in just about every op-ed on US-Russia relations. In the case of the Prague Spring, this tectonic shift in modes and registers of representation is overlaid by a changing attitude toward the events of 1968. German historian Jan Pauer trenchantly remarks that the Prague Spring has been consistently fetishized by the West, while in the former Czechoslovakia, perception of the nascent liberalization of 1968 has changed over time. -
Caiete Diplomatice Anul II, 2014, Nr
Institutul Diplomatic Rom ân Caiete Diplomatice Anul II, 2014, nr. 2 DIN SUMAR: ♦ Relaţiile bilaterale România-Israel (1948-1959) ♦ Jurnalul de călătorie al arhiducelui Rudolf de Habsburg în Transilvania ♦ Situaţia emigraţiei române din S.U.A. şi Canada ♦ Recenzii şi note de lectură www.idr.ro ISSN 2392 – 618X ISSN-L 2392 – 618X INSTITUTUL DIPLOMATIC ROMÂN CAIETE DIPLOMATICE Anul II, 2014, Nr. 2 COMITETUL DE REDAC ŢIE : Mioara ANTON, Bogdan ANTONIU, Ovidiu BOZGAN (redactor şef), Lauren ţiu CONSTANTINIU, Alin CIUPAL Ă, Antal LUKÁCS (redactor şef adjunct), Andrei ŞIPERCO, Delia VOICU (responsabil de num ăr). A mai colaborat la apari ţia acestui num ăr: Constantin CONSTANTINESCU. © Institutul Diplomatic Român Reproducerea integral ă sau par ţial ă a textelor publicate în revista „Caiete Diplomatice”, fără acordul Institutului Diplomatic Român, este interzis ă. Responsabilitatea asupra con ţinutului textelor publicate şi respectarea principiilor eticii profesionale revin în exclusivitate autorilor. 3 SUMAR STUDII Florin C. STAN , Rela ţiile bilaterale România-Israel (1948-1959). O cronologie....................................................................................................................... 5 Iulian TOADER , Participarea României la consult ările preliminare pentru C.S.C.E. şi M.B.F.R. (noiembrie 1972-iunie 1973).......................................................... 44 SURSE DE ISTORIE DIPLOMATIC Ă Antal LUKACS , Jurnalul de c ălătorie al arhiducelui Rudolf de Habsburg în Transilvania (comitatul Hunedoara) din anul 1882........................................................ -
The Cold War
Konrad H. Jarausch, Christian F. Ostermann, Andreas Etges (Eds.) The Cold War The Cold War Historiography, Memory, Representation Edited by Konrad H. Jarausch, Christian F. Ostermann, and Andreas Etges An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-049522-5 e-ISBN (PDF) 978-3-11-049617-8 e-ISBN (EPUB) 978-3-11-049267-5 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover Image: BlackBox Cold War – Exhibition at Checkpoint Charlie, Berlin. Typesetting: Dr. Rainer Ostermann, München Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Acknowledgements This volume grew out of an international conference on the history, memory and representation of the Cold War in Berlin. The editors would like to thank the following co-sponsors: the Berlin city government, the European Academy Berlin, the German Historical Institutes in Moscow, London, and Washington, the Centre for Contemporary History in Potsdam, the Military History Research Institute in Potsdam, the Allied Museum in Berlin, the German-Russian Museum Berlin-Karlshorst, the Berlin Wall Foundation, the Airlift Gratitude Foundation (Stiftung Luftbrückendank) in Berlin, and the John F.