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The La Trobe Journal No. 95 March 2015 End Matter
Notes 115 Notes Des Cowley, Robert Heather and Anna public – books, serials, pamphlets, music Welch: Editors’ introduction scores – but also works published in 1 Johanna Drucker, The Century of Artists’ other formats such as CD and DVD. The Books, New York: Granary Books, 1995, p. 1 Northern Territory, Tasmania and Western Australia include web-based publications. Helen Cole: Public collections of artists’ books 10 trove.nla.gov.au in Australia 11 Noreen Grahame was the first gallerist in Australia to actively promote artists’ 1 Any discussion of artists’ books is dogged books. Her first major exhibition of by the question of definition. This article artists’ books was in 1991 and, at this adopts a broad definition that includes time, she encouraged artists represented unique works, limited and commercial by the gallery to create their first artists’ editions, codexes, altered books, book books for the show. She organised five objects and everything in-between. It does Artists’ Books and Multiples fairs in not include zines, however, as institutions generally treat these separately. Brisbane, in 1994, 1996, 1998, 2001 and 2 Noreen Grahame, ‘The gallerist’s 2007, and presented Australian artists’ perspective’, paper presented at ‘The books at the Sydney Works on Paper Trouble with Artists’ Books’, Siganto Fair and the London Artists’ Books Foundation seminar, State Library of Fair. In 1994 Grahame extended into Queensland, 4 May 2013. A podcast of the publishing catalogues and artists’ books. seminar is available at: www.slq.qld.gov. Her catalogues for exhibitions and artists’ au/_slqmedia/video_and_audio_content/ books fairs constitute the most important art-and-design/siganto-seminar, accessed 21 sources of documentation of artists’ books November 2014 in Australia of this time. -
The Influence of India on Colonial Tasmanian Architecture and Artefacts
The influence of India on colonial Tasmanian architecture and artefacts Lionel Morrell Background India has a long history of connections with Australia. Long before Captain Cook set foot on southern shores, cloth from ‘the Indies’ had traded its way from Gujarat and Coromandel down through the Indonesian archipelago to be traded with Aborigines by Makassar seamen negotiating seasonal camps to collect trepang, fish and pearl. According to Sharrad in Convicts, Call Centres and Cochin Kangaroos 1 it was men like Mitchell and Lang, from the 1820s on, who retired to land grants in Van Diemen’s Land and later other parts of Australia, who brought with them the verandahs of the Raj that became part of Australian architecture, and familiarity with India. As early as 1824, an attempt was made to found an institution for the sons of Anglo- Indians and British men in Van Diemen’s Land. Following the Indian mutiny of 1857, there was a rise in the numbers of Anglo-Indians settling in Australia, There were 372 Indian-born registered in 1881 2. Among them was Dr John Coverdale, born in 1814 in Kedgeree, Bengal, who was a medical practitioner at Richmond for many years. The term ‘Anglo-Indian’ was first used by Warren Hastings in the eighteenth century to describe both the British in India and their Indian-born children. 3 The first Anglo-Indian to settle in Tasmania was Rowland Walpole Loane in 1809, followed by many others, including Edward Dumaresq, a retired Indian Army officer who bought Mt Ireh in 1855 and lived there until his death in 1906 at the age of 104; Charles Swanston, who first came to VDL in 1828 on leave because of ill-health from his position as military paymaster in the provinces of Tranvancore and Tinnevelly in India and eventually settled here permanently in 1831 and Michael Fenton, who joined the 13 th Light Infantry in 1807 and served in India and Burma until 1828 when he sold his commission and emigrated to Van Diemen’s Land. -
Paintings from the Collection 10 Works In
10works in focus Paintings from the Collection VOLUME 3 10 WORKS IN FOCUS: PAINTINGS FROM THE COLLECTION / VOLUME 3 1 This is the third in a series of 10 Works in Focus publications accompanying the State Library of NSW’s Paintings from the Collection permanent exhibition. The State Library’s exhibitions onsite, online and on tour aim to connect audiences across NSW and beyond to our collections and the stories they tell. www.sl.nsw.gov.au/galleries Members of Aboriginal and Torres Strait Islander communities are respectfully advised that this exhibition and related materials contain the names and images of people who have passed away. ACKNOWLEDGMENT OF COUNTRY The State Library of New South Wales acknowledges the Gadigal people of the Eora Nation, the traditional custodians of the land on which the Library stands. We pay respect to Aboriginal Elders past, present and emerging, and extend that respect to other First Nations people. We celebrate the diversity of Aboriginal cultures and languages across NSW. 10works in focus Paintings from the Collection VOLUME 3 Contents 5 Foreword 7 About the exhibition 8 Mr Stanley’s House 10 On a high horse! 12 Shades of grey 14 A rare and honest portrait 16 Acrid smoke and nervous excitement 18 Boys’ day out 22 A standing disgrace to Sydney 24 Poet and painter 26 Miss Mary 28 Affectionately ‘Mullum’ 30 List of works A free exhibition at the State Library of NSW. Macquarie Street Sydney NSW 2000 Australia Telephone +61 2 9273 1414 www.sl.nsw.gov.au @statelibrarynsw Curators: Louise Anemaat, Elise Edmonds, -
Australian Journal of Biography and History: No
Contents Preface iii Malcolm Allbrook ARTICLES Chinese women in colonial New South Wales: From absence to presence 3 Kate Bagnall Heroines and their ‘moments of folly’: Reflections on writing the biography of a woman composer 21 Suzanne Robinson Building, celebrating, participating: A Macdougall mini-dynasty in Australia, with some thoughts on multigenerational biography 39 Pat Buckridge ‘Splendid opportunities’: Women traders in postwar Hong Kong and Australia, 1946–1949 63 Jackie Dickenson John Augustus Hux (1826–1864): A colonial goldfields reporter 79 Peter Crabb ‘I am proud of them all & we all have suffered’: World War I, the Australian War Memorial and a family in war and peace 103 Alexandra McKinnon By their words and their deeds, you shall know them: Writing live biographical subjects—A memoir 117 Nichola Garvey REVIEW ARTICLES Margy Burn, ‘Overwhelmed by the archive? Considering the biographies of Germaine Greer’ 139 Josh Black, ‘(Re)making history: Kevin Rudd’s approach to political autobiography and memoir’ 149 BOOK REVIEWS Kim Sterelny review of Billy Griffiths, Deep Time Dreaming: Uncovering Ancient Australia 163 Anne Pender review of Paul Genoni and Tanya Dalziell, Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955–1964 167 Susan Priestley review of Eleanor Robin, Swanston: Merchant Statesman 173 Alexandra McKinnon review of Heather Sheard and Ruth Lee, Women to the Front: The Extraordinary Australian Women Doctors of the Great War 179 Christine Wallace review of Tom D. C. Roberts, Before Rupert: Keith Murdoch and the Birth of a Dynasty and Paul Strangio, Paul ‘t Hart and James Walter, The Pivot of Power: Australian Prime Ministers and Political Leadership, 1949–2016 185 Sophie Scott-Brown review of Georgina Arnott, The Unknown Judith Wright 191 Wilbert W. -
Annual Report 2012–13
2012–13 ANNUAL REPORT ANNUAL REPORT ANNUAL REPORT 2012–13 ANNUAL REPORT 2012–13 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Mick Namarari Tjapaltjarri Act 1975. Pintupi people Untitled (Rain Dreaming at Nyunmanu) 1994 (detail) The vision of the National Gallery of Australia is to be synthetic polymer paint on linen an inspiration for the people of Australia. 152 x 183 cm purchased with funds from the Honorary Exhibition Circle The Gallery’s governing body, the Council of the National Patrons, 2013 Gallery of Australia, has expertise in arts administration, © the estate of the artist represented by Aboriginal Artists Agency corporate governance, administration and financial and business management. (back cover) In 2012–13, the National Gallery of Australia received Korewori caves an appropriation from the Australian Government East Sepik province, Papua New Guinea totalling $49.219 million (including an equity injection Hunter’s helper figure (Aripa) c 1480–1670 of $16.392 million for development of the national wood, ochre art collection), raised $23.573 million, and employed 174.3 x 6.5 x 32 cm 252 full-time equivalent staff. purchased 2011 © National Gallery of Australia 2013 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing -
Art & the Anthropocene
Art & The Anthropocene Processes of responsiveness and communication in an era of environmental uncertainty A project submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Jennifer Holly Rae (Jen Rae) M.A. (Public Art), B.F.A. School of Art College of Design and Social Context RMIT University March 2015 DECLARATION I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; and; any editorial work, paid or unpaid, carried out by a third party is acknowledged; ethics procedures and guidelines have been followed. Jennifer Holly Rae 13 March 2015 i ACKNOWLEDGEMENTS I would like to acknowledge the following individuals for their dedicated guidance and support during my candidature: Associate Professor Linda Williams (Primary Supervisor) Simon Perry (former Secondary Supervisor) Dr. Irene Barberis-Page (Secondary Supervisor) Professor Lesley Duxbury Thank you to my colleagues of The Riparian Project, Nicola Rivers and Amanda Wealands, for all of your enthusiasm, industriousness and rigor in shaping the project over the past 4+ years. I would also like to recognise support for The Riparian Project from the following: The Centre for Sustainability Leadership RMIT University SEEDS program including Marcus Powe and Ian Jones The School for Social Entrepreneurs Russell Wealands and The Yea Wetlands Trust and Committee of Management The Yea Public Art Advisory Committee (PAAG) members Pilot project partners Mary Crooks and Liz McAloon from The Victorian Women’s Trust For technical and logistical support, thank you to Thomas Ryan, Erik North, Michael Wentworth-Bell and Alan Roberts. -
Aboriginal Cultural Heritage Assessment
Bulleen Precinct Plan Heritage Impact Assessment and Traditional Owner Engagement Sponsor: Department of Environment, Land, Water and Planning (ABN: 90 719 052 204) Heritage Advisor: Jonathan Howell-Meurs Author: Brigid Hill, Melinda Albrecht, and Dr Josara de Lange Date of Completion: DRAFT 9 May 2019 www.alassoc.com.au Andrew Long + Associates Pty Ltd ACN 131 713 409 ABN 86 131 409 Photo caption (Cover plate): Yarra River, Banyule Flats, Viewbank, facing northeast (Hill 2019) Copyright © 2019 by Andrew Long and Associates Pty Ltd Bulleen Precinct Plan Aboriginal Heritage Impact Assessment and Traditional Owner Engagement Sponsor: Department of Environment, Land, Water and Planning (ABN: 90 719 052 204) Heritage Advisors: Jonathan Howell-Meurs Authors: Brigid Hill, Melinda Albrecht, and Dr Josara de Lange Date of Completion: DRAFT 9 May 2019 Bulleen Precinct Plan – Aboriginal Heritage Impact Assessment ii Table of contents Table of contents ............................................................................................................................. iii Part 1 - Assessment .................................................................................................................................. 2 2. Introduction to the heritage impact assessment .................................................................................... 3 2.1 Purpose of the study ....................................................................................................................... 3 2.2 Access to Victorian Aboriginal Heritage -
Victorian Water Quality Monitoring Annual Report: 2001
Victorian Water Quality Monitoring Annual Report: 2001 Report prepared for Department of Sustainability and Environment By WATER ECOscience Pty Ltd WATER ECOscience Pty Ltd ACN 067 477 989 68 Ricketts Road Mt Waverley Victoria Australia 3149 Private Bag 1 Mt Waverley Victoria Australia 3149 telephone +61 3 9550 1000 facsimile +61 3 9543 7372 Report Number: 720/03 Project Number: 2900 MARCH 2003 “Victorian Water Quality Monitoring Annual Report: 2001” ISSN No: 1445-1646 VICTORIAN WATER QUALITY MONITORING ANNUAL REPORT: 2001 Table of Contents 1 INTRODUCTION...................................................................................................................... 1 1.1 WATER QUALITY LEGISLATION AND GUIDELINES............................................................................. 2 1.1.1 State Environment Protection Policies (SEPPs)...........................................................2 1.1.2 Water Quality Guidelines.............................................................................................4 1.1.3 Commonly Assessed Water Quality Parameters..........................................................4 1.2 CURRENT WATER QUALITY NETWORKS AND THEIR RESPECTIVE STATUS.......................................... 5 1.2.1 Victorian Water Quality Monitoring Network.................................................................5 Rivers and Streams Program ................................................................................................... 7 1.2.2 Environment Protection Authority Fixed Site Network -
Can Preliminary Evaluation Guide Implementation Effectiveness?
UC Irvine UC Irvine Previously Published Works Title Governance issues in developing and implementing offsets for water management benefits: Can preliminary evaluation guide implementation effectiveness? Permalink https://escholarship.org/uc/item/40k5w08m Journal WILEY INTERDISCIPLINARY REVIEWS-WATER, 2(2) ISSN 2049-1948 Authors Feldman, David L Sengupta, Ashmita Stuvick, Lindsey et al. Publication Date 2015 DOI 10.1002/wat2.1061 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Focus Article Governance issues in developing and implementing offsets for water management benefits: Can preliminary evaluation guide implementation effectiveness? David L. Feldman,1∗ Ashmita Sengupta,2 Lindsey Stuvick,3 Eric Stein,2 Vin Pettigrove4 and Meenakshi Arora5 This article explores governance issues in developing innovative pollutant offset programs by focusing on a case study being piloted at the Gisborne Recycled Water Plant in Jackson Creek, a rural subcatchment of the Maribyrnong River north of Melbourne, Australia. The article offers preliminary lessons from the ongoing design and anticipated challenges facing this innovative program based on reflec- tions from the literature and project progress to-date. This case exemplifies a form of adaptive governance—an approach well suited to achieving broad sustainabil- ity objectives—and for which an early assessment is both appropriate and oppor- tune. Adaptive governance is characterized by governmental collaboration with civil society groups, social learning through public participation, and experimen- tation leading to more flexible policy outcomes. Early assessment affords the pos- sibility of midcourse corrections, drawing on experience acquired elsewhere. We contend that the approach being developed in Victoria through this pilot program has implications beyond the use of recycled wastewater for achieving various social objectives. -
Paintings from the Collection 10 Works In
10works in focus Paintings from the Collection VOLUME 2 10 WORKS IN FOCUS: PAINTINGS FROM THE COLLECTION / VOLUME 2 1 This is the second in a series of 10 Works in Focus publications accompanying the State Library of NSW’s Paintings from the Collection permanent exhibition. The State Library’s exhibitions onsite, online and on tour aim to connect audiences across NSW and beyond to our collections and the stories they tell. www.sl.nsw.gov.au/galleries Members of Aboriginal and Torres Strait Islander communities are respectfully advised that this exhibition and related materials contain the names and images of people who have passed away. 10works in focus Paintings from the Collection VOLUME 2 Contents 5 Foreword 7 About the exhibition 8 Kangaroo. Kangaroo. Thou spirit of Australia 10 Beyond this colonial lens 12 Hobart Town from Kangaroo Bluff 14 Proof of life 16 Averted gaze 18 Beautiful Sydney all glowing and oriental 22 Al fresco 24 The young art student 26 Beautifully situated 28 Nothing out of the ordinary 30 List of works A free exhibition at the State Library of NSW. Macquarie Street Sydney NSW 2000 Australia Telephone +61 2 9273 1414 www.sl.nsw.gov.au @statelibrarynsw Curators: Louise Anemaat, Elise Edmonds, Richard Neville, Margot Riley Creative producers: Mary-Elizabeth Andrews, Karen Hall Creative producer, multimedia: Sabrina Organo Exhibition designer: Elin Thomas Graphic designer: Simon Leong Editor: Cathy Hammer Senior conservator: Felicity Corkill Unless otherwise stated all photographic work is by Digitisation & Imaging, State Library of NSW ISBN 978-1-925831-11-5 (print) ISBN 978-1-925831-12-2 (pdf) E&D-5268-4/2018 Print run: 10,000 Printed by Lighthouse Print Group on Ball & Doggett HannoArt Plus Gloss 350 gsm and 150 gsm © State Library of NSW 2019 4 10 WORKS IN FOCUS: PAINTINGS FROM THE COLLECTION / VOLUME 2 Foreword A painting is like a poem, as the old This exhibition has been made saying goes. -
1969 Annual Report of the Chief of Engineers on Civil Works Activities
DEs -Nor CnUAJI N~eF ~)1A 1969 Annual Report of The Chief of Engineers on Civil Works Activities Department of the Army '.Corps of Engineers Volume H forL4 INDEX FISCAL YEAR 1969 PROPERTY o U. s. Agg I[RT4 INDEX The following abbreviations are used in the index: BERH Board of Engineers for Rivers and Harbors NPP Portland, Oreg., District CDC California Debris Commission NPS Seattle, Wash., District CERC Coastal Engineering Research Center NPW Walla Walla, Wash., District LMK Vicksburg, Miss., District ORD Ohio River Division LMM Memphis, Tenn., District ORH Huntington, W. Va., District LMN New Orleans, La., District ORL Louisville, Ky., District LMS St. Louis, Mo., District ORN Nashville, Tenn., District MR&T Mississippi River and Tributaries Project ORP Pittsburgh, Pa., District MRK Kansas City, Mo., District POD Pacific Ocean Division MRO Omaha, Nebr., District SAJ Jacksonville, Fla., District NAB Baltimore, Md., District SAM Mobile, Ala., District NAN New York, N.Y., District SAN Charleston, S.C., District NAO Norfolk, Va., District SAS Savannah, Ga., District NAP Philadelphia, Pa., District SAW Wilmington, N.C., District NCB Buffalo, N.Y., District SPK Sacramento, Calif., District NCC Chicago, Ill., District SPL Los Angeles, Calif., District NCE Detroit, Mich., District SPN San Francisco, Calif., District NCL U.S. Lake Survey SWA Albuquerque, N. Mex., District NCR Rock Island, Ill., District SWG Galveston, Tex., District NCS St. Paul, Minn., District SWL Little Rock, Ark., District NED New England Division SWT Tulsa, Okla., District NPA Alaska District A Algoma Harbor, Wis. (NCC) 908 Alhambra Creek, Calif. (SPN) 1057 Abbapoola Creek, S.C. (SAN) 287 Alhambra Wash, Calif. -
The Wurundjeri Willam
Cover illustration: Destruction of the Land The Red River Marlene Young-Scerri, Four different groups are depicted here Brabralung Dreaming with different markings. This land was once plentiful and well cared for by the After reading the brief you sent me I people and they had their own system was quite saddened to learn how the of burning off to encourage new growth land was abused and destroyed with no for the next season. thought given for future generations. Plant and animal life was lost for good Many of the plants have been destroyed and this drove the Aboriginal people to for good now, and the animals are not slaughter sheep to survive. living in the area any more except for perhaps some possums. This painting is of the Maribyrnong River, and the surrounding area. The red is Aboriginal people only hunted what they the blood that flowed in the river, while needed to eat, and the skins were used the colours on the outer side of the to make cloaks and to wrap babies. They riverbank are from the tanning process respected the animals, the land and the that polluted the river. The animal plant life, only taking what was needed, tracks are kangaroo, possum, emu and they always gave back to the land. and lizard, and there is also an eel trap. The Aboriginal people hunted all these animals for food and clothing. Possum Tracks Eel Trap Emu Tracks Lizard Tracks Camp Site Plants Maribrynong River Kangaroo Tracks Aboriginal Group 1 Aboriginal Group 2 Aboriginal Group 3 Aboriginal Group 4 Contents The Earliest Inhabitants of the City of Moonee Valley 2 Kinship Structure 4 Way of Life Pre-contact 6 Initial White Contact 10 Settler Impact 12 The Personalities 15 Historical Sites within the City 17 Bibliography 20 Acknowledgements 21 Warning: Aboriginal and Torres Strait Islander peoples are warned that this publication contains names and/or images of people who are now deceased.