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Indexes Films Act of Seeing with One's Own Eyes, Best Years of Our Lives, The (William The (Stan Brakhage, USA, 1973) Wyler, USA, 1946) 43 154 Bicycle Thieves (Ladri di biciclette) Actor's Revenge, An (Yukinojo henge) (Vittorio de Sica, Italy, 1948) 45 (Ichikawa Kon,Japan, 1963) 134 Big Sleep, The (Howard Hawks, USA, After Lumiere: L 'Arroseur arrose 1946) 44 (Malcolm Le Grice, GB, 1974) 186 Birds, The (Alfred Hitchcock, USA, After Manet, After Giorgione, Le 1963) 97 Dejeuner sur l'herbe, or, Fete Birth of a Nation, The (D. W. Griffith, champetre (Malcolm Le Grice, GB, USA, 1915) 96 1975) 170 Blackbird Descending (Tense Alien (Ridley Scott, GB, 1979) Alignment) (Malcolm Le Grice, 185-6 GB, 1977) 170 All My Life (Bruce Baillie, USA, 1966) 167 Carabiniers, Les 0.-L. Godard, France/ Arrivee d'un train en gare de La Italy, 1963) 4 Ciotat, L' (Louis Lumihe, France, Citizen Kane (Orson Welles, USA, 1895) 12, 26, 38 1941) 43, 125 Arroseur arrose, L' (Louis Lurniere, City Girl (F. W. Murnau, USA, 1929) France, 1895) 4, 186 142 Assassin musicien, L' (Benoit Jacquot, Coma (Michael Crichton, USA, 1977) France, 1975) 109, 151, 162 189-90 Condition of Illusion (Peter Gidal, At the Circus (Edward Buzzell, USA, GB, 1975) 168-74passim 1939) 215 C/0/N/S/T/R/U/C/T (Peter Gidal, Au hasard, Balthazar (Robert Bresson, GB, 1974) 172 France/Sweden, 1966) 91, 100 Couch (Andy Warhol, USA, 1964) Autumn Afternoon, An (Samma no 166 aji) (Ozu Yasujiro,Japan, 1962) 61 Death by Hanging (Koshikei) (Oshima Nagisa, France/Japan, 1976) Back and Forth (f----7) (Michael 65-9,150 Snow, Canada, 1969) 170 Debarquement des congressistes, Le Badlands (Terrence Malick, USA, 1973) (Louis Lurnihe, France, 1895) 55 12,38 248 Index of Films Deux ou trois chases que je sais Killer's Kiss (Stanley Kubrick, USA, d'elle 0.-L. Godard, France, 1955) 50, 51 1966) 181, 183 Kriemhild's Revenge (Kriemhilds Rache) (Fritz Lang, Germany, Empire of the Senses (Ai no corrida) 1924) 95 (Oshima Nagisa, France/Japan, 1976) 145, 148-63 Letter from an Unknown Woman Enfants terribles, Les Oean-Pierre (Max Ophuls, USA, 1948) 122, Melville, France, 1950) 120, 148 123, 146-63 passim, 184 Exorcist, The (William Friedkin, USA, Loafer, The (Essanay Company, USA, 1973) 125 1911) 74 n. 66 Family Plot (Alfred Hitchcock, USA, Madame de ... (Max Ophuls, 1976) 125, 157 France/Italy, 1953) 163 Femme mariee, Une 0.-L.Godard, Maltese Falcon, The Oohn Huston, France, 1964) 183 USA,1941) 47,181 Follow the Boys (Edward Sutherland, Man with a Movie Camera, The USA, 1944) 135, 182 (Chelovek s kinoapparatom) (Dziga FortinifCani Oean-Marie Straub & Vertov, USSR, 1929) 59-60 DaniC!e Huillet, Italy, 19 7 6) Marnie (Alfred Hitchcock, USA, 1964) 202,241 122 Masculin-feminin 0.-L. Godard, Gai Savoir, Le 0.-L. Godard, France, France/Sweden, 1966) 183 1968) 58 Meet me in St. Louis (Vincente Gay Shoe Clerk, The (Edwin S. Porter, Minelli, USA, 1944) 125 USA, 1903) 37 Meshes of the Afternoon (Maya Deren, General, The (Buster Keaton, USA, USA, 1943) 57 1926) 87.90 Moi, Pierre Riviere (Rent! Allio, France, Goodbye Girl, The (Herbert Ross, 1976) 237,238 USA, 1977) 162 Morocco Oosef von Sternberg, USA, Grandma's Reading Glass (G. A. Smith, 1930) 123 GB, 1901) 12,44 Moses and Aaron (Moses und A ron) 0 ean-Marie Straub & DaniHe Hall (Peter Gidal, GB, 1968) 165, Huillet, West Germany/France/ 168,169, 174 Italy, 1974) 56, 202 Halloween Oohn Carpenter, USA, 1978) 186 Nashville (Robert Altman, USA, High Sierra Oohn Huston, USA, 1941) 1975) 181 73 n. 60 Naughty Marietta (W. S. Van Dyke, History Lessons (Geschichtsunterricht) USA, 1935) 145, 159-60 0 ean-Marie Straub & DaniHe News from Home (Chantal Akerman, Huillet, Italy, 1972) 56, 202, Belgium/France/West Germany, 241 1976) 98-101 One Second in Montreal (Michael India Song (Marguerite Duras, France, Snow, Canada,1969) 166 1974) 202 Othon 0 ean-Marie Straub & Daniele Huillet, West Germany/Italy, 1969) Jaws (Steven Spielberg, USA, 1975) 56,202 41, 44, 123, 185 Je tu il elle (Chantal Akerman, France, Peeping Tom (Michael Powell, GB, 1974) 177,178 1959) 44 Index of Fz"lms 249 Penthesilea (Laura Mulvey & Peter Standard Time (Michael Snow, Wollen, GB, 1974) 63-4, 218 Canada, 1967) 167 n.6 Suspicion (Alfred Hitchcock, USA, Poetic justice (Hollis Frampton, USA, 1941) 19-24,28, 44, 48, 1971) 57 73 n. 60, 122, 184, 185 Pravda (Groupe Dziga-Vertov, France, Sylvia Scarlett (George Cukor, USA, 1969) 242 1935) 123 Print Generation U.J. Murphy, USA, 1975) 57 Taking of Pelham 123, The Uoseph Pursued (Raoul Walsh, USA, 1947) Sargent, USA, 1974) 215 122 Taxi Driver (Martin Scorsese, USA, 1976) 44, 50-1 Rameau 's Nephew by Diderot (Thanx Three Women (Robert Altman, USA, to Dennis Young) by Wilma 1977) 162 Schoen (Michael Snow, Canada, Threepenny Opera, The (Die 1974) 58-9 Dreigroschenoper) (G. W. Pabst, Ramona (D. W. Griffith, USA, 1910) Germany/USA, 1931) 11 16 Tom, Tom, The Piper's Son (American Rear Window (Alfred Hitchcock, USA, Mutoscope & Biograph Company, 1954) 44 USA,l905) 26,39,57 Red River (Howard Hawks, USA, Touch of Evil (Orson Welles, USA, 1948) 60 1958) vii, 51, 124, 133-43, 165, Regard, Le (Marcel Hanoun, France, 179-82 passim 1977) 177 Towering Inferno, The Uohn Rt!gion centrale, La (Michael Snow, Guillermin, USA, 1974) 182 Canada, 1971) 58 Trial of joan of Arc, The (Le Proces Repas de bebC,Le (Louis Lumiere, de jeanne d~rc) (Robert Bresson, France, 1895) 4 France, 1962) 88, 90-1,94 Riddles of the Sphinx (Laura Mulvey Turning Point, The (Herbert Ross, & Peter Wollen, GB, 1977) 196, USA, 1977) 162 218 n. 6 Room Film 1973 (Peter Gidal, GB, Uncle josh at the Moving Picture Show 1973) 168 (American Mutoscope & Biograph R~verens Brud (Viggo Larsen, Company, USA, 1902) 4-5 Denmark, 1907) 73 n. 66 Vampyr (Carl Dreyer, France/ Search for Evidence, A (American Germany, 1932) 50 Mutoscope & Biograph Company, Vent d'est (Groupe Dziga Vertov, USA, 1903) 37, 44 FrancefWest Germany/Italy, 1969) Secret Beyond the Door, The (Fritz 129 Lang, USA, 1948) 122 Secrets of a Soul (Geheimnisse einer (Michael Snow, Canada, Seele) (G. W. Pabst, Germany, Wavelength 58,128-9,166,170 1926) 18 n. 3 1967) Duration (Malcolm Le Silent Partner (Peter Gidal, GB, 1977) White Field Grice, GB, 1973) 166, 170 170 GB, Son Nom de Venise dans Calcutta Women in Love (Ken Russell, desert (Marguerite Duras, France, 1969) 188 1976) 202 Sortie des usines, La (Louis Lumiere, Zorns Lemma (Hollis Frampton, France, 1895) 4, 12, 38 USA, 1970) 57 Names Adair John 72 n. 45, 74 n. 72 Brecht, Bertolt vii, 7, 9, 11, 16-17, Aiml!e (case-history, La can) 162 33,227,237,242 Akerman, Chantal 98, 177 Bresson, Robert 88-92 passim, Alberti, Leon Battista 28, 37, 70 Ill n. 15 n.20 Breuer, Josef 162 Allio, Renl! 237 Burch, Noel 25, 40, 45, 46, 48, 50, Althusser, Louis 103, 105, 106, 56, 59, 60 (cit.), 74 n. 76,91 234 n. 11 Anna 0. (Bertha Pappenheim - Calleia, Joseph 138 case-history, Breuer) 162 Cartwright, Veronica 185 Apollinaire, Guillaume 113-14 Chateau, Dominique 218 n. 2 Arnheim, Rudolf 10, 27 (cit.), 30 Chomsky, Noam 217-18 n. 2 (cit.), 31 (cit.), 35, 40, 59 Christie, Julie 181 Cixous, Helene 160, 202 Bacall, Lauren 202 Cocteau,Jcan 114, 120, 148 Baillie, Bruce 167 Collet,Jean 143(cit.) Ballet, G. 208 Collin, Fram,;oise 196 (cit.), 197 167, Barthes, Roland 92,135,142, (cit.) 177' 214 (cit.) Comolli,Jean-Louis 227 227 Baudry,Jean-Louis Cookjr, Elisha 181 Bazin, Andrl! 11, 42-3, 45, 55-6, Crosswaite, David 175 n. 1 100, 120, 135, 148, 153 Bellour, Raymond 245 n. 9 Benjamin, Walter 10-11, 13, 33, Darwin, Charles 206 48 Dayan, Daniel 86-7,92-3, Bitzer, Billy 184 96-100 passim, 107 Blonski, P. P. 208, 209-10 Diamantis, Irene 193 n. 13, 202 (cit.) Bonitzer, Pascal 100, 236 (cit.) Dietrich, Marlene 123, 124, 135, Bordwell, David 25, 39 (cit.), 60-1 182,202 (cit.), 74 n. 84, 211-12 (cit.) Dora (case-history, Freud) 162 Bouly, Leon 14 Drummond, Fred 175 n. 1 Brakhage, Stan 57, 154 Ducos du Hauron, Louis 234 n. 16 Branigan, Edward 25, 32, 49-50, Dumont, Margaret 181 60,72 n. 40 Duras, Marguerite 121,190,202 Bray, Yvonne de 120, 148 Diirer, Albrecht 34 Index of Names 251 Eatherley, Gill 17 5 n. 1 Hanoun, Marcel 1 77 Eddy, Nelson 145 Hassan, Ihab 129 Edison, Thomas Alva 200, 221-2, Hegel, G. W. F. 177,203,210 227 Heston, Charlton 134 Egger, V. 208 Hirst, Paul Q. 103 Eikhenbaum, Boris 214-15 Hitchcock, Alfred 19, 23, 24, 57, Eisenstein, S.M. 3, 10, 11, 35, 71 125, 182 n.2~183,196,204,211-13 Hjelmslev, L. 12 Eisler, Hanns 200 Holbein, Hans, the Younger 29 Eizykman, Claudine 71 n. 30 Huillet, Danii:le 55-6, 121, 190, Engels, Friedrich 6 202,241 Euclid 30 Ichikawa, Kon 134 Fell, John, L. 229 (cit.) Irigaray, Luce 161, 162-3, 193 n. 13 Ferro, Marc 236-7 Ivanov, V. V. 220 n. 45 Feyerabend, Paul 234 n. 9 Ivins, W. M. 30 {cit.) Flaherty, RobertJ. 91 Fontaine,Joan 19, 122, 123, 146, Jacobs, Ken, 39,57 154,184,185 Jacquot, Benoit 109, 151, 189 Forrester, John 212-13 {cit.), Jakobson, Roman 59-60, 74 n. 78, 220 n. 50 80, 94 (cit.), 197 Foucault, Michel 236-8 Jenkins, Reese V. 229 (cit.) Frampton, Hollis 35, 57, 71 n.
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    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................
  • Shirley Maclaine at BFI Southbank in June 2012

    Shirley Maclaine at BFI Southbank in June 2012

    PRESS RELEASE May 2012 12/24 Shirley MacLaine at BFI Southbank in June 2012 Throughout June 2012, BFI Southbank dedicates a season to Shirley MacLaine, the award-winning actress, author and sister of Warren Beatty (who also enjoys a companion season of his film work throughout the month). The season is set to encompass a career that has spanned over 60 years and which, with a highly anticipated role in the upcoming series of Downton Abbey (ITV) around the corner, shows little sign of slowing down. Highlights are set to include screenings of Minnelli’s Some Came Running (1958) which gave her first Oscar nomination as well as a recurring relationship with the Bratpack, Sweet Charity (1969) that features MacLaine’s signature song ‘If My Friends Could See Me Now’, Terms of Endearment (1983) that produced her first Oscar win and an extended run of the evergreen satire The Apartment (1960). Having danced from the age of three, MacLaine started out on Broadway as a chorus girl and stand-in. Plucked from the stage by a talent-spotting producer and promptly signed to Paramount, she embarked upon her film career. As a Hollywood ingénue, her first film role came with Alfred Hitchcock, in The Trouble With Harry (1955) earning her the first of many Golden Globe Awards before working with equally prestigious filmmakers like Billy Wilder and William Wyler. Learning the tricks of the trade from her fellow actors, she credited Marlene Dietrich for teaching her lighting and beauty tips for the screen during the filming of Around the World in Eighty Days (1956).