The Influence of India on Colonial Tasmanian Architecture and Artefacts
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National Library of Australia Conservation Management Plan
NATIONAL LIBRARY OF AUSTRALIA CONSERVATION MANAGEMENT PLAN A management plan complying with s.341S(1) of the EPBC Act 1999 Prepared for the National Library of Australia by Dr Michael Pearson Duncan Marshall 2012 EXECUTIVE SUMMARY This Conservation Management Plan (CMP), which satisfies section 341S and 341V of the Environment Protection and Biodiversity Conservation Act 1999 (EPBC Act), provides the framework and basis for the conservation and good management of the National Library of Australia building, in recognition of its heritage values. The National Library of Australia’s Heritage Strategy, which details the Library’s objectives and strategic approach for the conservation of heritage values, has been prepared and accepted by the then Minister on 24 August 2006. The Heritage Strategy will be reviewed during 2012 in parallel with the endorsement of this plan. The Policies in this plan support the directions of the Heritage Strategy, and indicate the objectives for identification, protection, conservation, presentation and transmission to all generations of the Commonwealth Heritage values of the place. The CMP presents the history of the creation of the National Library of Australia and the construction of its building, describes the elements that have heritage significance, and assesses that significance using the Commonwealth Heritage List criteria. The plan outlines the obligations, opportunities and constraints affecting the management and conservation of the Library. A set of conservation policies are presented, with implementation -
The Rifle Club Movement and Australian Defence 1860-1941
The Rifle Club Movement and Australian Defence 1860-1941 Andrew Kilsby A thesis in fulfillment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of Humanities, Arts and Social Sciences Faculty of Arts and Social Sciences February 2014 Abstract This thesis examines the rifle club movement and its relationship with Australian defence to 1941. It looks at the origins and evolution of the rifle clubs and associations within the context of defence developments. It analyses their leadership, structure, levels of Government and Defence support, motivations and activities, focusing on the peak bodies. The primary question addressed is: why the rifle club movement, despite its strong association with military rifle shooting, failed to realise its potential as an active military reserve, leading it to be by-passed by the military as an effective force in two world wars? In the 19th century, what became known as the rifle club movement evolved alongside defence developments in the Australian colonies. Rifle associations were formed to support the Volunteers and later Militia forces, with the first ‘national’ rifle association formed in 1888. Defence authorities came to see rifle clubs, especially the popular civilian rifle clubs, as a cheap defence asset, and demanded more control in return for ammunition grants, free rail travel and use of rifle ranges. At the same time, civilian rifle clubs grew in influence within their associations and their members resisted military control. An essential contradiction developed. The military wanted rifle clubs to conduct shooting ‘under service conditions’, which included drill; the rifle clubs preferred their traditional target shooting for money prizes. -
The La Trobe Journal No. 95 March 2015 End Matter
Notes 115 Notes Des Cowley, Robert Heather and Anna public – books, serials, pamphlets, music Welch: Editors’ introduction scores – but also works published in 1 Johanna Drucker, The Century of Artists’ other formats such as CD and DVD. The Books, New York: Granary Books, 1995, p. 1 Northern Territory, Tasmania and Western Australia include web-based publications. Helen Cole: Public collections of artists’ books 10 trove.nla.gov.au in Australia 11 Noreen Grahame was the first gallerist in Australia to actively promote artists’ 1 Any discussion of artists’ books is dogged books. Her first major exhibition of by the question of definition. This article artists’ books was in 1991 and, at this adopts a broad definition that includes time, she encouraged artists represented unique works, limited and commercial by the gallery to create their first artists’ editions, codexes, altered books, book books for the show. She organised five objects and everything in-between. It does Artists’ Books and Multiples fairs in not include zines, however, as institutions generally treat these separately. Brisbane, in 1994, 1996, 1998, 2001 and 2 Noreen Grahame, ‘The gallerist’s 2007, and presented Australian artists’ perspective’, paper presented at ‘The books at the Sydney Works on Paper Trouble with Artists’ Books’, Siganto Fair and the London Artists’ Books Foundation seminar, State Library of Fair. In 1994 Grahame extended into Queensland, 4 May 2013. A podcast of the publishing catalogues and artists’ books. seminar is available at: www.slq.qld.gov. Her catalogues for exhibitions and artists’ au/_slqmedia/video_and_audio_content/ books fairs constitute the most important art-and-design/siganto-seminar, accessed 21 sources of documentation of artists’ books November 2014 in Australia of this time. -
Women in the Federal Parliament
PAPERS ON PARLIAMENT Number 17 September 1992 Trust the Women Women in the Federal Parliament Published and Printed by the Department of the Senate Parliament House, Canberra ISSN 1031-976X Papers on Parliament is edited and managed by the Research Section, Senate Department. All inquiries should be made to: The Director of Research Procedure Office Senate Department Parliament House CANBERRA ACT 2600 Telephone: (06) 277 3061 The Department of the Senate acknowledges the assistance of the Department of the Parliamentary Reporting Staff. First published 1992 Reprinted 1993 Cover design: Conroy + Donovan, Canberra Note This issue of Papers on Parliament brings together a collection of papers given during the first half of 1992 as part of the Senate Department's Occasional Lecture series and in conjunction with an exhibition on the history of women in the federal Parliament, entitled, Trust the Women. Also included in this issue is the address given by Senator Patricia Giles at the opening of the Trust the Women exhibition which took place on 27 February 1992. The exhibition was held in the public area at Parliament House, Canberra and will remain in place until the end of June 1993. Senator Patricia Giles has represented the Australian Labor Party for Western Australia since 1980 having served on numerous Senate committees as well as having been an inaugural member of the World Women Parliamentarians for Peace and, at one time, its President. Dr Marian Sawer is Senior Lecturer in Political Science at the University of Canberra, and has written widely on women in Australian society, including, with Marian Simms, A Woman's Place: Women and Politics in Australia. -
Conference of Premiers, Melbourne, March, 1898
(No. 45.) PARLIAMENT OF TASMANIA. CONFERENCE OF PRl~MIERS, MELBOURNE, MARCH, 1898 : REPORT OF PROCEEDINGS. Presented to both Houses of Parliament by His Excellency's Command. Cost of printing-£! lls. (No. 45.)' CONFERENCE OF PREMIERS, HELD AT MELBOURNE, IN MARCH, 1898. Ml~UTES OF PROCEEDINGS. MONDAY, MARCH 7TH, 1898. A PRELIMINARY meeting of the Conference was held at Parliament House, Melbourne, on March 7th, 1898, at l l · 15 A.M. Present- The Right Honorable Sir Edward Braddon, K.C.M.G., Premier of Tasmania. The Right Honorable Sir John Forrest, K.C.M.G., Premier of VYestern Australia. The Right Honorable C. C. Kingston, Q.C., Premier of South Australia. The Right Honorable Sir. Hugh M. Nelson, K.C.M.G., Premier of Queensland. The Right Honorable G. H. Reid,, Premier of ~ ew South Wales. The Right Honorable Sir George Turner, K.C.M.G., Premier of Victoria. Resolved, on the motion of Mr. Reid, seconded by Mr. Kingston-That Sir George Turner, Premier of Victoria, be President of the Conference. , Mr. R. S. Rogers, Secretary to the Premifw of -Victoria, was appointed Secretary to the Conference. · The Conference then adjourned till 5 P.M. 'l'he Conference met, pursuant to adjournment, at 5 P.M. The President in the chair. Present-All the Members. The following subjects were dealt with in the manner indicated in each case:- ]. Mississippi Exhibition. Resolved-That the colonies take no part in the Exhihition. 2. Antarctic ,E.1:plord.tion. Resolved-That no joint action be taken. 3. Coinage of Silver. This suLject was discussed, and postponed for further c<)nsideration. -
The Federal Movement in Tasmania, 1880-1900
THE FEDERAL MOVEMENT IN TASMANIA 1880 — 1900 by C.J. CRAIG B.A. Hons. Submitted in fulfilment of the requirements for the degree of: MASTER OF ARTS UNIVERSITY OF TASMANIA HOBART 31st December 1971. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university, and, to the best of my knowledge and belief, contains no copy or paraphrase of material previously published or written by another person, except when due reference is made in the text of the thesis. C.J. CRAIG. 31 December, 1971. CONTENTS Page CHRONOLOGY INTRODUCTION I THE POLITICIANS, THE PRESS & THE FEDERAL COUNCIL 15 1, The Politicians 2. The Press 27 3. The Federal Council 34. II THE FIRST FEDERAL DRAFT CONSTITUTION 58 10 Preliminaries 5e 2. The Federal Convention in Sydney 89 III REACTIONS TO TFE DRAFT BILL IN TASMANIA 115 10 The Reaction of the Press and Public 115 2. The Debate in Parliament 120 3. The Failure of the Federal Enabling Bill 139 IV THE DOLDRUMS, 1892-94 146 10 Economic Crisis and the Federal Council 146 2. The Federal Council Session of 1893 161 30 More Tasmanian Moves 174 V FEDERATION ON THE MOVE AGAIN 190 10 The Premiers' Conference of 1895 190 2. The Passing of the Tasmanian 'Federal Enabling Bill 213 VI TgE FEDERAL CONVENTION, 1897-98 234 1. The Election of Delegates 234 2. The Adelaide Session 257 3. The Tasmanian Amendments 273 40 The Braddon Blot 281 VII THE FEDERAL R7FET1ENDUMS, 1898& 1899 303 1. The Campaign in Tasmania 303 2. -
Paintings from the Collection 10 Works In
10works in focus Paintings from the Collection VOLUME 3 10 WORKS IN FOCUS: PAINTINGS FROM THE COLLECTION / VOLUME 3 1 This is the third in a series of 10 Works in Focus publications accompanying the State Library of NSW’s Paintings from the Collection permanent exhibition. The State Library’s exhibitions onsite, online and on tour aim to connect audiences across NSW and beyond to our collections and the stories they tell. www.sl.nsw.gov.au/galleries Members of Aboriginal and Torres Strait Islander communities are respectfully advised that this exhibition and related materials contain the names and images of people who have passed away. ACKNOWLEDGMENT OF COUNTRY The State Library of New South Wales acknowledges the Gadigal people of the Eora Nation, the traditional custodians of the land on which the Library stands. We pay respect to Aboriginal Elders past, present and emerging, and extend that respect to other First Nations people. We celebrate the diversity of Aboriginal cultures and languages across NSW. 10works in focus Paintings from the Collection VOLUME 3 Contents 5 Foreword 7 About the exhibition 8 Mr Stanley’s House 10 On a high horse! 12 Shades of grey 14 A rare and honest portrait 16 Acrid smoke and nervous excitement 18 Boys’ day out 22 A standing disgrace to Sydney 24 Poet and painter 26 Miss Mary 28 Affectionately ‘Mullum’ 30 List of works A free exhibition at the State Library of NSW. Macquarie Street Sydney NSW 2000 Australia Telephone +61 2 9273 1414 www.sl.nsw.gov.au @statelibrarynsw Curators: Louise Anemaat, Elise Edmonds, -
Aboriginal History Journal: Volume 21
Aboriginal History Volume twenty-one 1997 Aboriginal History Incorporated The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Secretary), Peter Grimshaw (Treasurer/Public Officer), Neil Andrews, Richard Baker, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Luise Hercus, Bill Humes, Ian Keen, David Johnston, Harold Koch, Isabel McBryde, Diane Smith, Elspeth Young. Correspondents Jeremy Beckett, Valerie Chapman, Ian Clark, Eve Fesl, Fay Gale, Ronald Lampert, Campbell Macknight, Ewan Morris, John Mulvaney, Andrew Markus, Bob Reece, Henry Reynolds, Shirley Roser, Lyndall Ryan, Bruce Shaw, Tom Stannage, Robert Tonkinson, James Urry. Aboriginal History aims to present articles and information in the field of Australian ethnohistory, particularly in the post-contact history of the Aborigines and Torres Strait Islanders. Historical studies based on anthropological, archaeological, linguistic and sociological research, including comparative studies of other ethnic groups such as Pacific Islanders in Australia will be welcomed. Issues include recorded oral traditions and biographies, narratives in local languages with translations, previously unpublished manuscript accounts, resumes of current events, archival and bibliographical articles, and book reviews. Editors 1997 Rob Paton and Di Smith, Editors, Luise Hercus, Review Editor and Ian Howie Willis, Managing Editor. Aboriginal History Monograph Series Published occasionally, the monographs present longer discussions or a series of articles on single subjects of contemporary interest. Previous monograph titles are D. Barwick, M. Mace and T. Stannage (eds), Handbook of Aboriginal and Islander History; Diane Bell and Pam Ditton, Law: the old the nexo; Peter Sutton, Country: Aboriginal boundaries and land ownership in Australia; Link-Up (NSW) and Tikka Wilson, In the Best Interest of the Child? Stolen children: Aboriginal pain/white shame, Jane Simpson and Luise Hercus, History in Portraits: biographies of nineteenth century South Australian Aboriginal people. -
Australian Journal of Biography and History: No
Contents Preface iii Malcolm Allbrook ARTICLES Chinese women in colonial New South Wales: From absence to presence 3 Kate Bagnall Heroines and their ‘moments of folly’: Reflections on writing the biography of a woman composer 21 Suzanne Robinson Building, celebrating, participating: A Macdougall mini-dynasty in Australia, with some thoughts on multigenerational biography 39 Pat Buckridge ‘Splendid opportunities’: Women traders in postwar Hong Kong and Australia, 1946–1949 63 Jackie Dickenson John Augustus Hux (1826–1864): A colonial goldfields reporter 79 Peter Crabb ‘I am proud of them all & we all have suffered’: World War I, the Australian War Memorial and a family in war and peace 103 Alexandra McKinnon By their words and their deeds, you shall know them: Writing live biographical subjects—A memoir 117 Nichola Garvey REVIEW ARTICLES Margy Burn, ‘Overwhelmed by the archive? Considering the biographies of Germaine Greer’ 139 Josh Black, ‘(Re)making history: Kevin Rudd’s approach to political autobiography and memoir’ 149 BOOK REVIEWS Kim Sterelny review of Billy Griffiths, Deep Time Dreaming: Uncovering Ancient Australia 163 Anne Pender review of Paul Genoni and Tanya Dalziell, Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955–1964 167 Susan Priestley review of Eleanor Robin, Swanston: Merchant Statesman 173 Alexandra McKinnon review of Heather Sheard and Ruth Lee, Women to the Front: The Extraordinary Australian Women Doctors of the Great War 179 Christine Wallace review of Tom D. C. Roberts, Before Rupert: Keith Murdoch and the Birth of a Dynasty and Paul Strangio, Paul ‘t Hart and James Walter, The Pivot of Power: Australian Prime Ministers and Political Leadership, 1949–2016 185 Sophie Scott-Brown review of Georgina Arnott, The Unknown Judith Wright 191 Wilbert W. -
Annual Report 2012–13
2012–13 ANNUAL REPORT ANNUAL REPORT ANNUAL REPORT 2012–13 ANNUAL REPORT 2012–13 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Mick Namarari Tjapaltjarri Act 1975. Pintupi people Untitled (Rain Dreaming at Nyunmanu) 1994 (detail) The vision of the National Gallery of Australia is to be synthetic polymer paint on linen an inspiration for the people of Australia. 152 x 183 cm purchased with funds from the Honorary Exhibition Circle The Gallery’s governing body, the Council of the National Patrons, 2013 Gallery of Australia, has expertise in arts administration, © the estate of the artist represented by Aboriginal Artists Agency corporate governance, administration and financial and business management. (back cover) In 2012–13, the National Gallery of Australia received Korewori caves an appropriation from the Australian Government East Sepik province, Papua New Guinea totalling $49.219 million (including an equity injection Hunter’s helper figure (Aripa) c 1480–1670 of $16.392 million for development of the national wood, ochre art collection), raised $23.573 million, and employed 174.3 x 6.5 x 32 cm 252 full-time equivalent staff. purchased 2011 © National Gallery of Australia 2013 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing -
Art & the Anthropocene
Art & The Anthropocene Processes of responsiveness and communication in an era of environmental uncertainty A project submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Jennifer Holly Rae (Jen Rae) M.A. (Public Art), B.F.A. School of Art College of Design and Social Context RMIT University March 2015 DECLARATION I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; and; any editorial work, paid or unpaid, carried out by a third party is acknowledged; ethics procedures and guidelines have been followed. Jennifer Holly Rae 13 March 2015 i ACKNOWLEDGEMENTS I would like to acknowledge the following individuals for their dedicated guidance and support during my candidature: Associate Professor Linda Williams (Primary Supervisor) Simon Perry (former Secondary Supervisor) Dr. Irene Barberis-Page (Secondary Supervisor) Professor Lesley Duxbury Thank you to my colleagues of The Riparian Project, Nicola Rivers and Amanda Wealands, for all of your enthusiasm, industriousness and rigor in shaping the project over the past 4+ years. I would also like to recognise support for The Riparian Project from the following: The Centre for Sustainability Leadership RMIT University SEEDS program including Marcus Powe and Ian Jones The School for Social Entrepreneurs Russell Wealands and The Yea Wetlands Trust and Committee of Management The Yea Public Art Advisory Committee (PAAG) members Pilot project partners Mary Crooks and Liz McAloon from The Victorian Women’s Trust For technical and logistical support, thank you to Thomas Ryan, Erik North, Michael Wentworth-Bell and Alan Roberts. -
Intercolonial Exhibition Report of Tasmanian Commissioners
(No. 66.) l 8 6 7. TASMANIA. LEGISLATIVE CO UN GIL. INTER COLONIAL EXHIBITION. REPORT OF THE TASMANIAN COMMISSIONERS. Laid upon the Table by. Sir R. Dry, and ordered by the Council to be printed, · October l 0, J 867. By His Excellency Colonel THOMAS GoRE BROWNE, Companion of the Most Honorable Order oftlte Bath, Capta,in-General and Governor-in Chief of Tasmania and its Dependencies. To the Honorable EDWARD ABBOTT, Esquire, M.L.C., JAMES WILSON AGNEW, Esquire, M.D., MORTON ALLPORT, Esquire, ABRAHAM BARRETT, Esquire, HENRY BUTLER, Esquire, M,H.A., EDWARD LEWIS DITCHAM, Esquire, ADYE DouGLAs, Esquire, M.H.A., · Mayor of Launceston, the Hunorable Sir RICHARD DRY, Knight, M.L.C., CHARLES GouLD, Esquire, RONALD CAMPBELL GUNN, Esquire, the Honorable . ALFRED KENNERLEY, Esquire, M.L.C., the lionorable ALEXANDER K1ssocK, Esquire, M.L.C., DAVID LEWIS, Esquire, M.H.A., THOMAS MACDOWELL, Esquire, the Honorable RoBERT OFFICER, Esquire, M.H,A, JAM~S RoirnRTSON, Esquire, JAMES SCOTT, Esquire, and RoBERT WALKER, Esquire, M.H.A., Mayor of Hobart Town. GREETING: WHEREAS it is expedient that a Commission be appointed for the purpose of making and carry ing out all necessary arrangements to enable the Colony of Tasmania to take due part in aid of the Inter-Colonial Exhibition to be held in Melbourne, _in tlie Colony of Victoria, during the current year: Know ye that I, reposing great trust and confidence in your fidelity, discretion, and integrity, have authorised and appointed, and do by these Presents authorise and appoint, you, or any three or more